Few companies capture the rich texture of an instrument like Fracture Sounds. The cello in particular sounds better than other libraries at 5x the cost. Thank you for keeping your libraries affordable. 🙏
We definitely need the Orchestral Series by that great team, because they're doing an amazing creativity libaries that would feel you're living a cinema!
Gorgeous sounds and abilities! I'd buy this in a second like many of the other libraries you've created, but I heard just about everything I already own within roughly 5 or 6 plugin libraries I've spent good money for. The libraries include; Native Instruments - Arkhis, Spitfire - Olafur Arnalds Composer Toolkit and British Drama Toolkit as well as Albion NEO as well as a couple more. Who knows though, if Fracture Sounds offered me a better cross-grade pricing for owning "almost all of their other libraries" I may just splurge!! Can't deny I LOVE THE LIBRARIES I do own of Fracture Sounds ❤
We really have reached the peak of sample libraries. A lot other new libraries come out, but not a lot of new innovation. Nothing against these guys, they’re awesome. but whoever releases first wins now of days. There are so many of these same types of sounds out there.
6 місяців тому+2
I love this library ! Full of potential and diverse horizons with. And as always, a neat, clear and efficient interface for playing with presets or tweaking a bit 😍
there are 4 developer/teams i found the last 12 month that are all top notch in kinda their own category...this is much coz alll of them are easily on the level with the big ones....some are even above that .... performance samples westwood instruments mixwave and fracture sounds great time for composers
@@ChristicBoy have alot from spitfire..and still love some of their libaries...but they start to lost me. other companys will be way above them in terms of soundquallity when it comes to high quallity orchestra samples (performance samples...at least from now on) and for hybrid or experimental and so on companys like fracture sound or westwood release stuff more interessting and lower cost plus spitfire support gets worse and worser ....well ^^
@@marcvoss They have the best libraries on the market by far. In any case. But they overdo it, the content is often not worth the mountain of money asked for. Think of Heirloom, so beautiful, but only a piano, a guitar and 3 articulations: €300… 😵
Looks quite cool as always. :) -More control over the FX would be nice. i.e. chose delay mode like diffusion in Replika, Raum as the reverb, or if using convolution include creative sound design IRs, (or better yet support a custom user folder and read the file list vs. a limited # of hard-coded choices) -The atmosphere layers are often the best part. Being able to change the playback octave would make them more flexible. It's also not always possible to get certain layers as loud as desired. -Maybe the biggest thing is a settings for expanding the key range. Even if it's a simple as stretching the lowest/highest samples over additional keys. Many users would gladly accept the trade-off that comes with pitch-shifting vs. silence.
Thanks for the feedback Eric! 1. There are a number of options for reverb including convolutions. We tend not to spend much development time on this as, we find with our experience, composers tend to prefer to use their own reverb effects and chains. That said we could look into including more creative convolutions if that's desired. 2. The Atmosphere Layers are specifically designed and curated by the team to work with the raw samples from the selected instrument. Shifting the octave of these may affect that blend/ intended sound, but again if its something that is desired we could look to update this in the future. Zen: Meditations has an Atmosphere Layer Blends engine which allows for octave shifting in the same way the Synth Blends engine does for this library. 3. You can extend the range of the Dulcichord (as shown in the settings) and the synths in this library are programmed over a large range. Extended range is not available on the Strings as it does severely affect the realism of the sound, and when combined the Violin and Cello do cover a large range on the keyboard. However, if truly desired, we have left the backend of Kontakt open, which means you could go in the mapping areas and extend these ranges yourself.
Great presentation. A pesky question, but I was curious: proabably I don't need yet another, but the WHITE midi keyboard looks nice. What brand is it? Also, your little long-throw fader box. I'm always on the lookout for one. I find them and, often, the pricing is just kind of crazy. Thanks. Mark. PS Some folks might pay $99 just for the piano instrument.
It's compatible with 6.7, if you have successfully input the serial number but the library is not installing correctly, please make sure you download the latest version of Native Access 2: www.native-instruments.com/en/specials/native-access-2/
@@Kervinou12 In that case, I'd recommend reaching out to Native Instruments support to see if they have a solution: support.native-instruments.com/hc/en-us If they aren't able to help, please reach out to our team here: fracturesounds.com/contact-us/
We usually send a serial number (ARCO and Dream Zither are currently the only exceptions), including for our Blueprint libraries, which are then inputted into Native Access. If you are having issues with installation, even if it is for our free products, please reach out to our support here: fracturesounds.com/contact-us/
Congratulations to the whole Fracture Sounds team. A very special and very nuanced library was created by you.
Few companies capture the rich texture of an instrument like Fracture Sounds. The cello in particular sounds better than other libraries at 5x the cost. Thank you for keeping your libraries affordable. 🙏
We definitely need the Orchestral Series by that great team, because they're doing an amazing creativity libaries that would feel you're living a cinema!
Gorgeous sounds and abilities! I'd buy this in a second like many of the other libraries you've created, but I heard just about everything I already own within roughly 5 or 6 plugin libraries I've spent good money for. The libraries include; Native Instruments - Arkhis, Spitfire - Olafur Arnalds Composer Toolkit and British Drama Toolkit as well as Albion NEO as well as a couple more. Who knows though, if Fracture Sounds offered me a better cross-grade pricing for owning "almost all of their other libraries" I may just splurge!! Can't deny I LOVE THE LIBRARIES I do own of Fracture Sounds ❤
We really have reached the peak of sample libraries. A lot other new libraries come out, but not a lot of new innovation. Nothing against these guys, they’re awesome. but whoever releases first wins now of days. There are so many of these same types of sounds out there.
I love this library ! Full of potential and diverse horizons with. And as always, a neat, clear and efficient interface for playing with presets or tweaking a bit 😍
Thanks so much 🙏
Beautiful library, great work!
I can’t think of a bad fracture product, so any launch is a must see.
great job !
wow ... amazing work ... the sound is so emotional ... sold
Thanks so much 🙏
Amazing! This sounds so good.
Thank you ☺️
Wow! Love it!
Can’t wait !! ✊🏾🔊🎶
there are 4 developer/teams i found the last 12 month that are all top notch in kinda their own category...this is much coz alll of them are easily
on the level with the big ones....some are even above that ....
performance samples
westwood instruments
mixwave
and fracture sounds
great time for composers
Agreed!!
I would be curious to know the price of this plugin if it was spitfire audio. Congrat to the team.
199 or 249 ^^
@@marcvoss Of course 😂
@@ChristicBoy have alot from spitfire..and still love some of their libaries...but they start to lost me. other companys will be way above them in terms of soundquallity when it comes to high quallity orchestra samples (performance samples...at least from now on) and for hybrid or experimental and so on companys like fracture sound or westwood release stuff more interessting and lower cost plus spitfire support gets worse and worser ....well ^^
@@marcvoss They have the best libraries on the market by far. In any case. But they overdo it, the content is often not worth the mountain of money asked for. Think of Heirloom, so beautiful, but only a piano, a guitar and 3 articulations: €300… 😵
♥♪
Sold ! 👍👏👏👏😊
Looks quite cool as always. :)
-More control over the FX would be nice.
i.e. chose delay mode like diffusion in Replika, Raum as the reverb, or if using convolution include creative sound design IRs, (or better yet support a custom user folder and read the file list vs. a limited # of hard-coded choices)
-The atmosphere layers are often the best part. Being able to change the playback octave would make them more flexible. It's also not always possible to get certain layers as loud as desired.
-Maybe the biggest thing is a settings for expanding the key range. Even if it's a simple as stretching the lowest/highest samples over additional keys. Many users would gladly accept the trade-off that comes with pitch-shifting vs. silence.
Thanks for the feedback Eric!
1. There are a number of options for reverb including convolutions. We tend not to spend much development time on this as, we find with our experience, composers tend to prefer to use their own reverb effects and chains. That said we could look into including more creative convolutions if that's desired.
2. The Atmosphere Layers are specifically designed and curated by the team to work with the raw samples from the selected instrument. Shifting the octave of these may affect that blend/ intended sound, but again if its something that is desired we could look to update this in the future. Zen: Meditations has an Atmosphere Layer Blends engine which allows for octave shifting in the same way the Synth Blends engine does for this library.
3. You can extend the range of the Dulcichord (as shown in the settings) and the synths in this library are programmed over a large range. Extended range is not available on the Strings as it does severely affect the realism of the sound, and when combined the Violin and Cello do cover a large range on the keyboard. However, if truly desired, we have left the backend of Kontakt open, which means you could go in the mapping areas and extend these ranges yourself.
What Midi Fader Controller is that?
Vs faderbox
Great presentation. A pesky question, but I was curious: proabably I don't need yet another, but the WHITE midi keyboard looks nice. What brand is it? Also, your little long-throw fader box. I'm always on the lookout for one. I find them and, often, the pricing is just kind of crazy. Thanks. Mark. PS Some folks might pay $99 just for the piano instrument.
Just to be sure will this run with Mojave, don't have K7 but K6
It run in kontakt 6.7 ??? I can t download this via native access ! 😕
It's compatible with 6.7, if you have successfully input the serial number but the library is not installing correctly, please make sure you download the latest version of Native Access 2: www.native-instruments.com/en/specials/native-access-2/
@@fracturesounds infortunally I can t because I have an old mac pro and Mojave !
@@Kervinou12 In that case, I'd recommend reaching out to Native Instruments support to see if they have a solution: support.native-instruments.com/hc/en-us
If they aren't able to help, please reach out to our team here: fracturesounds.com/contact-us/
@@fracturesounds now all is ok Fracture sounds send me a link for a directly downloand ! 👍👍👍
I don't understand why I never receive the download links when I choose a VST from your site.
We usually send a serial number (ARCO and Dream Zither are currently the only exceptions), including for our Blueprint libraries, which are then inputted into Native Access. If you are having issues with installation, even if it is for our free products, please reach out to our support here: fracturesounds.com/contact-us/