If our (potential) customers ask about what model to get or if it makes sense to invest the extra $300 for the higher model, we always recommend checking first if there's still potential for acoustic improvement in their recording space. Love your videos, and thanks for the feature.
I love hearing this directly from a mic manufacturer. Y'all have a great lineup of mics, but people are only going to get salty if they buy something expensive and they don't know why they still sound terrible. GGs Lewitt.
Love my Lewitt 240 PRO I just got from Amazon after listening to Tom Buck! Sounds different than my shure mics. My students online said I sounded great! Thanks guys!
The interesting thing about the Neat Worker Bee is that rather than sounding like a budget condenser mic, it actually sounds like a legendary, high quality dynamic mic. It could easily go toe to toe with RE20 and SM7B for voice over/narration/podcasting purposes. I think it sounds best with the included screen
Your preamble was exactly what was needed before starting this video. You always hear the room first, the interface second, and the mic third. Overall, the room is the most important part of the equation!
That's a great way of putting it, Jordan! I'm totally stealing this. (I say while using a Neumann with a Behringer interface while recording in a bathroom). 😁
@@HairSuitGentleman ha, yeah, I am using an E100S. When I got it, I had it in an untreated cinder block basement. Moved to a PVC booth out in my garage for a while, and then actually studded out and built a bespoke treated (and isolated) room in my basement which has made all the difference. Now I can do horror game screams and death wails without waking up my wife sleeping literally 6 feet above my head.
Unless you're using a specific feature in the interface, I'd put the microphone second. Interfaces these days without engaging tone controls (which is what the circuits are) are all quite good.
@@johnkotches8320 Thank you, I was about to say that. Most modern interfaces are totally transparent, the noise floor and distortion on them is far less than either the room or the mic will ever have.
Hey, Mr. Delgaudio, huge fan of your work. My name's Josh, I'm a freelance Voice Actor from Florida, and I loved this video. Thank you so much. I also saw a video you made several years ago about recording in your car. I am currently doing that, using a combination of dynamic mics and one pencil condenser mic, thank you for the information. Merry Christmas.
The second half of our first season and the first half of our second season were recorded using the TZ Audio Stellar X2. We switched to the X3. Love the TZ stuff, and I'll give you three guesses where we learned about it :-)
I actually ordered the Lewitt LTC440 after watching this video--I had no idea the company existed, and I absolutely LOVE the type of sound you got from the 240, so I researched and got the 440. I just finished setting up my studio, and I've been wanting to upgrade from my cheapo mic I've been using!
A really good set of microphones - sadly, I don't have any of them that I speak to from experience, but I haven't seen anyone hate them. And as always, thank you for emphasizing that top end gear, while awesome, is really primarily about prestige and taking production from Great to Stellar rather than being necessary. And even more thanks for the constant reminder that in any level of budget the bulk should be spent on making sure the recording space is excellent before worrying about the level of exacting detail you mic can record, because recording in a space that sounds like you're in a tile bathroom will mean no one will care that the recording came from a Neuman microphone.
I truly appreciate you addressing acoustic treatment instead of just recommending the latest and greatest mics. So many people make that mistake and neglect the basics. Big fan of your work Mike!
Listening to all of them side by side, the one that sounds better for me is clearly the Stellar X2. The less desirable mic from the bunch to my ears is clearly the Movo VSM-7. But the Lewitt LCT 240 and the CAD m 179 are also very good microphones.
First, the preamble is critical. It's all about the room. Second, love seeing the Movo VSM-7 here. NO one is talking about it. I own way more expensive mics, but that mic has lived on my desk for a year as my daily mic for professional use - podcasting, coaching, consulting, videos for clients, etc. Great stuff. Happy new year Mike!
I'm so glad you made this video. Treat room first: mass loaded vinyl for sound proofing, foam for sound treatment. Microphone. Audio interface. DAW. High pass filter around 80hz, low pass filter depending on voice. Noise reduction filter. Basically took me 3 years to learn those steps. I hate the sound of my voice, but then I figured out I hate of sound of my voice in an untreated room. Just not sure my BM-8000 is the problem or if the CAD e100 is the solution for the last details. Your review of the CAD e100 is amazing. I've seen the video on SSL 2 audio interface. Exceptional gear. Where does my room need to be before buying that gear?
Thank you very much for all you so here, for this incredible source of information. Your thorough reviews are such a great help. I can hardly put in words how much I appreciate your work! Merry Christmas and happy holidays to you and your loved ones!
I have the Worker Bee! 😂 It looks funny but it sounds amazing in my closet! I always have a blast with it! Worth the money! I've always stuck to budget mics because my income is low, also because I've never needed a super expensive mic. Enjoy and get what you can afford and, if you don't have a booth like me, always make sure your environment is quiet before you record. BTW The Neat Bees have new versions: King Bee II and Worker Bee II that just released this year! Can you review those? Thanks for this video. I'm going to share it with my VO followers on Twitter!
I'm wondering about the self-noise levels on these mics. I can't seem to find it listed for the VSM-7. I see the Worker Bee comes in at 9.5 dB, the CAD is 11 dB, the LCT 240 is at 19 dB, and the Stellar X2 comes in at 13.5 I believe (for anyone else who is interested...) Any idea on the MOVO? Thanks
Once upon a time, I paid approximately $25 with free shipping to a studio closing up shop, for a Sennheiser ProfiPower MD-431 mk1. Hope you all have similar luck in your hunts. Still stuck using the thing because I cannot find anything better. Most recently recorded early 80's feeling synthpunk lyrics through it.
Great vid for this time of year👍 Also, when I bought my mic/built my booth, I took your advice. I got a Shure KSM32, and spent the majority of my budget on my booth. It makes my mic sound WAY better, and my editing process so much easier.
Hi Booth Junkie..I’ve been a radio DJ and News reporter and long form radio documentary producer for quite some time and and always looking to improve my game. Especially since I’ll be “ retiring “ later this spring and will have tons of time to devote to Freelance VO. just found your great, very clear, video on the DBX 286s..Great job explaining it. That should work with my current rig. Sound Devices recorder and several microphones..Rode NT1 , SennMKH416 and Heil PR40. ( it a decent treated room ) Thanks again for the very good explanation of the 286s. I’ve subscribed to your channel, and looking forward to a lot of good information. Always learning. Kevin
I want to do voice over. I want to record my poetry professionally. In which I get high quality. But in my poetry some lines will go in high tone and some lines will go in emotional low tone. Suggest me a good mic, headphone and audio interface.
Thank you. I am starting out in a podcast and have been struggling. I have been working my booth up bit by bit. And finally got a p4 podtrak. I forgot to do research on a mic. And that cad m179 sound perfect for what I need for now. Thanks.
There's a few other models in the same price range that are definitely also valid microphones in this range (the market is starting to get crowded there). But you definitely nailed it. Aucoustic improvement pays off more than a more expensive microphone. That and microphone technique....
my friend told me about your channel. he said your really good at what you do and your a cool dude. I can agree, as soon as I opened your video and heard your voice I was like "he sounds like a nice guy" =)
Hey man, "shock filter" works. Shock mounts do "filter" out vibrations so that those vibrations can't travel into the mic body where the mic element would pick up the vibrations if there were there. Shock/Vibration Filter. I like it. Of all the mics you demoed, the Worker Bee and the Stellar X2 sound the fullest and best to my ears. They both have similar tonal qualities to the Neuman. I am listening through M-Audio BX5 monitors, not headphones. My favorite is the Stellar X2. It has similar lower mid to the Bee, but it has a noticeably smoother higher end. Sibilance handling is very nice with the Stellar. For voice over work the Neuman is very nice, but the price is not. Thanks for this video, it is very informative and instructive. Update: Due to your excellent mic review, I looked into the TZ Audio Stellar X2 mic. It comes in two varieties. The link you provide above goes the to Stellar X2 mic, not the Stellar X2-Vintage. It is the X2-Vintage that is trying to emulate the Neuman U-47 sound. The mic you used and show is the Stellar X2. The X2-Vintage has "Vintage" printed on the mic right below the "stellar X2" print. The "Vintage" version cost about $70 more from the massive forest retailer, you know the name. :) Still, the regular Stellar X2 that you demo here sounds great. It would be cool if you could do a video comparing the Stellar X2 with the Stellar X2-Vintage. I'd like to hear your take on the differences.
Appreciate your video and the push for space treatment.. did that 1st❤ .. now the interface today and I hope to commit to a mic specific to Vo work.. nervous and excited:))
I'm pretty interested in the CAD m179 covering up for my poorly treated room. I'm seeing some of the reviews talking about quality control issues though.
This is great, Mike! I recently did a "Home Studio Basics," webinar for GVAA, and referred participants to your channel as an excellent resource for gear recs. Hopefully they stumble on this video!
The real question is what channel strip/audio app should you get. Room treatment can get cumbersome if you choose wrong. The Dbx 286s is AMAZING for most applications, but is kinda too big to be mobile.
I'm a proud owner of an USB condenser mic, NEEWER 7000 (around 50$ Canadian). I record amazing stuff in it and I don't think a more expensive one will give me better results. Consider my limited talent! Every time I have a Zoom meeting, people compliment me on the nice sound and cool look of it. One day I will have a real booth, but so far I'm very happy camper!
Well if you're in a video conference call with people using their onboard camera and microphone etc. you will sound better relative to others. But we're mostly talking about trying to record pristine audio for content creation.
@@seanwebb605 I agree on the conference call things (my 50$ will sound like solid gold compare to crap). But how do you explain the blind test (cheap vs expensive ) that fool most of the sound guy and pro like Mike? More durable, well... In a studio or band, maybe it's an issue. But for 99% of the rest of the market, you can replace 20 times your 100$ to match one 2000$ mic. Less postprod, well... You just have to buy one or two cheap mic to match the tone/color that you like. I'm a noob and a cheap guy. I don't mind buying expensive tool, but I expect the ROI to be in the same order of magnitude.
Evidently Neat is replacing the Worker Bee with the Worker Bee II, so Amazon has the Worker Bee for $79. Used your affiliate link, so thank you for your help. I have a couple of really cheap mics, but this is the first time I've used a recommendation to buy what I hope is a better one.
Been a rough holiday sofar kicked out of my home..on Christmas SMH Had to sell all my studio stuff and now I'm looking for sumthing better than I had b4 just to cheer me up a little 🙃
@@MrSimpington Not exactly. The 770 is the same capsule found in most common usb condenser mics and not a true gold capsule like the V series. It's very limited. The 770 is a budget mic. The v63m was once a higher end (now 30-80) prices used and still a good $100 new in some areas. It's the all around better choice for response and has a better warmth and less needing an EQ tune vs the 770 big time.
Had my mind set on a certain other mic for my budget but I better consider the Movo. I live in a very humid place and working with the ac off is not an option. Thank you for potentially saving my sanity
Mike--I want to let you know that I purchased a TZ Audio Stellar X2 based on your recommendations, and I'm quite pleased with it. It's very rich for voiceover work. If anyone has any recommendations for EQ'ing this mic, I'd love to hear your experiences/recommendations. Thank you!
Thank you for this video!!! I just started my VO training and I have the Shure SM7B and the RE20 for VO. I'm just starting so I'm sure I'll be upgrading my equipment. I have a 20x18 portable building with acoustic foam tile with hanging sound blankets. (LOL - None of my mics 🎤 are in this video)
I do agree with the most mics here, the M179 and Worker Bee are especially good for a lot of voices. One other thing.. The Worker Bee got a revision, iirc. The II versions of both the King Bee and Worker Bee have pretty weird pop filters that audibly color the sound in a bad way, so with those I'd get a decent separate pop filter. They're still nice, though!
Love your content dude. Let me know if anyone is parting with an original E-100 in the EU, kinda want one again for nostalgic reasons, should never have sold it lol.
can you do a vid on how to find the jobs? maybe you've been in the game long enough that you don't know how someone new would get jobs nowdays since you get all yours through connections or established relationships but if you have insight into getting into it nowdays that'd be great
Presonus PX-1 sounded pretty good on Bandrew and Bark (Obsure mics). If we're throwing different types of microphones, I'd include the Sennheiser E614 as well :P Quite a great sounding pencil microphone. Does need a pop filter though :P
i wish i could buy the bee worker in Romania .. 😢😢 ...anyway ..NICE VIDEO ! You have been a GREAT INSPIRATION in my journey with studio Microphones and i just wanted to say THANK YOU ! 😊😊
Speaking of rooms being paramount for good voice over quality, how would you treat a hardwood floor? I'm considering using my apartment closet but it's on the 3rd floor with hardwood floors. Thick blankets good enough? I'm not allowed to install carpeting
I really loved my blue yetti at first, because I have a soft voice and the mic is super sensitive. I used it with audacity and got a pretty clean sound--at first! Unfortunately, now I'm having major issues with some of my words being completely inaudible. I tried my daughter's snowball and got the same thing. It seems more like an audacity problem than a mic problem. Has anyone else had this issue? It's really frustrating because you don't realize it until you're editing. It sounds fine through the headphones as I'm recording.
Hey Mike, Matt Terry again--I love your videos Mike, you always inspire me! I am getting my VO setup ready this year and I am at a loss for which computer to go for...I keep hearing recommendations to go with fan-less laptops like the MacBook Air, etc....but does it matter THAT much? Newer MacBook Pros and the like should be able to record audio without fans kicking into high gear, right? I have a 2017 iMac currently, which does have a fan and it has worked okay so far....but If you could offer some advice, I would be grateful Mike! Hope you had a great holiday!
Hello Mike. Really appreciate your content and sharing of your wisdom. I currently use the CAD GXL2200. Have you tested this model before. I am just getting started in VO and is the one I picked up used for a great price. I find it to be very clear if not a bit hot at times. I would appreciate your professional feedback. Thank You Sir.
I like both my Stellar X2 and AT 2030 and use them both. I'm booking work and making a little money. I've got my sights set on a Sennheiser MKE 600 shotgun. Ever reviewed one? Curious how it stacks up against the 416 (which isn't in my budget)?
"A really expensive mic will only bring out the flaws of a bad room..."
AMEN!!! Gawd, how I've tried to get this through to people over the years...
If our (potential) customers ask about what model to get or if it makes sense to invest the extra $300 for the higher model, we always recommend checking first if there's still potential for acoustic improvement in their recording space. Love your videos, and thanks for the feature.
I love hearing this directly from a mic manufacturer. Y'all have a great lineup of mics, but people are only going to get salty if they buy something expensive and they don't know why they still sound terrible. GGs Lewitt.
I’m a v.o artist in Spain. Do you have any dealers that allows to try your mics ?
I appreciate your intervention. I own the LCT 440 and LCT 240 mics in India, and I'm extremely happy to have invested in them both.
Love my Lewitt 240 PRO I just got from Amazon after listening to Tom Buck! Sounds different than my shure mics. My students online said I sounded great! Thanks guys!
Tried the LCT 440 in a store, and it's definitely on my "want" list... ;-)
The interesting thing about the Neat Worker Bee is that rather than sounding like a budget condenser mic, it actually sounds like a legendary, high quality dynamic mic. It could easily go toe to toe with RE20 and SM7B for voice over/narration/podcasting purposes. I think it sounds best with the included screen
This is a very humbling video, I keep looking at more and more expensive microphones while not fixing the problem which is my room.
Man that worker bee sounds incredible.
Your preamble was exactly what was needed before starting this video. You always hear the room first, the interface second, and the mic third. Overall, the room is the most important part of the equation!
That's a great way of putting it, Jordan! I'm totally stealing this. (I say while using a Neumann with a Behringer interface while recording in a bathroom). 😁
@@HairSuitGentleman ha, yeah, I am using an E100S. When I got it, I had it in an untreated cinder block basement. Moved to a PVC booth out in my garage for a while, and then actually studded out and built a bespoke treated (and isolated) room in my basement which has made all the difference. Now I can do horror game screams and death wails without waking up my wife sleeping literally 6 feet above my head.
Unless you're using a specific feature in the interface, I'd put the microphone second. Interfaces these days without engaging tone controls (which is what the circuits are) are all quite good.
@@johnkotches8320 Thank you, I was about to say that. Most modern interfaces are totally transparent, the noise floor and distortion on them is far less than either the room or the mic will ever have.
Hey, Mr. Delgaudio, huge fan of your work. My name's Josh, I'm a freelance Voice Actor from Florida, and I loved this video. Thank you so much. I also saw a video you made several years ago about recording in your car. I am currently doing that, using a combination of dynamic mics and one pencil condenser mic, thank you for the information. Merry Christmas.
The second half of our first season and the first half of our second season were recorded using the TZ Audio Stellar X2. We switched to the X3. Love the TZ stuff, and I'll give you three guesses where we learned about it :-)
Oh hey, I listen to you on spotify!
I actually ordered the Lewitt LTC440 after watching this video--I had no idea the company existed, and I absolutely LOVE the type of sound you got from the 240, so I researched and got the 440.
I just finished setting up my studio, and I've been wanting to upgrade from my cheapo mic I've been using!
Seeing new Booth Junkie content delights me every time.
A really good set of microphones - sadly, I don't have any of them that I speak to from experience, but I haven't seen anyone hate them.
And as always, thank you for emphasizing that top end gear, while awesome, is really primarily about prestige and taking production from Great to Stellar rather than being necessary.
And even more thanks for the constant reminder that in any level of budget the bulk should be spent on making sure the recording space is excellent before worrying about the level of exacting detail you mic can record, because recording in a space that sounds like you're in a tile bathroom will mean no one will care that the recording came from a Neuman microphone.
incredible how amazing that $80 mic sounds. Truly shows u how important room acoustics is. and a great voice obviously haha!
Very informative video! I appreciate the fact that you also demonstrated the potential of all the mics as well. THANK YOU!
I truly appreciate you addressing acoustic treatment instead of just recommending the latest and greatest mics. So many people make that mistake and neglect the basics. Big fan of your work Mike!
Listening to all of them side by side, the one that sounds better for me is clearly the Stellar X2. The less desirable mic from the bunch to my ears is clearly the Movo VSM-7. But the Lewitt LCT 240 and the CAD m 179 are also very good microphones.
One might say that it sounds… stellar?
@@ZeketheZealot The Stellar X2. I work with it almost everyday and i just love it.
First, the preamble is critical. It's all about the room. Second, love seeing the Movo VSM-7 here. NO one is talking about it. I own way more expensive mics, but that mic has lived on my desk for a year as my daily mic for professional use - podcasting, coaching, consulting, videos for clients, etc. Great stuff. Happy new year Mike!
I'm so glad you made this video. Treat room first: mass loaded vinyl for sound proofing, foam for sound treatment. Microphone. Audio interface. DAW. High pass filter around 80hz, low pass filter depending on voice. Noise reduction filter. Basically took me 3 years to learn those steps. I hate the sound of my voice, but then I figured out I hate of sound of my voice in an untreated room. Just not sure my BM-8000 is the problem or if the CAD e100 is the solution for the last details. Your review of the CAD e100 is amazing. I've seen the video on SSL 2 audio interface. Exceptional gear. Where does my room need to be before buying that gear?
I love your down to earth approach. The tips you give sounds so obvious but I never thought of it like that. (Sorry for bad English)
The stellar was the only one of the budget mics I didn't hear that self noise from.
Thank you very much for all you so here, for this incredible source of information. Your thorough reviews are such a great help. I can hardly put in words how much I appreciate your work! Merry Christmas and happy holidays to you and your loved ones!
I absolutely love my Neat Worker Bee! And it's so unique
Me too! Mine makes me so happy! I used to think I'd stick to USBs forever. I'm so glad I switched to XLR this year. 😂
I tend to get a bit impulsive with spending, so this was really helpful!!! Thanks!!! :D
I have the Worker Bee! 😂 It looks funny but it sounds amazing in my closet! I always have a blast with it! Worth the money! I've always stuck to budget mics because my income is low, also because I've never needed a super expensive mic. Enjoy and get what you can afford and, if you don't have a booth like me, always make sure your environment is quiet before you record. BTW The Neat Bees have new versions: King Bee II and Worker Bee II that just released this year! Can you review those? Thanks for this video. I'm going to share it with my VO followers on Twitter!
The worker bee is really good at it's price. Sounds way better than a lot of mics at the same price.
I'm wondering about the self-noise levels on these mics. I can't seem to find it listed for the VSM-7. I see the Worker Bee comes in at 9.5 dB, the CAD is 11 dB, the LCT 240 is at 19 dB, and the Stellar X2 comes in at 13.5 I believe (for anyone else who is interested...) Any idea on the MOVO? Thanks
Love my Stellar X2. Great value. Great sounding mic.
It really is!
Still using it today?
@@sandiago7564 Off and on.
Once upon a time, I paid approximately $25 with free shipping to a studio closing up shop, for a Sennheiser ProfiPower MD-431 mk1.
Hope you all have similar luck in your hunts.
Still stuck using the thing because I cannot find anything better. Most recently recorded early 80's feeling synthpunk lyrics through it.
That Worker Bee sounds amazing
Thanks for testing mate! If you had told me, that the worker bee is about 1000 $ I'd believe you. It sounds amazing.
Great vid for this time of year👍
Also, when I bought my mic/built my booth, I took your advice. I got a Shure KSM32, and spent the majority of my budget on my booth. It makes my mic sound WAY better, and my editing process so much easier.
Hi Booth Junkie..I’ve been a radio DJ and News reporter and long form radio documentary producer for quite some time and and always looking to improve my game. Especially since I’ll be “ retiring “ later this spring and will have tons of time to devote to Freelance VO.
just found your great, very clear, video on the DBX 286s..Great job explaining it. That should work with my current rig. Sound Devices recorder and several microphones..Rode NT1 , SennMKH416 and Heil PR40. ( it a decent treated room ) Thanks again for the very good explanation of the 286s.
I’ve subscribed to your channel, and looking forward to a lot of good information.
Always learning.
Kevin
I want to do voice over. I want to record my poetry professionally. In which I get high quality. But in my poetry some lines will go in high tone and some lines will go in emotional low tone. Suggest me a good mic, headphone and audio interface.
Mike, I have the Neat Worker Bee. It's great, this will be something I use for a while.
Thank you. I am starting out in a podcast and have been struggling. I have been working my booth up bit by bit. And finally got a p4 podtrak. I forgot to do research on a mic. And that cad m179 sound perfect for what I need for now. Thanks.
There's a few other models in the same price range that are definitely also valid microphones in this range (the market is starting to get crowded there). But you definitely nailed it. Aucoustic improvement pays off more than a more expensive microphone. That and microphone technique....
my friend told me about your channel. he said your really good at what you do and your a cool dude. I can agree, as soon as I opened your video and heard your voice I was like "he sounds like a nice guy" =)
Hey man, "shock filter" works. Shock mounts do "filter" out vibrations so that those vibrations can't travel into the mic body where the mic element would pick up the vibrations if there were there. Shock/Vibration Filter. I like it.
Of all the mics you demoed, the Worker Bee and the Stellar X2 sound the fullest and best to my ears. They both have similar tonal qualities to the Neuman. I am listening through M-Audio BX5 monitors, not headphones. My favorite is the Stellar X2. It has similar lower mid to the Bee, but it has a noticeably smoother higher end. Sibilance handling is very nice with the Stellar. For voice over work the Neuman is very nice, but the price is not. Thanks for this video, it is very informative and instructive.
Update:
Due to your excellent mic review, I looked into the TZ Audio Stellar X2 mic. It comes in two varieties. The link you provide above goes the to Stellar X2 mic, not the Stellar X2-Vintage.
It is the X2-Vintage that is trying to emulate the Neuman U-47 sound. The mic you used and show is the Stellar X2. The X2-Vintage has "Vintage" printed on the mic right below the "stellar X2" print.
The "Vintage" version cost about $70 more from the massive forest retailer, you know the name. :)
Still, the regular Stellar X2 that you demo here sounds great.
It would be cool if you could do a video comparing the Stellar X2 with the Stellar X2-Vintage. I'd like to hear your take on the differences.
Appreciate your video and the push for space treatment.. did that 1st❤ .. now the interface today and I hope to commit to a mic specific to Vo work.. nervous and excited:))
I'm pretty interested in the CAD m179 covering up for my poorly treated room. I'm seeing some of the reviews talking about quality control issues though.
Liking the improvements with video quality and editing Mike, as always the audio is on point of course ;)
Love your work, Mike! Your positivity and sincerity is infectious.
The X2 sounds so damn good on your voice!!
I have learned so very much from your videos. Many thanks for sharing the volumes of excellent information.
Thank you so much. I was feeling very overwhelmed.
The Worker Bee is one of my favorite microphones ever.
This was a great comparison and then with the expensive mic really helped me keep my expenses in perspective
This is great, Mike! I recently did a "Home Studio Basics," webinar for GVAA, and referred participants to your channel as an excellent resource for gear recs. Hopefully they stumble on this video!
Thanks Sean!
The real question is what channel strip/audio app should you get. Room treatment can get cumbersome if you choose wrong. The Dbx 286s is AMAZING for most applications, but is kinda too big to be mobile.
The first couple minutes should be released a separate video. Spot on Mike!
I'm a proud owner of an USB condenser mic, NEEWER 7000 (around 50$ Canadian).
I record amazing stuff in it and I don't think a more expensive one will give me better results. Consider my limited talent!
Every time I have a Zoom meeting, people compliment me on the nice sound and cool look of it.
One day I will have a real booth, but so far I'm very happy camper!
Well if you're in a video conference call with people using their onboard camera and microphone etc. you will sound better relative to others. But we're mostly talking about trying to record pristine audio for content creation.
@@seanwebb605 I agree on the conference call things (my 50$ will sound like solid gold compare to crap).
But how do you explain the blind test (cheap vs expensive ) that fool most of the sound guy and pro like Mike?
More durable, well...
In a studio or band, maybe it's an issue. But for 99% of the rest of the market, you can replace 20 times your 100$ to match one 2000$ mic.
Less postprod, well...
You just have to buy one or two cheap mic to match the tone/color that you like.
I'm a noob and a cheap guy. I don't mind buying expensive tool, but I expect the ROI to be in the same order of magnitude.
Need to learn how to turn my room into a studio, i think my closet may be too small.. Good to know this, thank you!
I got the Lewitt 240 as I couldn't get enough for the 440 but very happy with the quality and clarity for now.My next buy with be the 440 for sure.
Evidently Neat is replacing the Worker Bee with the Worker Bee II, so Amazon has the Worker Bee for $79. Used your affiliate link, so thank you for your help. I have a couple of really cheap mics, but this is the first time I've used a recommendation to buy what I hope is a better one.
How do you like the bee? Good deal hitting it for 80 bucks! I have always been intrigued by them, even though I don't personally need one haha.
@@1337Atreyu Good so far. The noise floor is significantly lower than anything else I've got. The mount is solid, too.
Been a rough holiday sofar kicked out of my home..on Christmas SMH Had to sell all my studio stuff and now I'm looking for sumthing better than I had b4 just to cheer me up a little 🙃
Which one of these mics is best for filming something in real life?
My favourite sound of the 5 is the 179. Not even because I have one, but it's just way creamy!
All microphones sound good on your voice :) But this Stellar thing won today's episode.
I'll tell you one you can snag. MXL V63M. LEGENDARY for the price. Was once a $200+ mic but now days it can be had for $30-60 ranges new.
I agree but if you can spend $80-$100 for the MXL 770 I promise it will out perform the V63M in every area.
@@MrSimpington Not exactly. The 770 is the same capsule found in most common usb condenser mics and not a true gold capsule like the V series. It's very limited. The 770 is a budget mic. The v63m was once a higher end (now 30-80) prices used and still a good $100 new in some areas. It's the all around better choice for response and has a better warmth and less needing an EQ tune vs the 770 big time.
I love the worker bee 1! It's helped me book my first few gigs to upgrade my whole set up!
Had my mind set on a certain other mic for my budget but I better consider the Movo. I live in a very humid place and working with the ac off is not an option. Thank you for potentially saving my sanity
God I love the Worker Bee.
*Plus the way you process your vocals and the room of the recording matter the most.*
To all you guys commenting. What are your thoughts on the Worker Bee versus other mics? Thanks.
I favor the Lewitt and Workerbee for your voice, after the U87 of course. Just my two cents.
Do you guys know which mic was used for the brilliant VO in "Apocalypse Now"? My guess is Shure SM7b.
Great advice.
(I think I need more treatment in my room...!!)
Love, LOVE the Worker Bee!
2:20 With all these loose wires around my desk, I might need a "shock filter".
The movo is the same as the Boya BYM1000
The CAD mic punches above it's weight!
Do you have a comparison of the Worker Bee versus the King Bee?
Merry Christmas Mike.
Mike--I want to let you know that I purchased a TZ Audio Stellar X2 based on your recommendations, and I'm quite pleased with it. It's very rich for voiceover work. If anyone has any recommendations for EQ'ing this mic, I'd love to hear your experiences/recommendations. Thank you!
Thank you for this video!!! I just started my VO training and I have the Shure SM7B and the RE20 for VO. I'm just starting so I'm sure I'll be upgrading my equipment. I have a 20x18 portable building with acoustic foam tile with hanging sound blankets. (LOL - None of my mics 🎤 are in this video)
I do agree with the most mics here, the M179 and Worker Bee are especially good for a lot of voices. One other thing.. The Worker Bee got a revision, iirc. The II versions of both the King Bee and Worker Bee have pretty weird pop filters that audibly color the sound in a bad way, so with those I'd get a decent separate pop filter. They're still nice, though!
Love your content dude. Let me know if anyone is parting with an original E-100 in the EU, kinda want one again for nostalgic reasons, should never have sold it lol.
can you do a vid on how to find the jobs? maybe you've been in the game long enough that you don't know how someone new would get jobs nowdays since you get all yours through connections or established relationships but if you have insight into getting into it nowdays that'd be great
Merry Christmas Mike
Presonus PX-1 sounded pretty good on Bandrew and Bark (Obsure mics). If we're throwing different types of microphones, I'd include the Sennheiser E614 as well :P Quite a great sounding pencil microphone. Does need a pop filter though :P
Finally. Thank goodness the Movo VSM-7 (aka Boya BY-M1000) finally got the bigger recognition it deserves. 💖
I actually like the worker bee better. It has a fuller sound to me. The lewit sounds thin. All of the others were ok.
Please review the rode podmic, I keep wondering if it could be used for voice overs
Those all sound really good. Thanks.
Hello Mike. Could you include the microphones self noise.
This guy sounds like he's taught me how to do ever retail job I've ever had
i wish i could buy the bee worker in Romania .. 😢😢 ...anyway ..NICE VIDEO ! You have been a GREAT INSPIRATION in my journey with studio Microphones and i just wanted to say THANK YOU ! 😊😊
I love it bro… thanks 💙🌞🥁
Excellent advice
Speaking of rooms being paramount for good voice over quality, how would you treat a hardwood floor? I'm considering using my apartment closet but it's on the 3rd floor with hardwood floors. Thick blankets good enough? I'm not allowed to install carpeting
Don't forget about the MXL 990! Thanks for the videos!
Also a great starter mic.
I really loved my blue yetti at first, because I have a soft voice and the mic is super sensitive. I used it with audacity and got a pretty clean sound--at first! Unfortunately, now I'm having major issues with some of my words being completely inaudible. I tried my daughter's snowball and got the same thing. It seems more like an audacity problem than a mic problem. Has anyone else had this issue? It's really frustrating because you don't realize it until you're editing. It sounds fine through the headphones as I'm recording.
I just got an audio interface so I'm about to get a rode podmic or something like that
The Neumann or the Lewitt 1040 ?
Looking at the 240 pro, but with the additional cost of the popfilter and basket, won't the 440 be a better buy?
Was suprised that the synco D2 wasn't mentioned in here. It's only 160
Hey Mike, Matt Terry again--I love your videos Mike, you always inspire me! I am getting my VO setup ready this year and I am at a loss for which computer to go for...I keep hearing recommendations to go with fan-less laptops like the MacBook Air, etc....but does it matter THAT much? Newer MacBook Pros and the like should be able to record audio without fans kicking into high gear, right? I have a 2017 iMac currently, which does have a fan and it has worked okay so far....but If you could offer some advice, I would be grateful Mike! Hope you had a great holiday!
As always, very informative and helpful. Mike, do you have a specific time when you prefer to record? My voiceover sound arrives at about 3am.
Hello Mike. Really appreciate your content and sharing of your wisdom. I currently use the CAD GXL2200. Have you tested this model before. I am just getting started in VO and is the one I picked up used for a great price. I find it to be very clear if not a bit hot at times. I would appreciate your professional feedback.
Thank You Sir.
I know this is 2022 but no love for the good old SM58?
Just found your channel - great videos! I wonder how Rode NT USB compares in terms of quality of sound to the microphones you mentioned in this video.
Mike! I love your material and I am going to start my voice over business in the new year. What earphones do you recommend?
I like both my Stellar X2 and AT 2030 and use them both. I'm booking work and making a little money. I've got my sights set on a Sennheiser MKE 600 shotgun. Ever reviewed one? Curious how it stacks up against the 416 (which isn't in my budget)?
I don't have the MKE 600 (yet) I hope to grab one to test it.