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Nilüfer Yanya - stabilise (Live on KEXP)
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- Опубліковано 12 чер 2022
- KEXP.ORG presents Nilüfer Yanya performing “stabilise” live in the KEXP studio. Recorded May 23, 2022.
Nilüfer Yanya - Guitar / Vocals
Jazzi Bobbi Driessen - Keys / Saxophone / Vocals
Elizabeth O’Lenahan - Bass
Ellis Dupuy - Drums
Host: Cheryl Waters
Audio Engineer: Julian Martlew
Cameras: Jim Beckmann, Alaia D’Alessandro, Carlos Cruz & Scott Holpainen
Editor: Scott Holpainen
niluferyanya.com
kexp.org
Thank You KEXP for continuing to expose us to great Artists and their music.
That drummer is killing it
he killed all other drummers
ellis dupuy is the man check him out on puma blue too
@@julianc.6589 i love Puma blue!! Wtff
@@julianc.6589 lets share Playlists
Call him the snare killer?
1:15 is straight vibe 😯
true 😤🔥
Beautiful and wonderful talent.. Very underrated
Huge respect to Ellis Dupuy!!!
Absolutely amazing! Love her sound
straight and absolutly harmonic
Very nice track! Keep up the good vibe
James Acaster on drums :)
👏 yes! 🙌
I can dig it. Good song
Cool! I didn't know James Acaster could play drums!
I know this is a joke, but he actually does 😀
ua-cam.com/video/djBxq2wBVis/v-deo.html
Really good!!!
Fucking amazing.
Best song I've heard in a long time.
Keep it up Nilüfer!👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Nilüfer : bassists :: Spinal Tap : drummers
Very impressive 👏
Omg cool
why she doesnt play SHAMELESS is a mistery to me. It's the best song of the album
Nice !
Banger
Top quality video and. Amazing performance🪐💯🎸
Like. Fresh
Sounds so different live.
So much better
@johnreedy can you talk about this cover and tutorial?
Neat!
💕💕💕💕💕
优秀
Yo does anyone know how she is getting that arpeggiating effect on her guitar?
I wish I knew, too! She's only playing 2 notes per bar in the intro section, for example, but 8 are coming out! It sounds much more like a synth than a guitar, but most of the time the synth player is doing nothing but sustaining verse-long pads.
@@poissonpuerile8897 yeah, I looked up her gear and she has a Grand Canyon delay pedal but I don’t think it can fabricate notes like that, she said this in an interview “I’ve also got a looper where you have to make your own patches and mix it in from your laptop or computer and then add it, so I'm getting my head around that” maybe it’s that?
@@brturner Yeah, it's definitely not a delay, since each note she plucks on the guitar in the verses puts out multiple *different* notes. So I think you might be on to something with the looper/sampler. Also, the tone of those notes sounds more like a synth marimba or something than a guitar, so that might point to a looper/sampler, too. But I get the feeling we're still missing something. And it's _definitely_ not the keyboard player, as I just noticed she has her hands behind her back for much of the verses!
EDIT: It just dawned on me -- the arpeggio could well be prerecorded! The drummer triggers a song-long, metronome-like track two bars before he starts playing, and the arpeggios could well be either in the same track, or triggered by the same thing he hits to start the metronome-like track. That would account for the un-guitarlike sound for sure, and Nilüfer could simply be playing a single note on the 1 and 3 of those bars (or on all the downbeats, depending on how you count it).
So true, I was thinking that might be it, what’s interesting is the “other” notes (the notes that might be triggered) are *not* the same as the ones on the record. They sound similar, but the order is different. That might indicate that what the drummer cues is not just a click track type thing, but something they actually are changing for fun as they do the song more. It’s either the drummer triggers it, or Yanya herself is triggering it by stepping on her loop pedal (as in the loop is paused before they start the performance) as she’s playing, but I don’t see a ton of movement from her so maybe it’s not. Lol, just a few different options
Edit: wait hold on I think it actually her doing it, because do you hear at 0:08, right as the marquee for her name comes up, how those “other” notes show up faintly for a second and then they stop? The drummer doesn’t hit anything at that point so I think it’s Yanya or maybe the synth player. I agree the sound is weird, but it sounds similar to guitar so maybe they just fxed and eqd the hell out of it
@@brturner Damn... this is turning out to be quite the mystery! You're absolutely right about the ghost notes at 0:08! They're before the start of the drum machine track the drummer triggers, so at the very least these ghost notes can't be part of the same pre-recorded or pre-programmed material. And it would be nuts to use two different, independently triggered backing tracks (drum machine and arpeggios) - it would be needlessly complicated, and a slight timing error would ruin the _entire_ song. So Nilüfer may indeed be triggering samples or a looper with her guitar. You know, we should really just drop her an e-mail!
KEXP introduced me to this girl and my God does her and her band slay. Fucking shoegaze heroin and I'm strung OUT.
Hooked...
mhm
fuaaaaaaaaa
Copón vaya temazo
Must be a millennial thing. I'm old school rock and pop. This just isn't my kind of music.
Yes, because this one artist represents the hundreds of thousands of millennials making music today. Maybe you wouldn't feel so out of touch if you didn't make sweeping generalizations about an entire generation.
@@herb_2 I know what I think/hear/feel is good music. This fails to please my ears, mind and soul. Sorry if you disagree. I never would have even looked at the video if UA-cam hadn't sent me the link.
Not at all. The music was similar to Joy Division and they’re exist 40 years ago.
Not my kind of music, either. But I can't get this song out of my head! So damn good! Sure didn't expect that!
It's such a unique, thrilling song, that I do not think generational divides are truly necessary. I am a Gen Xer myself, and she really sounds so different from anyone else out there, and the closest reference point to those enigmatic, nervy and elliptical guitar lines she plays here gotta be the very early REM and their "Chronic Town" EP that was released way back in 1982. I remember listening to it obsessively in my early 20's, and the sheer genius of songs such as "Wolves, Lower", "Carnival of Sorts (Boxcars)", "1,000,000" and "Stumble" still sends shivers down my spine. And it's beyond awesome to see younger artists take that road less traveled and expand on the sounds that are risky and definitely "un-mainstream" and not very likely to bring a whole lot of commercial success. But if I were her, I'd feel like my life mission has been fulfilled by creating these masterpieces such as this track, album sales or not :). It's like when Paul Westerberg wrote "Skyway" and co-wrote "We Are The Normal" with the Goo Goo Dolls, his life's mission was complete, no matter if most people don't even know who he is to this day.