Ashtapadi 3 | Dr UKB | Gita Govindam | AIR | Udaiyalur Kalyanaraman Bhagavathar | Namasankirtanam
Вставка
- Опубліковано 19 вер 2024
- Ashtapadi 3 | Dr UKB | Gita Govindam | AIR | Udaiyalur Kalyanaraman Bhagavathar | Namasankirtanam
Dr Udaiyalur Kalyanaraman is committed to the old tradition - Pracheena Sangeetham. The spirit of his revivalist movement goes beyond bringing together innumerable expert singers who also belong to impressive Guru-Sishya paramparas, to sing for large gatherings. He has just been singing beautifully, mesmerizing his listeners with a style which had been almost forgotten. While critics have been lamenting the lack of devotion in present day Carnatic music, the Bhagavathars along with Kalyanaraman, have shown that devotional music (#bhajanai sampradaya) is another genre, not to be confused with the elaborate vicissitudes of classical music.
Dr Kalyanaraman's lineage is essentially the core of #Thanjavur culture, and impressive. From both his parent's, families he can boast of distinguished artists like Puthagaram Ayyaswamy Bhagavathar and Valkudi Santhana Bhagavathar. He grew up under the influential guidance of a famous musician of his time, Tiruvidaimarudur Venkatarama Bhagavathar. In #Udaiyalur which is a stone's throw away from Patteswaram, the young Kalyanaraman, cycled home from school hurriedly, to join the Bhajanai group wherever they were performing.
He learnt by listening and observation. He also went to every village in the surrounding district, and assimilated the culture of devotion which was kept vibrant by patrons and temples as well as "Mutts". He speaks of his Guru's evocative singing with feeling: "When he began the #Sankirtanam, by chanting "Sri Gopalavilasini... ", facing the beautiful Radha-Krishna image which was in the Puja, it seemed as if the deities would step out of the picture with folded hands in response. Such was the magic of the music that everyone present felt the presence of Divinity among them." The added touch of irony was that Venkatarama Bhagavathar was visually handicapped. Perhaps that is one of the reasons too, that his singing visualized more powerfully, the "Leelas" of Krishna.
Kalyanaraman is no less evocative and sincere in Namasankirtanam. He is precise about the traditional system, technique, and content of the music. Above all he imparts "soul" to his music with an abandon rarely heard. Every #raga is used to bring out the beauty of the perfectly pronounced lyrics. His husky voice has a quality that is magnetic. You never tire of hearing him. The nuances are well practiced, yet sound spontaneous. It is not surprising therefore that Kalyanaraman is busy every day of the week. Along with his trusted accompanist, #Babu who has been very supportive not only on the mridangam, new milestones are reached in the avenue of devotional music. Known for imbibing the traditional #Carnatic music in his singing style, Dr Udaiyalur #Kalyanaraman has come a long way. Each of his performance brings out his incredible instinctive understanding of '#gamakas','#Swaram' and their myriad nuances.
Courtesy: Lakshmansruthi.com
Namaskaram
No words to express 🙏
ram ram
👌👏🙏🙏💐💐
ram ram
Radhe krishna Guruvaayurappa🙏🙏 Ashtapadi No (3) 👌🏼🙏🙏🌹🌹🙏🙏👌🏼
ram ram
Sir,ungal voice eanaku romba pidikum oru murai ungalai parkanum
Radhe Krishna
Ashtapadi-3 (vasantha kaala varnanam) Vasantha/Kamas /Adi
Vasanthey vaasanthi kusuma sukumaarai: avayavai:
bramantheem kaanthaarey bahu vihitha krishnaanu sara naam
amandam kandarpa jvara janitha chinthaa kulathayaa
valadh baadhaam raadhaam sarasamidhamoochey saha chari
…………………………………………………………………………………………………….
1. Lalitha lavanga lathaa pari shee lana
komala malaya samee rey raadhey
madhu kara nika ra karam bitha ko kila
koo jitha kunja kutee rey raadhey
Viharathi hari riha sarasa vasan they
nruthyathi yuvathi janena samam sakhi
virahi janasya duran they raadhey
2. Unmadha madhana mano ratha pathika
vadhoo jana janitha vilaa pey raadhey
ali kula sam kula kusuma samoo ha
niraa kula vakula kalaa pey radhey
3. Mruga madha sou rabha rabhasa vasham vadha
nava dhala maa la tha maa ley raadhey
yuva jana hrudaya vidhaarana mana sija
nakha ruchi kim shuka jaa ley radhey
4. Madana mahee pathi kanaka dhanda ruchi
kesara kusuma vikaa sey raadhey
militha silee mukha paa tala pata la
krutha smara thoo na vilaa sey raadhey
5. Vigalitha lajjitha jagath ava lo kana
tharuna karuna krutha haa sey raadhey
virahi ni krun dhana kundha mukaa kruthi
kethaki danthuri thaa shey raadhey
6. Maadhavi kaa pari mala mili theh nava
maalika yaadhi su gan dhou raadhey
muni mana saam api mohana kaa rini
tharunaa kaarana bhan dhou raadhey
7. Sfura dhathi muktha lathaa pari ram bana
muku litha pula kitha choo they raadhey
vrindaa vana vipi ney pari sara parigatha
yamu naa jala poo they raadhey
8. Sree jaya deva bhanitham idham udha yathi
hari chara na smruthi saa ram raadhey
sarasa vasantha samaya vana var nanam
anugatha madhana vikaa ram raadhey
...........................................................................................................................................
Dara vidhalitha mallee valli chanchal paraagaprakatitha
pata vaasair vaasayan kaananaani
iha hi dahathi chetha: kethakee gandha bandhu:
prasaradha sama baanaa praana vad gandha vaaha:
unmeelan madhu gandha lubda madhupa
vyaa dhootha choothaan kura
kreeda: kokila kaa kalee kala kalai:
udgeernna karnna jvaraa:
neeyanthey padhikai: kadham kadhamapi
dhyaanaava dhaana kshanaa
praaptha praana samaa samaa gama
rasollaasai: amee vaasaraa:
ram ram
Excellent mesmerizing
ram ram
Hare Krishna
Ram Ram
VERY GOOD. RAM RAM.
ram ram
Very melodious and clear diction 👌🙏
P
Radhe Krishna ✌
ram ram
Radhey Krishna🙏 can we have the meaning of slogas for all the Asthapathi's?
rathe krishna
ram ram
இதை விட நல்ல வாய்ப்பு கிடையாது. பக்தர்கள் தினமும் ஒரு அஷ்டபதியைக் போட்டுக் கேட்டுப் பழகும் படி கேட்டுக் கொள்ளுகிறேன்.
ram ram
Rathe rathe