Sylvia McNair, Claudio Abbado, Martha Argerich, BPO : Mozart Concert Aria K.505
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- Опубліковано 15 вер 2024
- Sylvia McNair, Claudio Abbado, Martha Argerich, Berliner Philharmoniker :
Mozart Concert Aria K.505: "Ch'io mi scordi di te?... Non temer, amato bene", for soprano, piano and orchestra.
Live recording. Salzburg Festspiele 16.4.1993
OH MY GOODNESS! What a treasure.
Sylvia sounds liked she was born to sing this aria.....it fits her like a glove!
Oh! Thank you SO much!
Wonderful. Thanks so much, Charles
Thank you very much!! ☺️
Too, too fabulous, Charles. Huge thanks, Hywel x
Never heard this piece before until now
The great Sylvia McNair, with Miss Argerich! Thanks for posting this.
5:50
What a treat, what a great trio - and wonderful to hear Argerich in this repertoire. Her mozart was always brilliant. Do you have the rest of the concert?
No I don’t have it unfortunately. I don’t know what else was on the program
11. 4. 1993, 11:00, Großes Festspielhaus
Franz Schubert
Symphonie Nr. 7 h-Moll D 759 "Unvollendete"
Wolfgang Amadeus Mozart
Szene mit Rondo "Ch'io mi scordi di te" KV 505
Giuseppe Verdi
"Non t'accostare all'urna" aus "Sechs Romanzen"
Ruggero Leoncavallo
Aprile
Richard Strauss
Zueignung op. 10/1
Richard Strauss
Allerseelen op. 10/8
Gustav Mahler
Aus den Kindertotenliedern: Nr. 1 "Nun will die Sonn' so hell aufgehn" und Nr. 5 "In diesem Wetter, in diesem Braus"
Richard Wagner
Aus Tristan und Isolde: Vorspiel zum ersten Akt und Isoldes Liebestod
Soprano (Mozart): Sylvia McNair
Baritone (Leoncavallo): Leo Nucci
Soprano (Strauss): Carol Vaness
Mezzo-soprano (Mahler): Marjana Lipovsek
Piano (Mozart): Martha Argerich
Orchestra: Berliner Philharmoniker
Conductor, Piano: Sir Georg Solti
Conductor: Claudio Abbado
Presenter: Sir Peter Ustinov
I think, and I could be wrong, that Abbado was pushing Martha to play things she would have not played otherwise. @Charles I was already following your Instagram but I wasn't aware of all the beautiful videos here on youtube! Thank you for uploading!
You will see that there are many amazing things to come on this UA-cam channel !
@@CharlesCouineau :-) Do you think there is any audio of Martha playing the Empereor Piano Concerto?
At Mozart's time, only four words were used to classify the voices: Baß and Tenor for the men; Alt and Sopran for the women. With that, the composers wrote for specific soloists with their specific voices. The result is that when you are a deep baß, or a baryton, or a mezzo, or a high soprano (as Sylvia Mac Nair), not all the arias set very well with your own voice.
This aria, although written for "Sopran, Klavier und Orchester" is very often sung by mezzo-soprani (Berganza, Bartoli...) because the ambitus is from he low A-flat to the high B-flat. The mezzi are more comfortable with this tessitura. But I must admit that Sylvia Mc Nair does a good job with his pretty voice, although she's not here in the best part of her register.
Dull! Dull! Dull! Sylvia McNair is a cut above Dawn Upshaw, but still colorless and without a trace of frisson.
No room for improvement from what I can see.
Martha fait chanter son piano aussi bien que la Soprano ne chante…
La pubblicità che impietosamente interrompe un opera d’arte…UA-cam di m….a! Non passerò mai alla versione a pagamento!!!!
what happened at the end? the singer make a "disgusted" gesture when shaking argerich's hands
I didn’t see anything like that. Sylvia smiled graciously at Martha, shook her hand, then made a gesture as if to say “Let’s make room for you here.”
Beautiful! See no disgusting gesture
I have watched her in other concerts (2nd S. by G.Mahler, C.Abbado, BPO) and she always (like here) applauded to the other musicians, something that not many singers do in this way.
???
9:45