I remember learning then playing this (solo and tutti) at the annual summer concert at school in 1960. I hoped it would come up for the grade 6 exam, but no such luck. I lost the sheet music many years ago, so I am delighted to have it here. Many thanks.
Though my ability to read music is very limited, I found it quite educational to follow the score to get a better understanding of what I am hearing. Thanks!
LOL, Measure 75-90 section for Mvt. 3; The Suzuki Violin Method Anthology were concealing and revising it to deliberately make the motif a tad more challenging than it needed to be!!!😂😂
There are a couple minor differences with the first movement too. I prefer the Suzuki version of the first movement but wow this version of the third is so much easier and fitting.
@@M_SC In a lot of sheet apart from Suzuki Books, you'll see the scale like this: C,D,E,F#,G#,A,F♮,G♮,E,A,A But in this score, you see it like this: C,D,E,F#,G#,A,F,G,E,A,A, with the F and G remaining sharp
Las escalas menores tienen 3 formas distintas: la natural (sin alteraciones), la armónica (donde se sensibiliza el séptimo grado) y la melódica (que asciende además del séptimo también el sexto grado para evitar el intervalo aumentado entre la sexta y la séptima que tiene la armónica). La versión melódica tiene la particularidad de que al descender se transforma en "natural" y se le quitan las alteraciones. Sin embargo, es común encontrar en el barroco que esta regla no se respeta. De hecho, muchos la llaman "escala menor Bachiana" en honora a Bach como su máximo exponente. Supongo que por eso Vivaldi tampoco respeta esta regla.
I honestly prefer when Baroque is played Historically correct... Romanticism makes baroque boring and that's the reason people dislikes baroque, cause they only hear romantic interpretations...
@@Sebastian-uf3vr❤I disagree, personally I think most pieces like Vivaldi and other pieces sound better in a romantic style because I adds a lot more thought character there are high points and low points while baroque just sounds like scales after scales
I remember learning then playing this (solo and tutti) at the annual summer concert at school in 1960. I hoped it would come up for the grade 6 exam, but no such luck. I lost the sheet music many years ago, so I am delighted to have it here. Many thanks.
music with typical italian, thank you I like it 😀
Fantazie, genialita spolu s dokonalostí....
Thanks for sharing. Couldn't imagine such a beauty for my simple violin...
Next step for me.
Maravillosa musica, Gracias
Que maravilla.
Thank you very much for sharing. It was very humble of you to put the notes in the video💓
Very grateful to read your words!
Though my ability to read music is very limited, I found it quite educational to follow the score to get a better understanding of what I am hearing. Thanks!
LOL, Measure 75-90 section for Mvt. 3; The Suzuki Violin Method Anthology were concealing and revising it to deliberately make the motif a tad more challenging than it needed to be!!!😂😂
There are a couple minor differences with the first movement too. I prefer the Suzuki version of the first movement but wow this version of the third is so much easier and fitting.
en los compases 55 y 56 la escala descendente sigue alterada 😳 toda mi vida he visto partituras con esa escala modificada con becuadros 😮😮😮
What? Please explain, I want to understand
@@M_SC In a lot of sheet apart from Suzuki Books, you'll see the scale like this: C,D,E,F#,G#,A,F♮,G♮,E,A,A
But in this score, you see it like this: C,D,E,F#,G#,A,F,G,E,A,A, with the F and G remaining sharp
Las escalas menores tienen 3 formas distintas: la natural (sin alteraciones), la armónica (donde se sensibiliza el séptimo grado) y la melódica (que asciende además del séptimo también el sexto grado para evitar el intervalo aumentado entre la sexta y la séptima que tiene la armónica). La versión melódica tiene la particularidad de que al descender se transforma en "natural" y se le quitan las alteraciones. Sin embargo, es común encontrar en el barroco que esta regla no se respeta. De hecho, muchos la llaman "escala menor Bachiana" en honora a Bach como su máximo exponente. Supongo que por eso Vivaldi tampoco respeta esta regla.
toll
Finally! A proper performance, like it should be. Thank you so very much for this! ... except the last part I prefer at 0.85x speed.
This recording makes it sound like a piece from the era or Romanticism.
because it is ❤
@@AmmonomiC4T You're 200 years off.
I honestly prefer when Baroque is played Historically correct...
Romanticism makes baroque boring and that's the reason people dislikes baroque, cause they only hear romantic interpretations...
@@Sebastian-uf3vr Exactly. The Netherlands Bach Society's interpretations are second to none.
@@Sebastian-uf3vr❤I disagree, personally I think most pieces like Vivaldi and other pieces sound better in a romantic style because I adds a lot more thought character there are high points and low points while baroque just sounds like scales after scales
安东尼奥·维瓦尔第-A小调小提琴协奏曲 RV 356(乐谱)Antonio Vivaldi-Violin Concerto in A minor RV 356(Sheet Music Score)，哥们儿，请允许小的我转载，谢了哈。
🥰
1:20
🥰😍🤩😄❣❤❤👍
Aguante la IA wacho
Con violin solo obligato.
It’s barque music right.
Yes!
Trobo que el primer moviment es massa lent i manca el caràcter apassionat i fogós de la passió barroca.
6+9x7=69
0:00
3:26
6:19
Hermosa melodía ermoso todo lo que toca,,
why I think this is played by the robot
Хорошего качества запись