This song was composed by Dikshitar in Tiruvaiyaru, at the house of Tyagaraja and at his behest. This kriti is in the eighth(Sambodhana Prathama) Vibhakti The sun is called Pankaja-mitra (friend of the lotus) as lotuses bloom at sunrise The phrase “maNi ranga vallyA-alankRta” in the Caranam contains the Raga Mudra
In this kruti Dikshitar describes the splendour and glory of Pattabhi Rama the king of Ayodhya and how his brothers,Sugriva,Vibhishana and others were at his service.
P mamava pattabhirama jaya maruti sannuta nama rama|| Oh Pattabhi Rama, (coronated Rama) protect me. Victory to Rama whose name is chanted by Anjaneya. AP komalatara pallava pada kodandarama ghana syamala vigrahabja nayana sampoorna kama raghurama kalyanarama rama|| Oh kodanda Rama (Rama with bow), Your feet are delicate like tender leaves. Oh RaghuRama, You are blue with lotus like eyes. Oh Kalyana Rama (auspicious Rama), you fulfill our desires. C chatra chamara kara dhruta bharata lakshmana Satrughna vibheeshana sugreeva pramukhadi sevita athri vasishtyadranugraha patra dasaratha putra maniranga valayAnkruta navaratna manTapE vichitra maNimaya simhasane seetaya saha samsthita sucharitra parama pavitra guru guha mithra pankaja mithra vamsa sudhambudhi chandra medineepala ramachandra || Bharata and Lakshmana sway chamaram and hold parasol. Satrughna, Vibheeshana, Sugriva and other stalwarts are at your service. Oh son of Dasaratha, eminent sages like Athri, Vasista are your well wishers. You majestically sit along with your consort Seeta on a gem studded throne in a pavillion shinning with nine kinds of gems. It is decorated with colorful buntings (toranam). Oh Rama Chandra, you are the most pious, You are known for your unblemished character. You are like the moon to the nectar like ocean of the Sun dynasty. You are the ruler of this earth. You are dear to Guru guha
Super ..Super...manirangu elaborations..... What a splendid krithi....mamava pattabhirama... Even if the whole world IT is placed on one pan,. Tharaasu...Can't match this even a single krithi of mahaans...mummoorthis...... Like thulaabharam..... So much..So much of stuff has been packed to each and every krithi of mummoorthis
Gist :- Oh Pattabhirama, whose name Rama is glorified by victorious Maruti, please protect me. Lord Kodandarama, your feet are soft, like the tender leaf. Your form is of dark blue in hue. You have lotus-like eyes. The perfect one, he is Raghurama and Kalyanaramachandra, bestower of auspicious things. He is attended upon by his brothers Bharata, Lakshmana, and Satrughna, who bear his royal umbrella and the flywhisk Chatra and Chamara, while Vibhishana, Sugriva, and other eminent personalities bay obeisance to him. He is the recipient of the blessings of the great preceptors such as Atri, Vasishtha, and others. He is seated along with goddess Sita, his consort, on a unique gem-bedecked throne, in a hall decorated colorfully with precious gem-studded buntings. The story of his great life is the sanctimonious one, capable of bestowing salvation. He is the dear one of Guruguha, and is like the moon to the ocean of the solar dynasty. He is the protector of the Universe
Manirangu is the janya raga of the 22nd Melakarta Raga Kharaharapriya. Aro: S R₂ M₁ P N₂ S // Av: S N₂ P M₁ G₂ R₂ S Till it is fully elaborated, many of us mistake Manirangu for Madhyamavathi. . Madhyamavathi : SR2M1PN2S // SN2PM1R2S Shriragam : SR2M1PN2S // SN2PM1R2G2R2S (also SNPDNPMRGRS) It can be seen that the arohanam is same for all.. Hence its closest ally in the Hindustani Music is once again Madhmadh Sarang. The swarams of this ragam are very similar to Madhyamavathi with only a minor variation in the descending scale, with the additional Ghandaram in the former. Hence its closest ally in the Hindustani Music is once again Madhmadh Sarang. Till it is fully elaborated, many of us mistake Manirangu for Madhyamavathi. maṇiraṅgu is a beautiful, little raga and perhaps has an unenviable position of being “in the middle” of two heavy-weight ragas - madhyamāvati (madyamAvati) and śrīrāga (SrIrAga), and differs from them in a rather subtle way in terms of ārōhaṇa/avarōhaṇa. madhyamāvati has an ārōhaṇa/avarōhaṇa that is S R2 M1 P N2 S | S N2 P M1 R2 S. This actually does not tell the whole story because the swaras in madhyamāvati carry a lot of gamakās with them, but that is a different story. The nominal ārōhaṇa/avarōhaṇa of śrīrāga is S R2 M1 P N2 S | S N2 P D2 N2 P M1 R2 G2 R2 S. You can see that it has the same ārōhaṇa structure as madhyamāvati but has a more meandering avarōhaṇa. However, in the avarōhaṇa, the part “P D2 N2 P M1” (i.e. pdnpm) is a special but rare phrase, which is to be used quite sparingly like once of twice in a song (the popular endarō mahanubhāvulu actually eschews it completely). Hence, for most purposes, the melody of śrīrāga usually follows: S R2 M1 P N2 S | S N2 P M1 R2 G2 R2 S, which brings it closer to madhyamāvati (from a structural perspective) but still with a vital difference in avarōhaṇa. Again in actual usage, gamakās vary between it and madhyamāvati (e.g. the ri in śrīrāga, and for that matter maṇiraṅgu is flat, never shaken, while it is not so in madhyamāvati). Now maṇiraṅgu, again has the same ārōhaṇa as the other two i.e. S R2 M1 P N2 S. The avarōhaṇa is yet another variation of the same base swaras, and is the more straight forward S N2 P M1 G2 R2 S (again from a structural perspective only - not all swaras are to be rendered flat!) Thus G2, the ga, is completely absent in madhyamāvati, occurs in a vakra i.e twisted pattern in the avarōhaṇa of śrīrāga, and in a normal descent pattern in the avarōhaṇa of maṇiraṅgu.
Brilliant alapana sweet rendering of the classic kruti of dikshadar balachandran
This song was composed by Dikshitar in Tiruvaiyaru, at the house of Tyagaraja and at his behest. This kriti is in the eighth(Sambodhana Prathama) Vibhakti
The sun is called Pankaja-mitra (friend of the lotus) as lotuses bloom at sunrise
The phrase “maNi ranga vallyA-alankRta” in the Caranam contains the Raga Mudra
In this kruti Dikshitar describes the splendour and glory of Pattabhi Rama the king of Ayodhya and how his brothers,Sugriva,Vibhishana and others were at his service.
Absolutely Blissfil Divine & Superb 👋👌👋
P mamava pattabhirama jaya maruti sannuta nama rama||
Oh Pattabhi Rama, (coronated Rama) protect me. Victory to Rama whose name is chanted by Anjaneya.
AP komalatara pallava pada kodandarama
ghana syamala vigrahabja
nayana sampoorna kama raghurama kalyanarama rama||
Oh kodanda Rama (Rama with bow), Your feet are delicate like tender leaves. Oh RaghuRama, You are blue with lotus like eyes. Oh Kalyana Rama (auspicious Rama), you fulfill our desires.
C chatra chamara kara dhruta
bharata lakshmana Satrughna vibheeshana
sugreeva pramukhadi sevita
athri vasishtyadranugraha patra
dasaratha putra maniranga valayAnkruta
navaratna manTapE
vichitra maNimaya simhasane
seetaya saha samsthita sucharitra
parama pavitra guru guha mithra pankaja mithra
vamsa sudhambudhi chandra medineepala ramachandra ||
Bharata and Lakshmana sway chamaram and hold parasol. Satrughna, Vibheeshana, Sugriva and other stalwarts are at your service. Oh son of Dasaratha, eminent sages like Athri, Vasista are your well wishers.
You majestically sit along with your consort Seeta on a gem studded throne in a pavillion shinning with nine kinds of gems. It is decorated with colorful buntings (toranam). Oh Rama Chandra, you are the most pious,
You are known for your unblemished character. You are like the moon to the nectar like ocean of the Sun dynasty. You are the ruler of this earth. You are dear to Guru guha
Very nice
Nice rendition.
'My Lord Sri Ram🙏🙏🙏
This kirthana is a beautiful painting - it brings before you the Sri Rama pattabhishekam scene!
Thats true!! Divine keerthana
❤
What an essence....
What a saahithyam...
What a melody...
What a raaga rasam
Ram not to forget to mention WHAT A VOICE WITH NICE PAKKA VADYAM
Super ..Super...manirangu elaborations.....
What a splendid krithi....mamava pattabhirama...
Even if the whole world IT is placed on one pan,. Tharaasu...Can't match this even a single krithi of mahaans...mummoorthis......
Like thulaabharam.....
So much..So much of stuff has been packed to each and every krithi of mummoorthis
Gist :- Oh Pattabhirama, whose name Rama is glorified by victorious Maruti, please protect me.
Lord Kodandarama, your feet are soft, like the tender leaf. Your form is of dark blue in hue. You have lotus-like eyes.
The perfect one, he is Raghurama and Kalyanaramachandra, bestower of auspicious things.
He is attended upon by his brothers Bharata, Lakshmana, and Satrughna, who bear his royal umbrella and the flywhisk Chatra and Chamara, while Vibhishana, Sugriva, and other eminent personalities bay obeisance to him.
He is the recipient of the blessings of the great preceptors such as Atri, Vasishtha, and others. He is seated along with goddess Sita, his consort, on a unique gem-bedecked throne, in a hall decorated colorfully with precious gem-studded buntings.
The story of his great life is the sanctimonious one, capable of bestowing salvation. He is the dear one of Guruguha, and is like the moon to the ocean of the solar dynasty. He is the protector of the Universe
Super krithi and highly spiritual
Manirangu is the janya raga of the 22nd Melakarta Raga Kharaharapriya.
Aro: S R₂ M₁ P N₂ S // Av: S N₂ P M₁ G₂ R₂ S
Till it is fully elaborated, many of us mistake Manirangu for Madhyamavathi. . Madhyamavathi : SR2M1PN2S // SN2PM1R2S
Shriragam : SR2M1PN2S // SN2PM1R2G2R2S (also SNPDNPMRGRS)
It can be seen that the arohanam is same for all.. Hence its closest ally in the Hindustani Music is once again Madhmadh Sarang.
The swarams of this ragam are very similar to Madhyamavathi with only a minor variation in the descending scale, with the additional Ghandaram in the former.
Hence its closest ally in the Hindustani Music is once again Madhmadh Sarang. Till it is fully elaborated, many of us mistake Manirangu for Madhyamavathi.
maṇiraṅgu is a beautiful, little raga and perhaps has an unenviable position of being “in the middle” of two heavy-weight ragas - madhyamāvati (madyamAvati) and śrīrāga (SrIrAga), and differs from them in a rather subtle way in terms of ārōhaṇa/avarōhaṇa.
madhyamāvati has an ārōhaṇa/avarōhaṇa that is S R2 M1 P N2 S | S N2 P M1 R2 S. This actually does not tell the whole story because the swaras in madhyamāvati carry a lot of gamakās with them, but that is a different story.
The nominal ārōhaṇa/avarōhaṇa of śrīrāga is S R2 M1 P N2 S | S N2 P D2 N2 P M1 R2 G2 R2 S. You can see that it has the same ārōhaṇa structure as madhyamāvati but has a more meandering avarōhaṇa.
However, in the avarōhaṇa, the part “P D2 N2 P M1” (i.e. pdnpm) is a special but rare phrase, which is to be used quite sparingly like once of twice in a song (the popular endarō mahanubhāvulu actually eschews it completely).
Hence, for most purposes, the melody of śrīrāga usually follows: S R2 M1 P N2 S | S N2 P M1 R2 G2 R2 S, which brings it closer to madhyamāvati (from a structural perspective) but still with a vital difference in avarōhaṇa.
Again in actual usage, gamakās vary between it and madhyamāvati (e.g. the ri in śrīrāga, and for that matter maṇiraṅgu is flat, never shaken, while it is not so in madhyamāvati).
Now maṇiraṅgu, again has the same ārōhaṇa as the other two i.e. S R2 M1 P N2 S. The avarōhaṇa is yet another variation of the same base swaras, and is the more straight forward S N2 P M1 G2 R2 S (again from a structural perspective only - not all swaras are to be rendered flat!)
Thus G2, the ga, is completely absent in madhyamāvati, occurs in a vakra i.e twisted pattern in the avarōhaṇa of śrīrāga, and in a normal descent pattern in the avarōhaṇa of maṇiraṅgu.
A class rendition. शुभकामनाएँ.
Uplifting!
Good voice .will.become great.artist
An apeeling raga by you super
Very beautiful .
.
😍
Wow
Wonderful ....
Ram 🙏
AahaSogasu Chula avari taramoo
mAmava paTTAbhirAma jaya mAruti sannuta nAma (rama)
anupallavi
kOmalatara pallava pada kOdanDarAma ghana-
zyAmala vigrahAbJanayana saMpUrNa-
kAma raghurAma kalyANarAma rAma
caraNam
chatracAmara karadhRta bharata lakSmaNa
zatrughna vibhISaNa sugrIva pramukhAdi sEvita
atri vaziSTAdyanugraha pAtra dazaratha
putra maNiraGgavallyAdalaGkRta nava-
ratna maNTapE vicitramaNimaya siMhAsanE
sItayA saha saMsthita sucaritra parama pa-
vitra guruguha mitra paGkajamitra vaMsa-
sudhAMbudhicandra mEdinIpAla rAmacandra