in my entire 50 years this is the first time ive seen perfect and intuitive and heck easy and logical and fundamental nature based audio science , and the fact that is terrifyingly points at quantum mechanics is pfff Im speechless ,Menno tell us the truth are you from the Orion constellation (joke) but it is terrifying the level of your intelligence , im a bit broke now but as soon as I get some money ill buy your plugins immediately ,I am completely sold on this one , wish I had this 30 y ago ,kudos to you!
What an informative video. Watching your workflow has really helped the integration of both COS Pro and Monolith. Also, using Monolith after a compressor or tape machine makes a huge difference. Such good stuff. Thank you Menno.
I would love a booklet with some recomendations for noise shapes on different instrument and elbow point as reference. The more videos I watch the more I get it but a ref would be amazing
Roman...we will be releasing a massively upgraded COS Pro in May that not only has lots of powerful new features but also has Universal Mixing built directly into it. At that point I will be creating many new videos regarding Universal Mixing method...stay tuned.
Hi - At the end of this video, you have a Waves plugin on the Drum Bus. Earlier you stated Waves plugins like to be hit at -20 lufs. Is this not the case with buses? You've got the MM before tape and Waves, but not before everything hits bus? OR on the Drum bus before the Omni? Great plugins by the way.
Great question...in this instance I knew the combined energy at my drum buss was right around the -20LUFS mark, so a Monolith correction before the Waves plugin wasn't necessary. That said, it's good practice to always check the LUFS levels of your stereo busses and apply correction if needed.
I've purchased Hyper EQ recently and after taking a long time to wrap my head around it, it's starting to produce really good results. I have a few requests however for future updates (mainly quality of life stuff) 1. Scalable interface. Currently it's too small (similar problem to old Waves plugins) and the fonts can be hard to read. I have a 27" monitor running in 2k 2. Input AND Output level on the meters plus an integrated LUFS meter for level matching (not all of us are also running Mix Monolith yet!) 3. Undo. When you make a change via the ceiling editor and you go to undo it, currently you have to undo every band of the EQ that got moved in that ceiling change individually. This is time consuming and kind of punishes mistakes in a way. The undo should take you back to the EQ setting prior to applying the ceiling instead 4. Snapshots. Not all DAWs have the ability to cycle between different settings instantly to see which variation we like best. This would be really handy for comparison.
All of those features and many more are in the works...not sure of a release date yet as we're making sure to think of and add everything we, and users, would "want" on the next version. Stay tuned.
I'm interested in both cos pro and mm. My setup is proper and balanced (acoustic panels on walls and ceiling cloud, monitors spaced angled on stands) being pretty accurate but when learning and ear training I can see cos being a great tool for learning. (I'm an audio novice)
in my entire 50 years this is the first time ive seen perfect and intuitive and heck easy and logical and fundamental nature based audio science , and the fact that is terrifyingly points at quantum mechanics is pfff Im speechless ,Menno tell us the truth are you from the Orion constellation (joke) but it is terrifying the level of your intelligence , im a bit broke now but as soon as I get some money ill buy your plugins immediately ,I am completely sold on this one , wish I had this 30 y ago ,kudos to you!
What an informative video. Watching your workflow has really helped the integration of both COS Pro and Monolith. Also, using Monolith after a compressor or tape machine makes a huge difference. Such good stuff. Thank you Menno.
I would love a booklet with some recomendations for noise shapes on different instrument and elbow point as reference. The more videos I watch the more I get it but a ref would be amazing
Roman...we will be releasing a massively upgraded COS Pro in May that not only has lots of powerful new features but also has Universal Mixing built directly into it. At that point I will be creating many new videos regarding Universal Mixing method...stay tuned.
@@ayaicware i can’t wait 😮😮😮
@@ayaicwarewow! Can't wait!!!
@@ayaicware Hello, will this future May upgrade be free if we already have COS Pro ?
@@macphersonmusix Indeed...All Ayaic upgrades are free.
Learnt a lot again. Looking forward to Part,3. Thanks, Menno.
Thanks for this information.. makes it more it much more clear on how to use COS Pro.
Hi - At the end of this video, you have a Waves plugin on the Drum Bus. Earlier you stated Waves plugins like to be hit at -20 lufs. Is this not the case with buses? You've got the MM before tape and Waves, but not before everything hits bus? OR on the Drum bus before the Omni? Great plugins by the way.
Great question...in this instance I knew the combined energy at my drum buss was right around the -20LUFS mark, so a Monolith correction before the Waves plugin wasn't necessary. That said, it's good practice to always check the LUFS levels of your stereo busses and apply correction if needed.
@@ayaicware Interesting - good to know - thanks for the quick reply!!
Thanks a lot
Really needed these tutorials
Waiting for upcoming parts
Be well
Thanks again
Makes more sense now. Excellent
I've purchased Hyper EQ recently and after taking a long time to wrap my head around it, it's starting to produce really good results. I have a few requests however for future updates (mainly quality of life stuff)
1. Scalable interface. Currently it's too small (similar problem to old Waves plugins) and the fonts can be hard to read. I have a 27" monitor running in 2k
2. Input AND Output level on the meters plus an integrated LUFS meter for level matching (not all of us are also running Mix Monolith yet!)
3. Undo. When you make a change via the ceiling editor and you go to undo it, currently you have to undo every band of the EQ that got moved in that ceiling change individually. This is time consuming and kind of punishes mistakes in a way. The undo should take you back to the EQ setting prior to applying the ceiling instead
4. Snapshots. Not all DAWs have the ability to cycle between different settings instantly to see which variation we like best. This would be really handy for comparison.
All of those features and many more are in the works...not sure of a release date yet as we're making sure to think of and add everything we, and users, would "want" on the next version. Stay tuned.
@@ayaicware Cheers Menno, that's great to hear!
SO COOL
I'm interested in both cos pro and mm. My setup is proper and balanced (acoustic panels on walls and ceiling cloud, monitors spaced angled on stands) being pretty accurate but when learning and ear training I can see cos being a great tool for learning. (I'm an audio novice)
Maybe it would be a good idea to use COS when you are tracking - get as close to perfect noise as possible?
Thanks for a great tutorial!
Indeed...I do this often, when the addition of latency isn't an issue, since placing any plugin on a DAWs input track/s creates latency.