This Is Why So Many People Don't Like Acoustic Guitars.
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- Опубліковано 9 вер 2023
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Growing up on a farm, I used to play my acoustic in an empty grain bin. There’s a truly stunning reverb inside a giant metal cylinder. If you ever get the chance, that’s the spot. ✌️😌🎸
Tipwise, thanks a lot, that does sound like a good spot for music
Nice!!
The lies
I need that Grain Bin reverb pedal JHS
There`s a Civil War memorial thing in Vicksburg, Ms, and there was SO much echo inside the thing that I was afraid it might crack like a wine glass, but it would be awesome to play a campfire show near enough to it to add some of that sound in the background...especially back in my substance use days. Spooky place though because it was a horrific battlefield. All those wasted lives over lies and now few even know what the reality was about that pointless nightmare. But the same situation continues today...poor people caught in the middle of rich men`s bank accounts.
The thing I love about my acoustic is that I can just play and not be constantly obsessed with pedals, effects etc. It's just you and the instrument.
This is me, once I changed from electric to acoustic and sold my amps, pedals and electric guitar I got so much better at music, songwriting and stuff. Stopped geeking out about tones and pedals and started developing an understanding of the instrument.
The MTV unplugged treatments of my fave electric songs was a huge change for me (in particular, Nirvana). And being able play entire songs with just one instrument helped my playing enormously because it made me want to practice. Plus with an acoustic there is NOWHERE to hide your crappy technique. It reveals all.
From my teens, till around 35, i had very bad depression. I spent damn near every moment not working or sleeping, in the woods playing my 12 string. Little did i know, how much better it would make me on electric 6 string later. I experimented constantly with different picks, and finger picking, i got to the point all the things i "wished" i could do on guitar, i actually could do. I still play it because i love the sound of an acoustic 12, but when i got my depression under control, and got my life together, i got the electrics and amps and goodies that go with it, i found that i could rip the shit out of the fretboard on a nice guitar. When i play 12 now, i use the absolutely thinnest paper thin pick, and can strum or pick really hard like i would on an electric, but the thin pick lets it still sound gentle. It really works.
Love the channel, bro👍
Your point on pick thickness is useful, I think. When playing a quick and fairly aggressive rhythm pattern with a thick one on acoustic, I find the pick gradually works it's way out sideways from between my thumb and forefinger. Not so great live when you're the only guitar. I settled for a .60. It stays with me.
Try tuning your guitar to 432 hz it is incredible. Because 432 is the frequency we and the universe vibrate at.
@@pistoltips5270Same with me, I’m using Dunlop 73’s and pretty good handling, control and sound for this longtime beginner
I learned on an old yamaha 12 string with flat frets some how it still played pretty decent but I had the same experience when I finally got a good six string it was almost too easy to play
The problem I have with acoustics is it’s hard to put it down once I pick it up.
Me too😅me playing wonderwall again and again until my mom comes with a knife. 😅
Quote from Al DiMeola: “Playing acoustic separates the men from the boys,”…”You can’t get away with a lot. With electric, there’s the volume and you can get away with being sloppy.”
I agree with DiMeola 100%. Also, I feel that if a guitarist can’t play a song on an acoustic with a simple melody, accompaniment and bass line, then they are missing a big part of the experience, which I think is sad. There is a HUGE difference between being just a guitarist and a musician. Every good guitarist should be able to accompany someone singing and play some kind of organized harmony and melody acoustically and not just leads and root/5th power chords. It will bring you so much more fulfillment and joy in the journey. I know it did for me. Pay your dues on acoustic and it will make your electric playing all that much better. Great for your chops as well because of the higher action. Pretty sure other metal players like Yngwie, Zakk Wylde, Nuno, etc. would agree. Just my $0.02.
Weird I feel completely the opposite. I just don’t understand how to play an electric guitar.
I felt that way for years, I played acoustic for so long that my style and technique just didn't translate to electric. That's changed, but jamming with friends on acoustic will always be fun as hell.
Same
Me too 😂
Why not?
@@SamBrockmann I can’t even find a tone that doesn’t sound horrible. I am used to full chords strong strumming. Nothing ever sounds musical or pleasing for me on electric. It’s all so unfamiliar.
Acoustic and electric are both groovy young man. What I liked about Zeppelin is they had a mixture of both on their records.
As a life long metalhead and bass player I dove into acoustic when covid hit and my business was wrecked. It is by far my favorite instrument to play. Entirely organic, the emotion conveyed is pure. Up there with a piano for natural beauty.
I first picked up acoustic when I went away to college and realized I couldn't have my full electric rigs in my room. what an awesome discovery that was for my playing.
Sometimes restrictions are blessings.
Add the violin and you've got the perfect acoustic trio!
what is this `bass` you speak of- robert baker
Picking closer to the fretboard will add more of a warm tone with a touch of compression. Picking closer to the bridge is more of a treble sound.
I played for a year on acoustic before getting my first electric. A few keys... Starting on acoustic CAN result in your left-hand technique being more heavy-handed than desired on an electric, which can slow down your speed or cause intonation problems. Higher string tension may also make picking techniques more heavy handed than needed / desiredd on electric, requiring some un-learning / re-learning. The combination of differences in string tension and sustain make acoustic and electric almost completely distinct instruments in how you approach them. The NOTES are in the same places but acoustic is a more percussive, rythmic instrument while electric is more general purpose. The thing I like most about acoustic oriented material is it cuts through to the essence of the song and the performer. If a song passes the kitchen table test -- if you can play it on acoustic at the kitchen table with no amps/effects and just your vocal to accompany it and hold your own interest or that of a listener -- you have a good song and you are on your way to being a performer.
Buying a $3400 Martin would be a good step toward liking them.
Acoustic. When the room becomes the effects pedal.
Acoutic guitars have a beautiful sound whether nylon or steel. I have a Martin DM. It always seems to get better. When I play it in the bathroom or corridor outside of my flat the acoustics are so great, the deep qualities of the acoustics are amplified and resonant, in these places I'm immersed in the sound.
My father left me his Gibson Southern Jumbo. It was made back in 1944. When I was a kid. I remember how huge it was when I held it. It still sounds beautiful.
He always brought that guitar camping. He took that guitar down the Colorado River on a raft trip thru Grand Canyon. It's dad's "campfire guitar" and it still gets played everyday.
The finish is heavily checked. The neck has no finish at all. It needs a refret ( I won't do) and the brazilian rosewood fingerboard has heavy wear. The spruce top is cracked the rosewood sides too...the pick guard is lifting and one brace is loose inside...So much of my dad's mojo is there. I will never change a thing on it.
Because of the heavier strings it is super important to get a great set up on an acoustic. Because it takes special tools its best to have an expert do it.
What made me fall in love with acoustics was finding the right body style. For years whenever I picked up a mate's acoustic or at a store it was the standard dreadnought size which I personally always found clunky. It wasn't until I tried a 000 and a parlor that acoustics felt so comfortable, inviting and fun to play. Nowadays I pretty much only play my acoustic.
I was the total opposite where I immediately clicked with acoustic guitar and loooved it, but felt overwhelmed and intimidated by all of the different gear that goes with electric guitars! But, I definitely understand the excitement you had with being able to quickly access so many different tones and sounds!
I've always loved my acoustic. Neil Young, Eagles etc. But I get away from it from time to time. I find myself playing acoustic songs on my electric!!! Just a funny thing. You're the best Robert, keep up the great work!!👍🎸
I have been playing guitar since I was 13 and am now 68. I started with electric but changed to acoustic as I had to travel a lot for my work as a seagoing engineer. I soon realized that bashing chords out on an acoustic guitar was OK, but I wanted to be able to play the tune as well as the chords - that is very difficult to do with a plectrum - so I binned the pick and learned to fingerpick - from simple arpeggio rolls to full on travis picking and THAT made the biggest difference. I see so many players with acoustics and plectrums and they all do the same D chord strum, add the C pedal, change to G chord , back to D - if they are adventurous, they drop the low E to D. I am now retired and in a gigging covers band - I play my Strat the same way I play my acoustic - with fingers and thumb. The nails on the first three fingers are acrylic (the wife's nail tech does them - 10 eur for 3 ) and that gives me three plectrums and the ability to add bass notes and hit chords while I am soloing - it really is a different way of playing. I keep a pick jammed under the pick guard and use it only for pick scrapes and danga-danga Status Quo chug beats.
Watch how some of the great fingerpickers like Tommy Emmanuel, Doyle Dykes and Mark Knopfler play. Bin the pick - give it a try - you might find a new sound.
I like playing acoustic because it reminds me to work on techniques that i forget to work on when im playing my electrics. And when you work on these techniques then carry them over to the electrics it really opens your tool box in awsome ways that you don't expect. Also there is a certain no nonsense back to basics thing. When you keep your basics sharp, your more advanced side will sound more confident and experienced!
My go to is my mid 80s Japanese Aria acoustic dreadnought. The bridge lifted 15 years ago, so I glued it back on & bought a brace to keep pressure off the bridge. Changed / brightened the tone immensely. I use d'addario super light phosphor bronze strings to boost brightness. Rings out like a bell. ❤
Can you show the beginning to Motley raise your hands to rock? Can't seem to find it anywhere. And I suck at trying to figure it out on my own. Thanks.
I started playing on an acoustic guitar when I was 15. I took it to college and instead of studying, I would play my guitar in the stairwell of the dorm room with 9 floors. The reverb was awesome.
This is a nice video. Good info for guitar lovers as well as, it's great to see your excitement of discovering and trying new techniques!
I learned on acoustic and didn’t have an electric for the first 8-9 years. I love electric and finding new tones and the overall playability but there is a sense of “going home” when I play my acoustic. I don’t pick up my electrics to de-stress, I pick up my acoustic. I think it’s a sentimental thing but I also love the simplicity and rawness of wood and strings with no electricity
I started on acoustic so I tend to play my electric with a more acoustic dig to it. I’ve known a few really good electric guitar players who can’t play acoustic very well. I’ve played jazz, classical, hard rock, prog, and an assortment of music. I usually return back to playing acoustic and writing songs with it.
Good points. I’m an electric player but to enjoy the pluck and acoustic now and then. I use and LOVE the Ultex picks. I use the sharp shape. I also prefer thin picks in acoustic for that brighter tone
I used to be primarily an electric player, played almost exclusively on electric for my first 3 years of learning the instrument but a few years back I started listening to and playing a lot more folk and fingerpicking material and getting really into acoustic, which has become my main instrument now.
I think what makes me prefer acoustic is in part the fact that you don't have to worry about all the electronics that come with electrics (I don't have to deal with the classic "where is that noise coming from ???"). Plus I do tend to get too focused on pedals and tone while I'm playing the electric and tbh I've noticed my playing has improved drastically since switching mainly to acoustic (when you can't change your tone you just have to get good ahah).
And acoustic guitars teach you pne very important thing that is also beneficial for electric guitar playing. It's the dynamic. Because you don't have any effects, knobs and controls. So you have to add that dynamic with your strumming or picking, how hard you do it, where you do it. And it's fantastic when you learn it.
I've been playing guitar for over 50 years. I'm a singer songwriter, and I think the acoustic is the essential tool. Over time, you can learn to project all kinds of different feelings very powerfully. Quiet finger picking, melodic strumming, power, anger, love, joy, humor...acoustics can do it all. I have a vintage 6 string dreadnaught, an all mahogany 000, a jumbo 12 string, a nylon string...along with a good assortment of electrics. Because, yes...pedals and amps are fun! One note... a few years ago I discovered Dava picks, which have a rubber coating on the grippy part, and very controllable stiffness. I now use them on ALL my guitars. You should give them a try!
I had access to an acoustic for many years, and while I enjoyed picking simple stuff on it (I played other instruments) I never really learned to play it. Eventually I tried an electric guitar, and that really caught my attention. I remember playing the beginning of Summer of '69 with a grin on my face because (to me) it sounded like the recording (it didn't lol). I took a pretty deep dive, and it has been very rewarding. Jamming, writing, lessons, etc. I started taking down some of my favorite solos and playing things that I had thought were beyond me. Eventually I brought the acoustic back out, and slowly fell in love with it. Some time and a lot of money later, I find I play acoustic most of the time. The good ones have such an organic, complex sound that I can play individual notes or exercises and find joy in the tone. It helps that I listen to a lot of bluegrass, folk, and country music lol. Playing acoustic has pushed my writing, and pushed me to work on my voice. It has also taught me a lot more about how to work different tones out of a guitar, since the primary way to get new tones is through your technique. I still play my electrics quite a bit, and enjoy them. I've noticed that my tastes have more towards low gain and clean tones, but that can vary day to day.
So much truth to this. I've tried the acoustic in every room in the house and found my foyer is quite pleasant. Different picks will also produce so many different tones, it's so awesome.
You are an incredible guitarist. Love your ideas on the acoustic. As I get older, I appreciate the acoustic guitar more than ever now!!
I use my little Gretch Jim Dandy I acquired way before the pandemic. It helps with my strumming and chord changes for sure. I've been learning "Call me a Dog" on it. Great song, but it has a lot of chird changes to help me keep them in practice in a fun way.
I learned how to play on an acoustic when I was 8 years old. I love both electric and acoustics. My favorite right now is my 1922 Gibson L3 archtop. What a sound.
1. All of the chord strumming was done at one spot on the guitar. Move up the neck to get a rounder sound. Move down go get a clicky brittle sound. When playing one sound, you can change the sound of your solos by using different locations.
2. Artificial harmonics. I was just listening an acoustic “Wild Horses” by The Rolling Stones where they use harmonics on the acoustic guitar. You can also play an entire melody using all artificial harmonics. With your fingers holding down a string, look 12 frets up to find the fret where you can play an artificial harmonic. I hold the pick between my thumb and third finger, then touch the fretted string 12 frets up with my index finger lightly to play an artificial harmonic. I can play the melody to “Edelweiss” from the Sound of Music in G with all artificial harmonics.
3. Your acoustic guitar can act as a drum. My friend does this very effectively. He always has fingerpicks on, and he can lightly click the fingerpicks on the guitar to make a high-pitched clicking drum sound. He will strum and click to get a really unique accompaniment sound. He does this frequently, with no damage so far.
I use plastic spoon picks.
Cut the handle off a plastic spoon ' heat and bend the tip flat. My thumb fits into the dished out part of the spoon making it nearly impossible to slip or drop and I can frame away on my ukulele that I have strung up with bass strings.
Been thinking about making one out of a metal spoon.
You really love them when you lose power for a while during a storm. it's amazing the difference the pick makes. years ago on my electrics I was using thin brass picks.
I use the same picks for electric and acoustic
Works for me.
I vary how hard or soft I pick, the angle I pick, and my grip
I find light & medium picks too flappy
With a heavy pick I have more control
I snagged one of those Dunlop pick variety packs just a couple of months ago. The gray, textured .88 mm pick you used in the video has become my favorite pick for playing my Strat. Changing up picks, depending on which guitar I'm playing (and what string guages they have), has made my life a lot easier and my sound a lot better.
I hear you and agree 100% although I’ve been happy with Dunlop 73’s. I’ll have to try the 88’s.
The Dunlop Nylons are the best picks ever. Tried everything from Acetate to Ziricote wood picks and I always return to the Dunlop. Mostly the .88, too. But the .80 is good,too and even the .23 is amazing on an airy 12 string rhythm.
You should look in to the Yamaha transacoustics they have built in reverb and chorus. Killer acoustic I’ve had a few and ever since I’ve gotten that one it’s been my go to acoustic, I’ve barely played the others for almost 3 years.
I love your show ! I always find that your topics are on que with my thinking but never sure if i am right , but you make it right.
Thx
I started my first 2-3 years on acoustic before I touched an electric guitar and I'm happy I did, because my hands and fingers were in good shape. It seemed so easy to play barre chords and stretching strings was a breeze. I still play an acoustic probably 90% of the time cuz its easy, just grab it and play, no warming up tube amps, plugging in, etc. etc. Acoustics rule!
I took one of my dreadnoughts and set it up to match my strat - and then put ball-end classical strings on it - it plays like a dream - and having that big resonant body with nylon strings gives a beautiful soft tone. It's my go-to guitar nowdays and I play mainly blues and jazz on it - with a small side of old pop music and country! As for the picks though - I either use a .38 Jim Dunlop for strumming - and my own handmade wooden picks for soloing; they don't have that plastic click you get from a synthetic plectrum!
Your timing on this is perfect. I've always had a couple of acoustics and played them occasionally but lately they've really become my "go to" for just casual pick-it-up and play. No fiddling around with other stuff....amps, pedals etc (which I love doing) but it's so easy to just pick it up and play and try some new things. Downside is it really has me GASsing for a 12 string acoustic!
I get the meaning of the video - but for me, as an electric guitar player, I was also a singer/songwriter touring in an acoustic duo. I put together a pedalboard to allow me to mesh my electric guitar style and acoustic rhythm. Using a TC Electronic Nova system for my effect and compression, and adding a Boss overdrive pedal, but with a volume pedal to control the ever present feedback. (Plus adding a TC vocal looper, but on my acoustic). Having the Boss OD and using the volume pedal allowed me to solo with the sustain I needed to be melodic. It worked for me for over a decade of touring. Even though I still consider myself an electric player, that pedalboard allowed me to do both with great success. I dunno. That’s my 2¢
I easily recommend giving a listen to the Alan Parsons Project album *Ammonia Avenue* for some first-rate examples of electric and acoustic guitars being used to play the same arpeggiated rhythm parts. In a couple of those instances, it’s difficult to tell which is which. That album was definitely an inspiration and a guide for me on a few of my solo cuts.
I started on acoustic and really enjoyed playing it but got more into electric and it is a totally different playing experience. Then I hurt my elbow on my strumming arm and the thick body of an acoustic was just painful to play. If I stayed away from the acoustic it would get better but as soon as I picked it up, the pain quickly returned. Finally played just teles and strats for about 6 months and cut back quite a bit and let the injury heal and looked for a thin body acoustic that didn't sound terrible unplugged. Found the Ibanez talman acoustic and it is the most comfortable acoustic I've ever played. Still a little thin sounding unplugged but through an amp it is great.
Great - and HD-28Vs (may be the new HD-28 which is the same) are terrific guitars.
Now you just need to pour some soul into it.
And btw. which strings are these. . .
I'm in ❤..just got a Yamaha FSC Trans Acoustic built in reverb & chorus & already had to replace the batteries ..it's a beautiful guitar got it in the sexy Tobacco Sunburst...you don't have to look for the perfect room just turn on reverb...✌🏽♥️🎸
I use to be a shredder in my years of electric,but now I'm really into acoustics ,the trick that's hard is finger style,bass and melody,is awesome,and takes time to perfect. It's a different world.
I love my Takamine. It's just raw beautiful sound. When I'm not in the mood to plug everything in.
i only seem to have interest in my acoustic. I bought a pickup for it a fishman the cheaper humbucker sounds pretty amazing through a reg amp gain low and volume mid with some effects delay , phaser , flanger and sometimes reverb , limit the wet , very prog rock like but at a volume equal with the guitar fairly low for a home setup its quite nice.
I started my guitar journey on a classical guitar. Man I hated that thing but it gave me strength and dexterity. When I got my first electric guitar I was never going back until I played an Ovation. The radius neck, the string tension all felt good almost like an electric. Pick choices for me are Ultex, and Tortex.
I did the same thing with that Dunlop sample and settled on a Nylon 88 as my go-to for acoustic
Guitar pick variety pack - so fun! I got a Dunlop pack and found that a few of the picks actually sound better than others of the same shape and thickness. I asked my teacher about and he showed me a handful of brown slightly translucent picks of various styles - a couple of those also clearly sounded better.
I started playing acoustic when I was 11. My senior year of high school I had sold off my electric guitars and just had a Yamaha 6 string and Ovation 12 string acoustic. I played acoustic exclusively for the next four years. I grew more as a player and songwriter than ever before. Just stripping down to basics helped me a lot. Not to mention my hands got really strong playing 12 string all the time.
I came from electric to acoustic like you. What I learned is that the variations that pedals and effects give you on electric is the equivalent of what you've discovered on acoustic: different picks, different strings, different gauges (will create different tension on the top which will affect tone), where you strum in relation to the bridge and soundhole, both your left and right hand techniques, etc. You can get a myriad of different sounds out of the same acoustic by varying any one (or multiple) of those things. And then let's not even venture into the whole different body sizes, bracing types, tonewoods, etc. It's a deep, dark, and expensive rabbit hole lol
the first time when i was a teen moving out young on my own, was oginally when i was playing my acoustic and for first time the rooms were fully empty, and man the reverb,, it got me that stength to get to my next step in life at the time.
I love playing in a buildings stairwell the acoustics are amazing! Full sounds and echo
I really like picks between 1.0-2.0 on acoustics if they’re beveled. Not as much of the swishy flicky noise as thinner picks, not as much outer string emphasis as non-beveled picks.
Dunlop Primetone picks are great on the cheaper end of beveled picks, and so are Wegen for a little more. Blue Chip makes great picks too, but are a bit pricey as far as picks go.
My father played acoustic when I was a child it rang thru the halls and nowadays it’s my favorite sound. He bought me a Martin D16 before he passed. I love it RiP dad
😢
I have used Fender mediums on all of my guitars...Telecasters, Les Pauls, and my Gibson Southern Jumbo. but when I got an Epi Hummingbird 12 string it just didn't resonate or have the 12 string jangle...but all I needed to do was go to lighter picks. never never considered the pick as a tool that affects the sound.
I have been thinking playing guitar for over 11 years and I can play all three types of guitar, electric acoustic, and classical. I started on acoustic but quickly learned that there is immense value in learning electric and classical too. To play classical you learn to read music which is a useful skill for music outside of guitar. But it’s important to recognize that these instruments are unique in their own way, in which there really is no better or worse.
Try playing in an old aluminum shower shell! We all three one guitar and crammed in and did a practice vocal on a Crosby, Stills and nash song. Great reverb. Funny thinking back at that.
I have both, but I'm far more drawn to my acoustic guitars. My favorite is my Martin D-X2E. Has a great acoustic sound, but I can also plug it in to an amp. I've used reverb and delay pedals with it too on occasion to get that great slapback sound that I love for rockabilly.
Just picked (lol) up a red Jazz III, a Dunlop 1.0 stubby and a dunlop prime grip .96
I normally use the side of the pick and not the pointy bit. The Jazz is even darker when you do that.
Great perspective. I’m writing to counter those comments that have said you need a Martin HD-28 to enjoy an acoustic. Yes, those are great. Yet … there are so many amazing guitars from other manufacturers to choose for a fraction the cost. Check out Fender, Alvarez, Eastman, as well as the budget minded Martins and Taylors. A fantastic deal may be found in the Inspired by Gibson line from Epiphone (owned by Gibson). But … for whatever acoustic you acquire, find a luthier to set up your action to your liking and change the nut and saddle to bone or Tusq if it only comes with plastic ones.
My highest hang up with acoustics was how much more challenging they are to me. Large and/or wider bodies, large necks, much higher action, considerably heavier strings. I have an acoustisonic now and love playing it acoustically instead of plugged in. It’s not as loud, but it’s comfortable to play for me.
Try Fender large thin triangle picks - they are surprisingly versatile for both electric and acoustic. Sweeps, delicate strumming, and reach picking are all easier due to the shape and size. And you can bend them as you hold them to increase their stiffness when you want to chug out some power chords. That Martin in that bright room is sounding really sweet.
I used to use ONLY those! I loved 'em.
The only thing was that they would sometimes spin around in my hand when I got sweaty. I also kept dropping them, but I think that was because I held it too tight, lol.
Nowadays I use a 5hin, red Delrin pick (" Fred Kelly"), and found it to be more versatile than anything else. It also has texture for better grip, but now I hold it extremely loose!
I use them for bass, too. The older I get the less dexterity=y I have holding small things like pics or using those my mobile phone to text.
Great video. And there are some songs that can only be played with an acoustic guitar. Songs like Love of my life and More Than Words.
Dunlop Flow of different thicknesses have different effects.
I use the back side opposite the point.
Mellow
I use the nylon .73 and the heavier one I think .82? Pics. I ran out, can’t find it right now and the capo I use a shub. That’s the name of it. Keep jamin’ on.👍
Those chords reminded me of Triumph. There's a cool future video there....Triumph inverted chords and voicings.
So glad you did this video. Thanks Robert!👍🤘
I love my Taylor guitar and my Fender. Both have their times, I also have a fretless that is so much fun with an ebow.
I find that I tend to write most of my original material on an acoustic for some reason. I think I find the sound of it inspiring.
Have you tried a Yamaha Transacoustic (LL-TA, LS-TA)?
Hey Robert! Great video, just here to ask though when are going to be the winners for the Epiphone Explorer going to be drawn out?
I was given a Yamaha acoustic and I played it my first 2 YEARS before I got an electric! I was playing electric songs, learning scales and now and then I'd play someone's electric. By the time I got an electric I didn't know about muting because it wasn't necessary (as much) and it was sort of like going from a manual typewriter to a computer keyboard. Sooo much easier to finger stuff (right out of tune 🤣 ) and my fingers were super strong. I like both but, I just own 1 and it's electric!
Definitely different instruments.
I mainly play acoustic and generally use a 73mm pick made of Tortex/Delrin. Sometimes as thin as 60mm.
I hit the strings differently too, because its you the player, that creates the volume or the light & shade.
Good video, very nice acoustic guitar of course, I use a 12 fret acoustic vs the standard 14 frets at the body and just regular herco flex 50 picks but usually just fingers
I got a few different picks I'll use of different thickness and materials. Yes! It makes a big difference.
I also play acustic and electric and throws me off a bit when i switch. I got an Epi 335 and I do like full chords on it :)
Another great video Robert. As someone who plays and teaches a lot of acoustic I am really fussy about picks. My go-to is a Dunlop nylon .73 but I just had my acoustic plekked and it now sounds better with a .67. That's .06 different (you need to get these online) but even that can make a difference. I love the slap from a nylon pick as that percussive edge is what gives you more cut. Just a mixed pack of nylon picks (from paper thin to 1mm) Can give you some interesting tones.
I use Jimmy .73s too. A little heavy for me but the .60 is too light. A .67 would be perfect, right in the middle, just like The Dude.
Where do you get them?
Awe man, so late to the acoustic party, but better late than never. The funnest part is that you have to squeeze every ounce of sound from the acoustic with your hands and technique. Plus, tons and. tons of open and alternate tunings. Plus, you have to create all kinds of different voicings . What is more pure than your hand, strings, and some wood? I love my electrics too, but it all must start on acoustic. Great vid my man.
I started on a horrible acoustic, and that impression lasted with me for years after I got into electric. Now I own 3 acoustic guitars, and my main guitar I play is a Seagull 12 string. I enjoy it because the acoustic guitar is a very dynamic instrument. Learning songs and performing in a duo situation really lets you explore the dynamics of the acoustic. I am mainly a rock player, so I tend to bash things out most of the time. But when you add those dynamics into your playing it really adds to the performance. I have several electric guitars as well, but every time I go to play, I find myself grabbing an acoustic first. Playing in an are where you get naturally occurring reverb or echo is great, but when when you don’t have that, the Tonewood amp can be lots of fun as well.
I have 7 acoustic guitars, in addition to 30 electrics and 3 bass. On a nice sunny afternoon I'll go to a local small park, we have 5-6 dotted along the NYS Barge canal in my area. I'll just sit on a picnic table and play acoustic, maybe sing a bit for practice. Almost always I get a small audience. LOL I've even had people grab the case that I tucked under the end, open it and put $$ in it!! The first time that happened I thought they were taking the case! Glad I'm the calm type and just waited to see what happened. Now I just leave it out and closed, some folks still open and deposit $$ though. LOL It's fun and makes people happy, that's the important thing. I get people to sing along, that makes me happy. 8) Peace --gary
The little wooden room at Guitar Center makes just about every guitar sound awesome. The room changes the entire experience.
Also, yes...PICKS MATTER! I've found that Ultex pics are the brightest; Tortex the darkest. Tortex are great for high-gain heavy distortion...while Ultex (and even Nylon) are best on acoustic and clean electric. And yes...strumming sounds (and feels) like trash when using a darker-sounding (Tortex) or thick pick (.8mm++) on an acoustic. Too thin of a pick will give a very scratchy sound with just about all transients and no body. Thanks for the video; many others have mentioned that the pick changes the sound...but I've not seen anyone demonstrate it the way you have.
If you use a thinner pick, especially for strumming, you get kind of compression effect, which can come in very handy in various situations.
True, I love the orange Tortex .60 for acoustic strumming, I have blue chips, and others, but if you wanna strum like your a 90’s rock star you gotta have .60-.71
@@dividedbytimestudios I call anything thicker than 1mm an "icepick" because they have all the flexibility of one and the sound is cold, as far as acoustics go.
@@TribalGuitars you lost me? You said over 1.0 mm has flexibility?
@@TribalGuitars if you can play soft and precise 1.00 mm is cool, but if you get into the performance and get little aggressive that thick pick acts like a hammer 🔨 and you get a lot of cling and clatter
Thks Robert! Going to dust off my acoustic right now. Any recommendations on fun songs to learn/ play on acoustic?
Hotel California by the Eagles, My Sweet lord by George Harrison and Wish you were Here by Pink Floyd to me are all loads of fun to play.
I have a love affair with acoustics.... A fun variation is the Yamaha FG TA or LL TA onboard effects reverb and chorus so you don't need to to hunt the perfect acoustics location.... Great fun and great guitar to play.. You can plug into an amp if you want but for my home use I don't need to.
I have used max grip .60's on my electrics forever and used to prefer a thicker pick for acoustic, but more recently I've just been using the .60 for both
I love hearing how different the acoustic makes you play. You can tell the lighter touch on electric with your creating hand needs to be stiffened up, so you don’t accidentally mute notes. Electric - you want to control the quiet. Acoustic, you want to share the ring of the string.
Ah, man! I needed this! My acoustic has been just sitting around and not getting played for all the reasons mentioned here....going to get it and sit out on the back porch now...Thanks, Robert!
I've used Blue Chip (TD 60) for years and I've only had 3. One I lost. It's perfect for everything, strumming and picking, the tone is great to me. I also like the Prime Tone picks and I think those are Dunlop, but don't recall. They sound good tho. Blue Chip is expensive, but they don't wear like normal picks.
My go to picks for acoustic and electric are Dunlop Jazz III, either their Primetone or Ultex/Eric Johnson ones. To my ears they sound better than regular Jazz III's. More volume, more tone.
I had the opposite experience. Immediately felt at home on acoustic. Took forever to enjoy electric but now has become my primary.
Bluechip picks. Thick and hand beveled. Such a clean and loud tone. You won’t be disappointed once you spend the money.
martins typically come with high action to project better. i don't understand why that is so but it is. i had my lowered and immediately noticed the difference but it play so much better imo. after a bit my ears are not comparing to the old set up and now it's the best of both worlds