Claude Debussy, La cathédrale engloutie (The Engulfed Cathedral), Pavel Kolesnikov (piano)
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- Опубліковано 20 вер 2024
- Pavel Kolesnikov was born in Novosibirsk on 25.02.1989 in the family of scientists. He began to study piano and violin at age six. After study with prof. Mary Lebenzon in 2004-2007 he entered the Moscow State Conservatoire in 2007, where he continues his education with prof. Sergei Dorensky, prof. Andrei Pisarev, prof. Pavel Nersessian and Nikolai Lugansky.
Pavel is the prize winner of 15 National and International Competitions including the 7th International piano competition in Andorra (1st prize), the 3rd International Gilels piano competition in Odessa (1st prize) and the 1st European piano competition in Poznan (3rd prize).
He took part in the International Casalmaggiore Festival in 2005 and 2006 and also in the Verbier Festival&Academy in 2007 and 2009. In 2007 he was awarded with the national order The Young Talent of Russia.
Pavel plays concerts both as soloist and chamber musician in Russia, the Ukraine, Italy, Spain, Germany, the United Kingdom and Poland.
His debut recital at the Small Hall of the Moscow conservatoire in September 2008 won the great public acclaim.
Pavel was named 2012 Prize Laureate of Honens piano competition.
I can not help but admiration has occupied my whole heart .
From Tokyo in the dizzying megalopolis ablaze with neon .
This piece is a deep poem of many sonic splendors. It can sound like random improvisation or "exercise" when played mechanically by pianists who are aloof to the spirit Debussy created in it. You, Pavel Kolesnikov, have the rare spirit, the emotion, artistry and heart to evoke the beauty others miss. Thank you for stirring my soul . I also appreciate this fine Steinway Concert Grand, which obeyed your virtuoso touch, allowing your playing to "sing" so beautifully. (A mediocre or poor instrument will hinder, not properly express.)
WONDERFUL PERFORMANCE, so soft the Melody.
this is a masterpiece and the performer played so delicately and i just love this😍
My favorite song . 🍎
Thank-you very much to your profound and solemn performance from effulgent Tokyo in profound Japan .
Deep impression was reaching my soul .
I am curious about the (as of this writing) three down-votes. I am not a professional musician, but this is a piece of immense subtlety, and it seems to me it was performed quite sensitively and attentively and skillfully. I also appreciate the video production: a full view of the performer at work, and for all the subtlety, the sound is brought out quite nicely.
butt hurt musicians who probably played this but much worse, that's who
Or they don't like this particular version ? Or they don't like more " modern " music
There are many reasons a few "don't like." (1.) "Taste" For example: I do not like "Rap," (in particular when the most often heard word is f- - - -. Nevertheless, I appreciate that others do like rap. (2.) Ignorance or rudeness. (3.) Jealousy regarding your virtuoso skill; and other "reasons," none of which change the fact that Pavel Kolesnikov is in a rare, elite group of stellar artists.
I think overall its very beautiful, but I don't like how he speeds up so much during the "emergence" Also during the shift to key of E. He rushes this so much. The music says a little less slow. Not played this fast. It's all interpretation, but this is way to fast in a few sections.
@@noahthomas77 Thank you for your thoughtful reply. I think I hear what you're saying, although for me the jury is still out. While you're here: is there a performance you know that you'd particularly recommend?
So refreshing. Splendid interpretation.
Musicalidad sobresaliente ! Desarrolla una fuerza expresiva enorme, manteniendo gran delicadeza
Im sorry Pavel Kolesnikov! I started to watch your video but your playing was so beautiful, I closed my eyes and was transparted into the depths where I was floating next to the Engulfed Cathedral, listening to it's watery bells. Your playing is exquisite. Thank you!
There is something extraordinary in his splendid performance .
From
Tokyo is the Land of the Rising Sun 🇯🇵
WOW! Beautiful interpretation of a great materpiece. Thanks for posting.
Incredible performance!
Exquisite!
this sounds like it'll be good minecraft music
I have heard recordings that are almost two minutes longer than this one, it seems the tempo varied quite a bit on this piece but confess I like one that moves along at a somewhat brisker pace. Nicely played.
I believe Debussy encouraged the artistes to interpret his works on this way.
I wonder what he would have made of Isaho Tomita's version, which I feel fits the legend rather well.
Outstanding!!!
Nicely executed.
Tout est dit!! bravo!!
What A Beautiful Ending _______/
Magic touch!!!
This amazing young man reminds me of John Ogdon. His "pianissimo" is wonderful, yet he can be strong and aggressive too.
Sempre il migliore..Cina
Emocionante!
Nothing like a Steinway!
Pavel, I think Claude Debussy would be smiling broadly listening to you.....
Great interpretation!
Is pedal down through the entire FF section normal? I read the music as only the low C should sustain while the rest is legato, maybe the sost pedal for the C while the rest is pedal on the beat? Am I doing piano wrong lol?
Our modules brought me here! hihi 😰😰😩😂
Wonderful performance - & similar length to Debussy's performance. Some are just too ponderous.
I think 'engulfed' is such a clumsy word in this context. 'Drowned Cathedral' is much better or maybe 'Sunken'. Sounds more romantic & evocative somehow. Just a personal thing.
Extremely loud and incredibly close brought me here
This Debussy work had been used as example in the italian youtube cultural video "Lezioni di Musica - Armonia" of the channel "musicamonteverde". Is a really very very interesting video of this new interesting channel. If you like it subscribe at channel and share more as possible to support the channel and spread the musical culture in the world!!
Robert Greenberg brought me here
PieInTheSky same for me. Glad he did
same for me, Greenberg is brilliant!
Le Top de chez Top !!
my teacher brought me here---
I know that many will not like to see criticism but I'd give this performance an overall 8/10. The reason is because during the section in forte with the continuous bass C, I felt the notes were bashed a little rather than being played fully into the keys. However apart from that I like all his other interpretations, especially the muffled ending with the rolling bass notes. That really felt 'submerged'.
hay aliteraciones??
Isao Tomita brought me here
I wonder if you prefer one over the other?
I feel Tomita's piece fits the legend and the spirit in which Debussy composed the piece rather well. I wonder what Debussy would have made of Tomita's version.
John Carpenter's 1997 Escape From New York brought me here
1981 you mean?
@@michaelluciano1980 it's not its title.:"1997 Escape from New York" is the title of the movie (at least in Italy)
@@marcopederzoli4939 interesting. The original came out in 1981 here in the United States but there was also a 1997 version called escape from Los Angeles. It’s the 1981 that has the Synthesizer version of this piece by Debussy
@@michaelluciano1980 also 1997 is the year when the 1st movie happens
Sinatra brought me
From johnny carson
Lo primero que tiene que hacer es medirla bien...
Manque de profondeur dans les brumes. Notes pas assez assourdies. Les résonnances " Debussy" ne sont pas ici. Question de climat !. Manque de mystère sur un tel sujet bien que l´approche soit en place. A approndir ...
I’m here because of my fking module
Same bish