And the reveal makes you sick because of the sudden dump of tragedy, not through traditional revulsion, after slowly laying on layers of pain for Nell. You had to feel protective of Nell via how her family feels about her in order for that moment to plummet through your stomach.
Love seeing Brett be celebrated here by both you guys and by Mike. His growth as an editor since he was sitting in the video lab next to me after school in 2005 to now cannot be exaggerated. Love that guy and I love seeing him celebrated.
Please get the editors of Better Call Saul in the podcast. I love what they’ve done with the series. Also good job you guys, it’s really inspiring. Greetings from Argentina 😌
Such a great interview. I love seeing people with experience in their field ask the right questions. You can also see that the creators enjoy the interview much more, rather than having a random journalist asking generic questions.
yesssss!! A editing podcast I can watch!! Had to skip out on the last few because I didn't want any spoilers haha. Huge flanagan fan, super excited to watch this one!
Fall of the House of Usher was such a brilliantly done show all around, I watched it when it first came up on Netflix and that factory rave seen is STILL stuck in my mind as one of the most jarring and impactful pieces of media I've ever seen. Absolutely amazing to see this commentary on it, thank you for putting this together.
I think it's one of the very few times i watched a youtube video actually taking notes as in a real lesson. Thanks a lot for this interview, i loved the schemes visually explaining what they were describing!
Mike Flanagan is a true genius, and I think we have to appreciate him more. What always amazes me about him is his incredible work with book adaptations. For the first time in a long time, I WAIT for the reboot of the classic movie (talking about 'The Exorcist', of course) because I am 100% sure Flanagan will not disappoint. Thanks for bringing Mike to the podcast, guys! The Haunting of Hill House is one of my favorite shows, it's a pleasure to see the work behind it.
What an amazing interview! Super insightful into their process and editing philosophy, and most of it is actually applicable for other filmmakers. I'm curious what he means by "don't telegraph a scare." If you take that to the extreme, it would seem to suggest that every scare should be a jump-scare, but that's clearly not the case in his work. (Even many jump-scares include a small build-up, like a character reaction or a quiet sound or a subtle movement.) Did he go into any more detail?
Mike Flanagan's biggest strength is writing, not how he directs scary moments. In fact, I don't remember any good scary moments in his works except for jumpscares.
Never telegraph a scare? Don't some of the best directors, telegraph scares in their films? Friedkin did, Blatty did. If you don't telegraph at all, then IMO most scares these days come across as loud annoying jump scares instead of something subtle and truly frightening. Nice interview BTW! Hope Mike shoots his Exorcist movie on film, older film stock, with a similar natural look to the first and third Exorcist films. None of that teal and yellow color grading and no CGI... In fact, how about a new Exorcist film set either in the 70's again, or in the 90's? Might be interesting angle to take.
It has been ages since i watched something that scared the shit out of me. I find the horror elements missing in recent horror movies. I, literally want something that I watch at 12 in night and it forces me to just stop watching. Any recommendations horror movie fanatics??
The bent neck lady is one of the most haunting ghost stories I've ever witnessed, the entire thing still gives me chills rewatching it.
And the reveal makes you sick because of the sudden dump of tragedy, not through traditional revulsion, after slowly laying on layers of pain for Nell. You had to feel protective of Nell via how her family feels about her in order for that moment to plummet through your stomach.
Love seeing Brett be celebrated here by both you guys and by Mike. His growth as an editor since he was sitting in the video lab next to me after school in 2005 to now cannot be exaggerated. Love that guy and I love seeing him celebrated.
Hit Like just for Mike Flanagan. You guys are the best and get the best guests.
This video is the best thing I’ve watched on UA-cam in a long time. Listening to Mike & Brett is a true masterclass in filmmaking.
Gosh, the music in Hillhouse always gets me. Thrilled to see Mike Flanagan as a guest!! 👏
Mike!!! Absolute fan of all of his shows 🔥 can’t wait to see what he does at Prime
So cool you got to sit down with Mike Flanagan, I LOVE his work and anything his name is attached to gets me excited
Please get the editors of Better Call Saul in the podcast. I love what they’ve done with the series.
Also good job you guys, it’s really inspiring.
Greetings from Argentina 😌
Such a great interview. I love seeing people with experience in their field ask the right questions. You can also see that the creators enjoy the interview much more, rather than having a random journalist asking generic questions.
yesssss!! A editing podcast I can watch!! Had to skip out on the last few because I didn't want any spoilers haha. Huge flanagan fan, super excited to watch this one!
Fall of the House of Usher was such a brilliantly done show all around, I watched it when it first came up on Netflix and that factory rave seen is STILL stuck in my mind as one of the most jarring and impactful pieces of media I've ever seen. Absolutely amazing to see this commentary on it, thank you for putting this together.
This episode is pure gold, thank you! Everything is just so purposeful and has such intent. It's a real education for us indie filmmakers. Love it.
I think it's one of the very few times i watched a youtube video actually taking notes as in a real lesson. Thanks a lot for this interview, i loved the schemes visually explaining what they were describing!
Mike Flanagan is a true genius, and I think we have to appreciate him more. What always amazes me about him is his incredible work with book adaptations. For the first time in a long time, I WAIT for the reboot of the classic movie (talking about 'The Exorcist', of course) because I am 100% sure Flanagan will not disappoint.
Thanks for bringing Mike to the podcast, guys! The Haunting of Hill House is one of my favorite shows, it's a pleasure to see the work behind it.
so engrossed in the story of this video, that i forgot that Mike has The Bent-Neck Lady behind him this whole time.
Consistently impressed with your guests!
A helpful refresher. It's amazing how much I forget about film making after all the short films I've made 💀
Hope you do more interviews about horror! Loved this one.
Babe wake up another editing podcast episode just dropped
Awesome interview. Thank you guys! These insights are amazing
I knew I recognised the crazy sword axe from Mandy in the background.
I'm following hiller smith from a long time and applying his lessons and techniques in my work. I hope i get a chance to work with him.
Such a great episode!!
new episodeeeeeeeeeeeeeeeeeee! and such great questions!
What an amazing interview! Super insightful into their process and editing philosophy, and most of it is actually applicable for other filmmakers.
I'm curious what he means by "don't telegraph a scare." If you take that to the extreme, it would seem to suggest that every scare should be a jump-scare, but that's clearly not the case in his work. (Even many jump-scares include a small build-up, like a character reaction or a quiet sound or a subtle movement.) Did he go into any more detail?
Mike Flanagan is one of my heroes. Thank you for this!
Love these videos!
Bruh! You know how to edit really well! Come on!
love all his works
Have you seen Smile? Shit had me and the whole theater laughing so hard
never thought i would be jumpscared 7 seconds into an editing podcast episode smh
if he comes back please talk about hush!
Extra comment for boosting engagement
Mike Flanagan's biggest strength is writing, not how he directs scary moments. In fact, I don't remember any good scary moments in his works except for jumpscares.
Never telegraph a scare? Don't some of the best directors, telegraph scares in their films? Friedkin did, Blatty did. If you don't telegraph at all, then IMO most scares these days come across as loud annoying jump scares instead of something subtle and truly frightening.
Nice interview BTW! Hope Mike shoots his Exorcist movie on film, older film stock, with a similar natural look to the first and third Exorcist films. None of that teal and yellow color grading and no CGI... In fact, how about a new Exorcist film set either in the 70's again, or in the 90's? Might be interesting angle to take.
the goat
hear me out, mike flanagan is a master of horror. i am very excited for his new movie.
So curious which storyline Flanagan has issue with in Hill house? Anybody clued in?
me too, i i ever find out ill let you know
16:18 Why there was a Adjustment Layer CC difference Line in this scene? Was it from your editing or Netflix Editing?
Mike F is the modern Hitchcock
It has been ages since i watched something that scared the shit out of me. I find the horror elements missing in recent horror movies. I, literally want something that I watch at 12 in night and it forces me to just stop watching. Any recommendations horror movie fanatics??
Let’s go ❤
W video
Please what’s the title of the first film in the first minute of this video?
That’s Haunting of Hill House on Netflix
@@EditingPodcast Thanks a lot!
Maybe add a BIG spoiler alert? The intro is not nice.
Yes there was a graphic warning and story spoiler warning in the opening and then reiterated at the end of the intro.