Drop Catch - for the LH version triples, see if you can keep the throw you have for the check. You lose a bit of attack quality as you go. In the alternating rep, you occasionally lost some clarity when you moved to the outer drums - it's small but make sure you don't change the approach when shifting out. Rolls - Mostly good interp. You slur the groupings of 4 sometimes but you hop back into the stricter interp for the longer rolls. At the faster tempos, settle that first bar a little more. You fix it quick, but see if you can have the first thing you play be in there right away. A little bit of grind on the 3 drum at the fastest tempo extended rolls, lighten up a touch and you're there. McD's - accent/tap approach is good. Want to see if you can make all the check bars a bit more consistent in terms of height - there's a good amount of variance which causes the rhythms to falter at times. At the fastest tempo, the doubles in the paradiddles have a sticky quality. Try to imagine the interp you play the drag variation in the rudiment sheet with and apply it here. Flam Basics - Good grace note approach! Try to dial in the hand to hand flam width a little bit - the RH tends to open up compared to the LH. Neither is bad, but want to match them up. Basic Strokes Chunks - isolate the 2s to smooth out the upstrokes, gets pretty wonky once one got a little wide. This was better the second rep. Some work on extended relaxation in the tap pyramid might resolve some of the tension you've got during the 8s, 7s, and 6s here. BS TAG - During all the extended single stuff, I appreciate the commitment to the downstroke idea, but I think you can open your hands a little bit to find some flexibility in the grip. Basic Strokes Run - Get a little more comfortable with the 5s and 4s, those seem to be your least favorite in the up and downstroke versions. Other variations feel solid. Ah no breaks!! Spanks - See if you can control the filler hand a little more in buck a duck - the "check" gets slightly wonky and your approach to the tap weight changes as you go. Some of your pathways when you get to 12 and above get wild. Try to maintain the vertical pathway all the way up. Shot quality can lighten up quite a bit - you're getting to the poundy end of the spectrum. Rudiment Sheet - great approach/consistency on a lot of this stuff. Big improvements from last time. Some of the repeated flam material (floppies, fla-flams) could use some work to increase grace note consistency. Show Music - Good stuff in here. For some of the herta material/singles - want to see if you can find max rebound/flow for the stuff, even if it's at 9".
Drop Catch - for the LH version triples, see if you can keep the throw you have for the check. You lose a bit of attack quality as you go. In the alternating rep, you occasionally lost some clarity when you moved to the outer drums - it's small but make sure you don't change the approach when shifting out.
Rolls - Mostly good interp. You slur the groupings of 4 sometimes but you hop back into the stricter interp for the longer rolls. At the faster tempos, settle that first bar a little more. You fix it quick, but see if you can have the first thing you play be in there right away. A little bit of grind on the 3 drum at the fastest tempo extended rolls, lighten up a touch and you're there.
McD's - accent/tap approach is good. Want to see if you can make all the check bars a bit more consistent in terms of height - there's a good amount of variance which causes the rhythms to falter at times. At the fastest tempo, the doubles in the paradiddles have a sticky quality. Try to imagine the interp you play the drag variation in the rudiment sheet with and apply it here.
Flam Basics - Good grace note approach! Try to dial in the hand to hand flam width a little bit - the RH tends to open up compared to the LH. Neither is bad, but want to match them up.
Basic Strokes Chunks - isolate the 2s to smooth out the upstrokes, gets pretty wonky once one got a little wide. This was better the second rep. Some work on extended relaxation in the tap pyramid might resolve some of the tension you've got during the 8s, 7s, and 6s here.
BS TAG - During all the extended single stuff, I appreciate the commitment to the downstroke idea, but I think you can open your hands a little bit to find some flexibility in the grip.
Basic Strokes Run - Get a little more comfortable with the 5s and 4s, those seem to be your least favorite in the up and downstroke versions. Other variations feel solid. Ah no breaks!!
Spanks - See if you can control the filler hand a little more in buck a duck - the "check" gets slightly wonky and your approach to the tap weight changes as you go. Some of your pathways when you get to 12 and above get wild. Try to maintain the vertical pathway all the way up. Shot quality can lighten up quite a bit - you're getting to the poundy end of the spectrum.
Rudiment Sheet - great approach/consistency on a lot of this stuff. Big improvements from last time. Some of the repeated flam material (floppies, fla-flams) could use some work to increase grace note consistency.
Show Music - Good stuff in here. For some of the herta material/singles - want to see if you can find max rebound/flow for the stuff, even if it's at 9".
Bro had special access to give some amazing advice 🔥🔥
just watched a few of your videos and you are one of the best players ive seen in a while and you have great advice/critique
Ah yes, the AHAMAYs, love their stuff
(I’m just a Highschooler, but great video)
Dude, soo good, hoping I'll be able to do Boston some time in the future! 😁
One of the coolest quad players
You put a Yamaha cover on a system blue and it fits?
all quads are universally the same sizes so literally any brand cover should work on any brand of drums
@ oh
Hola Geoffrey