Another important tip: If you're using proxys, make sure to turn them off because Premiere will snapshot from them first. Or in some cases because Premiere is bipolar on a good day, you may have to unlink your proxy media to get it to screen shot from the raw media.
This is the video I've been looking for which answered all the questions I had in my head about exporting stills and the file types of export hahaha thanks for this!
Hi Colin, great content! Do you know if there’s a quality shift when exporting images depending on the frame rate of your source footage? Ie, would export an image from a clip shot at 64fps Vs one shot at 24 or 29 be better/ cleaner/ sharper?
i THINK 60p is the better. I watched Richard Wongs long tutorials on youtube.. One on G9ii and the other on GH6. Both excellent. I spoke with him via chat. It makes sense. 4k 60P `, I am shooting in 10bit 422 color and sometime vlog, this way you have perhaps more room to tweak the still frame nicely without artifacts. I'm doing some experimenting with it.
Colin, I watched and read a ton and I glad to see you had a video on this topic and it was very helpful. I'm shooting video this week and I need the best quality stills I can get from video. I was hoping you would talk about what is best to shoot in. I have a GH6. In my mind I was guessing that shooting in 10 bit 422 at either 60P or 120P would give me the best stills but I'm just guessing. What do you think? Also, I can shoot at very high bit rates. Is 800mbps going to give a better and more tweakable still then 400 or 600mbps?. I searched for an hour and nobody is talking about my questions. Do you know?
Hi Colin - great teaching videos thank you! I am a new user of Premiere CC2020 (longtime user of CS6). Is there a preferred format for importing still images (eg Tiff versus jpg for example) as I have a new video project which will feature many still images and inverviews with the photographer etc. I will be doing a little zooming, panning etc and some restoration of the images as well as they date from the 1950's. Thanks, John
For that I'd absolutely recommend TIFF because it's less compressed than JPEG. But, if you have a mix of TIFF and JPEG already, then don't worry about converting the JPEG to TIFF because it won't increase the quality.
Colin, when people are remarking that their exported stills don't look good, are they talking about OUTSIDE Premiere? You've proven that in a Premiere timeline they look identical, but were people wondering about the stills being used for, say, print work, or another external application?
The same quality from Premiere Pro looks great in Photoshop so in terms the integrity of the image, it's identical to the original. Now if someone is comparing a DSLR multi-megapixel shot to an HD frame of video, then absolutely they are not the same. If that's the case, then they need to lower their expectations of stills from video.
@@VideoRevealed Outside of PP opening the image in Apple's Preview app the colors are desaturated and less vibrant, but when importing that same still (tiff) it looks the exact same as the footage, as you've shown in your test. My question is - Why cant I get the image to look the exact same outside of PP ? I'd like to share this frame with collaborators but the frame is never true to my timeline When viewing through Preview or Photoshop for that matter.
Question: first of all, great informative Video. I use Premier Pro to color grade my images. I would like to print the image and photo frame it. is it safe to just export the image like you showed and print it out?
FYI anyone still looking at this video, there is a persistent bug with Premiere, still there in 15.0, where exported frames are randomly of very low quality. They look like very compressed jpegs of 1/4 the resolution, even if exporting full res tiffs. The video auther is very lucky if they've never had this problem.
@@VideoRevealed I found the solution, as others might have mentioned, premiere will randomly use frames from proxies to make the frame exports, if you have proxies, which results in very low quality. The workaround is to delete or hide your proxies while exporting stills. My problem is on MacOS, across multiple versions of premiere. It may not affect other versions, or everyone else, thought there are lots of people who it does affect unfortunately.
@@MechaUsagi Thanks so much. I export alot of stills for inlays and whatnot, and never had too many issues. Now my exported stills look like they've been upscaled from a thumbnail. Saved me a lot of headaches.
Also, why do we as end-users keep putting up with this shit? It takes me too much time and hassle to transfer to another NLE, but why are we paying this shit company for a product that ultimately frustrates our work?
Hey Colin, I'm trying to export a few stills from a reel i shot (video format MOV) i plan on editing them which would you say would allow me to edit them as if I shot them in RAW format? Thanks in advance for the help!!
It's easy to turn lots of pictures in to a video, but can you extract each frame as a picture? So if I had a 10 second video at 24 fps I'd like to extract to 240 pictures without having to do it 1 by 1. Thanks.
Thanks for the tutorial. I'm trying to export the highest quality frames from Premiere for editing in Lightroom. If I am clicking on the camera icon and doing a screen grab that way to get a jpeg, am I losing quality? What format do you recommend for my purpose? Thank you
Hey man! Definitely help me out a lot in the past with your videos! But didn't like how you said you couldn't believe they were getting bad quality. Clearly something was wrong on their end. To let people know if they're having bad photographs. If you're running a proxy on your computer the screenshot is set to capture the proxy not the full resolution video clip. It's a weird bug. Be sure to turn your proxy on before you take the picture 🤷🏾♂️.
@@VideoRevealed I would think so as well. But for some reason there's a bug at the moment. Could be an AMD thing 🤷🏾♂️. But it definitely helped me to toggle the proxies on and off before taking the screenshot.
Once you export the image, it's like any other image on your computer. You can easily browse to the image with Bridge, Right-click on it and select Open in Camera Raw.
Thanks for this.I've been struggling with scrolling long png webpage captures. A 1364 x 4088 image.When animated from top to bottom.In a 1364 x 768 project at 60fps over 11 seconds duration.The frames have a minimal jittery effect.At 30fps it's much worse.However, regardless of what I try.This png image is a bit blurry doe to scrolling??? I can't come up with a technique to solve this? If I record the same image with a screen recorder at 60fps.The screen recording looks better than scrolled PNG? Yet the recording jitters more.So I'm pulling what's left of my hair out at this point }:>) Amy suggestions wold be great.
The export from Premiere Pro should be smooth and not ever affected by the content. Is there a reason you're exporting to 60 fps? How will the final export be viewed and isn't 30 fps enough?
QUESTION: What if I want to print the image? Tiff maybe? I'll have to convert it to whatever format the print service allows anyway. Just curious how I should export it out of premiere first.
Hi, as a stills photographer with no knowledge of video, what is the highest quality Tiff I can extract from a video taken on a Canon or Sony 45 meg still camera? Would the quality be as good as the still camera image? I would appreciate some basic info to get me started.
Cameras that shoot images and video record different resolutions for both formats. Images are always much larger and better quality than video. Video is typically HD (1920 X 1080) or UHD (3840 X 2160). Images are much larger and the compression is different and better suited for stills. If you want stills, shoot stills. If you only have video, then the quality is already reduced and there are no other options.
Really wish you didn't dismiss EXR like that. Some people in your audience ARE visual effects artists or work with them. You really made it sound like a bad format that is just overkill. I think you should have shown what it looks like and why you don't recommend it for most uses. Give it a fair chance and let us decide instead of deciding for us. EXR is an amazing format, and even though it might be overkill in many cases, it is often better to have too much data than not enough, at least for something like a single screenshot. I do use them in Animation and VFX all the time, so I don't know how useful they are in typical video editing.
I was wondering about this too. I want to export a sequence of 8-bit video without loss so I can do compositing with it in Nuke; since my source is 8-bit, I think I can do this with PNG or BMP, (so in my case, OpenEXR would be overkill.) JPEG, BMP, and PNG are all "8-bit," but even exporting a JPEG with Quality set to 100 seemed to darken the image/increase the contrast slightly compared to PNG and BMP, and yet all are treated as equivalent in the video.
I figured out something. My images were coming out lower res than original. The issue was: Click on settings wrench --> my pause resolution was set to 1/2 --> changed it to Full...bam! same quality.
Didn't work for me. I have full resolution on both Playback and Paused Resolution. Sometimes when I export the TIFF, it will come out fine. Sometimes it looks horribly compressed. This seems like a bug, not a matter of specific settings (at least for me).
For those people, it's quite possible they're working with higher bit depth content 10-16bit video and if they choose one of the basic options, they'll get 8bit per channel. If you re-import that back in and apply color grading to it, you will likely have some issues you wouldn't have if you exported a 16bit format. I like to use TIFF from the export menu rather than this snapshot button, with high bit depth options selected to preserve the bit depth and gamma curve perfectly. If you're working with HDR video though, you probably want to use OpenEXR. I also wouldn't trust the snapshot button to retain higher bit depth data correctly. It seems to work by simply saving to disk what is visible in the preview monitor, including proxies. So it will only look as good as the preview monitor can look for that footage. If you want the export to retain the same kind of processing as is present on a normal full export, then use the export dialog box to export images. I just wish there was a faster way to quickly export a bunch of screen caps using that export dialog. I tend to export thousands of screencaps from my longer projects, and it's more time consuming than I wish.
Hi Colin, I have edited a film using Proxies and a customer has asked me for some still images from the footage. The problem is, when I use this method it exports the proxy not the high res image. It doesn't seem to matter when I toggle the proxy on or off. Any ideas?
@@AshmanEventVideo Hi Steve i had the exact problem, the only way i managed to get round it is by Right Clicking the media in the bin and "detach Proxies" - then export the Still as the video
Screen grabs will always be the proxies unfortunately. Even when turned off. You have to either import the clip again from a new folder or create a bespoke new project with just the clip you need for the stills but with no proxies.
Colin I have been exporting jpeg for video for a while. I just bought a used 80D and instead of exporting 3840 x 1260 they are coming out as 1920 X 1080. I know when I did it with my 60D they came out full size. What did I do wrong?
On my Mac I need to insure playback resolution is set to full. Lower quality resolutions are reflected in the resolution of the export. This is counterintuitive as that is not the case when exporting video.
That should not be happening. I just did a test with both Playback and Paused resolution set to 1/4 and every output was identical to the full quality.
@@VideoRevealed Maybe it is a Mac thing, or something to do with my video card, but I have always had to set resolution to full to get full rez. If I set it to half rez, the resulting image is exactly half the rez of the original video footage. Not a big deal as I remember to set the resolution in advance.
@@davidp158 Not seeing that happen on my Mac. I'm running Premiere 13.1.5 on a 2013 Mac Pro trashcan. No differences on the image export, no matter what the video playback resolution is set at.
It sounds strange. It cannot be the case. Playback resolution is completely independent of export quality. Something else must be the problem, but not this one.
Can someone PLEASE help explain why a regular Mac screen shot is resulting in an still image with an increased pixel size that looks visibly better to the eye. My video footage is 3840x2160. Using the premiere method in this video results in a still image with the same pixel dimensions (3840x2160). BUT if I screen shot the footage on my Mac, I get a still image that has 5120x2880 pixels and a higher DPI. The Mac screen shot simply looks better pixel wise. Why is this? I would SO appreciate insight from anyone. Sidenote: using this export method with premiere results in better colored image than the Mac screen shot. What is going on! Technology is so detailed and difficult!
Absolutely. Ravens and crows are so incredibly smart. I just read an article about crows being self-aware. www.popularmechanics.com/science/animals/a34165311/crows-are-self-aware-like-humans
what if its at the very end of your project. you delete proxy from proxy file, after you've detached proxy. do you think it would work still silly question but wouldn't that be the way around it?
![I Replaced ALL my ADOBE APPS with these [free or cheaper] Alternatives!](/img/n.gif)
Another important tip: If you're using proxys, make sure to turn them off because Premiere will snapshot from them first. Or in some cases because Premiere is bipolar on a good day, you may have to unlink your proxy media to get it to screen shot from the raw media.
Ha, ha...good to know.
This is the video I've been looking for which answered all the questions I had in my head about exporting stills and the file types of export hahaha thanks for this!
Glad it was helpful!
Hi Colin, great content! Do you know if there’s a quality shift when exporting images depending on the frame rate of your source footage? Ie, would export an image from a clip shot at 64fps Vs one shot at 24 or 29 be better/ cleaner/ sharper?
i THINK 60p is the better. I watched Richard Wongs long tutorials on youtube.. One on G9ii and the other on GH6. Both excellent. I spoke with him via chat. It makes sense. 4k 60P `, I am shooting in 10bit 422 color and sometime vlog, this way you have perhaps more room to tweak the still frame nicely without artifacts. I'm doing some experimenting with it.
perfect video..thank you. The differences and uses of the file formats explained beautifully. 👌🏻
Such an insightful video. Your tutorials are so good. Keep up the awesome work!
Glad you like them!
Many thanks big Dad. Much love from Turkey.
Same to you!
Thanks for the quality review. I genuinly can't believe only 17k people have seen this. Everyone wants that perfect screen grab!
Thanks. I wish I knew how to get more traffic.
Fantastically informative, have smashed the subscribe :D
Thanks and welcome to VideoRevealed.
Colin, I watched and read a ton and I glad to see you had a video on this topic and it was very helpful. I'm shooting video this week and I need the best quality stills I can get from video. I was hoping you would talk about what is best to shoot in. I have a GH6. In my mind I was guessing that shooting in 10 bit 422 at either 60P or 120P would give me the best stills but I'm just guessing. What do you think? Also, I can shoot at very high bit rates. Is 800mbps going to give a better and more tweakable still then 400 or 600mbps?. I searched for an hour and nobody is talking about my questions. Do you know?
Hope you get your answer. I have pretty much the same question.
Great video, explains it fast and simply.
Explains it fast??? Dude the video is 10 minutes long
Love your tutorials! I understood everything very easy :)
Thanks for your support.
Hi Colin - great teaching videos thank you! I am a new user of Premiere CC2020 (longtime user of CS6). Is there a preferred format for importing still images (eg Tiff versus jpg for example) as I have a new video project which will feature many still images and inverviews with the photographer etc. I will be doing a little zooming, panning etc and some restoration of the images as well as they date from the 1950's. Thanks, John
For that I'd absolutely recommend TIFF because it's less compressed than JPEG. But, if you have a mix of TIFF and JPEG already, then don't worry about converting the JPEG to TIFF because it won't increase the quality.
Colin, when people are remarking that their exported stills don't look good, are they talking about OUTSIDE Premiere? You've proven that in a Premiere timeline they look identical, but were people wondering about the stills being used for, say, print work, or another external application?
The same quality from Premiere Pro looks great in Photoshop so in terms the integrity of the image, it's identical to the original.
Now if someone is comparing a DSLR multi-megapixel shot to an HD frame of video, then absolutely they are not the same. If that's the case, then they need to lower their expectations of stills from video.
@@VideoRevealed Outside of PP opening the image in Apple's Preview app the colors are desaturated and less vibrant, but when importing that same still (tiff) it looks the exact same as the footage, as you've shown in your test. My question is - Why cant I get the image to look the exact same outside of PP ? I'd like to share this frame with collaborators but the frame is never true to my timeline When viewing through Preview or Photoshop for that matter.
@@Filmgeek18 Running into the same issue and don´t understand why. Tried all formats, multiple ways of exporting stills, no luck, and no answers!
Thanks for the help, clear & easy to follow instructions 👍🏃
Glad it helped!
Question: first of all, great informative Video. I use Premier Pro to color grade my images. I would like to print the image and photo frame it. is it safe to just export the image like you showed and print it out?
Yes. But if you have original quality/resolution images, then print them from Photoshop.
FYI anyone still looking at this video, there is a persistent bug with Premiere, still there in 15.0, where exported frames are randomly of very low quality. They look like very compressed jpegs of 1/4 the resolution, even if exporting full res tiffs. The video auther is very lucky if they've never had this problem.
I've never had this problem in Premiere Pro.
@@VideoRevealed I found the solution, as others might have mentioned, premiere will randomly use frames from proxies to make the frame exports, if you have proxies, which results in very low quality.
The workaround is to delete or hide your proxies while exporting stills.
My problem is on MacOS, across multiple versions of premiere. It may not affect other versions, or everyone else, thought there are lots of people who it does affect unfortunately.
@@MechaUsagi thank you for this tip, it's been messing with my head.
@@MechaUsagi Thanks so much. I export alot of stills for inlays and whatnot, and never had too many issues. Now my exported stills look like they've been upscaled from a thumbnail. Saved me a lot of headaches.
Also, why do we as end-users keep putting up with this shit? It takes me too much time and hassle to transfer to another NLE, but why are we paying this shit company for a product that ultimately frustrates our work?
Hey Colin, I'm trying to export a few stills from a reel i shot (video format MOV) i plan on editing them which would you say would allow me to edit them as if I shot them in RAW format? Thanks in advance for the help!!
Thank you thats an amazing job you helped me get to the next level
You're very welcome!
Thank you! Very direct and to the point.
Glad it was helpful!
It's easy to turn lots of pictures in to a video, but can you extract each frame as a picture? So if I had a 10 second video at 24 fps I'd like to extract to 240 pictures without having to do it 1 by 1. Thanks.
Never mind. I figured it out. Just highlight the area you want to extract, click on file, export, media, and select JPG. It gave me all the frames.
You got your own answer.
That's right.
Good summary. I usually export as tiff as jpeg compresses each time its run thru any processing. Pity AE doesn't have the same facility.
Actually AE has a much better solution by being able to export a layered Photoshop file. Look in the Composition menu.
Thanks! Very good and detailed information!
Glad you enjoyed it!
Which is the best quality Tiff or DPX if exporting a still from 4K 10 bit footage?
TIFF is the highest quality
@@ExitoOff Okay thank you!
Hi Colin, Thanks for video. If I have an interlaced video, do I get problems then? Suppose I only get half the resolution.
Premiere Pro will show the best quality that you can get so there's nothing more you can do other than export.
Thanks for the tutorial. I'm trying to export the highest quality frames from Premiere for editing in Lightroom. If I am clicking on the camera icon and doing a screen grab that way to get a jpeg, am I losing quality? What format do you recommend for my purpose? Thank you
Yes you're loosing quality by taking a screen shot. Click the camera icon and save as TIFF for the best quality.
Which renders/exports quicker, please? framehold or a still image?
(Same length in timeline)
There is no difference.
Hey man! Definitely help me out a lot in the past with your videos! But didn't like how you said you couldn't believe they were getting bad quality. Clearly something was wrong on their end. To let people know if they're having bad photographs. If you're running a proxy on your computer the screenshot is set to capture the proxy not the full resolution video clip. It's a weird bug. Be sure to turn your proxy on before you take the picture 🤷🏾♂️.
Proxy settings do not change exported frames. They are always based on the original.
@@VideoRevealed I would think so as well. But for some reason there's a bug at the moment. Could be an AMD thing 🤷🏾♂️. But it definitely helped me to toggle the proxies on and off before taking the screenshot.
Sir I do have doubt.suppose if the still image is exported to dpx from the video can it be good for photo printing?
is there a way to open dpi as a smart object or directly into camera raw?
Once you export the image, it's like any other image on your computer.
You can easily browse to the image with Bridge, Right-click on it and select Open in Camera Raw.
Thanks for this.I've been struggling with scrolling long png webpage captures. A 1364 x 4088 image.When animated from top to bottom.In a 1364 x 768 project at 60fps over 11 seconds duration.The frames have a minimal jittery effect.At 30fps it's much worse.However, regardless of what I try.This png image is a bit blurry doe to scrolling??? I can't come up with a technique to solve this? If I record the same image with a screen recorder at 60fps.The screen recording looks better than scrolled PNG? Yet the recording jitters more.So I'm pulling what's left of my hair out at this point }:>) Amy suggestions wold be great.
The export from Premiere Pro should be smooth and not ever affected by the content. Is there a reason you're exporting to 60 fps? How will the final export be viewed and isn't 30 fps enough?
QUESTION: What if I want to print the image? Tiff maybe? I'll have to convert it to whatever format the print service allows anyway. Just curious how I should export it out of premiere first.
Yes TIFF is the best format for printing.
Hi, as a stills photographer with no knowledge of video, what is the highest quality Tiff I can extract from a video taken on a Canon or Sony 45 meg still camera? Would the quality be as good as the still camera image? I would appreciate some basic info to get me started.
Cameras that shoot images and video record different resolutions for both formats. Images are always much larger and better quality than video. Video is typically HD (1920 X 1080) or UHD (3840 X 2160). Images are much larger and the compression is different and better suited for stills.
If you want stills, shoot stills. If you only have video, then the quality is already reduced and there are no other options.
Hi Colin, why can't the exported frame be the same size as the original photo?
All exports are the size of the Sequence Settings.
do you know if I can print out this image for a large size pepper frame?
You can't. Video is fixed at 72 pixels per inch.
Really wish you didn't dismiss EXR like that. Some people in your audience ARE visual effects artists or work with them. You really made it sound like a bad format that is just overkill. I think you should have shown what it looks like and why you don't recommend it for most uses. Give it a fair chance and let us decide instead of deciding for us.
EXR is an amazing format, and even though it might be overkill in many cases, it is often better to have too much data than not enough, at least for something like a single screenshot. I do use them in Animation and VFX all the time, so I don't know how useful they are in typical video editing.
I was wondering about this too. I want to export a sequence of 8-bit video without loss so I can do compositing with it in Nuke; since my source is 8-bit, I think I can do this with PNG or BMP, (so in my case, OpenEXR would be overkill.) JPEG, BMP, and PNG are all "8-bit," but even exporting a JPEG with Quality set to 100 seemed to darken the image/increase the contrast slightly compared to PNG and BMP, and yet all are treated as equivalent in the video.
so finally what format you are suggesting for export among those all ?? Is that TIFF ??
Please revert ..
TIFF is the highest quality, yes.
"finally" is right. that whole video could have been summed up in about 90 seconds!
Exactly
!!!
thanks alot for your video
You are most welcome
I figured out something. My images were coming out lower res than original. The issue was: Click on settings wrench --> my pause resolution was set to 1/2 --> changed it to Full...bam! same quality.
Wow, that's a good tip.
Didn't work for me. I have full resolution on both Playback and Paused Resolution. Sometimes when I export the TIFF, it will come out fine. Sometimes it looks horribly compressed. This seems like a bug, not a matter of specific settings (at least for me).
thanksss
How about screenshot what is the best format to use
Thank you
It depends on how you're going to share it but you're safe with JPEG or PNG.
@@VideoRevealed ok go it, thank you
direct to the point, thank you
You got it bro TK
You're welcome.
Hi thanks you for the in depth video. But how can you export a still at 300dpi? Please help..
You can only export 72 ppi from Premiere Pro.
VideoRevealed copy, thanks for the reply!
So you mentioned that people said their stills don't look good and you didn't give any advice regarding that, great
Well, I can't change the laws of physics to until then, that's my answer.
For those people, it's quite possible they're working with higher bit depth content 10-16bit video and if they choose one of the basic options, they'll get 8bit per channel. If you re-import that back in and apply color grading to it, you will likely have some issues you wouldn't have if you exported a 16bit format. I like to use TIFF from the export menu rather than this snapshot button, with high bit depth options selected to preserve the bit depth and gamma curve perfectly.
If you're working with HDR video though, you probably want to use OpenEXR. I also wouldn't trust the snapshot button to retain higher bit depth data correctly. It seems to work by simply saving to disk what is visible in the preview monitor, including proxies. So it will only look as good as the preview monitor can look for that footage. If you want the export to retain the same kind of processing as is present on a normal full export, then use the export dialog box to export images.
I just wish there was a faster way to quickly export a bunch of screen caps using that export dialog. I tend to export thousands of screencaps from my longer projects, and it's more time consuming than I wish.
Is DPX better than TIFF if you are pulling high res photos of 2K footage for marketing purposes? Help
I'd still use TIFF as a graphic format. DPX is more common as an output for visual effects uses.
Is it GIF or GIF? How'd you pronounce it?
Hard G for me like "Gary". I remember this discussion back in the 90's!
Hi Colin, I have edited a film using Proxies and a customer has asked me for some still images from the footage. The problem is, when I use this method it exports the proxy not the high res image. It doesn't seem to matter when I toggle the proxy on or off. Any ideas?
Exporting images uses the original media resolution, not the Proxy. I'm not sure why you're having problems.
@@VideoRevealed Thanks Colin - Great Videos really learning a lot from you!
@@AshmanEventVideo Hi Steve i had the exact problem, the only way i managed to get round it is by Right Clicking the media in the bin and "detach Proxies" - then export the Still as the video
@@nil4309 I did similar. Copied the Premiere Pro project file and then deleted the proxies. All fun! Great to hear from you both
Screen grabs will always be the proxies unfortunately. Even when turned off. You have to either import the clip again from a new folder or create a bespoke new project with just the clip you need for the stills but with no proxies.
Hello Sir,
while after exporting the photos in to video in 1080 P, It getting blurry .What to do ?
The export should be identical to the Program or Source monitor. Are you sure you're not on a frame with motion blur due to subject/camera movement?
I try to add images to audio interview, but for some reason, they get blurry from time to time. How to fix this?
Make sure you're not scaling beyond 120% and the resolution menu on the Program monitor is set to Full.
Hi Colin, can i export with more than 72ppi? i´d like to export 300ppi, is that possible?
I recorded in 4k
There are no settings for pixels per inch. Everything in video is based on resolution of the complete frame, which is 72 ppi.
Then you can export 3840 X 2160 and resize it to 921.6 X 518.4 @ 300 ppi in Photoshop. That's the equivalent size and resolution based on 300 ppi.
@@geodrone7643 Wow! thank you Bro. i wil try.
Colin I have been exporting jpeg for video for a while. I just bought a used 80D and instead of exporting 3840 x 1260 they are coming out as 1920 X 1080. I know when I did it with my 60D they came out full size. What did I do wrong?
Exporting from a Premiere Pro Timeline is always at the frame size in the Sequence Settings.
On my Mac I need to insure playback resolution is set to full. Lower quality resolutions are reflected in the resolution of the export. This is counterintuitive as that is not the case when exporting video.
That should not be happening. I just did a test with both Playback and Paused resolution set to 1/4 and every output was identical to the full quality.
@@VideoRevealed Maybe it is a Mac thing, or something to do with my video card, but I have always had to set resolution to full to get full rez. If I set it to half rez, the resulting image is exactly half the rez of the original video footage. Not a big deal as I remember to set the resolution in advance.
@@davidp158 Not seeing that happen on my Mac. I'm running Premiere 13.1.5 on a 2013 Mac Pro trashcan. No differences on the image export, no matter what the video playback resolution is set at.
It sounds strange. It cannot be the case. Playback resolution is completely independent of export quality. Something else must be the problem, but not this one.
Can someone PLEASE help explain why a regular Mac screen shot is resulting in an still image with an increased pixel size that looks visibly better to the eye.
My video footage is 3840x2160. Using the premiere method in this video results in a still image with the same pixel dimensions (3840x2160). BUT if I screen shot the footage on my Mac, I get a still image that has 5120x2880 pixels and a higher DPI. The Mac screen shot simply looks better pixel wise. Why is this? I would SO appreciate insight from anyone.
Sidenote: using this export method with premiere results in better colored image than the Mac screen shot. What is going on! Technology is so detailed and difficult!
Hey I'm a big fan of Raven / Crows too!
Absolutely. Ravens and crows are so incredibly smart. I just read an article about crows being self-aware.
www.popularmechanics.com/science/animals/a34165311/crows-are-self-aware-like-humans
Thank you grandpa 👴👍
You're welcome.
still, my images look bad and not exactly the same as they look on my computer
I'm not sure why, sorry.
My export image quality (from a video) is not same as how it looks when i am editing
Not sure why. Premiere Pro is simply exporting that exact frame and if you use TIFF, it should look the same.
@@VideoRevealed i will give it a shot, thanks for the reply
HOW DO UOU EXPORT MULTIPLE PHOTOS AS 1 VIDEO????? IT KEEPS SAYING MPEG4 after export and trying to play from phone
Not totally sure I understand your question but try this tutorial:
ua-cam.com/video/xgSuy94sgHA/v-deo.html
it works fine until i create proxys, after they are attached, the screen grabs are at proxy quality despite turning off proxys
I've never used the Export Frame with Proxies so I'm guessing it won't work with that.
what if its at the very end of your project. you delete proxy from proxy file, after you've detached proxy. do you think it would work still silly question but wouldn't that be the way around it?
@@raydoee Good Solution!
This is great but when I open the picture is stretched.
This is because your timeline setting likely isn't using square pixels. Check your pixel aspect ratio in your sequence settings.
@@JohnThainTV Thank you.
Oh....no....
?🙄
Man - why do you need 10 minutes to explain such a thing? 1 minutes or two would be enough. Do you expect me to subscribe you? Nope!
Because I'm teaching, not showing you buttons to push.
If you're not interested in learning then feel free to hit the road.