the ostinato is a series of additive processes (3, 4, 5) and the melodic layer has its own rhythm so for the sake of simplicity I put it all in 4/4. Initially I could see that interpretation but the pattern breaks so quickly (eg bar 15) that no single meter would really contain it
@cerronecomposer it breaks so quickly because the measure is simply missing half a beat it's something I would call an error, even if you wanted thr effect
![Christopher Cerrone - Double Happiness [Score Follow Edition]](http://i.ytimg.com/vi/NRKE8TuNoOg/mqdefault.jpg)
![Christopher Cerrone — Double Happiness [Score Follow Edition]](/img/tr.png)
This is a superb piece with very clever use of a fairly austere palette of pitches. Rhythmically brilliant too!
Stunning! What a vibe! Thank you! Those accented notes in the treble really hit you to your core.
wow he plays it so well! almost sounds like it has delay on it. love it!
totally!
So beautiful! It kind of reminds me of Ligeti's concept of "tempo fugue", especially at 0:58-1:40 .
Absolutely - putting the piece in a tempo canon with itself. Probably I was thinking more about Nancarrow but G.L. is always amazing.
@@cerronecomposer Ligeti was inspired by Nancarrow aswell!
@@amirsanjaricomposer big if true lol
This is in 3/2
the ostinato is a series of additive processes (3, 4, 5) and the melodic layer has its own rhythm so for the sake of simplicity I put it all in 4/4. Initially I could see that interpretation but the pattern breaks so quickly (eg bar 15) that no single meter would really contain it
@cerronecomposer it breaks so quickly because the measure is simply missing half a beat it's something I would call an error, even if you wanted thr effect
@@Whatismusic123yeah sorry, I don't see it this way. hope you enjoyed the music!