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YouTube Print Exchange Featuring Platinum/Palladium Printing - Large Format Friday
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- Опубліковано 14 сер 2024
- NEW LFF Memberships: www.marrash.co...
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YT Print Exchange Participants
Shoot Film Like A Boss - / shootfilmlikeaboss
[Sending print to] Azriel Knight - / @azrielknight
Borut Peterlin - / borutpeterlin
[Receiving print from] The Naked Photographer - / @thenakedphotographer
Grain - / @graintv
Nico’s Photography Show - / @nicosphotographyshow
Kyle McDougall - / @kylemcdougall
Pushing Film - / @pushingfilm
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[Platinum Palladium Printing Resources]
Bostick & Sullivan - www.bostick-su...
www.bostick-su...
Photographer Scott Davis - dcphotoartist....
Photographer Clay Harmon - www.clayharmon...
Photographer Kerik Kouklis - www.kerik.com/
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Support the Channel here: www.marrash.co...
Questions? Send me an email: largeformatquestions@gmail.com
Content by Mat Marrash: www.matmarrash...
00:00 Intro
01:26 YT Print Exchange
02:38 Pt/Pd Basics
04:14 Chemicals Overview
06:18 Metal Salts
07:18 Coating & Washing
09:44 Watercolor Paper
11:38 Coating Station
12:12 Pt/Pd Ratios
14:10 Hand-Coating
16:15 Testing & Fails
18:43 Final Prep
19:33 1st Print
22:44 2nd Print
24:20 Thank You!
#largeformat #filmphotography #darkroom
Yikes! Those are some expensive borders on that print! I'm a big fan of the glass rod technique for applying sensitizer - makes for a print area much closer to the size of the negative, so you can use less of the hideously expensive chemicals.
Absolutely stunning! can't wait to see it in person.
Great Video, I am doing the process and it's taken my photography prints to the next level!
"Watch our money evaporate in real time," oof. Great work man, very cool stuff
The pain wasn't too bad since many of these chemicals were purchased years ago, but those new prices can be shocking! Now to work up the courage to make more prints.
@@MatMarrash I was going to say... Have you seen the prices on palladium lately?
Platinum is cheap
WOW platinum/palladium is AMAZING!!! Wonderful results Mat! My goodness! Also I looked up how much those chemicals costs and...yep not inexpensive by any means!
Thank you very much Tim! For price alone Pt/Pd is one of the last alt processes I recommend. But when you have the right negative and everything dialed-in, it sings!
Great video Mat. I saw Roger on SFLAB mention you guys doing this exchange so look forward to seeing how it pans out.
The Platinum/ Palladium process is one I have wanted to try for a long time but the cost of it is the down side. Watching this video and seeing the results just adds more inspiration for me to get on and do it, so well done. I'm sure Azriel will love it.
Thank you Steve! Roger's video was great and now I need to catch up on the rest of the folks' videos to see all these prints. Real excited about being a part of this exchange. Understandable about the cost of Pt/Pd. The price barrier is a shame and I intend to explore some more alt processes that are similar and share them on the channel.
I started doing Platinum Palladium prints last year, and I really love it. In fact, I haven’t used my standard darkroom at all since I started. I wish it was a little cheaper, but to get around that, I started making Kallitypes and toning them in either platinum or palladium (or gold), and it’s saved me a little money. Really love printing this way!! Thanks for the video, I always enjoy them!
The simplicity of an alt process darkroom setup is very alluring. So many folks commenting over the last few weeks about kallitype process, I may have to give it a go soon. Thanks Shannon!
Ohhh this was very nice.
Thanks John! :)
Excellent presentation, as always, of an amazing process. Really lovely print. Great video thanks.
Thank you James, it was a fun video to make, can't wait to make more prints.
The late- great Jan Groover peaked my interest in platinum printing
great demonstration - this is what I want to do with portrait negatives from the Century Studio camera I just acquired - Lens is going out to your recommended cleaner, shutter to Jon at Packard-Ideal for a cleaning - that should give me 4 weeks for turn around on them to get the garage turned into a studio.
keep the education coming - thanks
This is exciting news Rick! Hopefully that lens will be good as new and you'll be ready to make some platinum/palladium portraits. Also for Pt/Pd portrait work, I recommend checking out the work of Herb Ascherman: ascherman.net/platinum-process/
@@MatMarrash The lens has no issues except for the dust - so if the disassembly goes well it should be as close to new as a 1901 lens can be. thanks for the portraits link
So much positive vibe and passion. This print exchange thing is a genius idea to grow analogue photography. Keep up the good work! 💪🏽💪🏽💪🏽💪🏽
Thank you! Will do!
What we really need to see are the prints of Strudel in this technique
I'm never going to financially recover from the Strudel print offer...
The print exchange is going to be great. Really nice to see all of my favourite UA-cam photographers together plus being introduced to some new friends 😃.
Exciting to see the alt process happening, super interesting
Thanks Bob! The alt process hype is real, and can't wait to see the rest of the prints in this exchange. :)
Watched this again for the second time!!! 👍
Thanks again!
Palladium is actually more than twice as expensive as platinum these days. Been wanting to make palladium toned kallitype forever but just couldn't bear to pay that much for it.
One of my favorite printing methods. Great review of the process and very nice prints. How about some carbon printing now?
Thank you Michael, carbon printing is very much happening with the new UV source!
Amazing results! And watching these alt processes is great, can't wait to see the print that you get!
You and me both, thanks Alex!
In awe at your skill to talk about everything but avoid the number of stroodle prints 😄
Rest assured, if it's a number I'm avoiding, it's a BIG one! >__
@@MatMarrash 😄
Hello from Cincinnati. Are you able to use the same large format negative for both silver and platinum printing or are you custom creating specific for platinum! Have enjoyed your channel. Cheers.
Carbon transfer printing next?
ABSO-FREAKING-LUTELY! Carbon is one of my favorite alt processes, but it those videos could be LONG. >__
Print exchanges are a great idea! I need to get my darkroom set up first, but so cool
Anything that gets us photographers printing more is a good thing. :)
❤️ ❤️ ❤️
Mat, you were commenting on the expenses of platinum / palladium printing but how does it compare to the price of photographic quality inkjet printing?
This is a tough question to nail down since both are prints, but that's where the comparison ends. Inkjet prints have a wide range of prices, but even at the high end are still less expensive than Pt/Pd. So many considerations like peripheral technology required for each process, so I'll sum it up with Pt/Pd is pricier every day of the week; inkjet isn't exactly cheap, and also isn't as archival.
@@MatMarrash perhaps the important consideration is more like value for money which, given the archival properties, is clearly Pt/Pd
Worth whatever I have signed up for already! This is so cool. Not going to do it in my closet though! I just got a Kodak contact print frame and set of those lights. Just one pack of 4. Will that just make 4x5 contact print exposures longer? Keep going on the Alt process. Any other UV processes? So glad you are out doing this. Getting inspired!
Thanks for signing up Peter and very cool to hear you've got the alt process setup going! 4 UV LED tubes positioned < 6" from the contact print frame should give similar exposure times. If I rebuilt my exposure unit, I would do so with a little less space from the bulbs to the print frame. We're just scratching the alt process surface, and throughout the channel I plan on showcasing some that I've practiced and a whole bunch that I haven't.
Nice intro to the pt/pd process, Mat. Have you checked the price of palladium nowadays? Not so cheap anymore; almost the same cost as platinum! I still love the process, though. One trick I use when mixing FO from powder is to put the bottle in the pocket of my pants and walk around with it for a day (after it cools a bit, of course.) I think the jostling and the heat from my body helps it go into solution better. I still don't use it for a day or two, though, to ensure it's mixed thoroughly.
Thanks for the comment Alan, and yeah it's pretty amazing how close the price of the two metals has come over the years. In studying up for this video, there were a few folks mentioning carrying it around in their pockets. There was also one about short 5 sec. pulses in the microwave, but it was strongly cautioned against. Naturally I went with the microwave trick then kept the bottle in my pocket until filming started. Cheers!
It's absolutely brilliant! Will definitely give it a go one day. It seems there is no way to dodge and burn like making a silver gelatin print. Does that mean the negative has to be pretty much perfect in order to make a good Pt/Pd print?
Thanks for the comment Geogi! I've never tried dodging and burning with a contact print process but it's probably very difficult to do. This need for a very precise negative is why many will make digital negatives (with inkjet printers) with finely tuned curves.
Matt does is it posible make this process in a high gloss paper?
This is a great question. I've never seen anything with a higher gloss than a super flat, hot press bright paper. Back when commercial papers were available, there were some made on a Baryta (like Ilford FB glossy) papers. I think the problem with DIY coating a glossy paper is the ability to flow the sensitizer evenly. Even on a forgiving paper like the Platinum Rag I was using, sloppy brush strokes are punished in areas of even tonality on the print.
@@MatMarrash thanks!!!!
no subtitles available :(
Oh no, I thought these were auto-generated. I'll do my best to get these up and running. Thanks for pointing it out!
You are grabbing me, ngonna need a second job to do it!!!
If I keep these pricey alt processes up, it's going to be PB&J lunches for the foreseeable future! >__
Mat I lost a bet with Roger (shoot film like a boss), I said you were going to do a picture of strudel
Honestly Ashley, I'm making so many Strudel prints right now one might end up in the package going to Azriel. ;)
Hey Matt,
Are you making any conscious choices when both exposing and developing your negatives with alt-process contact printing in mind..?
Thanks for the question Matthew. One of my "cheats" in developing my negatives is using a staining devleoper, namely Pyrocat HD, whose amber/brown stain has additional masking for UV processes. One of the better "dual purpose" developers out there, but man there are some downsides to using it. Hoping to make an episode down the road about developers for LF, only problem is I haven't used many of them!
@@MatMarrash - I use 510-pyro to create negs for VDB and Salt printing. I also over develop to increase contrast and density too. Sounds like you're doing similar.
Awesome! Is there any way to do this printing in an enlarger and make a larger print?
Unfortunately not Hasan, this is a contact printing process. For a larger print, you would need to create an enlarged negative either via analog or digital processes.
@@MatMarrash sad 😞 I foolishly thought that you could print a 4x5 negative onto a 8x10 sheet film😢
@@mzny4314 Nothing foolish about it! I would recommend checking out digital negatives and start with Bostick and Sullivan's PDF instructions: www.photo-historica.com/
@@MatMarrash thanks!
Fantastic.... Im inviting you to join my FB Group." PILIPINAS LARGE FORMAT FILM GROUP." We'll be glad to have your work posted there and shared. Regards and keep safe
wtf happened with ur hair?
You must be new here.