This is a keerthanam seeking of protection with Varalakshmi who invariably bestows fortunes! Here, Neyyeanttikara did deviate from his usual practice ... no.elaborate raga alapanam but made a condensed form of the same and instantly plunged into the Sreeraga keerthanam wherein the Anupallavi and Charanam has scope for extempore melodic variations which he just hauled with Bakthirasam not with any gimmicks. Kalpanaswaram too, he really proliferated a tailor-made piece of swara in the raga of the melody and concluded the song so diligently ...Loved it. .. Very good recital!
ശുദ്ധ സംഗീത ത്തിന് അഭിനന്ദനങ്ങൾ!
Sabash
Vasudevan sir ❤️
This is a keerthanam seeking of protection with Varalakshmi who invariably bestows fortunes! Here, Neyyeanttikara did deviate from his usual practice ... no.elaborate raga alapanam but made a condensed form of the same and instantly plunged into the Sreeraga keerthanam wherein the Anupallavi and Charanam has scope for extempore melodic variations which he just hauled with Bakthirasam not with any gimmicks. Kalpanaswaram too, he really proliferated a tailor-made piece of swara in the raga of the melody and concluded the song so diligently ...Loved it. .. Very good recital!
very nice great rendition ragabhavam awoesome
This is the first carnatic cassette I bought👌🏼