Add a '6251' to the Basic Blues
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- Опубліковано 16 жов 2024
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The only problem with Jack's lessons is that he's so accomplished, you become mesmerized by his playing and forget to pick up your guitar!
Thank you!
Tabs really help your students Jack!
Super important to learn how to add different chords over standard progressions! That opens up both lead and rhythm guitar ideas. Great lesson as always!
Totally agree! Thank you
I’ve spent literally decades following around chord tones and not realising not only that I don’t have to, but I should be outlining other chords! Thanks for your channel.
Eight and a half minutes of brilliance! Thanks Jack. An amazing lesson as always.
Glad you enjoyed it!
Possibly the best guitar teacher I’ve ever seen!
Another great demonstration Jack. 🤘
Thanks again!
Sir..I really love your lessons especially this one cause am tired of 1_4_5 this thing
Thanks Jack. Lessons are always excellent.
Glad you like them!
I think you're the most tasteful guitarists here on UA-cam. Every video is a winner!
Thank you!
Love your style. Love that custom tele. Thanks for demystifying this. Your calm explanation is very nice. Keep these videos coming.
Wonderful lesson. It shows that besides having a great ear and being musical, understanding the harmonic theory is crucial for most players. So many good guitar players could be better if the knew more harmonic theory . Some music academics are excellent at theory yet they lack the musicality. The pros (like Jack Ruck) have both and that's when the plying sticks out. Very few are like Tommy Emmanuel who said he has no theoretical knowledge yet he is "the acoustic CGP" player and can master any style. As a teacher Jack Ruch has such a calm and soothing style. He explains (for me complex) theory in an understandable way. Short, focused and to the point. The music choices are each time tasteful and interesting. Thank you for posting these tutorials. Greetings from Germany
Thank you Chris! That's very nice of you. I'm glad you enjoy the lessons.
Another quality lesson,thanks Jack!! It's going to keep me happy for a few days taking it little by little and goes perfectly with a lesson you did about 10months ago(playing over a 6251 3levels) Been away for a month working and couldn't get on UA-cam!! I've got a whole load of lessons to catch up on,perfect!! Hope you are well,great to be back..love ,peace and happiness to you and your family♥️
Thank you Kevin!
I discovered a book about 30 years ago called Warren Nunes Jazz Guitar--The Blues. If you like the lesson in this video, this book is a must find. Tons of fat sounding chord substitutions. Thanks for posting this lesson!
I'll have to check it out. Thanks!
Plenty of food for thought here! Cheers Jack!!
Thank you!!
Thanks Jack for another great lesson 🙏
Glad you enjoyed it!
Excellent,well played,,,,,,and super fun
you da man jack!!! ❤👏🏽👏🏽👏🏽
Jack as always patiently and definitely informatively provides great insight and challenge to us all to learn and advance on guitar whilst having a blast doing so!! I keep stating this, but all his lessons are well thought out and progressive making Mr. Ruch definitely one of the finest guitar instructors around!! Jim C.
Thank you very much Jim!
Cool.. I’m only an “intermediate “ player..so I’m only picking up some of what you’re layin down.. but it’s opening up some new doors for me..👍🏼.. Thanks man ..!
That's great to hear!
Brilliant lesson again Jack! Love the V to I cadence. They start to appear in loads of places and spice things up when you acknowledge them.
Very true!
Relax Jack is back !!!!! 🥰🙏🎸
Great videos, I've been a blues player for a while now and slowly transitioning into jazz, I just got kinda fed up of the same old I IV V progression alllllllllllllllllllll the damn time
Love your DANO!
Me too!
such a great quality lesson! thank you! :)
Glad you liked it!
In this consideration you can swap your f#7 with c#7 if tou want too. Look at this c#7 will contain a b in the first octave and it is a tonic chord too as your f#
So dope man!
Just great!
Yes, he's a hypnotist. Makes you believe you too can play some of his his clever and beautiful lines. And you can, they are certainly doable by many of us. It just takes a heck of a lot, of a heck of a lot, of a heck of a lot, of repetition and practice. At least that's what kinda works for me. Probably just like it did for him.
Excelent as usal. Thanks Jack!
Thanks again!
When Big Pressure starts digging into the wood - the top comes off!
Good sound Bro🤟🎸
Thanks for listening
silky smooth
nice sound man
Appreciate it!
So a turn around 6 2 5 1 is in realty tonic semi dominant dominant tonic progression and will work with any chords built with the sale function my friend
I like the turnaround and you got some smooth jazz licks for it as well, but it doesn't fit well in a 12 bar. Maybe 16
Like this backing track that uses the same turnaround in 16 bars:
ua-cam.com/video/HAnDQ7zRniw/v-deo.html
What arpeggio did you use from about 0:16 to 0:19? So tasty
All chord movements are in 4ths. Fun way to play (practice) your fourths.
@4:33 I understood you were going to use _only_ the 4 chord tones (of each A7, D7, ...), but then you start @4:44 with what sounds like A# diminished to me: a#, c#, e, g, a#, ...
Sounds nice, but might be a bit confusing for some one expecting an arpeggio of an A7 chord?
Other than that, a valuable lesson!
Jack your jazz blues courses on YT are great, I am checking your TF course Shades of Blues, is this focusing on jazz blues or is there another specific course for jb? many thanks !!
Shades of Blues has a lot of Jazz inspired ideas for sure. And there's a whole segment on jazz blues
Please can you kindly help me with Tritone substitution cause I find it difficult to understand and the chords I can substitute.
Ok man thanks
Just a determination you need
Your key is in a when you play f#7 the chord will contain a b a the upper structure and that will make this f#7 a tonic chord not a dominant
The only chords for dominant must contain a d and g# in the first octave
Most people have to take meds prescribed by a therapist to be as chill as Jack. Well at least I would anyways. 😂
Thanks man!
You dont tell which alterted notes?❤
Great lesson! It’s funny how it seems like you’re not playing that fast, but when I try to learn the licks,the notes go flying by! I think I’ve noticed that in some blues progressions with that 6251 sequence, sometimes the 2 chord will be major, not minor. Any thoughts on why that would be? Great soloing on the outro!
In a 6251 the 2 will almost always be minor, but can sometimes be dominant. That is just because you can turn almost any chord into a dominant chord and find a way to make it work theoretically, especially with the blues. That is another great benefit of studying rhythm guitar: you then have endless melodic ideas you can superimpose over standard progressions.
@@andrefludd thanks for your reply! I think the major 2 chord is more common in ragtime progressions, whereas you’re right that in jazz blues it’s usually minor. Like you said, when major, it functions as a dominant resolving to the 5 chord.
@@jakollee I haven't looked into ragtime at all really. I'll have to check that out. Thanks!
It's really just two different flavors. There's no right or wrong. It's just a matter of taste.
I know exactly what you mean!
7:08
Dang it!
Looks like you’re barely touching the strings and nothing but butter 🧈 lol
Thanks Carl!
Wait a second, are you trying to reach us Jazz!??!🫢😅