Yes, the minor 6 shows up in Miles solos all the time. The first chord or "Summertime" includes a minor 6th and once you hear it with you can never live without it
@@brunoespinola7 I've read a lot of Bio's and Autobiographies and almost to a T these guys got where they were by Playing! With people who were better than themselves. Jackie Mclean says "You can't practice Jazz!" Practicing is what classically trained musicians do, because they never leave the practice room, and very rarely play out in public. So their answer to every problem is More Practice. Start a weekly Jam session. Pretty soon you'll start to attract some good players and when you do, get em to show you some things. My middle name could be "40 Years in the Woodshed" and you may reply "Well you don't have talent!" Everyone I play with insists I do. I think the formula is out of whack! I've spent too many years learning my chords and scales and tunes in 28 keys, learning solos. You learn a language by speaking with other native speakers, not by spelling or grammar or anything else. Those things are just easiest to Teach!
Excellent transcription, Joe. Biggest challenge with Lee from my perspective, is capturing his “time” that’s “out of time”. Fluid hard bop phrasing and control of feel and vibe is one of his hallmarks…
Assuming it won't be too long until computers analyzing these solos will be able to show a "nudge" arrow to before or after the beat (and maybe a percent of how far off. Once that appears every virtual drum program will be able to duplicate Art Blakey...
Those are accent marks. They indicate which notes get the emphasis and are a way to create rhythm without full rests. The other notes get less emphasis (are quieter).
what key is this supposed to be in; from what I understand this is written in e minor (for trumpets), and when I look it up on google it says it's in g minor (for trumpets), and when I played it in combo we played it in d minor. Is there a key change at the solo section?
Nope. The original key is f minor for all C instruments like piano and for a Bb instrument like the trumpet it's in g minor. So it actually should be two b instead of a sharp
![Wynton Marsalis - All Of Me [Transcription] Trumpet Solo Bb](http://i.ytimg.com/vi/umJB6J87k0A/mqdefault.jpg)
Whatever the key, that minor 6th to start absolutely slays me every time I hear it ❤
Yes, the minor 6 shows up in Miles solos all the time. The first chord or "Summertime" includes a minor 6th and once you hear it with you can never live without it
I wish we lived in a world where Lee Morgan had a 60 year career.
Wow, how does someone come up with so good solos man
Just practicing... a lot! And little bit of talent of course.
@@brunoespinola7 I've read a lot of Bio's and Autobiographies and almost to a T these guys got where they were by Playing! With people who were better than themselves. Jackie Mclean says "You can't practice Jazz!"
Practicing is what classically trained musicians do, because they never leave the practice room, and very rarely play out in public. So their answer to every problem is More Practice. Start a weekly Jam session. Pretty soon you'll start to attract some good players and when you do, get em to show you some things.
My middle name could be "40 Years in the Woodshed" and you may reply "Well you don't have talent!" Everyone I play with insists I do. I think the formula is out of whack! I've spent too many years learning my chords and scales and tunes in 28 keys, learning solos. You learn a language by speaking with other native speakers, not by spelling or grammar or anything else. Those things are just easiest to Teach!
@@brunoespinola7 lmao you got fucking rekt
@@brunoespinola7 and some Alk and some Drugs.....?...😢
Excellent transcription, Joe. Biggest challenge with Lee from my perspective, is capturing his “time” that’s “out of time”.
Fluid hard bop phrasing and control of feel and vibe is one of his hallmarks…
Assuming it won't be too long until computers analyzing these solos will be able to show a "nudge" arrow to before or after the beat (and maybe a percent of how far off. Once that appears every virtual drum program will be able to duplicate Art Blakey...
Thanks for transcribing. I really didn't know how high that first note was until now.
Shit man, me neither. I started the trumpet 3 months ago, I love it and I love Lee Morgan but damn this looks unreachable even in 10 years from now.
Double E
Best channel on UA-cam right here
最もかっこ良くラッパを吹く男。とジャズ批評という雑誌に書いてありましたが、納得です。かっこいい！
Amazing job! was looking for this for a long time. Could you share the pdf?? would be great!
Wait, isn't the Chord Progression of the Solo Section is
| Fmin Ab7(9) | G7 C7 | ?
Is there a name for the lick (or quote) at 1:52- 1:54?
I think it’s a quote from Clifford brown’s jordu solo
i was wondering too until i realized jordu came out before moanin so it probably is just a quote
Hi this transcription is awesome.could i have a copy/link of this transcription? Thank you in advance
Noob here. What are those > in 1:20?
Those are accent marks. They indicate which notes get the emphasis and are a way to create rhythm without full rests. The other notes get less emphasis (are quieter).
@@connermcdaniel3395 Thanks!
@@connermcdaniel3395not necessarily quieter
👍
what key is this supposed to be in; from what I understand this is written in e minor (for trumpets), and when I look it up on google it says it's in g minor (for trumpets), and when I played it in combo we played it in d minor. Is there a key change at the solo section?
Nope. The original key is f minor for all C instruments like piano and for a Bb instrument like the trumpet it's in g minor. So it actually should be two b instead of a sharp
To add to what Ronan said, Lee Morgan (mostly) uses a G melodic minor scale to improvise, hence the F# in the key signature.
@@SnazzSnzWarsaw key signatures don't work like that....