In the right hand arpeggios, finger them with the thumb on the first white note. With the ones which begin on a black note, use finger 2 for the first black note. Make sure to be consistent that you use the same fingering each time you practise one of the arpeggios.
@@alkanliszt yes can you write it in the description for the next time :) so well done it's a very expressiv and emotional interpretation! Can you also play the sarabande and chaconne from almira ?
![Wagner/Liszt - Tannhäuser Overture (Audio+Sheet) [Cziffra]](http://i.ytimg.com/vi/13zFjZ7OLDw/mqdefault.jpg)
Easily my favorite aria in Tannhauser, maybe my favorite in all of Wagner’s operas, and a fantastic interpretation I might add
thank you!
beautiful piece! a fantastic melody on the second part!
0:46 part 1,recitative
3:30 part 2,romance
hey tipps how to learn the fast movement part in the right hand? Have problems there
In the right hand arpeggios, finger them with the thumb on the first white note. With the ones which begin on a black note, use finger 2 for the first black note. Make sure to be consistent that you use the same fingering each time you practise one of the arpeggios.
@@alkanliszt Thanks for your quick response. I will apply it immediatly :)
Majestosa como o céu
who was the interpreter?
It's me playing. I should probably make that clear in the video description!
@@alkanliszt yes can you write it in the description for the next time :) so well done it's a very expressiv and emotional interpretation! Can you also play the sarabande and chaconne from almira ?
@@nilskittel2006 I've played through Almira but never worked on it properly, always had too many other paraphrases to look at!
@@alkanliszt One of the most beautiful transcription from liszt! Please work it one day!