Wunderschöne Interpretation dieses perfekt komponierten Konzerts mit bezauberndem Ton der genialen Soloklarinette sowie gut harmonisierten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und fast himmlisch. Im Kontrast klingt der dritte Satz echt lebhaft und auch begeisternd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Kammerorchester im angemessenen Tempo und mit angenehmer Dynamik. Einfach faszinierend!
Gould suggested he just would have devolved into Hummel, which I believe is hogwash. I imagine just 5 more years would have seen incredible growth and experimentation.
Funny, I don't think anyone ever really notices that the orchestration, albeit necessarily, is a bit odd, for the time in which this piece was written and even now. Flutes, bassoons, horns, strings.
I think that the orchestration is perfect. The orchestra leaves a "gap" for the timbre of the solo instrument although giving a rich and complete texture in its own.
It is also quite possible that these were the forces available at that specific time. Mozart often wrote for an exact amount of players and specific performers he knew would be available. I have seen manuscript scores where he later inked in trumpets and timpani as they were available, but not when he composed the work (for instance Piano Concerto No. 24)
@@bartjebartmans Mostly possible, yes. It's interesting however how well fits the solo instrument to the orchestra of Fl-Fg-Cor-Archi. The Clarinet shines effortlessly even in pp.
@@bartjebartmans, it certainly is the case that the flutes do not fight with the clarinet! They only shine brightly in the higher octave, while oboes might cover the clarinet if not carefully managed.
From the heavens
Nothing else to say here. It's a tonic for today's troubled world...And a nice performance of it too..
One of the greatest compositions of all time!
Excellent performance(s). Thanks for the upload.
Wunderschöne Interpretation dieses perfekt komponierten Konzerts mit bezauberndem Ton der genialen Soloklarinette sowie gut harmonisierten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und fast himmlisch. Im Kontrast klingt der dritte Satz echt lebhaft und auch begeisternd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Kammerorchester im angemessenen Tempo und mit angenehmer Dynamik. Einfach faszinierend!
I just love Mozart's late works; what would he have written if he had survived into his 60s or 70s?
Gould suggested he just would have devolved into Hummel, which I believe is hogwash. I imagine just 5 more years would have seen incredible growth and experimentation.
@@erika6651I think his music would have been similar to Mendelssohn’s music. Unfortunately we’ll never know
@@p.galvez Sadly we won't. His String Quintets may suggest what he could have become.
@@p.galvezand i think his music would have been similar to Rossini 's music
The biggest LIKE! ❤ THANK YOU
masterpiece….❤❤masterpiece ❤❤
I like to play Roblox PTFS, andd take a relaxing flight in a piper pa-28 while listening to this.
16:48✨
Funny, I don't think anyone ever really notices that the orchestration, albeit necessarily, is a bit odd, for the time in which this piece was written and even now. Flutes, bassoons, horns, strings.
I think that the orchestration is perfect. The orchestra leaves a "gap" for the timbre of the solo instrument although giving a rich and complete texture in its own.
It is also quite possible that these were the forces available at that specific time. Mozart often wrote for an exact amount of players and specific performers he knew would be available. I have seen manuscript scores where he later inked in trumpets and timpani as they were available, but not when he composed the work (for instance Piano Concerto No. 24)
@@bartjebartmans Mostly possible, yes. It's interesting however how well fits the solo instrument to the orchestra of Fl-Fg-Cor-Archi. The Clarinet shines effortlessly even in pp.
@@csababekesi-marton2393 Yes! It is indeed possible Mozart thought the oboe's timbre too bright for the A Clarinet.
@@bartjebartmans, it certainly is the case that the flutes do not fight with the clarinet! They only shine brightly in the higher octave, while oboes might cover the clarinet if not carefully managed.
8:13