I believe Franz Liszt would be a more accurate analogy, because Peterson studied with Hungarian-born pianist Paul de Marky, a student of István Thomán, who was himself a pupil of Franz Liszt.
very well explained.. I am having trouble with swing even though I play it. I can not read it very well from the paper but and I am doing this to clarify to myself also.. I play 1 ghost 3 triplet or downbeat ghost 3 now the second triplet starts a 1\3 best away all over again with down beat ghost(upbeat) then 3 and so forth. .I think I hear the base in the left hand on beat 1 and when the groove is happening or the song playing I hear one and a two and a three and a four and a .. I definitely do not hear best one except in the left hand. I def have mastered the connection between the beats what is really going on.
Thanks 😊
Great video!
So effective, fast paste. Love it :) Thank you Mr Stegner! New subscriber
btw what an honor to be taught by a student of Oscar Peterson... it's like being taught by a student of Mozart or Beethoven ECT..
I believe Franz Liszt would be a more accurate analogy, because Peterson studied with Hungarian-born pianist Paul de Marky, a student of István Thomán, who was himself a pupil of Franz Liszt.
@@Gerard_2024 Good point..
Usefull. Good job, manl! Thanks
Thank you!
very well explained.. I am having trouble with swing even though I play it. I can not read it very well from the paper but and I am doing this to clarify to myself also.. I play 1 ghost 3 triplet or downbeat ghost 3 now the second triplet starts a 1\3 best away all over again with down beat ghost(upbeat) then 3 and so forth. .I think I hear the base in the left hand on beat 1 and when the groove is happening or the song playing I hear one and a two and a three and a four and a .. I definitely do not hear best one except in the left hand. I def have mastered the connection between the beats what is really going on.
thank you for this.
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