I kbowvtgus is 5 years later but I've had this issues with other clip on mics where it eould feedback because sound would vivrate the back of the violin and the mic would pick that up. I'm just wondering if thisbid sn issue with this mic.
Could the included plastic clips be used to turn your headphones into a headset? For example, if you glue (or otherwise attach) one of the included plastic thingies to your headphones, could you press the boom to it and bend the arm to go near the corner of your mouth?
This is something I'm really interested in because I so much want an acoustic sound on stage with my guitar unlike the electric type sound I get from a transducer. However, if I was to turn up to a open mic situation where the PA is already set up and the sound man hands me a jack lead to plug into my guitar as they assume one is using a transducer, is there a way to connect the T.Bone system into that jack lead? Your thoughts would be greatly appreciated. Thanks
As sound engineer I want to add that if you only use an ovid (or even an dpa) on an guitar, you are not going to get a huge lot of amplification out of it before feedback. What I can recommend is using an pickup combined with the clip-on microphone to get some more refined high end from the condenser mic, and use the pickup so you can get enough volume out of your guitar. If you feel confident enough with doing it yourself, the solution of some guitarists is to bring a tiny mixer to mix the condenser and the pickup yourself and then hand the sound enginer an xlr of the sum. String instruments played with bow produce more volume, so these usually work, but it gets critical again if the violin player plays pizzicato for example. I want to add that I've only worked with dpa's so far, I'm just checking the ovid myself now to see if I should get a few of them as backups.
Hello. Does anybody knows how better is the new t bone lucan system, in comparison with the ovid system? They are just a bit more expensive, but I dont know if the diference in the price reflects a diference in quality, and since it is new in the market, there are no reviews yet on the web. Thank you for any piece of information.
Hi! I think they would work really well on a piano. In terms of an interface it really depends on your budget and needs. If your looking for a 3 input unit Focusrite make some decent and affordable units like the 2i2. I personally would not get a console, and you can use the EQ/Comp and other FX on your recording software, so if you are to invest in something go for an interface :)
Hi Minos, I ordered two of this microphone but when using it directly in any sound interface with mini-XLR to stand-XLR converter it easily picks up a lot of what I anticipate is grounding issue noise. it totally disappears when I am using an AKG wireless transmitter. I have tested both microfones on four different interfaces on 4 different power sockets. The interfaces range from budget-level to top-level. No difference. The noise level is not workable and I am considering returning them. Any other microphone is totally silent compared to this. Have you done anything to amend the noise - and what? Thanks very much in advance. :)
Got this mic to try on flute. Total disaster. Came with a velcro fastening clip that goes around the flute body. Where it's a disaster is that it picks up a every little sound that your fingers make when playing. This leads to very loud percussive sounds and booms in addition to the actual flute sound. I tried putting foam sponge under the clip in an attempt to to dampen the percussive finger sounds, but no joy. Utterly useless for flute or woodwind. Maybe ok on stringed instruments.
Thanks! I was looking for a microphone for my violin, and I have to choose between this one and the Stagg sim20. If you or someone have used both, which do you prefer?
Vhs y Discos AQB not at this price/quality range. I’m sure you can find variants or similar mics, but for example the microphone this is inspired from costs 350£!!
@@diogomartinsmota5478 When playing live one is usually going through a PA. If a mic is picking up the monitor signal or room reflection too strongly, in relation to the instrument its miccing up it *will* feed back; in that situation there is only so much you can do, regardless of the number of fancy plugins or pedals you have. Anti-feedback systems work to a degree, but they can only do so much work (unless you scoop out so much treble that it defeats the point of using a nice mic in the first place). At the end of the day, it depends a lot on your context, what sort of band are you playing in, what sort of venues, what sort of volume level etc. Depending on the answers, feedback issues of a condenser mic type solution like this will or won't be unmanageable.
Thank you for the voice test now i know this is exactly what im looking for :)
Thank you for the comment :)
It's great, i used a pair of this into the acoustic piano. It smells like a hi-end mic!
Very helpful video, thank you! But what s the difference between this one and CC 200 RC?
Thanks Minos, just what i needed.
I love your sound design
I kbowvtgus is 5 years later but I've had this issues with other clip on mics where it eould feedback because sound would vivrate the back of the violin and the mic would pick that up. I'm just wondering if thisbid sn issue with this mic.
Could the included plastic clips be used to turn your headphones into a headset? For example, if you glue (or otherwise attach) one of the included plastic thingies to your headphones, could you press the boom to it and bend the arm to go near the corner of your mouth?
εγω ρε μαλλια μου που παιζω καβαλι κανουν αυτα τα μικροφωνα βγαινει το ηχοχρωμα του καβαλιου σωστα ή θα ηταν καλυτερα μια καψα ?
Hey, the clips I’m sure are to attach to drum rims to have them out the way
Helpful review, thank you!
This is something I'm really interested in because I so much want an acoustic sound on stage with my guitar unlike the electric type sound I get from a transducer. However, if I was to turn up to a open mic situation where the PA is already set up and the sound man hands me a jack lead to plug into my guitar as they assume one is using a transducer, is there a way to connect the T.Bone system into that jack lead? Your thoughts would be greatly appreciated. Thanks
As sound engineer I want to add that if you only use an ovid (or even an dpa) on an guitar, you are not going to get a huge lot of amplification out of it before feedback. What I can recommend is using an pickup combined with the clip-on microphone to get some more refined high end from the condenser mic, and use the pickup so you can get enough volume out of your guitar.
If you feel confident enough with doing it yourself, the solution of some guitarists is to bring a tiny mixer to mix the condenser and the pickup yourself and then hand the sound enginer an xlr of the sum.
String instruments played with bow produce more volume, so these usually work, but it gets critical again if the violin player plays pizzicato for example.
I want to add that I've only worked with dpa's so far, I'm just checking the ovid myself now to see if I should get a few of them as backups.
nice video, thanks for the info
Hi tks for your video, please canzoni i use it on doublebass? Have you esperienze about?
Did you use Final Cat to edit the video? (Sorry I couldn't resist...)
Hello. Does anybody knows how better is the new t bone lucan system, in comparison with the ovid system? They are just a bit more expensive, but I dont know if the diference in the price reflects a diference in quality, and since it is new in the market, there are no reviews yet on the web. Thank you for any piece of information.
i no has pensado en utilizar un micro de diadema para las flautas ?
I just purchased this mic for my violin and I cant get it to work
Same here - very frustrating
Same, have you found the way to get it to work? What have you done??
I would appreciate if you can help me
@@JoelBarber-tj9iu yes. You need a phantom power adapter
Hello! Do you think that the t.bone Lucan System CC 200 RC is best??
I want to use them inside my yamaha c3e piano with close lid. What analogue console or audio interface would you recommend?
Hi! I think they would work really well on a piano. In terms of an interface it really depends on your budget and needs. If your looking for a 3 input unit Focusrite make some decent and affordable units like the 2i2. I personally would not get a console, and you can use the EQ/Comp and other FX on your recording software, so if you are to invest in something go for an interface :)
@@minoskoutedakis8823 thank u so much! I was thinking of audient id44, i have read good reviews
@@KosmasLapatas I personally use the ID44 in my home setup and Im really happy with it. Sounds amazing works great. Highly recommend it :)
Hi Minos,
I ordered two of this microphone but when using it directly in any sound interface with mini-XLR to stand-XLR converter it easily picks up a lot of what I anticipate is grounding issue noise. it totally disappears when I am using an AKG wireless transmitter. I have tested both microfones on four different interfaces on 4 different power sockets. The interfaces range from budget-level to top-level. No difference.
The noise level is not workable and I am considering returning them. Any other microphone is totally silent compared to this.
Have you done anything to amend the noise - and what?
Thanks very much in advance. :)
Hi there!!
Not 100% sure.. Never had any grounding problems with mine, and I always use it directly in my audio interface!
Thank you for the video, really nice... where did you buy it? Can you tell?
Hi! Thank you!
Yes, from Thomann.de
Podrías hacer la parte del cableado ?
hi thanks for the video. do I need phantom to use this micro?
miguelanguilus la anguila Hi, yes you need +48v as it is a condenser microphone!
Damn. I was hoping you knew what those clips were used for. They don’t fit anywhere.
Got this mic to try on flute. Total disaster. Came with a velcro fastening clip that goes around the flute body. Where it's a disaster is that it picks up a every little sound that your fingers make when playing. This leads to very loud percussive sounds and booms in addition to the actual flute sound. I tried putting foam sponge under the clip in an attempt to to dampen the percussive finger sounds, but no joy. Utterly useless for flute or woodwind. Maybe ok on stringed instruments.
Thanks! I was looking for a microphone for my violin, and I have to choose between this one and the Stagg sim20. If you or someone have used both, which do you prefer?
Hi!! Haven't used the sim20 unfortunately. Was happy with the violin results I got with tbone, and I think you would be as well! :)
hi.. thanks for the video. what's the generic name of this kind of microphone? thanks!
Vhs y Discos AQB my understanding is that it falls in the category of condenser instrument microphone!
thanks!.. do you know if there is a cheaper alternative to this mic?
Vhs y Discos AQB not at this price/quality range. I’m sure you can find variants or similar mics, but for example the microphone this is inspired from costs 350£!!
@@archivoredes This is the cheap alternative to the DPA 4099
@@archivoredes This microphone is cheap as chips lol
Has anybody used this on a violin? If so is it worth buying one?
how it performs live ? there is feedback ?
The same question !
will it work with no phantom power?
Hi! It will need +48V to work
👍 Ok
I have also one for my violin. To record is really good, but for live performance.... it is a disaster!!!
Why No good for live sound?
@@snle97 feedback issues perhaps?
@@Muzikman127 feedback issues ? there is now amps with antifeedback buttons and pedal effects as well,
@@diogomartinsmota5478 When playing live one is usually going through a PA. If a mic is picking up the monitor signal or room reflection too strongly, in relation to the instrument its miccing up it *will* feed back; in that situation there is only so much you can do, regardless of the number of fancy plugins or pedals you have.
Anti-feedback systems work to a degree, but they can only do so much work (unless you scoop out so much treble that it defeats the point of using a nice mic in the first place).
At the end of the day, it depends a lot on your context, what sort of band are you playing in, what sort of venues, what sort of volume level etc. Depending on the answers, feedback issues of a condenser mic type solution like this will or won't be unmanageable.
no sabes tocar mandolina jeje
no :p yo no