To do this, you'd want to feed your audio into a DAW. Add a reverb plug-in to the audio and add any backing tracks you'd like to use to another channel. Then send the audio from the output of the DAW to your stream using the Loop-back channels. You'll get a little latency but provided your buffer size is low enough it shouldn't be too bad. You can find more videos on our channel on how to setup the Loop-back channels.
The manual says that for MacOS, it doesn't need a driver, but why is there a driver available for downloads? Which is better? No driver or with driver?
The driver package includes the iD mixer software and launcher which allows you to control your monitor mixes and device settings. The actual audio is just handled by the macOS CoreAudio driver however.
Thank you for this info, but no thanks: I AM SOLD ON, AND LOVE, MY EVO 8!!! Yesss! The EVO 8 has FOUR XLR INPUTS, and with USB it is 4 in 4 out. I find that the 4 in 4 out is very valuable to record TWO STEREO TRACKS ON MY DAW (I use Cakewalk). I use one stereo track as a Mono for vocals, and the other stereo track for background music for song covers, karaoke and such. To summarize, the EVO 8 sets a new standard in USB interfaces. As to the microphone gain, I learned one thing: keep the HEADPHONE VOLUME DOWN (not way down of course!) while recording, or you'll get fooled into thinking you have great volume whereas in reality, the actual recording volume on the DAW winds up being inadequate.
another question how to live stream microphone with reverb on evo4. for singing??. I hope you have a tutorial🙏
and also how to set up with backtracking instrument while singing in the lives stream on evo4?
To do this, you'd want to feed your audio into a DAW. Add a reverb plug-in to the audio and add any backing tracks you'd like to use to another channel. Then send the audio from the output of the DAW to your stream using the Loop-back channels.
You'll get a little latency but provided your buffer size is low enough it shouldn't be too bad. You can find more videos on our channel on how to setup the Loop-back channels.
@@weareevoaudio loop back channels. does it work on iphone?
I'm afraid it's not possible to use the loop-back channels on iOS
@@weareevoaudio Can I set up the evo4 in the mixer? so you can reverb livestream??
my evo 4 is not functioning properly. help
I'm sorry to hear that, so we can help you, can you please send a message to support@evo.audio
The manual says that for MacOS, it doesn't need a driver, but why is there a driver available for downloads? Which is better? No driver or with driver?
The driver package includes the iD mixer software and launcher which allows you to control your monitor mixes and device settings. The actual audio is just handled by the macOS CoreAudio driver however.
@@weareevoaudio Thank you for that clear response. Is the iD mixer software Apple Silicon native or does it still use Rosetta?
The iD mixer currently runs on Rosetta 2 but we are in the process of porting it over to Native.
I asked. does it work with bandlab apps? when recording a cover song that evo4 audio interface. Does it work????
Yeah, the EVO 4 should work with Bandlab just fine.
@@weareevoaudio thanks 😊
It is required to download audio driver?
If you're running on Windows you would need a driver to use this with the OS.
On macOS you can run this without the driver if required.
Please help my EVO 4 not working properly
I'm sorry to hear that. Can you send a message over to support@audient.com and our team can help you!
@@weareevoaudio i already sent but no solution please help
Do you have a ticket number and we can check this for you?
Thank you for this info, but no thanks: I AM SOLD ON, AND LOVE, MY EVO 8!!! Yesss! The EVO 8 has FOUR XLR INPUTS, and with USB it is 4 in 4 out. I find that the 4 in 4 out is very valuable to record TWO STEREO TRACKS ON MY DAW (I use Cakewalk). I use one stereo track as a Mono for vocals, and the other stereo track for background music for song covers, karaoke and such. To summarize, the EVO 8 sets a new standard in USB interfaces. As to the microphone gain, I learned one thing: keep the HEADPHONE VOLUME DOWN (not way down of course!) while recording, or you'll get fooled into thinking you have great volume whereas in reality, the actual recording volume on the DAW winds up being inadequate.