I love the Hermaphrodite Fonte example at 6:03. It reminds me of a couple of the variations of the Rachmaninoff Rhapsody on a Theme of Paganini. I’m definitely going to use this a lot, thank you!
Hello! Great question! The Fonte can only have 2 parts Minor + Major and there's a SPECIFIC reason! You can learn more about that in this beautiful video: ua-cam.com/video/M7tMr1SgMWA/v-deo.html Have a nice day!😉❤️🧙♂️
Excelent video, Maestro... just explain me about that exemple of hermaphrodite fonte on 5:30.... the second part just changes A for Ab, while the E remains the same; i.e. only the second tetrachord of the scale is minor (alteration in the 6th degree), but the most important part (the 3rd degree) remains unchanged... could i turn the E into Eb in order to close in a real minor mode?
@@julianodinelli521 Here: ua-cam.com/video/HaZVcdkHEpo/v-deo.html I warmly invite you to join our community on Patreon, there are a lot of things you can learn, and a lot of music secrets you can discover!
At 14:08 the first inversion of C major chord is written with doubled third tone (bass), but you are playing with doubled root. Which one is better in this situation?
Ok! Remember! You can double the 3rd if it is not the leading tone. In that case the F ( in d minor chord) and the C (in C major chord) are not the leading tones, so you can double them. It depends on the melodic movement counterpoint texture you are writing.
Excellent video! At 9:00 Porpora's Sonata, there is a mistake in the example. But it doesn't matter, it is very clear what you're talking about.
I love the Hermaphrodite Fonte example at 6:03. It reminds me of a couple of the variations of the Rachmaninoff Rhapsody on a Theme of Paganini. I’m definitely going to use this a lot, thank you!
A7b9-Dm-G7-C
6-2-5-1 in Jazz language.
Aug 4th on the first beat is striking!
That's the inversion of the diminished 5th!
Bravo!!
Musical examples:
Gasparini
ua-cam.com/video/AlyYD7VE0j4/v-deo.html
must the fonte have two parts? or can you keep following the pattern down
Hello! Great question! The Fonte can only have 2 parts Minor + Major and there's a SPECIFIC reason!
You can learn more about that in this beautiful video:
ua-cam.com/video/M7tMr1SgMWA/v-deo.html
Have a nice day!😉❤️🧙♂️
Excelent video, Maestro... just explain me about that exemple of hermaphrodite fonte on 5:30.... the second part just changes A for Ab, while the E remains the same; i.e. only the second tetrachord of the scale is minor (alteration in the 6th degree), but the most important part (the 3rd degree) remains unchanged... could i turn the E into Eb in order to close in a real minor mode?
Usually the 3rd degree remains major. But look at Bach's Sinfonia n. 7. There is a B Minor-A Minor fonte
@@julianodinelli521 Here: ua-cam.com/video/HaZVcdkHEpo/v-deo.html
I warmly invite you to join our community on Patreon, there are a lot of things you can learn, and a lot of music secrets you can discover!
At 14:08 the first inversion of C major chord is written with doubled third tone (bass), but you are playing with doubled root. Which one is better in this situation?
Hello! At 14:08? At the end of the video?
@@RichardusCochlearius Sorry, mu bet. I mean at 7:15 😄
Ok! Remember! You can double the 3rd if it is not the leading tone.
In that case the F ( in d minor chord) and the C (in C major chord) are not the leading tones, so you can double them.
It depends on the melodic movement counterpoint texture you are writing.
At 7:36 , Isn't that a 6/4/3 chord?
Yes... You are right, i have to fix it! Thank you so much for your report. Sometimes making many things alone... You know, the mind collapses! 😂😂😂❤❤❤
How can Fa be higher than La at 3:53?
Because "Una nota super la sempre est canendum fa". A note above la is always singing fa