Another thing you could try is to make a recording of your drawings, but then only script/edit them or turn one into a video when the mood strikes you. That way, there is no pressure to put down the pen to start editing the video, but if you are wanting a change you have the footage to work with if you want to switch to scripting or editing. Additionally, you would then have archival footage, which could be fun to look at when you are 80.
On the paper I like that idea, but it wouldn't really work for me. First reason is that footage is really space-heavy (about 10 Go for an hour with both cameras) and hard drives are expensive. In most cases I don't think I'll ever need the original footage ever again so I don't see the point. The second reason is that drawing reflects my feelings and thoughts at a given time, and scripting once I'm done drawing makes more sense so I can keep the same feeling. I do have some drawing footage for later though, as not every art feels that 'special' to me
@@D3troisVarietyChannel That makes sense. I hadn't considered the storage requirements for so much footage. It also makes sense that the narration is more potent when created just after the experience of the drawing. I can imagine the setup being onerous to deal with every time you feel like drawing. I like that you are focusing on doing what keeps you motivated to work on your art. Now kowtowing to the needs of an arbitrary algorithm is a noble moral stance, I think.
Another thing you could try is to make a recording of your drawings, but then only script/edit them or turn one into a video when the mood strikes you. That way, there is no pressure to put down the pen to start editing the video, but if you are wanting a change you have the footage to work with if you want to switch to scripting or editing. Additionally, you would then have archival footage, which could be fun to look at when you are 80.
On the paper I like that idea, but it wouldn't really work for me. First reason is that footage is really space-heavy (about 10 Go for an hour with both cameras) and hard drives are expensive. In most cases I don't think I'll ever need the original footage ever again so I don't see the point.
The second reason is that drawing reflects my feelings and thoughts at a given time, and scripting once I'm done drawing makes more sense so I can keep the same feeling.
I do have some drawing footage for later though, as not every art feels that 'special' to me
@@D3troisVarietyChannel That makes sense. I hadn't considered the storage requirements for so much footage. It also makes sense that the narration is more potent when created just after the experience of the drawing. I can imagine the setup being onerous to deal with every time you feel like drawing.
I like that you are focusing on doing what keeps you motivated to work on your art. Now kowtowing to the needs of an arbitrary algorithm is a noble moral stance, I think.