Sicut Cervus / Sitivit Anima Mea by Palestrina

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  • Опубліковано 24 гру 2024

КОМЕНТАРІ • 25

  • @fruitcabaret
    @fruitcabaret 9 років тому

    I never imagined this piece could sound so beautiful on lute and voice. I am pleasantly surprised! Love it, keep making good music.

  • @katochanh
    @katochanh 6 років тому

    Thanks to present beautiful song to us. I love this song to sing with my choir friends. I had emotional time with your perform. Thanks 😊🍵🍙🍡☘️

  • @victorialeeable
    @victorialeeable 4 роки тому

    Just beautiful!

  • @variasveces
    @variasveces 13 років тому

    I remember a long time ago, when my college choir was rehearsing something by Bach, my totally eccentric choir director said something along the lines of how "you can't kill a good tune", and he started playing the piece by Bach as a pop song . . .. This video of yours goes to show you how very right he was!

  • @daviddurough7838
    @daviddurough7838 10 років тому

    Exquisite, noble song. Preciosa voz. From Argentina.

  • @orion777temp
    @orion777temp 14 років тому

    so beautiful, thanks for all your posting.

  • @Gimmer3
    @Gimmer3 10 років тому

    This is just so beautiful! Thank you!

  • @Mignarda
    @Mignarda  13 років тому

    @variasveces Thanks for your comment. Palestrina's music has all the hallmarks of popular style from a different age. Generally, early music performers tend to filter interpretations through received ideas that are largely academic and not particularly derived from insights into performance through broader study of context.
    We base our interpretation on the well-known fact that Palestrina used the lute to work out ideas, and this motet responds well to the treatment. Thanks again.

  • @Mignarda
    @Mignarda  14 років тому

    @organjon
    Thanks so much, Jon! Hope Temple is treating you well!

  • @fabienneleclercq7844
    @fabienneleclercq7844 5 років тому

    la douceur et la grâce

  • @JohnWilmot1179
    @JohnWilmot1179 11 років тому +1

    This is magical.

  • @jaypea51
    @jaypea51 5 років тому

    Hauntingly beautiful.

  • @azizdad
    @azizdad 4 роки тому

    Sublime

  • @gegemec
    @gegemec 8 років тому +2

    I read some comments on a choral version of this song that described the interpretation of the song as "ham-fisted", so then I decided to listen to many other versions to see if i could get to the rub of what the writer meant. I found your version, and find it exquisite. I sing this myself (in a choral setting) and hope to learn from what you have done here, thanks.

    • @olaceyj
      @olaceyj 7 років тому

      Exquisite. Pretty much covers it.

  • @looterish
    @looterish 14 років тому

    Exquisite!!!

  • @Mignarda
    @Mignarda  14 років тому

    @looterish - thanks!

  • @TheSecretHarp
    @TheSecretHarp 10 років тому

    Is there any way on earth the tablature is available?

    • @Mignarda
      @Mignarda  10 років тому +1

      Hello, Thomas - sorry that we're just seeing your message now. Yes, indeed! We have published our arrangement for lute & voice in the second volume of Mignarda Editions' "Harmonia Caelestis", available from our web site at:
      mignarda.com/editions/ Thanks for asking.

    • @kyle.2344
      @kyle.2344 7 років тому

      I can't believe that I'm just seeing this now! Thank you.

    • @TheSecretHarp
      @TheSecretHarp 3 роки тому

      @@Mignarda Hello again! Second question: Is the tablature compatible with the baroque lute tuning? If it is I'm buying this book.

    • @Mignarda
      @Mignarda  3 роки тому +1

      @@TheSecretHarp No, the published intabulation is in renaissance lute tuning, which was the tuning familiar to Palestrina and used to work out his polyphonic music, according to correspondence written by Don Annibale Capello to the Duke of Mantua, Rome, 18 October 1578. The d-minor baroque lute tuning was not common until the mid-17th century. However, if you would like an arrangement for d-minor tuning just ask and we can work something out.

  • @orfeoinselva1602
    @orfeoinselva1602 5 років тому

    Questi due scriteriati si son messi con esecrabile impegno e imperterrita brutalità a banalizzare e distruggere uno degli esempi più puri e intensi della polifonia rinascimentale. Non vale la pena di spendere una parola in più