Fun Fact: The guy who designed the puppets here also voiced Telly Monster on Sesame Street. Things in the puppetry world are incredibly interconnected and you’ll see performers recurring in many different projects. Uma from Oobi and Kate Monster from Avenue Q are played by the same actress for example.
Even more fun fact, Ellen Greene dated the guy for a while and even got to be in an episode of Sesame Street briefly and got invited to their wrap party in 1986
I've seen it produced in the 2020s and people still get the 60s humor. Occasionally, they sprinkle in some jokes about what the 60s look like to 2020s people.
'84 version? It's the original version. The original run was 1982 - 1987. There was just one version during that time. Only "Mushnik And Son" changed during the run.
"I keep asking God what I'm for and he tells me "gee, I'm not sure"" lol. This line kills me every time! I want to see this in its entirety so badly. This really should be made into a film!
Judt a reminder that the show actually originated at the WPA Theater in New York prior to its Off-Broadway run at the Orpheum on 2nd Avenue (where I saw it). A friend who saw it in the intimate space of the WPA said that the moment near the end when the vines dropped down over the audience was truly terrifying!
After knowing the creative team behind the plant, it makes sense. For the off-Broadway production, Audrey II was designed, built and originally manipulated by Martin P. Robinson, a longtime puppeteer for Sesame Street and other Jim Henson productions, who would go on to design and operate the plant in the Broadway version two decades later. For this particular performance, the plant was puppeteered by Lynn Hippen, a core performer for the Nick Jr. series Eureeka's Castle (she played Cooey, Magellan the Dragon's gerbil/doglike pet).
@@tysargent9647 Very interesting that Martin P. Robinson designed and built the Audrey II puppets for both the original Off-Broadway show and the 2003 Broadway revival, although I already know this fact, because looking at this Audrey II puppet, it would really feel right at home in a Jim Henson production.
17:44 this version of “ya never know” is one of my favorites! they all have such good chemistry and this seymour is really talented with giving the Audrey II character !! I love the choreography too !! aah such a good production
@@smurf902 Cast albums are recorded in a studio, totally different vibe from a live show. As you can see from this performance, the songs were much faster and more energetic in the actual show than they are on the cast album.
Longtime theater buff here. Been to a couple modern community theater productions of this. Whenever Orrin opens his leather jacket to reveal his dentist smock and sings, "Son be a dentist," it always brings down the house with laughter.
The totally awesome production that begot the totally awesome film. Thank the universe for UA-cam. Any & everybody has any & everything. In 1982 I was 3, to be able to see this ever is wonderful.
Had to come back and enjoy this again. So nice to see a primo production after some of the many misfires I've caught over the last year of lockdown here on UA-cam. I like the breakneck tempos, it move things right along, leaving more time, for instance, for Audrey to shine on "Somewhere That's Green." This show has great pace! And Audrey II, oh, my! Rockin'! Thanks again for posting this wonderful slice of history!
I've watched this three times now trying to get the bass parts down, and just finally read the description. I never realized that was Fyvush Finkel, super cool.
Oh my gosh! I saw this in L.A. in 1983 with my dad, at the Westwood Playhouse. So much fun!! Afterwards, we walked over to Tower Records to buy the cast album. ❤
And the first customer that inquired about Audrey II does remind me of that one customer played by Dick Miller, who would later play Murray Futterman in the Gremlins films, who would always eat the flowers he’d buy. Also the teenage girls visiting the shop in the original being the inspiration for Crystal, Ronette & Chiffon.
GoldenLion 5 the tempos on the original cast recording were slowed down from the original production, so that’s how people think it should go now, but it was supposed to be slower
No it's still meant to be funny even today. It's called Dark Comedy. The point of which is to laugh at the ridiculous ills of humanity and society. Humans sometimes are more likely to look away when they see the horrors in this world, they ignore them because it's painful to see, but by telling those same stories with humor you can attract even those fearful audiences and the whole time they think they are being entertained. They are being entertained, but they are also being shown those horrible things they ignored before and being forced to acknowledge it in some way, even if it's not a big way. This is the beauty and truth that is art and theater. The fact that you feel it can't be funny today does show that the goal was achieved. Society today takes these things more seriously and I would suggest that is in large part due to the arts bringing these stories to our attention. Sometimes through drama, and more easily swallowed through comedy.
@@Korenski23VO Modern productions actually tend to dramatize "Scuse me, doctor". When I saw the 2019 revival they had perfect acting beats of when we should be laughing and when we shouldn't at Orin.
this is amazing. the mere existence of this recording is amazing. did the production house record this? cuz smuggling in a 1980s camcorder is a feat to behold..
I am so glad someone filmed this, however they are the worst camera person and that is unfortunate. Not even focussing on Audrey during her singing part. I guess back in the 80s they didn't film videos thinking one day everyone in the world will be able to watch this on UA-cam lol ! What a time to be alive!
OK. Let's say you were puppeteering the third plant pod (the "Feed Me" plant). For the head of the plant, you basically have to curl your hands into fists, put them together, and then stretch and push them toward each other for the movement of the puppet's mouth (your right hand in the upper lip, your left hand in the bottom lip). The tricky part is being able to do it quickly enough to get a good lip-sync.
It's not Ron. It's his vacation replacement Jimmy Lockett. Jimmy did a pretty good imitation of Ron but it's obviously not Ron in the curtain call. I was the assistant stage manager at this point in the run. Based on the original performance reports Jimmy covered all 8 performances from June 19-24. However the Puppeteer, clearly Lynn Hippen, was out for the 4 weekend shows to observe and note her new understudy. That means this recording had to be from the first half of the week. I think it was most likely on the 19th based on the late opening of the stage right screen for the finale, when a new sub was in for that backstage track.
Act I, and II | Little Shop of Horrors | Original Off-Broadway Production *************** CAST *************** Lee Wilkof............................Seymour Ellen Greene.......................Audrey Hy Anzell...........................Mr. Mushnik Jennifer Leigh Warren.............Crystal Sheila Kay Davis.......................Ronnette Marlene Danielle............................Chiffon Franc Luz............................Orin Scrivello / Everyone Else Martin P. Robinson..............................Derelict / Audrey II (Manipulation) Ron Taylor.................................Voice of Audrey II
I was reading the credits in the description, and I saw that you labeled Lynn Hippen as a Manipulator rather than a puppeteer? ouch, as a member of the puppeteering community we consider Audrey 2 as a puppet and anyone who does his physical performance is a puppeteer,
You should take that up with whoever put the original Playbill together, and decided to bill them as Audrey II (Manipulation) and Audrey II (Voice) in that order. Presumably Martin P. Robinson, legendary puppeteer, the creator of these Audrey IIs, and their original manipulator for this production, didn’t mind that credit.
At some point (I believe around the time the touring production started, though I don't know for sure), Howard and Alan reworked the number into the longer version we have now.
Apparently Ellen Greene moved to London to do the show when it opened there, which I think was on October 12, 1983. So she must've only played Audrey in the U.S. for less than 18 months of the show's 5-year run here. She also apparently left the London show at some point before June 1985 to start work on the movie and do other TV and movie parts.
@@jedijones I think Faith Prince closed show off Broadway? I saw the archival video of the show which is a pro shot copy at Lincoln Center Theatre Archives and if I'm correct I believe Faith Prince is Audrey.
@@Itstonytime77 what's interesting is she did do the role, and was actually hired to do the role as the original before it opened, but she had to back out to do something else, and then they went with their 2nd choice, which was Ellen. Wow what a turn of events! Similarly, 3 different roles - Elphaba, The lead in Crazy for You and also Into the Woods had actresses that were originally cast but then left or were replaced as the opening cast and then later on still came back in the same original run. Stephanie Block - workshop/then later in the Bway run, Karen Ziemba in Crazy for you (written with her in mind but later replaced with Jodi Benson as the opening night and then replaced by Jodi), and Ellen Foley as the witch in Into the Woods (actually the original in the first workshop was Betty Buckley but Old Globe was Ellen) and then Bernadette came in for the Bway run but eventually Ellen did it on Bway as well.
_my fAv sCEne_ with fav character at the dentist before seymour gets there but i've found out why it's missing in the meantime, _it's not even in the stage version in general,_ only in the movies... sad times to become obsessed with something new and exciting
@@madgadgetss oh the one with bill murray? Yeah. The movie and the Broadway productions are different in so many ways. Scenes taken out of the movie that were in the play, new songs in the movie along with new scenes, new ending
@@QuinManGuy so mean :( where do i find other media with this character dynamic? this is literally the only instance i've ever seen it, what do you even call it
Likewow, i might have been in the audience right there.......taking a risk on a totally unknown show back then - but i loved Roger Corman so what did i have to lose? (and so easy to get AFFORDABLE tickets.....
Happy Little Shop day. :)
The Little Shop Archive :')
The Little Shop Archive this oh so happens to be my Bday as well!
What’s little shop day
@@eweezy3596 September 21, the day Audrey two arrived
Happy Little Shop day!
Fun Fact: The guy who designed the puppets here also voiced Telly Monster on Sesame Street. Things in the puppetry world are incredibly interconnected and you’ll see performers recurring in many different projects. Uma from Oobi and Kate Monster from Avenue Q are played by the same actress for example.
and to tie it all together, the film adaptation was directed by frank oz, whos the original puppeteer of characters like miss piggy and cookie monster
@@MaxEverywhereSystem and Grover and Fozxie Bear.
Even more fun fact, Ellen Greene dated the guy for a while and even got to be in an episode of Sesame Street briefly and got invited to their wrap party in 1986
I just saw Little shop of horrors, the play, at my home state today. I loved every minute of it
It's interesting to hear laughter at jokes that only made sense at this period of time
My favorite part of any history piece
But the show takes place in the early 60s and was written in the early 80s.
I've seen it produced in the 2020s and people still get the 60s humor. Occasionally, they sprinkle in some jokes about what the 60s look like to 2020s people.
That first customer spends the equivalent of approximately $819.98 US in today's spending money
Camara Rhodes im pretty sure you can do conversions based on inflation online.
@@FlyBoyMT I am refering to the setting within the story, 1960. Not the year it was performed.
Her "Somewhere That's Green" was really touching.
Marsha was a fantastic Audrey replacement!! Loved her.
I was lucky to see this production in the Fall of 1983. Such fun!
This is the '84 version. Ellen Greene toured the London Circuit during 1984-1985 and started Film pre production alongside Newly cast Rick Moranis.
'84 version? It's the original version. The original run was 1982 - 1987. There was just one version during that time. Only "Mushnik And Son" changed during the run.
She also didn’t tour London with it, she was in the London production.
@@onnapnewo ever see any Audio or video from that production?
"I keep asking God what I'm for and he tells me "gee, I'm not sure"" lol. This line kills me every time! I want to see this in its entirety so badly. This really should be made into a film!
It is it just came out a few years
In 1986
@@pokemonlovers4907 “a few years ago”…😂
I was joking
Damn, the songs were really fast!
Well,that was part of Howard Ashman's Direction
AlwaysGonnaSing all the tempos on the cast album were slowed down
I thought I was on 2X speed to start. Was totally surprised to see normal speed! LOL
Play it on .75 speed
yeah I know!
Judt a reminder that the show actually originated at the WPA Theater in New York prior to its Off-Broadway run at the Orpheum on 2nd Avenue (where I saw it). A friend who saw it in the intimate space of the WPA said that the moment near the end when the vines dropped down over the audience was truly terrifying!
I gotta say, for the early 1980’s, the plant is impressive
After knowing the creative team behind the plant, it makes sense. For the off-Broadway production, Audrey II was designed, built and originally manipulated by Martin P. Robinson, a longtime puppeteer for Sesame Street and other Jim Henson productions, who would go on to design and operate the plant in the Broadway version two decades later. For this particular performance, the plant was puppeteered by Lynn Hippen, a core performer for the Nick Jr. series Eureeka's Castle (she played Cooey, Magellan the Dragon's gerbil/doglike pet).
@@tysargent9647 Very interesting that Martin P. Robinson designed and built the Audrey II puppets for both the original Off-Broadway show and the 2003 Broadway revival, although I already know this fact, because looking at this Audrey II puppet, it would really feel right at home in a Jim Henson production.
17:44 this version of “ya never know” is one of my favorites! they all have such good chemistry and this seymour is really talented with giving the Audrey II character !! I love the choreography too !! aah such a good production
I hope we find a 1982 recording, Lee Wilkof and Ellen Greene are amazing
Oh hey Seymour...
Feed me
Hi Louis tolley
There's the cast album (audio)
@@smurf902 Cast albums are recorded in a studio, totally different vibe from a live show. As you can see from this performance, the songs were much faster and more energetic in the actual show than they are on the cast album.
Many of those people probably had no idea the plant would sing, or that he was a dentist.
Longtime theater buff here. Been to a couple modern community theater productions of this. Whenever Orrin opens his leather jacket to reveal his dentist smock and sings, "Son be a dentist," it always brings down the house with laughter.
HOLY HELL IVE BEEN WANTING TO FIND THIS FOR FOREVER
xXHannahSalvatoreXx for years I was searching as well! I can't believe this is here!
The totally awesome production that begot the totally awesome film. Thank the universe for UA-cam. Any & everybody has any & everything. In 1982 I was 3, to be able to see this ever is wonderful.
"Now! For the girl. Now! For the plant. Now! YES, I WILL! But I can't."
Love this show. Saw it 8 times Off Broadway back in the day 💕💕💕
Had to come back and enjoy this again. So nice to see a primo production after some of the many misfires I've caught over the last year of lockdown here on UA-cam. I like the breakneck tempos, it move things right along, leaving more time, for instance, for Audrey to shine on "Somewhere That's Green." This show has great pace! And Audrey II, oh, my! Rockin'!
Thanks again for posting this wonderful slice of history!
It's really surprising that people were able to sneak in cameras given the size of them in 1982 🤣🤣
🤣🤣🤣🤣
I remember the TV ads for this i '82 when it first opened.
It’s really sweet how Mushnick cares about Audrey; had he met Orrin, he would’ve beat the shit out of him for hitting Audrey. Or tried, I guess.
Wow, i tought i would never see a recording of this production
Thank you so much for this!
I've watched this three times now trying to get the bass parts down, and just finally read the description. I never realized that was Fyvush Finkel, super cool.
I love Audrey, especially Ellen Geene’s interpretation, but I find this version especially precious 🥰
Oh my gosh! I saw this in L.A. in 1983 with my dad, at the Westwood Playhouse. So much fun!! Afterwards, we walked over to Tower Records to buy the cast album. ❤
Lots of chuckles at the Mrs Shiva line, sounds like some people were familiar with the original 1960 movie
or Jewish
And the first customer that inquired about Audrey II does remind me of that one customer played by Dick Miller, who would later play Murray Futterman in the Gremlins films, who would always eat the flowers he’d buy. Also the teenage girls visiting the shop in the original being the inspiration for Crystal, Ronette & Chiffon.
Am I crazy if I think some of Audrey II’s body language is kinda cute? Like when he’s bouncing in the pot?
Nah I've always found that adorable lol
9:54 though. The real Audrey is soo cute too
marsha skaggs is really good as audrey!!
"and what kind of a place is that, hoooooooney" 22:05
51:08 Audrey 2's touge is flying around!
y’all my school did a production of little Shop and Jesus Christ these songs are ridiculously fast
GoldenLion 5 the tempos on the original cast recording were slowed down from the original production, so that’s how people think it should go now, but it was supposed to be slower
Kinda weird watching them laugh at her being abused by her boyfriend but different time I guess
No it's still meant to be funny even today. It's called Dark Comedy. The point of which is to laugh at the ridiculous ills of humanity and society. Humans sometimes are more likely to look away when they see the horrors in this world, they ignore them because it's painful to see, but by telling those same stories with humor you can attract even those fearful audiences and the whole time they think they are being entertained. They are being entertained, but they are also being shown those horrible things they ignored before and being forced to acknowledge it in some way, even if it's not a big way. This is the beauty and truth that is art and theater. The fact that you feel it can't be funny today does show that the goal was achieved. Society today takes these things more seriously and I would suggest that is in large part due to the arts bringing these stories to our attention. Sometimes through drama, and more easily swallowed through comedy.
@@Korenski23VO Modern productions actually tend to dramatize "Scuse me, doctor". When I saw the 2019 revival they had perfect acting beats of when we should be laughing and when we shouldn't at Orin.
i wish this was the seymour from the soundtrack of the off bradway show. he was my personally favorite.
This is actually super good quality for a recording of the era!
And it’s a miracle someone snuck in one of those big ass 80s cameras 😭 howwwww did they not get caught
Awesome find
Jonathan Thompson I know you
Ally Ciphers I know you too :')
i fucking love thsi musical. im so hyperfixated.
The urchins are completely FAB.
Great find
I saw Little Shop of Horrors at Van Intermediate School and it was very amazing.
this is amazing. the mere existence of this recording is amazing. did the production house record this? cuz smuggling in a 1980s camcorder is a feat to behold..
This seems to be audience recorded given that it lacks stability. A remarkable achievement for the time!
Best expression of the music online other than the film soundtrack. Well-executed. Thank you. :)
How? Incredible
35 years past.
I am so glad someone filmed this, however they are the worst camera person and that is unfortunate. Not even focussing on Audrey during her singing part. I guess back in the 80s they didn't film videos thinking one day everyone in the world will be able to watch this on UA-cam lol ! What a time to be alive!
Ikr? Even I could film this much better than whoever was filming this.
I mean the alternative to not be able to see at all
MY GOD THANK YOU
I would like to know how the person filming this snuck a large 1980s video camera in to the theatre and never got caught filming!
”and several other medical problems” HAHAHAHAH
The dentist sounds a lot like BATB's Gaston here.
How cool!
I'm about to play the plant (puppeteer, not voice) and I'm trying to figure out what fits where
OK. Let's say you were puppeteering the third plant pod (the "Feed Me" plant). For the head of the plant, you basically have to curl your hands into fists, put them together, and then stretch and push them toward each other for the movement of the puppet's mouth (your right hand in the upper lip, your left hand in the bottom lip). The tricky part is being able to do it quickly enough to get a good lip-sync.
Was that... was that an _intestine?!_
I know this comment is late late late but I really enjoyed the cast I thought I was a great first peformance
40:40 are you sure that's Ron Taylor? He sounds a little bit different
Or is this his understudy
+Saido Kuraku After comparing this to the original cast album, I think it's Ron
The Little Shop Archive Oh ok
If you look at the curtain call, the voice actor looks a little thin to be Ron
It's not Ron. It's his vacation replacement Jimmy Lockett. Jimmy did a pretty good imitation of Ron but it's obviously not Ron in the curtain call. I was the assistant stage manager at this point in the run. Based on the original performance reports Jimmy covered all 8 performances from June 19-24. However the Puppeteer, clearly Lynn Hippen, was out for the 4 weekend shows to observe and note her new understudy. That means this recording had to be from the first half of the week. I think it was most likely on the 19th based on the late opening of the stage right screen for the finale, when a new sub was in for that backstage track.
Please Please Please someone find a recording of the original cast with Ellen Green.
Act I, and II | Little Shop of Horrors | Original Off-Broadway Production
***************
CAST
***************
Lee Wilkof............................Seymour
Ellen Greene.......................Audrey
Hy Anzell...........................Mr. Mushnik
Jennifer Leigh Warren.............Crystal
Sheila Kay Davis.......................Ronnette
Marlene Danielle............................Chiffon
Franc Luz............................Orin Scrivello / Everyone Else
Martin P. Robinson..............................Derelict / Audrey II (Manipulation)
Ron Taylor.................................Voice of Audrey II
I was reading the credits in the description, and I saw that you labeled Lynn Hippen as a Manipulator rather than a puppeteer? ouch, as a member of the puppeteering community we consider Audrey 2 as a puppet and anyone who does his physical performance is a puppeteer,
You should take that up with whoever put the original Playbill together, and decided to bill them as Audrey II (Manipulation) and Audrey II (Voice) in that order. Presumably Martin P. Robinson, legendary puppeteer, the creator of these Audrey IIs, and their original manipulator for this production, didn’t mind that credit.
Why is it the long version of Mushnik and son?
At some point (I believe around the time the touring production started, though I don't know for sure), Howard and Alan reworked the number into the longer version we have now.
Is this Lee Wilkof as Seymour in this recording?
Brad Moranz
@@LittleShopArchive thanks!
Where's Ellen Green? :o
+Freakzilladark By this point, Ellen Greene had left the production and Marsha Skaggs had taken over the role.
@@LittleShopArchive Did anyone else besides these two ever play Audrey during the Off-Broadway run?
Apparently Ellen Greene moved to London to do the show when it opened there, which I think was on October 12, 1983. So she must've only played Audrey in the U.S. for less than 18 months of the show's 5-year run here. She also apparently left the London show at some point before June 1985 to start work on the movie and do other TV and movie parts.
@@jedijones I think Faith Prince closed show off Broadway? I saw the archival video of the show which is a pro shot copy at Lincoln Center Theatre Archives and if I'm correct I believe Faith Prince is Audrey.
@@Itstonytime77 what's interesting is she did do the role, and was actually hired to do the role as the original before it opened, but she had to back out to do something else, and then they went with their 2nd choice, which was Ellen. Wow what a turn of events! Similarly, 3 different roles - Elphaba, The lead in Crazy for You and also Into the Woods had actresses that were originally cast but then left or were replaced as the opening cast and then later on still came back in the same original run. Stephanie Block - workshop/then later in the Bway run, Karen Ziemba in Crazy for you (written with her in mind but later replaced with Jodi Benson as the opening night and then replaced by Jodi), and Ellen Foley as the witch in Into the Woods (actually the original in the first workshop was Betty Buckley but Old Globe was Ellen) and then Bernadette came in for the Bway run but eventually Ellen did it on Bway as well.
Is this sped up? They sing so fast
The songs are going to fast I can hardly keep up.
Audrey II NOT THIS YEAR PLEASE
19:51
why were the songs so fast?
Because breathing is for the week
There’s some distortion on the tape in the beginning
This is a rare, old recording that would've been on VHS. Don't bitch about stupid things.
@@quentinquale1694 perfect reply
Ellen Greene is such a great singer!
there must be a specific reason for *that* scene missing, right? i've checked so many plays already, come on!
What scene
_my fAv sCEne_
with fav character at the dentist before seymour gets there
but i've found out why it's missing in the meantime, _it's not even in the stage version in general,_ only in the movies...
sad times to become obsessed with something new and exciting
@@madgadgetss oh the one with bill murray? Yeah. The movie and the Broadway productions are different in so many ways. Scenes taken out of the movie that were in the play, new songs in the movie along with new scenes, new ending
@@QuinManGuy so mean :( where do i find other media with this character dynamic? this is literally the only instance i've ever seen it, what do you even call it
@@madgadgetss comedy
Likewow, i might have been in the audience right there.......taking a risk on a totally unknown show back then - but i loved Roger Corman so what did i have to lose? (and so easy to get AFFORDABLE tickets.....