Funny you said that, i found this beautiful Fender Jazz Bass Black with maple neck and White Pickups, in a PAWN Shop in a small city in Nor Cal, it was $175 with fender case. I Jumped on it, i asked Why so cheap? he said wait till you smell the case and the bass, Ciggarettes and Beer, i told him "NO problem Feels like Home" love that bass
I may be way off base, but I have a fryette and notice a lot of heat dissipation from the top of it. I wonder with the Marshall sitting on top, partially blocking the vents, if it could overheat and damage the fryette?
I can't even hear it because of the terrible disturbance in the force created when somebody looked at it, thought about it and then actually decided it would be a good idea to put the aircraft carrier marshall on top of the micro machine fryette
I think there’s no way around it since you’re attenuating it down so far. In other words how do you A/B the tone with a cranked Plexi and no attenuator vs one with the volume brought down? The dynamics always change with volume. But either way, there’s no arguing that NMV amps sound amazing with them.
Wow that sounds awesome!! I have a very novice question. I was considering getting a Friedman Mini dirty Shirley head but am concerned about getting good tones at bedroom volumes. I know some guys will use attenuators and things like the OX and then play through studio monitors and such. I currently use an unpowered Kemper and play it through a Yamaha THR10 deck top amp, which I found sound way better than studio monitors. It has a flat mode so it doesn’t color the sound much. My question, is it possible to run an amp head like the Freidman through some type of attenuator or audio interface and then have the output to the Yamaha? The kemper is unpowered but then Yamaha is a powder amp. Sorry for this basic question but this all a bit new to me. Before getting into modelers I was always a basic tube combo guy. Thanks 🎸
@@groundzeroampworks780 cool man, what about speaker out options ? I mean I could get the 1x12 cab, which I likely would regardless, but I do like having the option of using even smaller speakers like on the Yamaha THR10. Is there a way to use the THR10 as an output? It’s an amplifier so I know you can’t tun another amp (ie the Shirley) into another amp, but isn’t know if you could use some kind of audio interface to take the signal of the dirty Shirley and then rout it to the Yamaha? Sorry if that makes no sense! I’m not tech about guitar gear. Thanks again
Sounds great, and great gear! I got a couple of PS2a's I use for my 1959hw and JTM45.... Just please take it out from under the amp and put it on top though! Not just because its more balanced and looks better but because that thing needs to breath mate.
Amazing! Great tone Just curious if that is a miked cab with the power station or IR’s? Also wondering why you place amp on top of PS100, doesn’t it give off a lot of heat. Thanks
Yeah a lot of people seem to be worried about that. It was only on there for this video. Plus it has vents on the side. You have to think about it…Fryette makes a rack mount kit for the PS100. So you’d have little to no ventilation through the top in that scenario. Hence the side vents.
It’s actually a recent build. Made with parts available today. It does have vintage Mustard caps and Allen Bradley resistors. But otherwise it’s all modern day reproduction parts. Classic tone and Heyboer transformers.
@@groundzeroampworks780 That's even better....absolutely beautiful, brother. You absolutely crushed it with this build. I don't know what's done per-se to get an amp to sound "percussive", but that is the defining characteristic of Marshall-esq builds. The more "throaty" and percussive the better.....reminds me a bit of the Helios. Not more gain, just more percussion and punch. The fact that you do it without making the amp sound "nasally" (which is very common, for some reason), makes it even better. Great job!
@@FEAROWNAGE Damn-right, brother! Smartest comment I’ve seen on a YT demo yet. NO ONE get’s that, either. The gain in most Marshall-esq amps is more than sufficient, it’s the tightness, and percussion that’s lacking.
I am soooooo tired of people saying...this boutique amp sounds just like a MARSHALL. Well it doesn't! Just get a freakin' MARSHALL and forget about it! Simple, simple you silly rabbit...treat yourself to a real diamond...not glass! 🤪
Hmm. All the heat from the amp going into Fryette, Fryette pushing all the heat back into amp through top/bottom panel...... Heat rises, cool air falls. Do the Marshall a solid, put it on the bottom.
metal guitarplayer comments: It doesn't sound like all that much distortion. I get more intense dirt/distortion and sustain with a $40 dod grunge pedal.
Is the volume turned down to room volume with the Fryette, or is it really loud ? The tone sounds really good and I have a 1987x Plexi head. Also, would it sound good through Celestion 25w Greenbacks ?
Hey David, No master or cascaded stages Just a regular 1987 circuit with 2 stages. No pedals just straight into amp. It’s a gainy little beast! All EQ are on 10.
@@groundzeroampworks780 Thanks for the quick response Jeremy. I stick to building Post Phase Inverter Master Volume High Gain amps I have designed. I'v done a few Jose's upon requests, and some of Cameron's other work with my ear tweaking for my sonic pocket. I ask because my lady bought me a 1968 10,000 series Super Tremolo. Its a 9.5 out of 10. Very clean. I'm changing the filtering 1968SL Specs as they were different. In fact this is a early transition model with gold still on the white logo. The give away is that all four board caps are dual 40uf that were only in a couple of months. I'm #2 on a list at zZOUNDS for the Fryette PS 100. Might be a while as I hear Stevie Fryete is moving his shop. Anyway thank you. Don't be a stranger. And be safe out there I was the only Distinguished Graduate in Law Enforcement Academy in my Class of120. USAF LEOSA. But I was Army Ground Combat trained in addition to being a Combat Arms Instructor. Lead USAF & Marines on more than 100 Recons in OIF.. Don't know how but I was awarded the V Device for Valor. Pretty amp too. You do great work. I set back & do my thing lol. All my best to you. David Hopkins ♫
@@Caleb-fv5fp the 80s were defined by JCM800s, racks, Soldanos etc. Plexis are classic rock tones from the 60s and 70s (i.e. thin, fizzy, weak) I’ve never heard one sound good unless it was modded.
@@Caleb-fv5fp running it at 90v plus load boxes, external power amps, and a crap ton of effects, and burning through power tubes weekly. On top of it all the brown sound is nothing special compared to the amps that came out in the 80s.
@@groundzeroampworks780 Anyone I know that has tried it knows both channels running at once is unmeasurable. If running pedals,.. everything at noon,. except volume. There is no tone change. And if there is was,..bass mid and treble adjustments would clearly be sufficient. JUSTSAYIN'.
The H30 with 55Hz cones and the original G65’s were the shit when it came to Celestion’s. The Sidewinder was cool too. Curious how does the Powerstation not just sound but feel? Thanks
"It's a build, not an actual Marshall." - it sounds great! Kudos 👍
The Power Station should be sitting on top of the amp head because there are ventilation holes for a reason. It will generate heat while in operation.
My thoughts exactly. My PS100 gets super hot on top.
@@Bairov I dont have a Power Station but I have the Fryette Power Load IR and a Tone King Iron Man II. I'm happy with 'em both.
Great sound and playing but definitely wouldn’t have my head balancing on the Fryette not to mention the heat dissipation
But put felt feet over the rubber feet of your PS otherwise it’ll leave indelible black marks on your tolex!
@@ribbonsofeuphoria5744 Yup
This tone smells like cigarettes and stale beer. It's perfect!
Well said…!!
Thats your mom's ass, not the tone.
Somebody should make a mens cologne that smells like stale beer & cigarettes
Like a nice old guitar case . Ahhhhh, Camel's and Miller with a touch of the herbal remedies.
Funny you said that, i found this beautiful Fender Jazz Bass Black with maple neck and White Pickups, in a PAWN Shop in a small city in Nor Cal, it was $175 with fender case. I Jumped on it, i asked Why so cheap? he said
wait till you smell the case and the bass, Ciggarettes and Beer, i told him "NO problem Feels like Home" love that bass
OMG... That tone... That white Marshall... Love it!
Ive had a couple of Red and Orange Plexi Marshalls but never could find a White Plexi
@@cliffords2315
It’s a keeper, man!! ✌🏼✌🏼
Glorious! 🖤 Can't believe you didn't build it, BUT, you have it! The evidence is overwhelming, you are the owner of tone. 👑
You’re my Tony Robbins, TK!
The visual of a whole-ass Small Box on top of a Power Station is just too funny lol
@@dannyk1790 🤣🤣
Glorious tone
Thanks Richard!
Thank you for posting this! For me, that's THE tone. May I ask what speaker you used in this demo?
G12-H30 anniversary. Well broken in!
Awesome tone! So no extra boost, overdrive or distortion pedals? Just pure Marshall? Wow. That is the perfect 80s hard rock tone to me!
Just guitar into amp!
People rarely give the gain and grit of these amps enough respect!
@@Thecoolman1 100%!
@@Thecoolman1Some seem have it, and some don't. I'm not sure why, but I've seen variations in various components in them.
@@qua7771totally true.
Great sounding Marshall. Nice jamming dude! Impressive.
Thanks Steven, appreciate it!
Lovely tone. Cranked JMP is hard to beat.
@@gearoidwalsh8606 this is true !
I may be way off base, but I have a fryette and notice a lot of heat dissipation from the top of it. I wonder with the Marshall sitting on top, partially blocking the vents, if it could overheat and damage the fryette?
It’s possible. I only had it on the Fryette for this video. I don’t normally have it setup this way.
I can't even hear it because of the terrible disturbance in the force created when somebody looked at it, thought about it and then actually decided it would be a good idea to put the aircraft carrier marshall on top of the micro machine fryette
Round and Round!
I keep hearing that the Fryette will colour the amps tone..is that true??
I think there’s no way around it since you’re attenuating it down so far. In other words how do you A/B the tone with a cranked Plexi and no attenuator vs one with the volume brought down? The dynamics always change with volume. But either way, there’s no arguing that NMV amps sound amazing with them.
Wow that sounds awesome!! I have a very novice question. I was considering getting a Friedman Mini dirty Shirley head but am concerned about getting good tones at bedroom volumes. I know some guys will use attenuators and things like the OX and then play through studio monitors and such. I currently use an unpowered Kemper and play it through a Yamaha THR10 deck top amp, which I found sound way better than studio monitors. It has a flat mode so it doesn’t color the sound much. My question, is it possible to run an amp head like the Freidman through some type of attenuator or audio interface and then have the output to the Yamaha? The kemper is unpowered but then Yamaha is a powder amp. Sorry for this basic question but this all a bit new to me. Before getting into modelers I was always a basic tube combo guy. Thanks 🎸
@@slashtrio the mini Dirty Shirley can sound great at really low volumes. I don’t think an attenuator is necessary at all with it.
@@groundzeroampworks780 cool man, what about speaker out options ? I mean I could get the 1x12 cab, which I likely would regardless, but I do like having the option of using even smaller speakers like on the Yamaha THR10. Is there a way to use the THR10 as an output? It’s an amplifier so I know you can’t tun another amp (ie the Shirley) into another amp, but isn’t know if you could use some kind of audio interface to take the signal of the dirty Shirley and then rout it to the Yamaha? Sorry if that makes no sense! I’m not tech about guitar gear. Thanks again
Yeah sounds good. I am trying to get that BLS sound I am close but still working on it.
Sounds great, and great gear! I got a couple of PS2a's I use for my 1959hw and JTM45.... Just please take it out from under the amp and put it on top though! Not just because its more balanced and looks better but because that thing needs to breath mate.
Just bought my PS-100 yesterday, and I can’t wait to hook it upto my Friedman BE50 Deluxe!
How do you like it?
I have ps-100 and Friedman Be-50 dlx. Sounds great despite not being a seesaw 😂
Hey, AMAZING tone! Is this a normal re-issue amp? What year is this one? I am assuming it's all stock, right? Thanks
@@mesaboogie2007 it’s a build, not an actual Marshall. It is same as 70’s metal panel 1987 spec. No mods.
Sounds good, but put some big tube NOS 6CA7s in like EVH, Rhoads, Lynch and many others used/use and you'll take it to the next level!! :O
Or even better, KT66!
BROWN SOUND GALOR!!
Ohhhh yeah!
Amazing! Great tone
Just curious if that is a miked cab with the power station or IR’s? Also wondering why you place amp on top of PS100, doesn’t it give off a lot of heat. Thanks
Sorry just saw it was through G12H30’s 👍
I was thinking the same. If it's not blocking the whole vent, it's at least blocking 75%, which is definitely not good for the unit long term.
Sounds great, but geez your gonna break your Power Station man by blocking the vent
Yeah a lot of people seem to be worried about that. It was only on there for this video. Plus it has vents on the side.
You have to think about it…Fryette makes a rack mount kit for the PS100. So you’d have little to no ventilation through the top in that scenario. Hence the side vents.
Are the channels jumped? Or just straight into the bright channel?
Straight into bright channel. I’ve never been a big channel jumper with plexi circuits.
Hell yeah- nice and crunchy and chewy!🤘🏻
What cones are the g12h?
75 Hz
Is that power tube swirl I'm hearing? I get a lot of that with my 1959. I love it though. That is THE tone!
What guitar did you use and what is the bridge pickup you're using in this video?
2013 Les Paul R9. Pickup is a ToneNerd Roxy. Fantastic bridge pickup.
Sweet Jesus....
Jesus....that sounds majestic. WOW. This is truly vintage, and not a reissue, correct???
It’s actually a recent build. Made with parts available today. It does have vintage Mustard caps and Allen Bradley resistors. But otherwise it’s all modern day reproduction parts. Classic tone and Heyboer transformers.
@@groundzeroampworks780 That's even better....absolutely beautiful, brother. You absolutely crushed it with this build. I don't know what's done per-se to get an amp to sound "percussive", but that is the defining characteristic of Marshall-esq builds. The more "throaty" and percussive the better.....reminds me a bit of the Helios. Not more gain, just more percussion and punch. The fact that you do it without making the amp sound "nasally" (which is very common, for some reason), makes it even better. Great job!
@@phillamoore157I’d take percussion and punch over added gain aaaany day.
@@FEAROWNAGE Damn-right, brother! Smartest comment I’ve seen on a YT demo yet. NO ONE get’s that, either. The gain in most Marshall-esq amps is more than sufficient, it’s the tightness, and percussion that’s lacking.
How does the powerstation work? Like an attenuator?
@@wurzelgumage8613 yessir!
I can't believe you have your amp on top of your powerstation! lmfao
Worked pretty good! It was just to make this video. Don’t usually have it that way.
G12H anni are just too bright for me. Would much prefer this with G12M's. The H gives it ear fatiguing harsh highs.
Great as always! Love it, even though I am not into Marshall sound!
Great tone,,what year is that head? Effects?
It's a newer build. Couple years old.
Sounds amazing.
I wonder why they don't make attenuators to fit anything.
What year is this head ? Ripping tone bro
It’s a build. Built a few years ago with all NOS parts. It’s beautiful inside. I didn’t build it.
Awesome tone! Is that a current production Marshall or an older one?
It’s actually a build done to original spec. I didn’t build it. But the builder did a phenomenal job.
Can using one damage the amp or tubes?
@@rosewoodsteel6656 it won’t do either….
Great tone, and just a base. Great pedal platform with some delay. Get every tone ever wanted
Lovely sound you're getting there ! What delay pedal did you use ? cheers !
Please boost him! 🎉
I guess the real question is -- What's not to love about the Marshall tone?
This is instant 80s arena rock tone. Awesome! Is this an IR?
No IR. It’s a G12H30 loaded 4x12 mic’d with an SM57.
I am soooooo tired of people saying...this boutique amp sounds just like a MARSHALL. Well it doesn't! Just get a freakin' MARSHALL and forget about it! Simple, simple you silly rabbit...treat yourself to a real diamond...not glass! 🤪
It’s a tough tone to replicate!
Hmm. All the heat from the amp going into Fryette, Fryette pushing all the heat back into amp through top/bottom panel...... Heat rises, cool air falls. Do the Marshall a solid, put it on the bottom.
People keep saying this… and I totally understand the concerns.
I only ran it this way for the video. It’s not a normal thing.
metal guitarplayer comments:
It doesn't sound like all that
much distortion. I get more
intense dirt/distortion and
sustain with a $40 dod
grunge pedal.
I had a Grunge. When I was 12. I thought it was the coolest sound ever. How things have changed…
whoa...that was amazing. what was your signal chain? fryette to IR's????
Amp to power station to 4x12 cab to an SM57.
@@groundzeroampworks780 thx reply, absolutely killer tones!
Ed is a lucky man...
Awesome
Is that one of your builds or an actual marshall. And is the circuit stock?
torqued as I remember it should be. Classic vibe with a kick.
Is the volume turned down to room volume with the Fryette, or is it really loud ? The tone sounds really good and I have a 1987x Plexi head. Also, would it sound good through Celestion 25w Greenbacks ?
Yeah greenbacks sound killer with these.
It’s not blisteringly loud at all. Just over shouting volume I’d say. You can get it quieter if you want.
Is that amp stock? WOW MAN!
Yessir all stock !
Great tone.
Thanks!
Excellent 🤩👌🏼
How did you make that 70 Annies speakers sound that good?????
They’re really well broken in. I had Jim at Scumback speakers break them in for me. He offers that service.
Is the amp set up with a Master & Preamp volume or is that just No Pedal, One Volume Stock 1959/1987 2 stages into the CF/ Thanks, David Hopkins ♫
Hey David,
No master or cascaded stages Just a regular 1987 circuit with 2 stages. No pedals just straight into amp. It’s a gainy little beast!
All EQ are on 10.
@@groundzeroampworks780 Thanks for the quick response Jeremy. I stick to building Post Phase Inverter Master Volume High Gain amps I have designed.
I'v done a few Jose's upon requests, and some of Cameron's other work with my ear tweaking for my sonic pocket. I ask because my lady bought me a 1968 10,000 series Super Tremolo. Its a 9.5 out of 10. Very clean. I'm changing the filtering 1968SL Specs as they were different. In fact this is a early transition model with gold still on the white logo. The give away is that all four board caps are dual 40uf that were only in a couple of months.
I'm #2 on a list at zZOUNDS for the Fryette PS 100. Might be a while as I hear Stevie Fryete is moving his shop. Anyway thank you. Don't be a stranger. And be safe out there I was the only Distinguished Graduate in Law Enforcement Academy in my Class of120. USAF LEOSA. But I was Army Ground Combat trained in addition to being a Combat Arms Instructor. Lead USAF & Marines on more than 100 Recons in OIF.. Don't know how but I was awarded the V Device for Valor.
Pretty amp too. You do great work. I set back & do my thing lol. All my best to you. David Hopkins ♫
@@groundzeroampworks780 Thats the way we did it back in the Day
I miss my 100w jcm800. I trade it for a mesa and its the worst deal I ever did
We’ve all done it!
So everything dimed but the channel volumes? Sounds great man. 👍
Yes exactly!!
Has Eddie been resurected???
Can’t beat a cranked plexi! Nice one brother.
That’s right J…. It’s THAT sound !
@@groundzeroampworks780 Honestly I think you got something even better but hey, mby that's just me😋
It depends on the cranked plexi; some of them get you that classic Tom Scholz sound, others sound like a box of old farts.
@@FEAROWNAGE Tom got his sound through the Rockman digital box he invented.
Awesome!!! Amazing tone
Thanks Paul!
Best I’ve heard in a
L🔊🔊🔊🔊NG
Time!!! Bravo! 🙌🏼
Thanks!
I need the Power Station in my life.
Can you play that thing at home without getting the law called
Well my neighbors are pretty cool. They never complain. Good people.
80's in a Box!! 💚🎸
you mean 70s. Distorted tone was a fizzy, thin, weak mess until the JCM800
@@mulleygravesyou’re joking right?
@@Caleb-fv5fp the 80s were defined by JCM800s, racks, Soldanos etc. Plexis are classic rock tones from the 60s and 70s (i.e. thin, fizzy, weak) I’ve never heard one sound good unless it was modded.
@@mulleygraves did evh mod his plexi?
@@Caleb-fv5fp running it at 90v plus load boxes, external power amps, and a crap ton of effects, and burning through power tubes weekly. On top of it all the brown sound is nothing special compared to the amps that came out in the 80s.
No, lame.
Great playing and amp
The first chord had a very EVH Eruption flavor, but the rest was very Warren DeMartini/Rat esque.
Can’t go wrong either way!
Is this a reissue? 1987x?
It’s actually not a “real” Marshall. It’s a recent build with Classic Tone and Heyboer transformers. And I didn’t build it!
@@groundzeroampworks780 Oh I see.. Man, sounds so freeken good though! What model/year is it built after if you don't mind me asking?
@@jamescassidy4045 early 70’s metal panel era. Less NFB, bypass cap on v2a etc…
@@groundzeroampworks780 Oh nice! Thank you!
It still sounds mega loud.
Yeah huge headroom on these amps. You crank em for the crunch but they get really loud, like stadium sized loud.
Definitely do without an attenuator.
Yeah without that you would be ripping the wallpaper off the walls. @@groundzeroampworks780
@@TheIrishLoaf truth!
Yeah, that'll do. Lol awesome
Kindly tell me about this amp, how can I order this?
It’s just a stock 50w Marshall 1987 circuit. The best way to buy one would be to get a 1987x reissue. You’ll need a Power Station to attenuate it.
Thanks for information
Marshall unbeatable. My opinion
Amazing sound
Your playing is 🤘🏽🤘🏽🤘🏽!
Thanks !
Is the atenuator been used ?
Yes it is.
Damn!
🤟🤟
Try jumping the channels,...once.
My Hiwatt fcking loves it.
I’ve done that but always seem to prefer bright channel straight in.
@@groundzeroampworks780
Anyone I know that has tried it knows both channels running at once is unmeasurable.
If running pedals,.. everything at noon,.
except volume.
There is no tone change. And if there is was,..bass mid and treble adjustments would clearly be sufficient.
JUSTSAYIN'.
@@groundzeroampworks780
Crap,.. I forgot to add you get twice the headroom. If you go for that sorta thing.
Are you sure there is not "One wire mod" instilled here?
I’m am very sure!
What’s the point of hooking this up to the Power station?
If you’ve ever heard a Plexi with volume on 7-8 without an attenuator it’s one of the loudest things on earth. No other way to get gain out of it.
@@groundzeroampworks780ah okay, just confused I’ve never seen anyone run their amp into a separate power
My 1995 Soldano SLO 100 sounds ways better!
I doubt that dude.
Theres no growl,just a bunch of fizz,yuck
@@rocker8692 time for new speakers…
87?
Yeah model 1987. Not year.
@@groundzeroampworks780
The H30 with 55Hz cones and the original G65’s were the shit when it came to Celestion’s. The Sidewinder was cool too. Curious how does the Powerstation not just sound but feel? Thanks
It’s actually really great. It’s hands down the best and only reasonable option for a NVM Marshall.
@@groundzeroampworks780 : Cool brother. It’ll probably be great with my Black Face Bassman heads.