Ustad Mohi Bahauddin Dagar | Rudraveena | Raga Bhairavi | Dhrupad | Dagarvani | Akashvani |

Ustad Mohi Bahaʼud-din Dagar born into the illustrious Dagar family of Dhrupad musicians in 1970, Mohi Baha'ud-din first began his foray into Indian
Classical Music at the early age of seven, training on the Sitar under the expert tutelage of his mother, Smt. Pramila
Dagar.
Once he'd finished three years of initial training, he received brief instruction on the Surbahar and was later introduced to
the Rudra Veena by his father, Ustad Zia Mohiuddin Dagar; a legendary Rudra Veena maestro and his uncle, Ustad Zia
Fariduddin Dagar; a renowned Indian classical vocalist from whom he later also learnt vocal music.
In 1990, Mohi Bahaʼud-din received the Lakhanpal Foundation Fellowship for two years. He also received a two-year
Fellowship in 1993 from the Ministry of Human Resource Development, India. At the early age of twenty, Mohi Bahaʼud-
din formally stepped onto the stage and made his mark in the industry as a classical performer.
Mohi Baha'ud-din is a unique artist who has played for diverse and varied audiences in India and across the world. A
cross-platform performer, he has made regular appearances on television and radio networks. His music has been
recorded by Music Today (India), Makars (France), Ragini Sutra (India), Sense World (London), and India Music Archives
(USA).
Mohi Baha'ud-din has also been invited to serve under Nana Shirgaokar Research Professorship at the University Of Goa
for three years from 2013 to 2015.
Mohi Baha'ud-din continues to receive able guidance from the esteemed Pandit Pushpraj Koshti, a senior disciple of
Ustad Zia Mohiuddin Dagar and Ustad Zia Fariduddin Dagar. In taking the Dhrupad tradition to future generations, Mohi Baha'ud-din teaches both vocal and instrumental forms of
music to students at 'Dhrupad'; a Guru-Shishya Parampara styled Gurukul established by his father in 1982 at Palaspe,
near Panvel. He firmly believes that teaching is integral to his own learning and growth as a musician . For him this search
is limitless. A particular tradition forges ahead only with deep understanding between what is and what it will become . In
this matter commitment, discipline and clarity are some of the key components. Like a tree being attached to the roots as
well as growing newer branches, is the freedom one finds in such arts. A Guru - Shishya Parampara nurtures such ideas
and retains traditional art forms.
Over the years Mohi Baha'ud-din's music continuously searches for newer ways of expressing the medium without
breaking the traditional format. His vocal training with his uncle, Ustad Zia Fariduddin Dagar, his mentor helped him a
great deal. The culmination of rudraveena and voice, brings in a distinctive and precise sense of timing in the cutting of
the phrases whilst presenting the aalap, jor and jhala; which is a salient feature of the Saadharani school of Dhrupad that
was reintroduced by his great-grandfather, Ustad Zakiruddin Kha'n, and his grandfather, Ustad Ziaudddin Kha'n.
Baha'ud-din believes that Art is leisure and a medium of endless expression. Even though a format of systematic
approach is recommended in a classical form, there is so much more to understand from expanding, bendin, and reintroducing elements which enhance the medium of expression and beautify such art. This philosophy has been the
basis of a rich Indian cultural heritage like Dhrupad along with other Indian Arts such as Indian miniature painting.
Awards & Recognition:
• The Sangeet Natak Akademi Award, 2012-2013 New Delhi
• The Raza Award 2007, The Raza Foundation New Delhi
• The Yuvak Sadhak Award 2007, Sangeetendu Lal Mani Mishra Foundation, Bhopal
• Sanskriti Award 2006 ,Sanskriti Foundation, New Delhi
• Rashtriya Kumar Gandharva Samman, 2014, Madhya Pradesh
• Baiju Bawra Samman, 2015,Chanderi, Madhya Pradesh
Other Involvements:
Designed Ras veena an improvisation on the Saraswati veena to make changes in the tonal quality to adapt to Dhrupad.
Worked with DARBAR FEST and the V&A in restoring the sitar been and playing that instrument in a concert at the V&A
museum hall
Presently working on bring back and reintroducing the Sursingar, back into the Dhrupad Genre. This is another age old
classical traditional instrument which is extremely rare in India.
Information Courtesy: www.mohibahauddin.com
Picture Courtesy: Smt. Samraggi Debroy
Pakhawaj: Pandit Manik Munde
Disclaimer: This recording is from Akashvani Archives. Sharing it here is not for any commercial purpose whatsoever. No copyright infringement is intended. This is only to showcase and propagate this traditional art form so that more and more people can learn to appreciate it.
#music #raga #dhrupad #pakhawaj #rudraveena

[@TheShadow-td8fz]

সালাম ওস্তাদজী

[@vineetkumar832]

please upload Ustad Sadiq Ali Khan Rudra Veena Raag Pilu🙏

[@Satwik_Bhattacharya]

I'm trying to collect and upload. Stay tuned. Share with others.

[@GreenOrangeBlueWhite]

Where is this happening, Satwick?

[@GreenOrangeBlueWhite]

Such a treat🎉. Thanks and best wishes

[@Satwik_Bhattacharya]

@@GreenOrangeBlueWhite You can hear the premiere on July 17. Please click on 'Notify me' option.

[@Satwik_Bhattacharya]

@@GreenOrangeBlueWhite You're welcome. Stay tuned. Share with others.

[@sangitabhattacharjee5053]

Do you teach how to play rudra veena

[@Satwik_Bhattacharya]

No. I'm not a Rudraveena player. If you really want to learn Rudraveena, I can help you.

[@sangitabhattacharjee5053]

Apni ki sekhan?

[@Satwik_Bhattacharya]

আমার কাছে রুদ্রবীণা বাদক উস্তাদ মহি বাহাউদ্দিন ডাগরের যোগাযোগ নং রয়েছে। আপনি চাইলে তাঁর যোগাযোগ নং আপনাকে দিতে পারি।

[@sangitabhattacharjee5053]

@@Satwik_Bhattacharya thank you

[@Satwik_Bhattacharya]

You're welcome.