Mahaa-Ganapathim...... GS RAJAN - Carnatic Flute

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  • Опубліковано 29 лис 2024

КОМЕНТАРІ • 26

  • @yaschidam
    @yaschidam 3 місяці тому +1

    The most meditative Mahaganapathim I’ve heard to date! Heartfelt thank you for showing this grand Kruthi in this dimension!

  • @earthcitizen7156
    @earthcitizen7156 4 роки тому

    Indian Music Live Long. Gr8 Carnatic Music @ its Best by Gr8 Giants lime these Geniuses

  • @isabelleruchaud347
    @isabelleruchaud347 4 роки тому +1

    A Great misician and an exceptional human being.
    L'Ysa

  • @kariaudar
    @kariaudar 13 років тому +1

    I´ve listened to many a marvellous Carnatic flautist, and I can honestly say that this man is the best of the lot. Lord Krishna himself would be proud!

  • @gerachotes
    @gerachotes 11 років тому +1

    This men is listening himself... talking on the universal lenguaje, wich is the soung of his own soul, so this is the sound of all as One.

  • @subhashreea6129
    @subhashreea6129 7 років тому +1

    proud to be associated with the flute legend Shri. G.S.Rajan. wish him all the very best of success, health and happiness.

  • @PinkMawile
    @PinkMawile 11 років тому +1

    I'm absolutely amazed by your tonal control, from holding a pure tone over a long period of time to supple bends. Really great stuff!

  • @RahulRajKaithavana
    @RahulRajKaithavana 9 років тому +1

    Great...!!!!!! I can feel the soul of the song......

  • @skandagreen
    @skandagreen 9 років тому +2

    oh God! this is mesmerizing! goosebumps!!!

  • @sridhar1647
    @sridhar1647 9 років тому +1

    I forget myself music pass my soul

  • @sureshachuthanandan2451
    @sureshachuthanandan2451 10 років тому +1

    speech less sir..................

  • @jyothisree7577
    @jyothisree7577 7 років тому +1

    divine rendition...my hearty congratulations....

  • @panickershyam
    @panickershyam 11 років тому +8

    To best of my knowledge, have not heard of any definition or restriction to the tempo set in carnatic music, it differs according to a musicians thought and ability to improvise on the composition also depends on the raaga at hand. In this composition the second half is set and normally heard in the second speed. Its extremely difficult to render a raga like naatai at a slow speed... It requires musical capability beyond the dimensions of instrument...he is a musical treasure and I am fortunate to be one of his disciples :-)

  • @anilkhanwalkar9643
    @anilkhanwalkar9643 10 років тому +1

    Outstanding

  • @prathapannagaratnam
    @prathapannagaratnam 6 років тому

    Nice sound on the bamboo.

  • @SupriyoDasOnGoogle
    @SupriyoDasOnGoogle 7 років тому

    When do we get to see some more of these programs Rajan-ji - It has been a very long time and we have been missing you.

  • @sindhisarangisindhilokgeet8854
    @sindhisarangisindhilokgeet8854 5 років тому

    Excellent sir

  • @rangany
    @rangany 11 років тому +1

    Excellent playing . But what about the Talam, started at slow speed and ended it fast. Is it right?

    • @gsrajan
      @gsrajan  7 років тому +3

      Rangarajan Venkatachari : taalam also depends on percussionists and audience. In Carnatic music everyine puts taalam and for a flautist whose two hands are engaged there is a difficulty to control everyone. There are many highly takented flautists whi can control. May be my inability

  • @MeerajManohar
    @MeerajManohar 10 років тому +1

    #respect

  • @sreeshakv5405
    @sreeshakv5405 6 років тому

    Nice

  • @ananthchethan797
    @ananthchethan797 7 років тому +1

    sir can i get the notes of swaras to play that

    • @gsrajan
      @gsrajan  7 років тому +1

      S G1 G2 M1 P N1 N2 S / S N2 P M1 G2 M1 G1 S. Here G1 is termed as R3. And many say that N1 is a rare usage. I dont know anything about music. I am just a rasika. Thank you. Rajan

  • @sridhar1647
    @sridhar1647 9 років тому +1

    I forget myself music pass my soul