This is the only painting channel I have found that actually teaches technique, and how to approach painting issues - so much better than just watching someone paint a picture!
Absolutely love your lessons! Deeply appreciate your time. Most of your lessons’ concepts are easily transposed into watercolour, but this one, Shafts of Light, is a real problem of mine and I would absolutely love to see this lesson for watercolour!
I am just now reading Dianne's book, as well as enjoying her book of paintings! Love them both. Very inspiring and instructional! I am actually inspired to draw now:)
Such an in - depth explanation of what to notice when you're going to paint sunbeams. I never knew how much there was to it all. TYSM for sharing your knowledge and techniques with us. I'm gonna be using your suggestions on my paintings when I put the sunrays in them. TY again. 👍😻
On my goodness. I have never used any kind of skin products. I am partial to goat's milk soap, but I suspect Roger's lighting has more to do with your perception than anything else.
Yes, but you'll need to work more quickly because gouache dries so rapidly. However, gouache does have the advantage of being re-wettable, and that will make it easy to do the gradation. Practice on some scraps to get the hang of how to handle that technically.
My gratitude towards you is infinite, you are teaching me to think in an artistic manner, not just showing techniques.I m reading your book, it just great!
I couldn't understand what you meant at the beginning. Then, eureka! The camera pulled back and I could see it exactly as you had explained it. Warm to cool, dark to light. What an amazing tutorial. Thank you fof sharing this master class with us. Even the way you held the brush to create random shapes was a lesson in itself. Your experience shows in every brushstroke.
Having watched several different artist apply paint to canvas I have noticed that each has their own "formula" for thickness of the paint they are applying. Can you show us how to experiment in a way that gives us a good baseline for deciding how we want to proceed? As an example: Using paint right out of the tube means working with a stiffer paint. How do I make a more "buttery" consistency so that I don't have to use so much pressure? How do I know when enough is enough? Enjoying you website and your tips immensely! Thanks
Oil paints vary in consistency according to the manufacturer. Some brands, such as Gamblin and Rembrandt, for the most part, come out of the tube at a creamy consistency. For paint that comes out of the tube too stiff to work with easily, add a drop or two of artist's grade refined linseed oil and thoroughly mix it into the paint with a palette knife. There are no guidelines for how creamy it should be. That depends upon the degree of "buttery" consistency that works well for you.
Great technique…😍thanks very much. I’m seeing you every day now.
Hope you are doing the exercises, too.
@@IntheStudioArtInstruction Yes! I use your technique for my painting…really appreciated it. Great thanks ❤️
Extremely helpful , thank you Diane. Have a blessed weekend.🙏
You are so welcome
Thanks. That was enlightening!
Glad it was helpful!
This is the only painting channel I have found that actually teaches technique, and how to approach painting issues - so much better than just watching someone paint a picture!
Music to my ears. Enjoy the journey.
we are so lucky to have Dianne Mize. Wonderful explanations. We all thank you, Dianne!
Ah, thanks!
And a wonderful sense of humor. She just sorta slips those funnies in with a twinkle in her eye. Fabulous teacher in every way.
Love your teaching style. Makes such
Makes looking at art in a new light each time I watch your tips. Thank you for making us think as we paint.
Do the light beams first. Who would have thought that would work?
😊
Thank you for this helpfully instructions!!! Gorgeous Dianne
My pleasure. Thanks for watching.
I love the way you teach things. You make it clear that it's about tones, color and shapes rather than "what" you paint.
I am delighted. Enjoy the journey!
Absolutely love your lessons! Deeply appreciate your time. Most of your lessons’ concepts are easily transposed into watercolour, but this one, Shafts of Light, is a real problem of mine and I would absolutely love to see this lesson for watercolour!
I'll put this on our filming calendar.
Can you use watered down gesso?For the shafts of light, the lighter ones?
This one was especially helpful. Thank you! I’m also reading your book.
Martha Barlow gosh I didn’t know she has a book, can you tell me where I find this please?
Anthea, it is entitled Finding Freedom to Create and you can find it on Amazon.com .
Great! Thanks for that plug.
I am just now reading Dianne's book, as well as enjoying her book of paintings! Love them both. Very inspiring and instructional! I am actually inspired to draw now:)
Thank you for the great tutorial quick tip!
My pleasure.
WOW! Who knew? So interesting! Thanks, Dianne!!
Always a pleasure!
Amazing instruction THANK YOU❤️💕💕
And thank YOU for watching.
Excellent demonstration....was not at all as I had imagined....I would have sequenced the process totally wrong! Thank you.
Give it a try.
Hi. I just discovered your videos last week. They are so informative. I love how you focus on various components and break them down.
Welcome aboard. I hope you continue to find these Quick Tips helpful.
Love, love love your fabulous videos❤️❤️❤️❤️❤️❤️
Yay! Thank you!
Such an in - depth explanation of what to notice when you're going to paint sunbeams. I never knew how much there was to it all. TYSM for sharing your knowledge and techniques with us. I'm gonna be using your suggestions on my paintings when I put the sunrays in them. TY again. 👍😻
Have fun with it, Curtrice.
Thank you 👍👍👍👍
Welcome 👍
It is a privilege to learn from a master so graceful and humble.
Wow, thanks for that.
Great tip, Dianne! Thank you so much. You shared the principle which works.
Enjoy working with it.
this was a great video.
Thanks.
Hi thank you so much for your vedio. Does this method work for acrylics too?
Yes it does! It's the values and the movement of the brush that creates the images.
If I may ask how do you treat your beautiful skin? Lotions or?
On my goodness. I have never used any kind of skin products. I am partial to goat's milk soap, but I suspect Roger's lighting has more to do with your perception than anything else.
Can I use the same technique for gouache too ? 🤔 Btw your quick tips are very informative .Thanks 🙏
Yes, but you'll need to work more quickly because gouache dries so rapidly. However, gouache does have the advantage of being re-wettable, and that will make it easy to do the gradation. Practice on some scraps to get the hang of how to handle that technically.
Thankyou 😊
Thank you so much! I had no idea how to approach this at all.
Have fun with this.
My gratitude towards you is infinite, you are teaching me to think in an artistic manner, not just showing techniques.I m reading your book, it just great!
Thanks! And I am delighted you are enjoying my book.
Thank you so much Dianne!! This was so good!!
My pleasure, Belinda. Thanks for watching.
Thank you 👏👏👏👏👏👍🏻
Welcome 😊
🙏🙏🙏😘😘 thank you so much 💕
My pleasure.
does this translate to painting with oils?
Yes. This demo is done with oils.
Very nice rendering. Thank you!
Thank you too!
Good information on atmoshire.
Have fun with it.
Great teaching, thanks.
Glad you enjoyed it!
Valuable. Thank you!
My pleasure.
I couldn't understand what you meant at the beginning. Then, eureka! The camera pulled back and I could see it exactly as you had explained it. Warm to cool, dark to light. What an amazing tutorial. Thank you fof sharing this master class with us. Even the way you held the brush to create random shapes was a lesson in itself. Your experience shows in every brushstroke.
Thanks, Judeth. And thanks for watching.
I love your video
Thanks!
Love you so much
😇
Atmosphere
Yep!
Gracias
My pleasure.
Martha Fair
Love your quick tip tutorials. They are specific and your explanations are understandable.
Thanks!
Thanks Dianne. I'm more relaxed watching your instructional Art stuff than other teachers and think I remember more as a result. Great work
Wow, thanks Adrian.
I thought I could never be able to paint these light shaft effects. Thanks a lot for the tip! You make it look so simple.
You can do it! Have fun with it.
THank you!
My pleasure.
This is a great thing to know, those rays really add a LOT of drama...thanks Dianne, Jane
My pleasure. Thanks for watching.
Dear Dianne,as usual,I am so grateful to have your tips, I also learn a lot from your lessons that I am buying and loading down
Thanks
Thanks Art, and thanks for plugging my full lessons.
Have you tried dry brushing the light rays over the painted and already dry background?
Yes, that can work, too, by carefully controlling the gradation of value.
какая умница...
Умение помогает, но нужно знать методы. Спасибо за просмотр!
This is awesome. I'll add it to my 'tool belt' of techniques.
Give it a try and have fun with it.
Having watched several different artist apply paint to canvas I have noticed that each has their own "formula" for thickness of the paint they are applying. Can you show us how to experiment in a way that gives us a good baseline for deciding how we want to proceed? As an example: Using paint right out of the tube means working with a stiffer paint. How do I make a more "buttery" consistency so that I don't have to use so much pressure? How do I know when enough is enough? Enjoying you website and your tips immensely! Thanks
Oil paints vary in consistency according to the manufacturer. Some brands, such as Gamblin and Rembrandt, for the most part, come out of the tube at a creamy consistency. For paint that comes out of the tube too stiff to work with easily, add a drop or two of artist's grade refined linseed oil and thoroughly mix it into the paint with a palette knife.
There are no guidelines for how creamy it should be. That depends upon the degree of "buttery" consistency that works well for you.
@@IntheStudioArtInstruction Thanks!
Thank you! Thank you! Thank you!
You are so welcome!
Thank You ♥️😀
You’re welcome 😊
Merci chère Madame
Thanks for watching.