Excellent rendition by Abhyankarji 🙏🏼 Excellent discussion and explanation of the Raga Kedar… Mukundji has a very beautiful voice… Brilliant programme!
a lot of Hindustani ragas used in Malayalam film songs ..similarly Kalamandalam Hyderali s sucess is he used Hindustani ragas in kathakali songs probably for the first time ..
वाह! गुरुजींची आठवण करून दिलीत. छान माहिती दिलीत आभार व्यक्त करतो. मला वाटतं की ताल विभिन्न ताल यांची माहिती ज्ञान दिलं गेलं पाहिजे त्याशिवाय संगीत अधुरे आहे जसं की रूपक ताल, झपतल,dipchandi वगैरे वागे
Liked the explanation a lot. But this temptation to compare the raag with every feature of a beautiful woman needs to be resisted. The best singers of India weren;t classical beauties but they were some of the most beautiful people. So please stop this naak acchee honi chaiye, honth acchi honee chaiye.
Absolutely phenomenal presentation by Pt. Sanjeev Abhyankar ji. However, there is a feeling of tickling superficialness about his Jaane de mori - compared to his Guruji and I think it is because of his approach to the voice treatment. The older generation had a tinge of real world authenticity which is lacking in stage version smoothness of the next generation. Kala Ramnath being an exception due to violin and her treatment of the instrument.
Two very important and essential elements have been overlooked in most of your videos.They are: elaborate and comprehensive raag vistaars and swar sangathees(note cominations or clusters of notes). There is a need to eplain how to take a note in a raag and then combine with other notes to orm a musical phrase in that particular raag for example the note ni in raag yaman-you can combine these notes with ni-mdn- dnrs-nrs-nrg-nrgrs-nrgmp-nrgmdns. Here we can see the note ni being combined with other relevant notes to form phrases. This kind of information would be very useful to all and would be very helpfful in the composition process. Anyway a good effort by Humanities to provide raga information.
Beautiful rendition, a request if possible do a session on raag Kaushi Kanada. As it is a complex raag, the discussion will be a great help for students to understand it.
उनई में मेरो चित लागो ये री मैं देखत भई बाबरी ....... राग केदार पर आधारित बंदिश को बहुत मधुर आवाज मनमोहक अंदाज में प्रस्तुत किया है संजू अभ्यंकर जी ने अभिनंदन शुभकामनाएं बधाई राग शिक्षण के लिए पटल को धन्यवाद आभार धन्यवाद
पंडित संजीव अभयंकर जी को अनेक नमस्कार। मधुमय आवाज। महान वैदुष्य। बहुत ही ललित,सुरमयी आलाप, फूल जैसा कोमल गमक,मीनड, सुमधुर भावना,सब महत्वपूर्ण हैं।ला जवाब हैं। He is wonderful. Very very effecient as a teacher of music...giving so many similies in the explanation. Great guruji. His students are very fortunate. My heart felt thanks to the chanel. The interviewing members are doing a great job.. Dr. Nandita Data ji.....is an excellent interview er. It is a very beautiful way of interviewing... Lecture demminstration on film songs based on classical ragas is wonderful. Very educative. My regards to one and all.
Every time one thing is left asaude Her ek rag me kaunse swar varjya hai aroj me ya awarohme ye batana bahot jaruri hai Ap jo aroj awaroh gake batate hai usame jisko ragdarika purn gyan hai wahi samaj jata hai ki kya varjy hai aur kya nahi Ham jaise navsikhiyeke liye ye samaj Lena muskil hai
Excellent rendition by Abhyankarji 🙏🏼 Excellent discussion and explanation of the Raga Kedar… Mukundji has a very beautiful voice… Brilliant programme!
Is rag ko itni achhi tarah prastut kia hai kya kahu bas sunta hi rah gaya 🙏
Ati sunder. Superb performance and presentation. please take the classical music to it's greatness.
Thank you very much for this preparation.
Nice 👌
these are real Marathi Manus who are pride of Maharashtra not the lousy politicians who are doing best to finish this legacy
What an explanation giving example of a face and a mole
😁
thanks for sharing...
Great.
mam ap veido bhejna bol bol mose nand kovarva song 🎤 mam meri bhen ko sikha Tu hei mam
ഈ രാഗത്തിൽ ദേവരാജൻ മാസ്റ്റർ . മലയാളത്തിൽ കംപോസ് ചെയ്ത ഒരുപ്രസിദ്ധ മായ ഗാനമുണ്ട് അതാണ്.. ചക്രവര്തിനി നിനക്ക്. ഞാനെന്റെ ശില്പ ഗോപുരം തുറന്നു എന്നത്
ഞാനുമുണ്ടിവിടെ
a lot of Hindustani ragas used in Malayalam film songs ..similarly Kalamandalam Hyderali s sucess is he used Hindustani ragas in kathakali songs probably for the first time ..
Nyanum undu
"അലയുമെൻ പ്രിയതര മോഹങ്ങൾ " എന്ന ഗാനവും കേദാർ രാഗമാണ്. ചിത്രം : സമുദായം 1995. ദേവരാജൻ മാസ്റ്റർ.
Is rag kedar closer to hamir kalyani some one pls explain
राग केदार बंदिश
ताल - रूपक
"ऊन ही सो मेरो"
ऊन ही सो मेरो चित लाग्यो
एरी मेतो देखत भयी बावरे
बिन उन मोहे कलना परत है
जब से देखी मूरत मधुर आये
कलना परत है, इसका क्या अर्थ होता है?
Thanks for details,,
@@Aman-et3rq,, Kal Matlab chain or peace,,,,,naa parat Matlab nahi padataa,,, means I am not at peace without you,,,
Thank you 😊 so much
@@Aman-et3rqशान्ति नहीं मिलती!
या संतुष्टि नहीं होती!
😡😡😡😡😡😡😡😡😡😡😡😡😡😡😡
Sanjeev abhyankar is the greatest magician of sound.
वाह! गुरुजींची आठवण करून दिलीत. छान माहिती दिलीत आभार व्यक्त करतो. मला वाटतं की ताल विभिन्न ताल यांची माहिती ज्ञान दिलं गेलं पाहिजे त्याशिवाय संगीत अधुरे आहे जसं की रूपक ताल, झपतल,dipchandi वगैरे वागे
How to differentiate between kedar and hamir kalyan
Kedar in carnatic is called hamir kalyan
Pandit ji rendered this raag so beautifully in his sweet voice.
Pranam to him and thank you for organizing such sessions.
विरह श्रृंगार और भक्ति राग केदार की बंदिश में प्रमुख रूप से हैं ...... बहुत सुंदर संदेश दिया है अभ्यंकर जी ने सादर अभिनंदन शुभकामनाएं बधाई
Kedar, Tilak Kamot & Bageshree are very close to each other. How does one know from light songs?
No sir....yeh sabhi...bahut hi alag alag nature ke raag hain ...inmein zameen aasmaan ka fark hai
Challan and Key Phrases
Liked the explanation a lot. But this temptation to compare the raag with every feature of a beautiful woman needs to be resisted.
The best singers of India weren;t classical beauties but they were some of the most beautiful people.
So please stop this naak acchee honi chaiye, honth acchi honee chaiye.
मेरे ज्ञानके अनुसार कोमल निषाद इस्तेमाल करनेसे वो चॉंदनी केदार होता है.
Mukund Phansalkarji has such a beautiful voice,,so much bhaav in his voice.!!
C
Yes...very soft n soothing..
प्रणाम गुरु जी। आपको साक्षात सुनने का अवसर प्राप्त हुआ था। ये मेरी खुशनसीबी है। अत्यंत सुंदर
बेबस में कर्म कीजिए सरकार मदीना ....
हमको मन की शक्ति देना मन विजय करें दूसरों की जय से पहले खुद की जय करें ....... बहुत अच्छा गाया है बधाई
1:20 aroh avroh
2:57
Vadi - ma
Samvadi - sa
Raag me komal ni ka prayog - 4:00
Slight use of komal ni
Great explanation of raag with real time examples and obviously what a wonderful rendition.
Nowaday his not performing and showing his 5alent. Why?
खूप सुंदर..माहिती सांगणारा प्रोग्राम..पंडित संजीव अभ्यंकर जी आणी मुकुंद जी बेस्ट..
Lovely this helps us so much... School ki prayer yaad agayi.. Hamko man ki shakti dena.
Oh just reached to 15th minute 😂
Pl tell me anyone what is the besic different in between rag keder and kamodi
Aye watan mere watan from the movie Razi is also based on this raag
I found this channel very informative 👍 wonderful performance 👌
Only one word comes to mind for this episode (summing up the hosting, co-hosting, tabla, and of course Sanjeevji) -- just *class* .
दरशन दो घनशयाम मोरी अँखिया प्यासी रे
Absolutely phenomenal presentation by Pt. Sanjeev Abhyankar ji. However, there is a feeling of tickling superficialness about his Jaane de mori - compared to his Guruji and I think it is because of his approach to the voice treatment. The older generation had a tinge of real world authenticity which is lacking in stage version smoothness of the next generation. Kala Ramnath being an exception due to violin and her treatment of the instrument.
It needs more elaboration over aalap ,taans and boltaans with explanation.Nice for advanced students.
Very technical matters..thanks for comment for interested..
Mam what is the besic different in between rag keder and kamodi
खूप च सुंदर
खूप च मार्गदर्शक
आणि खूप उपयुक्त युट्युब चॅनेल
मनःपूर्वक धन्यवाद
Thank for the channel and its organisers. Their imagination and hard work speaks a lot.
Abhyankar ji is a legendary singer
Kalakar jo malumat dete hain use rokiye mat
Wonderful artists!! Thanks for presentation!
Two very important and essential elements have been overlooked in most of your videos.They are: elaborate and comprehensive raag vistaars and swar sangathees(note cominations or clusters of notes). There is a need to eplain how to take a note in a raag and then combine with other notes to orm a musical phrase in that particular raag for example the note ni in raag yaman-you can combine these notes with ni-mdn- dnrs-nrs-nrg-nrgrs-nrgmp-nrgmdns. Here we can see the note ni being combined with other relevant notes to form phrases. This kind of information would be very useful to all and would be very helpfful in the composition process. Anyway a good effort by Humanities to provide raga information.
Thank you very much for posting these videos.
Unless already posted, any plans to include Rag Saraswati and Bhairavi?
Thx.
Janak raag also to be quoted please.
🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
Love rupak tal 7 beats
Very melodeous rendering
Who is the guy in glasses? He has beautiful voice.
He is Mukund Phansalkar.
He is a sa re ga ma winner...I remember watching him many yrs ago
does he sound like manna de?
his kanha ja sounds better than Lata's version i say!
Be kas pe karam kijiye from the movie Anarkali( 1953) falls under this rag?
Yes ..u r right...even Humko man ki Shakti dena is based on kedar
But bekas pe Karam kijiye is from Mughal e aajam
Excellent explanation by pt.sanjev abhyankar
Sanjeev ji nmukundji 's rendition of female song was so exhilarating! So melidious
मनोहर प्रस्तुति । अच्छा संयोजन। शिक्षण का सुंदर प्रयास ।
15:09❤❤❤❤❤❤❤❤
❤️❤️❤️❤️❤️❤️
Beautiful rendition, a request if possible do a session on raag Kaushi Kanada. As it is a complex raag, the discussion will be a great help for students to understand it.
Very informative.Beautiful rendition
Very. Nice
Awesome ❤
Kya baat hai.
🌺🌺🌺👌
So sweet raaga
Very fine
उनई में मेरो चित लागो
ये री मैं देखत भई बाबरी ....... राग केदार पर आधारित बंदिश को बहुत मधुर आवाज मनमोहक अंदाज में प्रस्तुत किया है संजू अभ्यंकर जी ने अभिनंदन शुभकामनाएं बधाई
राग शिक्षण के लिए पटल को धन्यवाद आभार
धन्यवाद
Raag ka /
Wah.
Beutifu sir
What a sweet voice of Sanjay ji I hv seen him when he was young playing tanpura with Pandit Jasraj Sharma ji Great performance
🙏🌻🙏
पंडित संजीव अभयंकर जी को अनेक नमस्कार। मधुमय आवाज। महान वैदुष्य। बहुत ही ललित,सुरमयी आलाप, फूल जैसा कोमल गमक,मीनड, सुमधुर भावना,सब महत्वपूर्ण हैं।ला जवाब हैं। He is wonderful. Very very effecient as a teacher of music...giving so many similies in the explanation. Great guruji. His students are very fortunate.
My heart felt thanks to the chanel.
The interviewing members are doing a great job.. Dr. Nandita Data ji.....is an excellent interview er. It is a very beautiful way of interviewing... Lecture demminstration on film songs based on classical ragas is wonderful. Very educative.
My regards to one and all.
This is Bhagwan Shivji’s raga. One of the sweetest ragas!
That is Raag Bhairav.
Bhairav is an adi raga.
This is Lord Krishna's raag
Sunder Apratim Melodious Voice.. Also detailed Information about Kedar Raga. Thanks. 🌹🌹🌹🌹💐💐💐💐👌👌🙏🙏🙏🙏
Raag Bhairav is the favorite raag of Shivji. Raag Kedar is the favorite Raag of Lord Krishna.
@@sawtantardevarif5561 but Kedar means shiv.
जाने दें मोहे तोरी पिहरवा
का मानूं ......पैंया पड़ू तोरे...... बहुत सुंदर गायन अभ्यंकर जी सादर अभिनन्दन
Thanks a lot for sharing
Jo interview le Rahi hain unki Aawaz bilkul Sridevi ji se mil Rahi hai। Bahut madhur
राग दारी संगीत में लय पर बहुत अच्छी बात कही है संजू अभ्यंकर जी ने अभिनंदन
Great work Vivek Apte ji We love U❤❤❤😍😍😍😍🦋🦋🦋🦋🦋
Mesmerizing voice, taking us to another world, God bless you
Hi its 115am in tnt west Indies n listing to u guyz. Hmm it one of d smoothest flowing aakaar ive heard. Gr8 r u guyz. Thanx men. Well done !!!
Very nice presentation by panditji. My regards.
wonderfull pt ji,raag kedara perfarmence
keep it up-Superb
Thank you....👌👌👌
Everyone👌👌👌👌
Every time one thing is left asaude
Her ek rag me kaunse swar varjya hai aroj me ya awarohme ye batana bahot jaruri hai
Ap jo aroj awaroh gake batate hai usame jisko ragdarika purn gyan hai wahi samaj jata hai ki kya varjy hai aur kya nahi
Ham jaise navsikhiyeke liye ye samaj Lena muskil hai
Humko man ki Shakti Dena based on this?
yes
Yes...This is probably the most talked about composition based on Raag Kedar...
Really a great presentation of raag Kedar. Thanks very much.
So magical
I am a huge fan of sanjiv ji since college days,,,wen i started learning music..
Sanjivji has nicely explained the concept of raag timing.
My favourite Sanjeev abhyankar ji🙏🙏🙏
What an explanation and analogy. So so beautifully explained.
अरे पंडित जी कितना मधुर आपको प्यार और प्रणाम दोनों
Sanjeevji aap Hamesha Rulate ho. Aapki jay ho
What a great performance❤️❤️❤️❤️
Beautiful abhyankar ji
Waaaaaaaaaaaaa hat's off to u
Excellent , very much understand about raag kedar ,
मन भावन मन को शांत करनेवाला धन्यवाद
Nice to come across and listen.,.... best wishes too.
राग को समझाने का तरीका बहुत सुंदर है नमस्कार
Heart tuch song
नन्दिता जी कभी राग भीमपलासी सुनवाएँ
Jai ho........Bahut sundar.....