Bold and the Beautiful - 1995 (S8 E339) FULL EPISODE 2090
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- Опубліковано 24 сер 2024
- Sally hides while Macy tries to convince Anthony to admit to Ivana's murder. Anthony pulls out a gun and shoots at Macy. Sally jumps in front of Macy and takes the bullet herself. Maggie suggests to Dylan they rent a cabin in the mountains and tells him he must tell his girlfriend the truth. Jessica tells Maggie she can't wait for her to meet her boyfriend.
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Episode: 339
Season: 8
Original Air Date: July 27, 1995
#BOLDANDBEAUTIFUL #SEASON8 #ALOOKBACK
Superb acting by Michael and Bobbie👏👏👏
Maggie calling Dylan "baby" can have two meanings. 😆
I thought of the same...bc that's just what she calls her daughter🤭
Since the mom is cooking for the babies...
@@babs4848and baby Dylan has had her spaghetti b4 🤭
Did Eric ever call Brooke that? 🤔😆
@@brendanbressler9807 _We_ certainly did all the time in the comments. 😂 I joked that Beth should've trolled Eric after she found out about him and Brooke by telling him Brooke was actually his daughter. 🤣
It was so considerate of the writers to include the Macy/Anthony and Dylan/Jessica/Maggie storylines in the same episode. That way, when the Macy/Anthony storyline gets too tense, the boredom of the other one calms our heart rate.
Haha! You’re right.
Even in a harrowing, near death experience with a psychopath, Macy looks gorgeous
Especially In that night dress !!
___________ could never
Could you imagine Brooke in this scenario? She'd look like the Crypt Keeper 😱
Macy looks better in a tense near death situation than Brooke looked on her wedding day.
Whoever is responsible for wardrobe clearly loves Macy. She _always_ looks great.
*Macy:* "My mother was hiding in the bathroom while I was trying not to have s ex with Anthony."
*Brooke:* "I can top that. _I_ was hiding in the bathroom while I was trying not to have s ex with Eric."
😂😂😂 Oh we had some fun back then in the comments didn't we?
Anything you can't do, I can't do better! Brooke is such a showoff! 🙄😂
🤣Brooke really will compete on *anything*
😂
Great detail recall. 😂
@@TriniT21she doesn't have to compete in prostitution. She was the first to write the book.
Goes to show that Sally would do whatever it takes to protect Macy
Your so right about that
Sally is the one who encouraged macy to go out with that psycho KNOWING FULL WELL WHAT HE HAD DONE I.e took advantage of her while drunk
Sally is a real good mom and I would’ve done the same for my daughter and son and two beautiful grandchildren I have
@@sunnyt4493that is why Sally went to Macy's apartment. She realized that she was the one who brought Anthony into Macy's life and that because of that, it was Sally's responsibility to get Anthony _out_ of Macy's life. Sally said so herself to Darla before going there.
a good episode i love how Macy refused Anthony even at gun point and how Thorne feels so much inlove with Macy and th connection between them feeling she is in real danger a wonderful love story of pain sacrifce and love also Sally always the rescurer she does save every situation
I'm positive Sally would even take a bullet for Thorne more than his own parents.
The thing is though Thorne's parents would take a bullet for _Ridge_ and Macy is also Sally's firstborn. We need to see how Sally treats _CJ._
They're more into ridge's triangle than Thorne's square
She _is_ taking a bullet for Thorne too. Yes, her objective is saving Macy, but by doing so she _also_ indirectly saves Thorne.
You got that right
Eric wouldn't take a bullet for any of his kids. But he will compete with them, have borderline inappropriate relationships with them (Kristen) or ignore them. That's how good his parenting skills are.
The Macy-Anthony-Sally scene is really well directed. Great acting, dialogues and camera work. And I loved how they connected the dots since the first time Antony met Macy to now. Only wish either Stephanie or Eric were a little involved.
I agree! And this is actually a repetition of that scene - Anthony trying to take ad van tage of Macy in her own bedroom, but being interrupted. It's a nice plot symmetry, as well as being well acted and directed.
@@annieo6527This also aligns well with the night of Ivana’s murder. When he tells Macy how he made Ivana listen to him tell her how he was going to kill her, because he wanted to see her fead, he’s literally doing the same thing to Macy. When he kisses Macy in all the places he killed Ivana, he’s showing her where he’s going to shoot her. It’s that conflation of sex and violence again.
The difference is that this time, the cycle will close the way it should have - with Anthony being stopped and his victim surviving. Anthony may have started the episode by purring “Ready or not, here comes Tony,” but it’s Anthony who doesn’t know what’s coming for him.
@@FayeIL yes, I interpreted this exactly the way you did! He is describing to Macy both his past mu rd er of Ivana, and the mu r d er of Macy that he is in the process of carrying out in the present.
And I think that her realization that _this is what Anthony is doing_ is what makes Macy defy him. He has actually already _told_ her that he is going to k ill her regardless of what she does ("she told me she'd do anything - but she had to die"), and knowing this, she decides that she has nothing to lose, and refuses to get back on the bed with him. And this defiance of Macy's is when Anthony is beginning to lose control of the situation, because it creates a window of opportunity where Sally can step in and save Macy.
They care about only ridge!!
@@annieo6527I loved when Macy refused to get on the bed. She’s either been manipulated by or forced to pretend to be manipulated by Anthony for so long. It was really satisfying seeing her take her power back, so to speak.
For Jessica a romantic dinner is the one her mother will prepare for her and her boyfriend. What a romance!
Shelia isn't the Only one with Her mother in town !!..😂😂
Romantic? Isn't more of a meet the parents kind of dinner?
Can’t wait for this!
@@jgoldfarb3Me too 😂
*Anthony’s Showstopper*
Anthony describing his plot to frame Thorne as, “It was as if I was designing a showstopper gown” (9:30) underscores the performative aspect of this scene. Both Anthony and Macy are artists (fashion designer/singer) putting on a show for each other (Macy pretending to be in love with him and Anthony pretending to still believe her). In this “show” Macy is both the scriptwriter (trying to get Anthony to say the words) and the sound mixer (trying to record those words), while Anthony is like the director, giving her instructions on where to stand/sit/lie, ordering her to open the door so the scene can begin (lights! cameras! action!), and then finally attempting to “s h * * t the ending.” This fits with their different roles as artists: Anthony is responsible for the visual aspects of the show while Macy is responsible for its sonic aspects. And there’s even a sense that they are onstage, with Sally waiting “behind the curtain” and a reference to the original storyteller who brought Macy and Anthony together (Sheila) when Anthony recalls the night they met: “You don’t remember do you? You were too drunk!” This show has always done a good job of weaving art and performance into its storylines, a show within a show, and here they’ve done it once again for Anthony’s “last act.”
I just wrote a similar comment - I _knew_ you would catch the showstopper reference!
Of course, this scene is very much connected to that night that Macy and Anthony first met (and is in fact a mirror scene of it - it's number 2 on my palindrome list from episode 1956), and another thing that reinforces this connection is when Macy _asks for a drink._
Either we are to assume that it is non-alcoholic champagne (which would be a plausible but bo ring low-stakes explanation), or, which is a more interesting interpretation, she is actually asking for _alcohol_ to signal to Anthony that she is throwing caution to the wind and giving in to her "dark side" (also this interpretation works better as a throwback to when they first met and she was too drunk to keep him from taking ad van tage of her, as well as a contrast to their first night as "roommates" in episode 2025 when Anthony offered her a drink and she declined - a contrast also reinforced by the dramatic change in wardrobe for Macy and Anthony here, compared to episode 2025).
But on closer observation, Macy's lips _barely touch_ the champagne glass during their toast - a perfect metaphor for her plans for this evening with Anthony. In order to win this dangerous game, Macy needs to get as close as she can to evil, and appear to embrace it, without actually letting it control her. She must, as the Bib li cal quote says, "be sober, be vigilant" when fighting the devil.
(And, incidentally, when she was battling alcoholism two years ago this was actually referred to on the show as her "fighting the devil", so in a sense, "_she's done this before,_ which is what we are reminded of by the inclusion of champagne in this scene. Anthony knows this too, which frames his willingness to humor her "last request" by letting her lose her battle with alcoholism just before he intends to unalive her as truly diabolical.)
Love this post about the "show within a show" aspects here. Very good analysis. Sally behind the curtain also works because she is "the boss" i.e. the Producer.
Hey Donkeygospel!..long time buddy.. hope you've been keeping well..
I would love to just pick your brain on thoughts about some shows that I find outstanding..you should have a reaction channel show friend.. your gift is amazing.
He’s crazy 😜
@@leonkimathi1985 Hey Leon! So great to see you again my friend. Thanks for the kind words. 🙏 ❤
Can't imagine what kind of a storyline this is where stephanie and eric forrester forget thorne is in jail for a murder he didn't commit and debate every word and look of ridge as he oscillates between his two wives
The Macy/Anthony/Thorne plot has been keeping the show going since Taylor's reveal and Sheila's exit. The Dylan and Jessica plot has always been a snoozefest(it's ALMOST as bad as Liam and Hope but not quite that boring).
This is so true! And after the next few episodes, when this storyline wraps up, it will leave a very noticeable void because it's the _last_ compelling storyline left on the show. We're in for quite a few months of 😴😴🛌before Sheila returns.
@@annieo6527 Ugggggh. Hopefully we get good eye candy with Dylan and Sly at least.
I agree, and when Maggie hooks up with James, it gets even more boring. Hopefully Grant will be showing up soon lol.
I cannot believe how ltd burke can ignore the story Macy and now thorne told him. How sillly can 1 cop be...i think if macy dies or sally. Burke should roast in jail for doing nothing
Especially how committed he was with the Thorne/ Ridge shotying, couldn’t get rid of him!
Macy’s mother will literally take a bullet for her, while poor Thorne can’t even get his to remember he’s suffering in jail.
yes they have treated him so badly like he is not even related to them how could they do that
It was compelling how Anthony kept circling his victim like an animal after its prey. It added to the suspense and drama.
Yes! Great observation
Absolutely! It was chilling because it really felt like he was a pre d a tor and Macy was his prey. Also the way he kept putting his hands around her neck, and the wolf-like way he kissed her.
That's a great observation! Setting a trap for his prey as well.
Yes! So compelling and intense. Not words one would usually use when watching this show.
It's not fair! Sally "gets between" Macy and Anthony and is praised as the greatest mother on earth. Meanwhile everyone crucifies me for "getting between" my daughter and h er husband.
Don't worry, she "got between" Macy and Anthony the other way as well in the past. They are ahead of you by years.
Bonus points for the new ghastly profile pic! 😂😂😂
Were you frying hard on a~cid when that pic was taken? 😂
@@Esi-741 I burst out laughing when I saw it. This ac count is A+ trolling! 🤣
@@jonfoerster I suspect that it is someone we already interact with here that is behind this one! 😂I could be wrong! 😛
I can’t believe my previous comment made it through 😂
Lawd have mercy why are all of the BB law officers so dense and always the last to figure things out🤦🏾♀️😅
😂😂😂
Again... Anthony's final scenes where he completely unravels are wayyyy more potent than the pretty lame way they finally unravelled Sheila (from Lauren's near drowning to James' kidnapping to Lauren taking 5 minutes to tell Eric and steph about Sheila, to Sheila's farewell at the Forresters, to Eric still not believing Sheila was dangerous, it was more comedic than nail biting).
I agree Trish! Even the way its directed and shot (Annie just wrote a great post about the camerawork) makes this scene more harrowing. And the actors are playing it straight for drama and terror, whereas Lauren was walking right up to Sheila and mocking her as if she wasn't holding a 🔫. And like you said the lead up and logistics of Sheila's goodbye party didn't make sense whereas here it does. One big difference: here it's only Sally and Macy and you can believe then how difficult it would be to get the 🔫 away from Anthony whereas that large group in Stephanie's house could've easily taken down Sheila (not to mention the battallion of cops outside!).
LHG was desperate to have everyone believing he's the one that set Sheila off
@@tiroyaonejustinphologolo9763 Eric trying desperately to be relevant in his own storyline. 😂😂
@@NewYorkNick0607 the whole Forrester family (except Eric who still didn't believe Sheila was evil) could have taken down Sheila b4 she even pulled out her piece. She was yapping away at them. And they were just standing there watching her. Even them all accepting her "invitation" and gathering willingly at Steph's home made me not take them or their fear of her seriously.
Absolutely Trish! I think a lot of it is the setting - two capable actors like MS and BE alone in a scene, entirely focused and in agreement about the mood they are creating, are so much more effective than a large uneven group of actors, some of whom not being sure what their role in the scene is, some being Ridge, and others being uncharacteristically passive because the script says so.
I’ve seen this episode several times but i’m still amazed.. such good acting by Michael Sabatino and Bobbie Eakes!!👏🏻👏🏻👏🏻👏🏻. Such intense scenes. I have a book about B&B, and there is a part about the taping of this episode and how the actors who didn’t had to work that day came to see the taping. It was so good. I sure wish i could have seen the taping of these scenes! So interesting. And i woudl have loved to see Darlene Conley in action too😊. I have to add this was definately emmy award material!!!
You are so right. It was intense and held my attention completely. Michael S. Played that role so convincingly.
Yes, they were very intense scenes and very well done, the writing, the direction, the acting, the camera work, all of it!
I am very curious about what it said about the scene in your book! For example, I wonder if Michael Sabatino and Bobbie Eakes did the fight scene themselves or if they had stunt doubles.
@@annieo6527 i’m pretty sure they did all the scenes themselves! And i will see if I can show you the part about this in the book i have😊
@@annieo6527 I always thought it was Macy on that scene that Anthony hits her on the dressing table and I was impressed Bobbie Eakes got to do that, but watching it again, after some fight between the 2 actors, the scene goes to Sally and then show the dressing table scene without seeing their faces, So perhaps those were stunts. I don't know for sure though.
@@marn25 that's what I was wondering too. That part where Anthony throws Macy against the broken mirror which shatters behind her is the one where I thought they might have used stunt doubles.
There is some nice suggestive camerawork in the Macy/Anthony scenes - from the narrowing closeups on their faces as they both talked about discovering each other's secrets (in episode 2089), to Macy ly ing on the bed as Anthony's dark shadow passes over her body, to each of them hiding their wea p on of choice (her tape recorder and his 🔫) on their respective bedside tables. The lighting of Macy and Anthony on the bed is very sharp with extreme contrasts between light and darkness, like stage spotlights, giving the entire scene a surreal feel (because there is _no such light source in the room)._
Also, the view from the bedroom window is identical to the view from Sally's apartment (the El Royale building) - indicating Sally's proximity, and her watching over Macy throughout the scene.
It’s interesting when they use the camera angles to add depth, tone, drama to the scene.
In yesterday’s episode, I enjoyed the bird’s eye view of the cabin living room when the scene opened with Stephanie waiting for Ridge to come in from his hike.
@@z-5reader939 yes, the camerawork was really part of the storytelling back then. I try to watch current episodes and it's just not there anymore.
Yes! Thanks for detailing this. While watching it I was admiring how the camera was telling the story and heightening the tension. As you say, that's one of main things that's lacking from the show today (the "modern" seasons look like they were shot on an iPhone).
Even something like at the 1:00 minute mark where we get Anthony leaning against the door, then we cut to the 🔫 in his hand, then the camera _moves with_ the 🔫 over to the Anthony's hand on the door handle before cutting back to a tighter closeup of Anthony's f a c e. That kind of camera movement is easy to take for granted in these classic episodes but you don't get any of that in the modern episodes. Today they would just do a wide shot of Anthony at the door for his whole scene.
@@NewYorkNick0607 yes, you are right! So much thought went into the camera work in that moment alone, and the entire episode is like this - every camera angle is deliberately chosen to steer our attention in the right direction.
The music cues also reinforce this. There is a very effective moment at 10:44 where the background music changes to a slower pace with repeated bass notes just as Macy asks Anthony "how did you do it?", prompting the most incriminating part of his confession. It's as if the music illustrates Macy's tension as she listens to Anthony's words with bated breath, and once he has confessed, the tense music continues to signal that the point of no return is passed - having given Macy her recording, Anthony will now have no choice but to use the 🔫.
Sally loves Macy More than her own life !!
That is normal, what most mothers will do.
Macy was stupid to entertain a man that took advantage of her! Why would a stranger take a woman ( drunk) home and take advantage of her. That is disgusting and she actually got involved with him!
@@Dana_incyour so right about that
she is a good mother and a fine human being
When Anthony calls Macy “baby” it reminded me of a 1940’s film noir bad guy.
The creepiest part though was the way he called her "good girl" yesterday, as she sat with her eyes closed while he waved the 🔫in front of her...
Very creepy. His acting is very good.
The whole scene was very noir, actually, right down to the lighting.
as much as i like Lt. Burke hes kinda slow and is turning me off (connor has turned me off awhile ago)😒
Right. Smart = Sexy.
Sally taking a bullet for her daughter. I'm surprised it didn't end in a cliffhanger.
If the episode aried on a Friday ??
@@MrCraigblazeThis episode aired on Thursday back in 95
I think it was a pretty big cliffhanger. And the next episode will end on an even bigger one.
Oh No I’m watching to tonight, Sally got shot?
Now THAT'S a cliffhanger! I love how much agency Macy has in this storyline and now that Sally's been shot, the stakes are even higher. This is great, suspenseful and engaging soapy drama. Everything else is just dull, generic and predictable storytelling. It's like watching a completely different show.
Yes, and it is quite satisfying, after watching Anthony control her like a puppet throughout the past two episodes, to see her stand up to him and basically check mate him (even though she knows it will probably cost her her own life). Like I wrote in another post, Macy is doing what she did in episode 1709 when she sang to him that he's "Never gonna get it". Only this time she does it _at g u n point._
I agree this feels like a completely different (and better) show than the other storylines. This feels like a film noir or a Hitchcock thriller.
@@annieo6527absolutely! As I've said before, it's Hitchcockian in tone. Although one could say Anthony's exclamation of "Tony's coming" could be a play on "Here's Johnny" from "The Shining". The storyline appears to intentionally draw on and make reference to a range of horror films and tropes.
@@leviaj1 YES, "here comes Tony" was totally a "here's Johnny" reference! I immediately thought the same.
"Does it frighten you?"
"No - it excites me!"
This is, almost verbatim, the _exact dialogue_ between James and Sheila in the dungeon right before James sleeps with Sheila to convince her of his feelings for her in order to defeat her (episode 2031) - once again showing how these are "mirror storylines", but with a shift in perspective.
We all are shocked about the little concern or involvement Staphnanie has been having in Thorne storyline. We have forgotten she solved the" who killed Ivana" mistery months ago😂.
She did! 😂 And when nobody believed her, she basically went "oh well, never mind me" and exited the storyline.
They gave Dyan the Ridge Forrester Syndrome in this SL. 🤦🏾♀️ Just pick one, Dylan. Just ONE.😂
*Never Gonna Get It*
I wrote in episode 2088 how closely Anthony's soliloquy corresponded to Shakespeare's Othello (Act V, Scene II), with the "Put out the light" references and Anthony reflecting on his own sinister intentions.
This bedroom scene continues where Anthony's soliloquy left off, with Macy as Desdemona in a white nightgown (which is usually what directors make Desdemona wear for this scene because of how it signifies innnocence). From then on, the Macy/Anthony scene follows the outline of the Shakespeare scene - Othello desiring physical intimacy with Desdemona one last time before unaliving her, Desdemona inviting Othello to come to bed, the cat-and-mouse conversation where Othello tries to get Desdemona to admit her be t rayal but she denies it, Desdemona's initial confusion gradually turning into terror at the mention of the handkerchief (Macy's tape recorder) and Othello's accusations that Desdemona loves Cassio instead of him. Desdemona trying to plead with Othello once she realizes what he is about to do, and finally Othello's attempt on her life.
Of course the most obvious parallel is psychological - like Othello, Anthony is a man in love who is nevertheless capable of k i lling the woman he loves if he believes she has been untrue to him. Anthony's motive is clearly not to get away with his previous cr ime, but to punish Macy, regardless of the consequences for himself.
And this scene also shows how the roles of Othello and Desdemona have shifted in this storyline - I described in episode 2008 how Thorne and Ivana reenaced their own version of the same Otello scene, with Thorne as Othello, Ivana as Desdemona, and the purple stationery as the handkerchief.
On the other hand, unlike Othello, Anthony is not a psychologically complex human being, but an archetype - he is in the Othello _position_ but still has the personality of _Iago_ - a character closely related to Mephistopheles in Faust. I described in episode 2088 how Thorne's plea that Macy not "cross the line" can be understood in terms of a "deal with the devil" scenario. Macy mustn't sleep with Anthony because it's the equivalent of "selling her soul". And it is very telling that at that crucial moment when Anthony demands that Macy get back on the bed, she _refuses_ and instead defies him by choosing death. She now _knows_ who she is dealing with and that she can't save herself by agreeing to his terms. But it is actually this refusal that _will_ save her, because when Macy gets away from the bed, she unconsciously places herself within Sally's reach.
There is a very similar instance in Goethe's play Faust, where Mephistopheles offers Gretchen a way to save herself from a death sen tence, and she refuses. Mephistopheles then exclaims that this means that she is do o med, while an off-stage (celestial) voice objects that she is in fact saved (kind of like Anthony sees Macy as lost at the end, but Sally objects).
Like any Mephistophelian villain, Anthony's ultimate goal isn't actually to unalive Macy but to _pos sess_ her. So even though Macy has given up hope and is telling Anthony to unalive her, this act of defiance also takes away Anthony's plot control and deprives him of his ultimate victory. It is clear because when he finally pulls the tr i g g er to end her life, _at her own request,_ his face expresses not triumph but _fu ri ous defeat_ - in that moment Anthony realizes he has lost Macy and that (like Macy sang to him in episode 1709) he's *Never Gonna Get It.*
This is such a perfect, well-constructed, and beautifully analyzed essay that there's nothing left for me to add but bravo! 👏👏👏 I love how you tied together the strands of your previous Othello analysis and the part about Macy saving herself by refusing to get back into bed is a masterstroke. And thanks for reminding me of Macy's "Never Gonna Get It" (which always makes me laugh when I think of her little _woo woo woo woo_ 😁 ).
@@NewYorkNick0607thank you Nick! ♥️😊 That means a lot coming from you (and especially after the effort it took getting this essay past algo).
Another day of a sociopath not seeing themselves as the problem 16:16 17:16 🙄
He talks like he wasn't lurking around, ready to swoop in 17:31 😒
Burke do your JOB ughhhhhhhh
Wow….. those scenes with Anthony Macy and Sally were intense 😮
Nick - Anthony just confirmed your reading from yesterday about him being the artist/director - here he literally compares the unalivement to designing a showstopper gown!
And when he is narrating Ivana's unalivement to Macy, how he told Ivana what was going to happen to her because he wanted to see the fear in her eyes, how she pleaded with him and said she'd do anything, but in the end she had to die, he is simultaneously narrating _Macy's unalivement,_ or rather, how he pictures that it will play out. This link is reinforced when he plays back the part of the recording where he says that he "wanted to see the fear in Ivana's eyes" to Macy, in order to see the fear in _Macy's_ eyes. And Macy _does_ plead with him, obediently playing Ivana's role as assigned to her by Anthony, until she starts "reading ahead" in the script to the part where she dies at the end regardless of what she does, and _rejects the script._ Suddenly, it is Macy giving Anthony stage direction instead, and his last words to her, "Have it your way!", signal that Anthony is no longer in control of the plot - _Macy_ is.
YES! I _just_ wrote a post about that! (I had to try 5 times to get it past the algo 😖)
@@NewYorkNick0607 tell me about it! I am still trying to get my Othello/Faust themed post past algo.
Edit: finally succeeded. I think algo doesn't like the theme of these episodes. This is doing nothing for my spelling and vocabulary. By now, I am _thisclose_ to using the word "unalive" in actual conversation.
I find so often you and Nick will post something and then the show will confirm it days/weeks later. It really shows how observant and "on it" you two are with your analysis. It happens a lot with Trish's posts too.
About the line "have it your way", I like the way he looks at her for a moment I find him "human" . He agrees to not force her to get into the bed.
@@babs4848 yes, it is an interesting line. After spending the entire evening controlling her, he admits defeat by letting her control her final moments. And we see that he actually _doesn't_ enjoy unaliving her, because that means giving up the one thing he wants more than anything.
Don't think this is what Sally had in mind when she used to fantasize about "taking one" from Anthony in the b ed room.
😹😹😹 And from _behind_ too.
This is exactly what happened in 1994. Anthony wanted to get Macy but Sally fell for him instead.
Good one:)
Thornes parents are horrible. The spectras care bout him.... macy risks her live for a killer... its really extreme
you notice that it is not Sally when she is shot, but a stand-in
The tape recorder isn’t even hidden well.Macy isn’t concerned Anthony will see it???She doesn’t know he already knows.
Maggie is unbelievable just going on with Dylan and not telling him she was married and has a daughter lol
I can't wait to look at her face and Dylan's face when Jessica finally saw them 😂😂😂😂😂
RUN DYLAN! MAGGIE IS MAKING YOU SPAGHETTI! (IYKYK) 😉😂
🤣😂🙂😂yes 🏃♂️
@@jgoldfarb3 okay!! 😂😂😂
Maggie and Dylan make me sick 🤢🤢🤢🤢
2 min: Confession first before the sin? Hmmmm lol
Thank you so much for this really great episode and I hope that everyone will have a great and safe weekend too
You too.
You too ❤
@@PeaceLoveHappiness7719 thank you
@@frapi5018 thank you
🙏 have a great weekend 🙂
Can't wait for the next episodes ... Will Macy escape unhurt ?... and will Maggie meet Jessica s boyfriend?
TIME TO BRING ROCCO BACK ON THE SHOW
@Joe-jo3ot Not until 2009 I think??
I’d do the same to protect my daughter!!!!!
Why would they do it in Macy and Thorne's apartment? Is Anthony still living with Connor? Was the champagne alcohol-free?
😄 Listen if you're going to insist on accuracy, logic and consistency, yo u can't be a viewer of this show.
About the champagne, I have a theory about that (see my reply to *Nick's* post)!
Connor who?? He seems to not be missing his roommate...
@@TriniT21 Things Connor is missing: his roommate, a romantic partner, his legal skills, his original character traits, a purpose on the show.
@@NewYorkNick0607 added to the things he's missing : winning a case since Belief
so i see they used a stand in actress for Sally here :)
This prison is like in the WildWest. There the prisoner was also always in the same place as the Sheriff.....and it was also always the same sheriff.....just as in the small town called L.A.
Does Dylan still work at Spectra???How is he getting all this time off???
Thank you. ❤❤❤
Sally the mother ❣
and the hero
Dylan doent even know where Magie lives? And he doesn even know that she has a daughter his age names Jessica? And she wants him to know everything about her?!And she has to fix a special date to tell him? What nonsense is that?
He is in love. The feeling matters, those facts become second. And I am sure he didn't think she is that old to be a mother
Now I've watched 2089 episodes, watching several episodes every day. Bold and the Beautiful - 1995 (S8 E338) FULL EPISODE 2089 These episodes are from 1995. Why do I have to wait for a new episode every day here on UA-cam? Since they are from 1995, I will never finish the entire series as long as I live with only one episode per day.
By march 1 you can spare us from your daily whining. They will be showing 3 episodes a day again! Thank goodness we hopefully won't be reading this copy and paste bs anymore!😂🙈
@@scor66Why don’t you just scroll by ??? You are showing your Character .Mind your business !
@@-Lily7415follow your own advice and mind your own business. And you talking about character must be a joke! Acting like the boards authority. Get over it and get a life!🥱😴🤷♀️
@@scor66 Get help please .
@@scor66 Get help please.
Thorne was lost there for what 6 months now ??
SAAAAALLYYYYYYYYY 😭😭😭😭😭
Anthony is a case of Hell hath no fury like a man scorned!
The last episode of Anthony, the worse character of beautiful. Maybe Only Blake and Ron Deacon were almost like Anthony.
Tomorrow is the last episode of Anthony. And yeah, not too many people on B&B were _that_ evil.
Is worse Sheila or Anthony?
@@marcellovernacci3540 I'd say Anthony is more evil. Sheila is human and it is possible to empathize with her. Anthony is diabolical.
Played by one of the finest actors on B&B ever; Michael Sabatino. I will miss him. That character had so much potential😢
@@scor66 Really. I'll miss MS too.
Ick poo😝 !! I'm so grossed for Macy!! I know what it's like to be kissed by someone who makes my skin absolutely crawl...and that's what I felt watching Anthony put his icky sticky criminal felonious smooches on Macy😝😫🤬
Poor jessica
This reminds me Of Krik Cranston on Santa Barbara and his sick feelings for Eden..
Michael Sabatino and Scott Thompson Baker were so sexy than Ronn Moss,but underrated
Did the cops find slash.... or is he long gone.😝
At this point B&B became boring and silly.
Who is the worse character of bold and the beautiful beetween Anthony Blake Ron Deacon, Bill jr. Clarke Mick Omar Storm from the worse at the best?
Ron
Macy the alcoholic was asking for wine.I know she pretended to drink it ,but why ask for it in the first place?? She could have just asked for water to stall.
I think she did it deliberately to send a message to Anthony that she was letting her guard down and showing her "dark side", encouraging him to do the same. And then, as you say, she didn't actually drink it.
It was also a nice nod to the first time they met, when she couldn't defend herself against Anthony because she was drunk. And now she is deliberately playing that role of the version of Macy that Anthony can easily win over, but it is an act and she is actually _sober_ and on guard against him.
@@annieo6527 Nicely answered, Annie.
@@annieo6527 Very good.I’ll take that explanation :)
Does Thorne always wear sandals or what type of shoes does he and James wear?
Maggie suggests to Dylan a place in the mountains and wants him to come with her.
I would be happy to be in the mountains or anywhere else to be with my wife Barbara.
Maggie says again that she won't share a man with anyone. Well my wives Barbara Crampton and Kathleen Kinmont do share a man - me their Chinese Husband Matthew See.
Maggie says about being lucky. Well it was certainly lucky I got to see my wives Barbara and Kathleen in that scene in Fraternity Vacation and not long after first discovering Barbara in The Bold and the Beautiful.
Matthew See
Barbara Crampton and Kathleen Kinmont's Chinese Husband
Maggie suggests to Dylan a place in the mountains and wants him to come with her.
I would be happy to be in the mountains or anywhere else to be with my wife Barbara.
Maggie says again that she won't share a man with anyone. Well my wives Barbara Crampton and Kathleen Kinmont do share a man - me their Chinese Husband Matthew See.
Maggie says about being lucky. Well it was certainly lucky I got to see my wives Barbara and Kathleen in that scene in Fraternity Vacation and not long after first discovering Barbara in The Bold and the Beautiful.
Matthew See
Barbara Crampton and Kathleen Kinmont's Chinese Husband