There's a Cello patch that uses similar techniques - the comb filter with frequency control turned out to be quite useful as the plucked string oscillator was a bit too specific.
As well as sounding amazing, you have designed a genius GUI in this synth. SO visual. My brain just gets it. Love it. Can't think of a better interface for virtual modular. Have you patched a Krell on this yet ? (I'm sure you have !). Bravo 👏🎶👏
Thank you. I have to admit I had not heard of a Krell patch, but have done quite a few generative patches - certainly something similar should be possible with Hyperion. Check out my latest video on self playing/generative patch design.
![[TAS] SNES Castlevania: Dracula X "best ending" by McBobX in 13:48.34](http://i.ytimg.com/vi/rcPR8p8WJ_I/mqdefault.jpg)
A sound design masterclass ! 👏👏🎶
Excellent video! Learned a few things I would never had thought of!
Love these videos. I learn so much about the synth! Thanks for putting it together!
Amazing patches. The BowedComb is a particularly beautiful patch, and so expressive. Could only watch half, but will watch the 2nd half tomorrow.
There's a Cello patch that uses similar techniques - the comb filter with frequency control turned out to be quite useful as the plucked string oscillator was a bit too specific.
@@HyperionSynth Ha, it was actually the Cello patch I was playing with midi guitar last night. That is an amazing patch.
As well as sounding amazing, you have designed a genius GUI in this synth. SO visual. My brain just gets it. Love it. Can't think of a better interface for virtual modular. Have you patched a Krell on this yet ? (I'm sure you have !). Bravo 👏🎶👏
Thank you. I have to admit I had not heard of a Krell patch, but have done quite a few generative patches - certainly something similar should be possible with Hyperion. Check out my latest video on self playing/generative patch design.