As a bass I can only hit that low note on my BEST days, the fact that Patrick did this every time is truly impressive. I can only hope that as I age, my singing voice has a similar gravatas to his.
The fact that that's not even close to his lowest note in this, he hits a G1 on multiple occasions which is actually insane, very few people can hit that note naturally, in fact I think he's the only Hades that has been able to do it
@@diegoneira9326 Yes absolutely! Such a helpful technique! Since my original comment I've been actively practicing and now I can proudly say that I can reliably sing all of Hades' material with minimal effort!
Bravo , Patrick Page ! What a long & heroic run he had with show ! Since pre B’way : 2016 NY Theater Workshop … Then Canada. Then London. And then finally, Broadway ! So glad I saw him twice in this role !
It's definitely a low note but a good amount of male singers can probably hit it, just not with a lot of volume. I'm a baritone and I can hit it, but Patrick hits much lower notes throughout the musical that even some of the lowest basses couldn't hit
Probably not unfortunately due to licensing, happened to phantom of the opera and les mis, they have proshots but they aren't allowed to be let out to the public
@J-Chrisps yep unfortunately 🥲, I know they let out bits and peices, if they did let put anymore of this one it would probably be of Reeve and Eva since they are still the only ones left from this recording
@@Hermes.whistle pretty much every show is filmed in its entirety but will only be legally allowed to be used in part for promotional or archival purposes, and aren’t for public distribution. I believe you can go to NY public library and watch filmed shows for research purposes only, but only with special permission.
Calling the NYC library recordings proshots is a bit misleading. From my understanding, the vast majority of them are just one camera, filming the entire stage (usually from the tech booth). These recordings are made for archival purposes and a big part of keeping theatre history alive, but they are not for the general public and not filmed as such. A pro-shot gets close-ups and dynamic cameras and such, giving it visual interest to heighten the emotional impact. An archive recording attempts to objectively capture the original staging of the show. They have different purposes. The archive is an important resource for both creatives and academics working in the field of theatre, and though I do believe it should be opened to the general public, doing that would be a logistical nightmare, if not wholly impossible. It might result in many less shows being willing to be a part of the archive, which would harm its original goal of documenting theatre history. Luckily, many shows (like Newsies, Falsettos, Hamilton, Waitress, Come From Away, etc.) are filming and releasing pro-shots nowadays, which much better serve to get the show to fans than the archive ever would. (Still, it pains me that there are archival recordings of the original versions of shows like Cabaret and Phantom at my fingertips, but inaccessible to me because I can't physically be in New York)
Cool that we can finally see Patrick's (and everyone else's) expressions in this part, rather than having them all look like a glowing beacon
My favourite part is when he Patrick Pages all over the stage.
As a bass I can only hit that low note on my BEST days, the fact that Patrick did this every time is truly impressive. I can only hope that as I age, my singing voice has a similar gravatas to his.
The fact that that's not even close to his lowest note in this, he hits a G1 on multiple occasions which is actually insane, very few people can hit that note naturally, in fact I think he's the only Hades that has been able to do it
He uses a lot of fry to assist his sound and reach those amazing notes. Pretty clever and magnificent sound achieve 🔥🙌🙌
@@diegoneira9326 Yes absolutely! Such a helpful technique! Since my original comment I've been actively practicing and now I can proudly say that I can reliably sing all of Hades' material with minimal effort!
@@Pretzils1031 that's so cool!!! I oftentimes find myself wishing I had that deep bass voice 😂
@@diegoneira9326 sounds like a mix of fry and growl, always love hearing someone use growl notes successfully, Tim Foust is another master of this!
I love when he slams the chair down! 💕
Patrick page's low notes are such a mood😎
Hades Patrick can throw me against the wall and I don’t want him to apologize to me
it's Satan's voice in an upcoming Helluva Boss episode!
Bravo , Patrick Page ! What a long & heroic run he had with show ! Since pre B’way : 2016 NY Theater Workshop … Then Canada. Then London. And then finally, Broadway ! So glad I saw him twice in this role !
Literally desperate for the whole show proshot
I can hit that last note fairly easily it’s fun to shock people with it 😂
It's definitely a low note but a good amount of male singers can probably hit it, just not with a lot of volume. I'm a baritone and I can hit it, but Patrick hits much lower notes throughout the musical that even some of the lowest basses couldn't hit
As a Tenor I can get that note too, but I aint scaring no one with it 😂
Will we ever get it! Let pray at least after it closes!!!
Probably not unfortunately due to licensing, happened to phantom of the opera and les mis, they have proshots but they aren't allowed to be let out to the public
@@Hermes.whistle Oh I had no idea. I know every show is recorded for posterity sake.
@J-Chrisps yep unfortunately 🥲, I know they let out bits and peices, if they did let put anymore of this one it would probably be of Reeve and Eva since they are still the only ones left from this recording
@@Hermes.whistle pretty much every show is filmed in its entirety but will only be legally allowed to be used in part for promotional or archival purposes, and aren’t for public distribution. I believe you can go to NY public library and watch filmed shows for research purposes only, but only with special permission.
Calling the NYC library recordings proshots is a bit misleading. From my understanding, the vast majority of them are just one camera, filming the entire stage (usually from the tech booth). These recordings are made for archival purposes and a big part of keeping theatre history alive, but they are not for the general public and not filmed as such. A pro-shot gets close-ups and dynamic cameras and such, giving it visual interest to heighten the emotional impact. An archive recording attempts to objectively capture the original staging of the show. They have different purposes.
The archive is an important resource for both creatives and academics working in the field of theatre, and though I do believe it should be opened to the general public, doing that would be a logistical nightmare, if not wholly impossible. It might result in many less shows being willing to be a part of the archive, which would harm its original goal of documenting theatre history. Luckily, many shows (like Newsies, Falsettos, Hamilton, Waitress, Come From Away, etc.) are filming and releasing pro-shots nowadays, which much better serve to get the show to fans than the archive ever would.
(Still, it pains me that there are archival recordings of the original versions of shows like Cabaret and Phantom at my fingertips, but inaccessible to me because I can't physically be in New York)
OMG HE SO BBYGIRL
What's this song?
The very very end of Chant ll from Hadestown