J.S. Bach Praeludium und fuge Es-dur BWV 552 Christophe Mantoux à l'orgue de St-Séverin, Paris
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- Опубліковано 6 лют 2025
- J.S. Bach (1685-1750) Praeludium und fuge Es-dur BWV 552 (Clavier übung, Dritter Theil)
Christophe Mantoux à l'orgue de Saint-Séverin, Paris V
sound: Jeroen de Haan
organsparisaz4.organsofparis.eu/st-severin.htm
organsparisaz4.orguesdeparis.fr/st-severin.htm
OrgansOfParis
Grandiozne orgulje, grandiozna interpretacija. Fina akustika. Dobar izbor registara. Hvala Vam.
I just lack words to express my admire
Wunderbar. Frankreich hat wirklich eine Reihe von ganz großartigen Organisten.
Magnifique! La toute grande classe!
Salut Saint Séverin, Paris - Le début de la fugue géniale BWV 552 est pris plus lentement comme d´habitude mais pour cela absolument grande. Je suis stupéfait-. L´effet des tempi choisi sur cette orgue magnifique (Prélude !) arrivent en brillance. Merci Christophe Mantaux .
Superbe à tout point de vue. Et d'ouïe.
Bach in der Interpretation von Herrn Mantoux ist sehr ergreifend weil die Emotion und Seele da bei sind und ankommt es zu hören und war nehmen.
Lovely, awesome organ.
Absolutely glorious.
Brilliant Interpretation, I am a huge Fan of Peter Hurford....I am now absolutely thankful that I have Just discovered another wonderful Organist....Majestic Pathos...Just wonderful 🤗👍🏽🌞🕊️🕊️🕊️
I havnt Heard of Peter Hurford for ages, is he still around ?
@@roniesanderson Peter Hurford died on 3 March 2019.
This majestic performance matches Peter Hurford’s ….He Is still the Ambassador of Bach …he never recorded his physical legacy …so Bravo to to YOU …FANTASTIC AND VIRTUOSIC
@@chrishopewynne2845 This is so beautiful, and the organ and acoustics are fantastic. Power, gravitas, beauty. I enjoyed this very much. The video of the recording was first-rate. It was a treat getting to watch him play the manuals and the pedalboard at the same time. Supremely talented. I have heard both Latry and Roth play the St Anne at Notre Dame and St. Sulpice respectively, and of course, they play it well. However, this organ is not a Cavaille-Coll, so it is more suitable for this literature. I listened to Peter Hurford perform this piece, and his is the standard for it, but Maestro Mantoux interprets this piece brilliantly. He has great technique and his pedal work is so supple and accurate.
Die BESTE Interpretation dieses GENIALEN Werkes von BACH,
die ich bisher auf YT finden konnte -
sie hat mich zu Tränen gerührt -
DANKE
Trifecta- beautiful performance of an amazing piece on a wonderful organ. The unbridled joy of the Es, triple fugue can bring tears to my eyes.
Brilliant playing & interpretation!!! Glorious! Exciting & inspired!
Ho avuto modo di vedere su quale organo M.Chapuis era stato organista a S. Severin
per parecchio tempo. Complimenti per la stupenda esecuzione della BWV 552; d' altronde è un risultato realizzato da uno dei vincitori del concorso Chartres.
I'm inspired.
Magnifique ! Très bien interprété !
Organista molto bravo
Kraftvoll und virtuos! 👍
Excellent.
Excellent Organiste !!!
All is wonderful : masterpiece, organ, and interpretation ! A pure beauty !!!
What is that beautiful 8' rattling on the pedal?
0:08 Prelude
9:30 Fugue 1
12:07 Fugue 2
13:46 Fugue 3
Superb interpretation and great organ! Thank you for sharing. Greetings from New Zealand.
Congratulations on the interpretation... Valid channel membership
The best of Interpretation !! :-) Thank you
In German "Gott, Vater, Sohn und heiliger Geist" in der Trippelfuge. In Englisch "God Father, the Son and the Holy Spirit in the fuga" There are three themes. All combined in the last part, Only a Genius can compose this. And only a very good organist can play this. Best wishes from Hamburg/Germany
Ernst-Dietmar, quote: " All combined in the last part..." This is not right. The second fugue subject is never combined with the first and the third. Quote from Peder Williams books about Bach's organ compositions: "... and Bach makes no attempt to clinch the trinity association by combining all three - which would not have required unimaginable ingenuity. I agree with him, I practising the fugue right now.
@@geiryvindeskeland7208 the subject of the second fugue is combined with the subject of the first, exactly in the second part of the second fugue, after the first big cadence in Bb major (sorry, I don’t remember the bar’s number). In the third fugue the Father’s subject is combined only with the Holy Ghost’s one.
Cesar, Yes exactly what I am saying!
Great
Ahh the organ where was organist M.Chapuis! I remember Mantoux on concert on Trento for festival of organ.
Ah Michel Chapuis... what an extra-terrestrial organist !
My wife chose it as a wedding march.
Your wife has an exquisite music taste! 👏🏼👏🏼
@@francescobenedicti354 She chose Bach, but I agreed!
Great choice! Did you find an organist who could handle it well?
@@hansweichselbaum2534 The player was the organist of the cathedral of Verona. My wife and I were a bit excited: I hope he played well.
Bach would have been smiling, the pace, tempi, fermatas, expre8ion… well done, Mr. C M. P.s. It may sound like the 1/3 of the fuga is slow(ing), but it.s not, I think..
Hello ! My organist friend suggested that I contact Cristophe Mantoux in Canada. I promised my daughter that I would take a couple of lessons from this wonderful organist. Please help me find this musician! Our daughter is a pianist.
👏🏻👏🏻👏🏻👏🏻👏🏻
I think how can it sound at the famous Silbermann organ in Dresden.
What is that beautiful 8' rattling on the pedal?
Love your playing. Of course technically perfect, and I love the way you capture the drama in the prelude when the big chords come back, holding back the big chord after the dotted rhythm captures the rhetorical nature of it. Wonderful! I love to play it like that also😁. Something I’ve struggled with - is how to make the manual only sections not sound a bit like “typing” not playing. Do you not think giving it a bit more time and the same rhetorical push/pull as for the chordal sections might make it more musical and exciting? Thought same thoughts about your “wedge”, which is dazzling, but has sections that are “mechanical” sounding.... cant help feeling theres more emotion in there to convey somehow (i play both pieces btw!!). Just interested, no criticism!
9:31 - fugue
Фугу зарубил на корню. Профессор, иди, разучивай.