What Is Dynamic Range? or SLOG3 & HLG3
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- Опубліковано 20 сер 2024
- If you want to get the full dynamic range of the camera, you will always have to shoot in profile.Download Lut's : bit.ly/3Ww1kLc
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Sir ji Slog 3 में शूट करते टाइम एक्सपोजर को कैसे मेंटेन करें और s log 3 पे शूट करते समय किन किन बातों का ध्यान रखना चाहिए इस टॉपिक पे एक वीडियो बनाएंगे तो मेरे जैसे और भी जो लोग है जिनको ये जानना है वैसे बहुत से लोगो की हेल्प हो जाएगी 🙏🏼
sir aapne bahoot hi ache tarika se dainamic range ke bare me bataya , thanku so much sir
Correct explanation of Dynamic Range ❤
Love from Karachi Pakistan
3 Saalon se follow krha hn. Bht kch seekhne ko mlta hn tmhari videos se
also From Pakistan
बहुत ही जरूरी जानकारी दी आपने , सर जी s log 3 मे डार्क part के नॉइज़ से कैसे बचे इसके लिए टोटल विडिओ बताए जिसेमे नाइट शूट पे या day टाइम मे भी कैसी लाइटिंग करें सेटिंग करें की noise ना आए ॥ यह विडिओ हर कोई ढूँढता है पर मिलता नहीं आपसे उम्मीद है की आप जरूर ऐसी विडिओ हमे देंगे जिससे हम s log मे मास्टर बन जाएं
Ha sir ispe video banaiye
Bohot useful tutorial banaya aapne sajanji.
wlcm
@1.42 min -- Standard profile utilises 6-7 stops of Dynamic range. - not 6-7 %, as you mantioned.
Yes, you are right -- we are utilising about 50% of the sensor's Dynamic range 6-7 stops in Standard profile, out of total 14-15 stops.
@7.38 min. - sRGB and Adobe RGB is for Still ; While in Video, it is Rec 709/ BT 709 and Rec 2020/BT 2020.( Although, Both still and Video share the same Color Gamut )
The reason why we don't get Noise in HLG is - its native ISO is "125" ; WHEREAS it is "800" ISO in S-log 3.
Further, to add -- Noise is visible mostly in the darker portion of the image. So, while exposing our footage in S-log, we must be cautious and expose with ETTR technique, At the same time, we must try to maintain the exposure for Highlights - see that, they are not Blown out.
The key is - We must learn the techniques to expose any Log profile in proper way. We may utilise tools like - Histogram, Zebra and False color (if available in-camera, else with external recorder).
Hope, you will take my comment in constructive way.
Love from Odisha.
Bhai super Samjhane ka tarika 👌
Thanks sajan Sir❤️
Aapki commentry ka mai diwana ho gya sir ❤ Maine aapko insta me bahut baar dekha but UA-cam PE Aaj dekha aapke channel ko subscribe bhi kiya thankyou so much sir ☺️
Your videos helped me alot love from Germany
That's awesome!
Love from Bangladesh bro 👊
thanks
Very nice sir ji Aap Best Teacher Ho ji
Disagree with what you said on not using slog 3 in wedding 8:25 .it is correct that it will bring grain in footage but most important thing is there is dual iso in a7siii and fx3 for all profile i.e for sloge3 base iso 640 and and dual iso 12800, if you shoot at night with low light use dual iso i.e 12800 so you wont get any grain and footage will look good. If you use other iso like 6400,8000 & 10,000 then your footage will look too grainy. So i think you should research on this. Im saying this beacuse i use slog3 on my a7siii and i dont have any issues using this profile in wedding weather there is light or not.
Thank you , Big fan of your videos and work From Nepal.
Yes, Agreed.
But.....
Please note that -- with the second 'Base ISO', although you will get cleaner footage, you may loose your Dynamic range , a-bit.
This issue of loosing Dynamic range can be compensated with using another tool-- 'Exposure Index (EI), available in Sony's cinema line cameras, like FX 3/6/9 etc.etc.
( I know, that is an another Topic !) 😮
@@sagardigitallab totally agreed.
we will lose a bit of dynamic range but capturing footage without grain by utilizing dual ISO is more important when you don't have enough light (like in the run and gun situations) rather than seeking for dynamic range. To get something you have to sacrifice something.
Thank you for your information about EI.
Appreciate Thank you!!!
Exposure Index - an Outlook.*
Cinema, as the art of visual storytelling, often involves capturing scenes in challenging low-light conditions deliberately crafted to evoke a specific mood. When faced with such scenarios, monitoring the scene can be challenging due to the (intentionally) low lighting.
This is where the tool 'Exposure Index or EI' (found specifically in Sony Cinema- line cameras) proves invaluable.
To address this, cinematographers can elevate the ISO to higher limits, allowing the scene to be viewed on the monitor effectively.
It's important to note that the camera records on the media with any (selected) of the Dual-Base ISO, preserving the intended mood of the scene.
While this might result in a loss of dynamic range, it becomes a negligible concern when compared to maintaining the desired cinematic atmosphere and achieving the intended storytelling purpose (with cleaner image, of course !).
*Happy Shooting.*
Hello sir , HLG SLOG 2 , 3 Par shoot karte time exposure settings kya honi chahiye . iske uper next video banao
ok next
Awesome bro mane s2 ke sat shuru Kiya Tha apke sat good job bro
Sir apke videos dekh kr to bhot kuch sikh liya I hope aap aage bhi ese hi sikhate rkhoge ♥️
No need to demotivate sir , if possible please make a video for fx3 best setting for wed and prewed
ok
hats of bro.... I'm really impressed by your uncut video with so much of information ....please dont get demotivated with view and subs coz if your helping even handful of people then your building and exciting world.
sir aap se bhot kuch sikhne ko milta he
Bohut he important topic share kia apne thanks a lot ye kisi aur video me nahi mili, next video insab ka demo karke dikhaye to jyada samjh ayega ache se.
Next video please 🙏 for all demo slog2 slog3 and hlg
ok
My favourite chenal... thankyou
Most welcome 😊
slog clear ho gya wahhh thank u so much sir
Great 👍
Sir saari chize aapne sikhai plzz song ki night cinematic lighting par banye plz like kaun si light use kare ya kaisi light rakhe song ke acording
ok next one
Sir vvip information aap de rhe ho ... Very thank you sir apka ❤️🙏🏻
Thanks ..Sirji
very good information sir next video please on slog-2 colorgrading and camera setting
Sure 👍
Thanks sajan bhai giving us knlowage
Welcome
Nhi Nhi Bhai G full Support, Ab HLG Editing K Upar Samjha Do❤
ok
Bahut ache se samjhaya sir ji God job HLG ki footase colour grade kaise karte hain sar ji uske upar bhi tutorial banaa dijiye sar ji please
ok
Very good work Veerji, learnt a lot from you.
Thanks a ton
Bahut Acha information Bahi ji 🙏🙏🙏
Boht achi video h sir ji sach me mujhe boht help mili h is video se
Thanks sir ji
Welcome
Sir osm yr plzz ese hi kam krte rhe hm jese naye PHOTOGRAPHY ke liye
Bilkul ap bht achha smjhate ho keep it up
Next tutorial jldi layega.... Our live editing for log footages wali class ve...
Very soon
Please next video logs fottage correct exposure real time live demo
Love you bhaiya .....❤
I salute sir
Asha bataya sir
thanks
Slog aur HLG ko correctly expose kaise karna hai aur BEST SETTINGS.. iss topic pe banao bhai video 📸
very good information sir, next topik HLG , S-log 2 , S-log 3 , ki camera settings kya honi chahiye ? thanks
Sir offline course karne k liye kya karna padega plz suggest me
abhi Next Class March Me hogi
Technical Baatein Btai Apne Btai Thnxx
thanks
Superb sir
thank you sir color griding par video banao
Sure 👍
Super sir acha laga
@DineshMaharjanFlute
*Exposure Index - an Outlook.*
Cinema, as the art of visual storytelling, often involves capturing scenes in challenging low-light conditions deliberately crafted to evoke a specific mood. When faced with such scenarios, monitoring the scene can be challenging due to the (intentionally) low lighting.
This is where the tool 'Exposure Index or EI' (found specifically in Sony Cinema- line cameras) proves invaluable.
To address this, cinematographers can elevate the ISO to higher limits, allowing the scene to be viewed on the monitor effectively.
It's important to note that the camera records on the media with any (selected) of the Dual-Base ISO, preserving the intended mood of the scene.
While this might result in a loss of dynamic range (with second Higher Base ISO setting) it becomes a negligible concern when compared to maintaining the desired cinematic atmosphere and achieving the intended storytelling purpose (with cleaner image, of course !).
*Happy Shooting.*
nice information sir
Thanks bhai bahot achi information di apne❤
your videos are very informative, love from Nepal.
thanks 👍
Perfect Explanation
Very good work
Thanks
Sir thanku for information agar off line course hoga to jarur join karunga
love you boss
Very nice you explained it easily
Thanks for this useful information bro
wlcm 👍
Sir ak Video h.264 vs Prores m se kon sa export best hai
Good Information
Very informative ❤
Thank you sar next video slog 2 seting or hlg k bare me banaiye
Sir boht khob very nice information
Thanks for liking
Next video b bna do logs ki editing k sth...differences pta chal jayen
exposer lock kse kare slog 3 shooting main vo badalta rehta hai ?
Bhai or bhi bnao hum AP ki koi video esi nahi he Jo na dekha ho
thanks
Bhai very helpful..
Thanks
Hlg profile perfect exposure pe vedio banaiye sir ji
H L G PR VIDEO BNAO SIR
Impressive video bro! Very helpful and informative! Please keep it up bro ❤
Thanks a ton
boht informativ video
Very good information sir,next topik HLG, S-log2, S-log3 ki footage edit kese karen
Pls make a video on how to grade HLG footage
Good sir❤❤
Superb Information sir 👏
🎉sir s log editing par video banaiye.....
Sir Mera Ek Request He Aap se ki plz ek tutorial zebra line, picking pe Bataiye ❤
ok
Sir Slog or Hlg par shoot ke best settings proper video
ok
Log footage ki or jankari fijiye sir
thank you for the information
You're welcome
Very good ji
Thanks bro support
Welcome
easy to learn new things tqs a lot love from nepal bro 👌👍❤
D log ka upper video banaya sir
Thank u for this information sir.....
canon clog par bhi video banay
Ok
Very nice sir ji 😊
HLG3 Shoot & Edit Little clip Day/Night footage M3 or M4
Thank you sir ❤
Most welcome
sirji SLog3 ke bare me ek full detail video banaie
S Log footage mein jyada tar grain ata hain usko kaise sahi karein ?
thank you sir ap k vaje se bohot sara confusion dur hogaya hlg for any environment toh pata tha par slog 2 and slog 3 ka bohot confusion tha sur btw hlg me ek hai rec 709 and dusra bt 2020 konsa acha hoga? like rec 709 toh social media ready color hota hai no convertion needed par bt 2020 Ka HDR ko rec 709 me convert karne se kya jayda scha hoga?
Thank you sir, for this useful information.
You are most welcome
Hlg color grading kese kare
sir ek baar hlg footage edit karke dikhaye please...please
done
Pls agla vedio bnao
Love from lahore pakistan bhai
Nice
thank you sir.
Good Video Sir
Ik duel Iso par video m4 ,s3
ok