My best friend suffers from Alzheimer’s, and a memory she has lost was of meeting Ian Anderson after one of his concerts. She went to Waffle House before going home. And there he sat. She was never shy, so she walked str8 up to him and offered to buy him coffee. He looks up and said “Oh, the hat I kept seeing has followed me here!” And she sat down and they talked. She was wearing a purple sequined hat. Her husband described Ian as a dirty little bald man, that pisses in the sink! Just to get her goat. When she told him that, he says “Well, Lass, he’s not too far wrong” he has an amazing sense of humor. This song was a favorite of hers. She taught both of my children an appreciation for music they still enjoy today. She literally was an encyclopedia of Rock n Roll. She would say things like, when I grow up I wanna be Neil Young’s Guitar, lol. She was a Beatle Baby and George was her favorite. And she got to meet him. I miss my friend. Alzheimer’s is a thief.
Thanks for sharing that. I hope one day not so far off we no longer need fear losing those we care about, or ourselves, to age related dementia. To me it's one of the saddest things in the world, and if I knew, like Robin Williams did, that I was fading away, I wouldn't hesitate to take the best way out like he did before it became too late.
You are right, Alzheimer is a thief, the worst thief because memories is the most precious things we have. But your friend still has you: you are her memory now. And your message is precious.
Jethro Tull is without a doubt the MOST underrated band in rock. They've produced over 20 studio albums spanning 4 decades and filled arenas during their heyday of the 70s. How they are not in the HoF is beyond me.
I think the HOF takes their sweet time because once these legends are gone it’s over. There will be no one left to induct because no one can fill their shoes.
After I've seen this live version, i stopped caring much for the original. The live version is faster and more powerful. Just has more punch and energy.
It lacks the cool piano intro and guitar single note accompaniment before the main riff hits, in the studio recording version. Generally as a rule, I tend to recommend the studio version first then a live recording to follow
True that! Ian Andersson is 100% expression and storytelling. Really a re-incarnation of a medival jester. The other members of the band are top notch musicians. Jethro Tull is absolutely amazing.
Complete entertainer. I’ve seen countless bands over my 60+ years, and Ian is THE man on stage. I can’t think of any that come close. Peter Wolfe is great on stage too, but nowhere near Ian.
@@williamsporing1500 I’ve seen a ton, myself, but none compares to my experience of Jethro Tull - my first concert ever, 1973. I was 8 months-conceived. Born the next month. Oddly, I do get a feeling quite different from other music generally, a kind of cozy feeling. Then again, that may be totally unrelated to my 8-month bellybutton window encounter with Ian and the band. 🤣
@@s0dfish110 I love that whole album. I was introduced to their albums by Columbia House. I absolutely loved the 30+ minute songs like Thick as a Brick.
When you went to a Tull concert you were fully engaged and by the end of the show, you were exhausted. Their show was an onslaught of sounds, feelings, and tempo changes.
You should listen to a couple of songs from a group called "Camel"... I'd say Tull's sound has been imitated, but never at a level that could approach competition!
Martin Barre went for an audition with Tull when he was a kid, got so scared he chickened out, then rang Ian and asked for another go. I think the world is a better place for that second chance.
Ian Anderson, the Mad Minstrel as I like to call him, was and still is an absolute beast on stage. The GOAT of live performance. He gives it all, all the time.
mad minstrel indeed ... ever since thick as a brick i pictured him as a minstrel type he joined a long line of respected performers you should never watch interviewed
The other most memorial thing is that classic stance he was known for when ever he was about to play the flute... standing on his one leg as the pied piper!
I have never found anyone other than Ian Anderson that can pull off all of this live. A lot of artists can get great things in the studio but very few can even come close to Jethro Tull. Huge part of my teen years.
Dear Elizabeth, I can truly appreciate your youthful energy, both in your lovely eyes and in your overall facial expressions! I saw your performance in the competition that you sung in that was played on UA-cam. You are not only beautiful in visage but highly talented in singing. What a lucky man your husband is, to be able to snag a fine young woman as you are!😊
I began my Tull love at 6 with my brother's Thick as a Brick record, paper and all. I'm still a Tull freak decade's later. Guess Skating Away and Velvet Green are my favorites
Fun Fact, it wasn't until his daughter began music classes that Ian began to actually learn music. He wanted to understand what his daughter was talking about, which means he was doing all of this by ear. This is after he had performed with symphonies and had written to truly epic length musical pieces like Passion Play and Thick as a Brick.
Also from an interview, his daughter told him he was playing the flute incorrectly (positioning/etc). If that's incorrect I'd hope to ever be THAT wrong.
I have heard he taught himself the flute as he saw no future as a guitarist with Tull because if the talent in the group. In a very short space of time! Originally a Blues band, the name I believe was finaly chosen by their manager (as they changed names frequently). Manager had interest in agricultural history, name relates to an 18 century English agricultural reformist
Ian saw both Jimi Hendrix and Eric Clapton play and came to the conclusion he'd never be that good on a guitar, and really needed a new "iconic" instrument. The flute was a really good choice. I think he plays oboe as well on Passion Play.
One of the, if not THE, greatest “live” rock & roll showmen (bands) in the history of mankind!!! You cannot imagine the energy in the room, and it never leaves until the concert has been over for 48-72 hours!!!
He is such a great front man.He captures the audience with his facial expressions and the arrangement of instruments and the changes in rithym makes you feel like you are on the train.
my guitar teacher said he witnessed Ian Anderson indeed toss his flute, catch it, and immediately begin playing. I always feel like all he needs is some antlers and fuzzy legs hahaha
Jethro Tull has been my all-time favorite act for decades...seen them live over forty times...in my mind, Ian Anderson is all-around the most talented man of his generation...lyricist, composer, arranger, flautist, guitarist, singer, orator, not to mention his incomparable stage presence.
After I saw them live for the first time I kinda imagined that if a group of medieval musicians just travelled in time and would go to the 70's and enjoy some rocks and then create their own band that's exactly how they would sound like. Even Ian Anderson clothing just reminds me so much of medieval style and the flute style it's just the perfect mix of medieval and 70's rockn roll. They are so passionate and creative and they sound unique. That's what I call originality.
I don't think Ian Anderson thought two seconds about how he sang. He did it from the perspective of a MADMAN!!! MY generation of rock. Soooo many Geniuses!! And I saw as many as I could!!
I've seen them more times than I can count, and was never anything less than ecstatic. Ian has incorporated his aging into his live shows, poking fun at himself and all of us old timers that follow him. He rolled onto the stage in a wheelchair, but is up fluting and singing and jumping around like a playful Goat, and never misses a beat, or his flying flute!
I once sat, with a few friends, at the front for Tull at Hammersmith. When the band came on, a bloke in a long coat who had been sitting at the end of the row got up onto the stage - it was Ian Anderson - and started singing "Songs from the Wood". He had had to sit there for some time listening to our opinions of his work.
I saw Tull in Toronto way back in '93 and Ian did exactly the same thing then, sat back and chilled with the crowd, then strolled onstage and started into 'Songs From The Wood'. Such a great and unexpected opening, and what an amazing show all the way!
At Cornell in 1971 or thereabouts, the band came out carrying a telephone booth (the bottom half was opaque) which they set upright on the stage. They started tuning up, and after a while somebody said "Where's Ian?" After some back-and-forth, the drummer reached into his bass drum and pulled out a telephone, and dialed a number. The phone in the booth rang, and Ian popped up to answer it. :-)
Ian Anderson was self taught on the flute, picking up the instrument for the first time in 1968. He played the instrument incessantly for 2 or 3 years and gained this proficiency. Martin Barre is the lead guitar, and is seriously underrated.
Martin Barre is one of the most dependable solid rock guitarists in the business. He may not be as technically gifted as some but he makes up for that in sheer competence.
Not only have I learned a lot about appreciation of vocals and musicianship for watching your videos, but if I'm ever in a depressed funk or feeling a bit down, your enthusiasm in reacting to music will bring me out of it and have me smiling and laughing g along with you. You are a breath of fresh air and a joy to watch and listen to. Thank you for being you.
One of the best concerts I've ever seen. They had an intermission between 2 very lengthy sets and during that intermission, members of the band brought out traditional instruments and they played acoustic Scottish folk music for about 20 minutes.
This man is a master performer. He engages the audience and entertains all of us. So unique. No group sounded like them. Prepare yourself Elizabeth flute work coming up. And he still is making music. Rock on Ian! It is a joy to watch how excited this video is for you. And the band is super good too. They should be in the Rock and Roll Hall of Fame.
And despite what Elizabeth seems to suggest early on, he took up the flute relatively late- only after he decided he'd never be Clapton or Page on guitar. He also admitted that, in the '90s he realized he was playing wrong, and went back and corrected some of his technical errors in how he played.
I love watching your journey into actual Progressive Rock, to me it's still the best form that Rock ever took.... Rush, Jethro Tull, and this is just the beginning :)
I saw Ian Anderson and Jethro Tull in the early 90s in NYC, Madison Square Garden. The concert lasted at least 4 hours. At the time, he owned several salmon farms. He said he didn’t need the money generated from the concerts and he just loved performing for his fans. I was and still am a fan since the release of "This Was."
This was at the end of a long concert, so his voice was naturally going to get a bit edgy by this point. Check out their Isle of Wight performance of "My God" for more flute shenanigans. Also, "Thick As A Brick" (from this concert, I think, I could be wrong) is amazing.
My God at Isle of Wight is my absolute favorite performance by him and the band. Top Ian and Tull imho. Great vocals, flute and acoustic guitar by Ian all in one performance.
My God is a masterpiece and the live performance is awesome. And the difference of lyrics are quite interesting 😉 So glad my dad introduced me to Tull like almost 30 years ago.
I loved your genuine enthusiasm for this one. Ian Anderson is a genius and Jethro Tull an under appreciated pioneer is music. One day you have to do a special long episode of the full album version of 'Thick as a Brick' (Not the 5 minute version which is great too but not nearly as complex, etc. A feast for the ears and the mind.
I've long been a fan of Jethro Tull and Ian Anderson, but watching your two reaction videos of their songs has made me rediscover how extraordinarily skilled and talented of a performer (and musician) Ian Anderson truly is. So many of us have taken it for granted, listening to the amazing studio recordings, that it is all too easy to lose track of what an astonishing front man Ian has been. I cannot think of anyone, of all of the incredible front men and women, that truly could compare to what this man was doing. Thanks for the wonderful insights and your excitement. It is such a pleasure listening and watching along with you. I've gotten to the point where I say, "Oh! She is going to LOVE when they do THIS" right before it happens. :D Best wishes!
Having seen them perform many times in the 80s (this concert was in 1982), I can honestly say Jethro Tull deserved even more recognition than they got, Ian a great story teller, not just a singer, he can play everything as well
Saw Tull in a small theater in Japan in the mid 70s , I was one of only a few English speaking people in the audience, at the end of the show Ian Anderson spoke directly to me sitting in like the second row . One of my best memories of my youth.
Have seen it performed live by him (2003) in an ancient Greek theater (Herodes Atticus Odeon), with extra flute solos, it was magestic. His stamina and improvisations were outwordly. Great job on reaction and analysis as always Elizabeth, thanks.
My favorite Jethro Tull song of them all. You can feel the train coming apart as it races to its own destruction. If you want more flute, you should try "Cross-Eyed Mary". My favorite flute in anything ever.
Saw them in Thousand Oaks Auditorium c. 2000-01 and the band was without question the tightest I have ever witnessed. The thing that mesmerized me from the first song was how well Ian played the acoustic guitar. Don't remember him plucking a string with his fingers once (although I'm sure he must have) but just like the Chuck Berry song strummed that guitar like he was ringing a bell. The bass player played a Bach Fugue that reached to the stars and then introduced a classic, Martin Barre was his inimitable self and the drummer was like a machine designed by Da Vinci. Don't even get me started with the keyboard player. They played as one.
Ian Anderson, was the consumate musian, he always choose musians that were as good as he is, and the kind of music that he wanted to create, he is a true genius. He did an interview for guitar magazine, and very intereasting read how he chose his musians he wanted in his band. Elizabeth your analysis was brilliant, thank you!
Thanks for doing this! I love Jethro Tull. This concert is actually in 1982. Looks like the Broadsword and the Beast tour. This song is an encore at their concerts, so the piece shifted from Locomotive Breath to the dramatic theme of a song called Black Sunday which was on the previous album. This sounded great for being at the end of a long concert! I know you prefer live, but I have a feeling you would love Tull's studio work, like Songs From the Wood. If you want though to see Ian and band at their prime live, check out the early to mid 1970s. Cheers!
Always remember: The flute is a heavy, metal instrument. They deserved that win! Jokes aside, J Tull are the band that got me into prog, as well as heavier music, absolutely love them.
they absolutely did. Crest of a Knave is a brilliant album is ways Justice for All simply isnt. If it had been up against Master of Puppets? no question who wins then, but every metalhead musician knew exactly why they won over Metallica
@@zenistfpv Well, I really made that statement as a joke. I think the only problem with AJFA is the usual joke of the missing base. Other than that, flawless album, every bit as good as Crest. And while I like Tull, I think Metallica are more important when it comes to metal. Well, back then at least. So, in reality, I still think Metallica should've won. (Although also in reality, my favorite of the ones nominated was Iggy's album.)
Seeing Tull in person (way back in the day) was one of the most memorable concerts that I have ever been a part of. I have seen many many great bands but for sheer show, no one beats Tull.
It was the golden age of rock music, with so many different styles and personalities, and Jethro Tull with Ian Anderson was definitely one of the most unique bands of the time.
I grew up listening to Jethro Tull. But your appreciation of them helped me to appreciate them and Ian more. I got goosebumps listening to this with you.
I'm soooo thrilled to see you reacting to Jethro Tull. My dad introduced me to them as a teenager, and they've consistently been one of my favorites for the last 25 years. I even introduced my kids to them - they especially enjoyed Cross-Eyed Mary. The flute at the beginning is just really exciting. My dad passed away a few months back, and it just felt really special to see someone hearing them for the first time. I know that feeling, and I'm so thankful that my dad shared his awesome music appreciation with me. This honestly brought tears to my eyes haha... I freaking love this band
Important to know that Ian Anderson is self taught on all of the instruments that he plays. He didn't start the flute till later in life but was playing it on stage in the act a few months after he first picked it up. At that time they were a blues band trying to make it in London. Years later after Ian was already quite famous his daughter was playing flute in the school band. Ian was watching her practice and said she was doing it wrong. Turned out he was doing it wrong. Being Ian Anderson he set out to correct what he was doing incorrectly and thus had to relearn all of his music.
I saw an interview with him where he said something along the lines of, "I was trying to be a rock star with a guitar, heard Jimmy Hendrix, and knew that I could never do that, so I gave that up, went into a music store, saw a flute, and said 'Give me that'." (probably horribly misquoted, but accurate in essence)
@@mckeithenmccormick9642 There was a harmonica between the flute and guitar I believe. He said that the flute sat ignored for awhile till someone told him you blow across the hole, not into the hole.
@@mckeithenmccormick9642 I believe Ian decided he would never be Eric Clapton which prompted him to put the guitar aside for a harmonica. Came across a flute in a pawn shop and took it home. He couldn't get any sound out of it so it sat till someone told him you blow across the hole, not into it. It wasn't very long after he got that first note out of it that he was playing it on stage.
I like you noticed not only energy and movement in Ian's energy but huge passion, flaming look, the fire within - the charisma. When performing, he was like a people's natural-born leader leading masses to barricades in some ancient uprising. Like a fiery force stirring some revolution or like a satyr dancing and galloping in front some some bakchanalia parade in Greek mythology.
I love watching your take but it's just as enjoyable to watch how excited you get. This period of time was amazing the number of talented bands that were out there and the lack of commercialization early on that that is the prime time of music for my life it was just really incredible time so many different sounds so many different ways of putting messages across it was just incredible
Ian Anderson, the lead vocalist and flute-player teached himself playing the flute, creating his own unique playstyle of that instrument. He also plays the role of a medieval harlequinn every time on stage, wearing medieval or hippie-types of costumes and staying on one leg with the other leg angled while playing the flute. A real great performer at any circumstances.
This is the encore song for this concert, in their shows they often do medleys that start as one song inject another and end up with the original song they began with.
It is very amusing to see you discover the fascination of this kind of music. Jethro Tull was a significant part of my musical socialisation. Blues and Rock and Folk. Later on ... I am 57 years old now ... I have discovered Jazz and Classic Music as fascinating as well. The world of music has so many facetes to discover.
Yup, me too, along with bunches of others. I was gifted Stand Up for Christmas, shortly after it was released. Ten years later, browsing through a piano book from my grandmother’s collection, I discovered Bouree - I was quite amazed to learn it was a Bach tune! It’s a gift to be able watch all the live performances now that I’m in my 70s, and wonderful to watch young people discovering them.
Ian Anderson is amazing! He is more of a traveling minstrel lost in time. I've seen them live on their 30th and 50th anniversaries, never wavering, he is a complete showman, funny, talented, saucy and amazing songwriter as well.
In 1972, I was privileged to attend a Tull concert at Madison Square Gardens and was so impressed (understatement) with him and his flute, I returned to my dorm and sketched him in action from my memory of that night. I still have it and am amazed at the pure visual recall... I was very impressionable and it was the only time in my life I have ever done that.
This is why we recommended it so much . We knew you would love hearing those insane flute solos , and its amazing to see you watch this as you truly appreciate all types of music and instruments . And its so interesting to hear you break it down . Always a great watch , thank you for sharing !
This version is a live take from if I were to gues 1982 during the Broadsword and the Beast tour. The ending of the song has the band merging parts of Black Sunday into this version, which is off their A album from 1980. The original Locomotive Breath was from 1971, but this is a much later version of the song.
Eliz...love your "hehe" along with his insane fluting.... his hmmm to the flute stuff is way cool.....i'm convinced that rock peaked in the 70's .....i'm 71 i was there for it all
I sincerely thank you for this. As a teenager, I was born, bred and raised by Jethro Tull. Like your previous Aqualung breakdown (which took me back many decades), I thank your take, on his flute skills. Vocalising INTO the flute has opened my eyes. Thank you.
I think Elizabeth chooses live versions so there will be something to watch, as well as listen to. In nearly every instance, I prefer the studio performances, for their clarity (and sometimes for their brevity).
@@portcullis5622im late to the party but at some shows they did the intro and one time elongated it with Ian playing a bit of a piano duet. Sorry, can’t remember which concert.
I have been to many of their concerts since the early 70s and have ALWAYS been well entertained. Anderson bounces all over the stage and the group zip in and out of very complex rhythms. Always a good ride. There is nothing else like them. Find something to hold on to. Massive entertainment
I saw this tour live back in the day, too!! Crazy performer - he IS his music! I've played the flute for over a half a decade and I can answer part of your question. I was extensively classically trained with my private teacher being the first chair floutist for my city's famous orchestra. I became first chair in my State orchestra for 7 years in individually judged classical competitions. I even got to meet Jean-Pierre Rampal and Pedro Eustache. Here, Ian is "tonguing" so fast, that he's actually NATURALLY using his throat to help him tongue that fast, and hey, your voice accidentally comes out when you do that. You sort of make the "T" sound while bouncing back and forth with your tongue to your upper palette. While doing that, you relax and and open your throat more than you normally would when you want a crisp, clean flute-only sound, then your voice just comes out with it. I can't tell you how many times I accidentally found my voice sneaking through when playing my flute because I was so into the song and was craving to sing with my flute! Ian seems like an old soul when he's performing - from another era as if he were medieval, Celtic, Irish or from the Highlands. He's the best in the world and I think the only one who does it like that.
As far as Ian Anderson's breathing and Flute playing, you definitely need to go back and watch them in 1969 at the Isle of White Festival to see and hear Ian's voice in every note of the flute and on one leg. Amazing sound and visual.
Beyond really good at the flute.... he's the master. No one else compares. So unique. Incorporates playing notes, breathing, and vocal notes all at the same time.
The singer was incredibly fit and was known for standing on one leg whilst playing the flute. What I have learnt from looking at some of your videos, becomes clear, just how physically fit one needs to be to produce a good sound regardless if it has to do with breathing
I saw Jethro Tull during the aqualung tour they were terrific stage wise outstanding music, unforgettable it was beautiful. Back in those days we cared about the music that was our passion, and the artist that performed the passionate music stayed on our radar all the time. Artist today use computers they don’t show talent by playing the instruments and performing lyrics songs that sound just like the album that is lost today I’m glad so many young people are looking back on my generation of music because it was real music not computerized
I just saw the current version of Jethro Tull, last Sunday here at Tampere, Finland. The show was amazing, even though Ian Anderson's singing ability is not to be praised any more. He still pulled off quite a show, not bad at all for a 74 year old suffering from COPD.
Indeed, I saw them a few months ago and it was a great show even when there were technical difficulties he still kept the audience entertained. His voice isn't what it was, for sure, but as a lifelong Tull fan I'm happy to fill in the missing parts.
@@merseyviking Yes, he's still that incredible showman. Flute playing, still brilliant. What I missed, I wished he would have played some acoustic guitar also. Knowing how good he is with that too. I wonder if he has given up on that for some reason? The rest of the band, no complaints there, absolutely well done all the way. Of course I miss Martin Barre on guitar, but must be said that new guy did really well. Also when giving singing backup for Ian. Was a great night of wonderful, rich music.
This is actually a medley with a reprise of another song called Black Sunday. Big shout out to the incredible Martin Barre on guitar, a real team player.
I love watching this with you. Seeing the smile and hearing that giggle is priceless! Even better are your insights and thoughts on these great bands. Back then anybody over 30 said they had no talent. Couldn't sing ect. I always knew they could play and sing but now I KNOW why. Thank you!
How do you acquire the skill and creativity necessary to create a classic song like Locomotive Breath? You train. 😁 Horrible puns aside, it's always a treat to join Elizabeth as she digs into some classic rock, and in this case, some proto-prog. The Aqualung reaction was a breath of fresh air, now all aboard for Locomotive Breath. Also, First?
I love Jethro Tull. Definitely one of a kind. Ian's stage voice is very different than his studio voice. In recording, his voice is much softer. But how he sounds on stage fits the performance. He's a wild man.
If you want to heat Ian’s “beautiful” voice check out The Minstrel in the Gallery (the song) and also Velvet Green or Fire at Midnight from Songs from the Woods album. (That whole album is great.)
Love Songs from the Wood. When I got it as a Christmas gift when I was 16, I was initially disappointed, because it wasn't exactly like Aqualung. But I soon realized Songs is a masterpiece.
Saw them live at the Spectrum in early 70’s (Philly). Halloween. That was the night someone in the crowd thought it would be cool to throw firecrackers at the band. Ian was not pleased, but once that issue was “addressed” he, and the band went on with the show. Ian is one of the greatest musicians I have ever seen live.
11:17 Actually, the funny part is that Ian Anderson didn’t learn flute initially. He picked it up while starting out with Jethro Tull. He picked up a flute and a chord sheet on a tour, and played around with it. You can really tell how well he picked it up. He’s the only reason that after learning to play percussion and drum set, I wanted to learn flute.
9:20 "Folky" You are right, Elizabeth, Jethro Tull is often described as being a folk rock band. I think you may also like the intro on the studio version of this song!
I understand people hearing a Folk Music quality in Jethro Tull, but I don't get that vibe from this song at all. I had learned to play the studio version of this flute solo on guitar and it came out straight hard rock with Jimmy Page phrasing and all.
My favorite story about Tull was that during the peak of their career, they won the Grammy for group of the year/album of the year several years in a row. Cheap Trick, or some other 'radio' band won the Grammy after the run by Tull. When accepting the award, the spokesman for the group said, "We'd like to thank Jethro Tull for not putting out an album this year."
Tull only ever won (or was even nominated for) one Grammy, the 1989 Grammy for Best Heavy Metal album. Nobody (including the band) could figure out why they were even nominated in that category, much less how they won. A few years later Lars Ulrich of Metallica made that comment when they won the category (after losing to Tull in 1989).
@@briansomething5987 Specifically, the 1989 category was Best Hard Rock/Heavy Metal Performance, the first year either of those genres had a Grammy. Metallica was widely expected to win with the ...And Justice For All album. In 1990, they were split, and Metallica won back-to-back-to-back in Best Metal Performance (which IMO, oddly pitted songs against albums sometimes). After their 3rd win, Lars Ulrich jokingly 'thanked' Jethro Tull for not putting out an album (which they actually had...)
My best friend suffers from Alzheimer’s, and a memory she has lost was of meeting Ian Anderson after one of his concerts. She went to Waffle House before going home. And there he sat. She was never shy, so she walked str8 up to him and offered to buy him coffee. He looks up and said “Oh, the hat I kept seeing has followed me here!” And she sat down and they talked. She was wearing a purple sequined hat. Her husband described Ian as a dirty little bald man, that pisses in the sink! Just to get her goat. When she told him that, he says “Well, Lass, he’s not too far wrong” he has an amazing sense of humor. This song was a favorite of hers.
She taught both of my children an appreciation for music they still enjoy today. She literally was an encyclopedia of Rock n Roll. She would say things like, when I grow up I wanna be Neil Young’s Guitar, lol. She was a Beatle Baby and George was her favorite. And she got to meet him. I miss my friend. Alzheimer’s is a thief.
moo Garner 'Alzheimer's is a thief!' Brilliant and so true!
Thanks for sharing that. I hope one day not so far off we no longer need fear losing those we care about, or ourselves, to age related dementia. To me it's one of the saddest things in the world, and if I knew, like Robin Williams did, that I was fading away, I wouldn't hesitate to take the best way out like he did before it became too late.
@@dHolbach77 pray for the cure....or the pill.....i'm 71 please hurry
it will be memorized as a copy pasta...
You are right, Alzheimer is a thief, the worst thief because memories is the most precious things we have.
But your friend still has you: you are her memory now.
And your message is precious.
Jethro Tull is without a doubt the MOST underrated band in rock. They've produced over 20 studio albums spanning 4 decades and filled arenas during their heyday of the 70s. How they are not in the HoF is beyond me.
I think the HOF takes their sweet time because once these legends are gone it’s over. There will be no one left to induct because no one can fill their shoes.
@@thecoinroom3352 nah... they've moved on to rappers and country artists. The odds of an old rock band getting in at this point seems staggering.
Proper bands don't need the "justification" of the HOF.
Not on HoF bcuz they mad when Tull won the Grammy over Metallica! Best moment in rock history EVER!🤣
The obligatory "under rated" comment.
Please listen to the studio version. It’s quite different and even though this performance is amazing the original is a masterpiece ❤
Agreed!
One of my all-time favourites!
For sure
After I've seen this live version, i stopped caring much for the original. The live version is faster and more powerful. Just has more punch and energy.
It lacks the cool piano intro and guitar single note accompaniment before the main riff hits, in the studio recording version. Generally as a rule, I tend to recommend the studio version first then a live recording to follow
Ian is the truest Bard. He pulls you into a story with his singing and music. Jethro Tull is being brought into another reality, totally amazing!
A Bard? That’s exactly what he is. What a storyteller! And singer and performer!
I used this song to inspire my daughter when her school band director recommended she play a flute. She eventually became 1st chair. ❤
Great Story 👍❤️🎶 Greetings from Berlin
I love this!
When I was young, we used to listen to our favorite records. Now we watch a young person listening to our music.
well said!
That way we get to enjoy a new song twice.
So happy to see Elizabeth react to one of the most Iconic voices. So unmistakable. Not many can match Ian Anderson's stage presence.
True that! Ian Andersson is 100% expression and storytelling. Really a re-incarnation of a medival jester. The other members of the band are top notch musicians. Jethro Tull is absolutely amazing.
Complete entertainer. I’ve seen countless bands over my 60+ years, and Ian is THE man on stage. I can’t think of any that come close. Peter Wolfe is great on stage too, but nowhere near Ian.
@@williamsporing1500 I’ve seen a ton, myself, but none compares to my experience of Jethro Tull - my first concert ever, 1973. I was 8 months-conceived. Born the next month.
Oddly, I do get a feeling quite different from other music generally, a kind of cozy feeling. Then again, that may be totally unrelated to my 8-month bellybutton window encounter with Ian and the band. 🤣
The best song on Aqualung.
@@s0dfish110 I love that whole album. I was introduced to their albums by Columbia House. I absolutely loved the 30+ minute songs like Thick as a Brick.
Her genuine geeking-out always brings a smile to me and makes me laugh. No one delves deeper in their analyses... A joy to watch and learn with her.
check out Wings of Pegasus if you want to see some great analysis videos
Completely agree
Agreed. You can literally watch her "be tickled" listening and giggle when it hits her. So genuine and knowledgeable and fun, great spirit!
Ooooooh, I do like to see a plural deployed correctly!
She obviously loves what she does, such a pleasure to see her happy! Makes me happy too!
When you went to a Tull concert you were fully engaged and by the end of the show, you were exhausted. Their show was an onslaught of sounds, feelings, and tempo changes.
Ian Anderson, the mad minstrel. He brought a sound to rock that has never been imitated.
see king crimson, you'll find they use similar theme
You should listen to a couple of songs from a group called "Camel"... I'd say Tull's sound has been imitated, but never at a level that could approach competition!
@@henrypaleveda7760 Not as catchy or have all the well deserved hits.
@@alwilson3204 catchy, I will give you, but the quality of their writing does deserve it.
You are the only musical analyst that I will watch. I'm 68 years old. I was there. You completely get it !!
I’m 71 and I saw Jethro Tull every tour in the early 70’s. Ian is a self taught flutist and honestly a very good guitar player.
Martin Barre went for an audition with Tull when he was a kid, got so scared he chickened out, then rang Ian and asked for another go. I think the world is a better place for that second chance.
Barre is a seriously underrated guitarist
One of the greatest guitar tones ever attained. Crunchier than a Dorito
I love his guitar playing . It is the sound of Jethro Tull
Tony Iommi started as guitarist for Jethro Tull before starting Black Sabbath
Ian Anderson, the Mad Minstrel as I like to call him, was and still is an absolute beast on stage. The GOAT of live performance. He gives it all, all the time.
mad minstrel indeed ... ever since thick as a brick i pictured him as a minstrel type
he joined a long line of respected performers you should never watch interviewed
His whole intention!😊
@@jeffdempsey6478 INDEED!!
@@EvilSean62 Why would that be? There is an interview at the end of the 25th anniversary of the album, and I found it quite entertaining
The other most memorial thing is that classic stance he was known for when ever he was about to play the flute... standing on his one leg as the pied piper!
I have never found anyone other than Ian Anderson that can pull off all of this live. A lot of artists can get great things in the studio but very few can even come close to Jethro Tull. Huge part of my teen years.
Dear Elizabeth,
I can truly appreciate your youthful energy, both in your lovely eyes and in your overall facial expressions! I saw your performance in the competition that you sung in that was played on UA-cam. You are not only beautiful in visage but highly talented in singing. What a lucky man your husband is, to be able to snag a fine young woman as you are!😊
I began my Tull love at 6 with my brother's Thick as a Brick record, paper and all. I'm still a Tull freak decade's later. Guess Skating Away and Velvet Green are my favorites
The Schulman brothers and Kerry Minnear of Gentle Giant .
High school 69-71, lotsa good music.
Fun Fact, it wasn't until his daughter began music classes that Ian began to actually learn music. He wanted to understand what his daughter was talking about, which means he was doing all of this by ear. This is after he had performed with symphonies and had written to truly epic length musical pieces like Passion Play and Thick as a Brick.
Also from an interview, his daughter told him he was playing the flute incorrectly (positioning/etc). If that's incorrect I'd hope to ever be THAT wrong.
"Passion Play" epic!!!
I have heard he taught himself the flute as he saw no future as a guitarist with Tull because if the talent in the group. In a very short space of time!
Originally a Blues band, the name I believe was finaly chosen by their manager (as they changed names frequently). Manager had interest in agricultural history, name relates to an 18 century English agricultural reformist
Ian saw both Jimi Hendrix and Eric Clapton play and came to the conclusion he'd never be that good on a guitar, and really needed a new "iconic" instrument. The flute was a really good choice.
I think he plays oboe as well on Passion Play.
@@alistairmilton6007Jethro Tull is supposed to be the person who
One of the, if not THE, greatest “live” rock & roll showmen (bands) in the history of mankind!!! You cannot imagine the energy in the room, and it never leaves until the concert has been over for 48-72 hours!!!
He is such a great front man.He captures the audience with his facial expressions and the arrangement of instruments and the changes in rithym makes you feel like you are on the train.
my guitar teacher said he witnessed Ian Anderson indeed toss his flute, catch it, and immediately begin playing.
I always feel like all he needs is some antlers and fuzzy legs hahaha
I saw him to that several times.
I saw it live. So badass
I saw it also on a couple of gigs
Jethro Tull has been my all-time favorite act for decades...seen them live over forty times...in my mind, Ian Anderson is all-around the most talented man of his generation...lyricist, composer, arranger, flautist, guitarist, singer, orator, not to mention his incomparable stage presence.
After I saw them live for the first time I kinda imagined that if a group of medieval musicians just travelled in time and would go to the 70's and enjoy some rocks and then create their own band that's exactly how they would sound like. Even Ian Anderson clothing just reminds me so much of medieval style and the flute style it's just the perfect mix of medieval and 70's rockn roll. They are so passionate and creative and they sound unique. That's what I call originality.
Yep, medieval costumes worn, complete with balloon, watermelon looking pants! Modern day traveling minstrels!
It's like when you want to make rock music, but dad tells you to learn something proper, like the flute.
I've seen Tull 23 times and they always deliver.
Have only seem them 10 times . You are a lucky fellow my frins.
Also loving Elizabeth's giggles and glee...what an absolutely amazing and genuine smile!
An extremely attractive person overall😉
I don't think Ian Anderson thought two seconds about how he sang. He did it from the perspective of a MADMAN!!! MY generation of rock. Soooo many Geniuses!! And I saw as many as I could!!
NO RULES! The thinking you need to end up with Punk.
One of the only famous musicians I have ever met... one of the nicest, too. Pretty high energy guy and just does his thing.
@@johndeeregreen4592 very cool. I bet he was interesting.
He doesn't write lyrics, he performs lyrics!
I've seen them more times than I can count, and was never anything less than ecstatic. Ian has incorporated his aging into his live shows, poking fun at himself and all of us old timers that follow him. He rolled onto the stage in a wheelchair, but is up fluting and singing and jumping around like a playful Goat, and never misses a beat, or his flying flute!
I once sat, with a few friends, at the front for Tull at Hammersmith. When the band came on, a bloke in a long coat who had been sitting at the end of the row got up onto the stage - it was Ian Anderson - and started singing "Songs from the Wood". He had had to sit there for some time listening to our opinions of his work.
That is way too cool! And one of my favs by them.
holy hell!
What a great experience, thanks for sharing it.
I saw Tull in Toronto way back in '93 and Ian did exactly the same thing then, sat back and chilled with the crowd, then strolled onstage and started into 'Songs From The Wood'. Such a great and unexpected opening, and what an amazing show all the way!
At Cornell in 1971 or thereabouts, the band came out carrying a telephone booth (the bottom half was opaque) which they set upright on the stage. They started tuning up, and after a while somebody said "Where's Ian?" After some back-and-forth, the drummer reached into his bass drum and pulled out a telephone, and dialed a number. The phone in the booth rang, and Ian popped up to answer it. :-)
Ian Anderson was self taught on the flute, picking up the instrument for the first time in 1968. He played the instrument incessantly for 2 or 3 years and gained this proficiency.
Martin Barre is the lead guitar, and is seriously underrated.
Martin is _amazing_
Martin Barre is one of the most dependable solid rock guitarists in the business. He may not be as technically gifted as some but he makes up for that in sheer competence.
Definitely - a tremendous guitarist. It looks like he's playing a Hamer here.
agree 1000% Very underrated as a guitarist!!!
Barre is fucking incredible
Yeah Ian Anderson is definitely a musical genius. The way he blends folk and pop into rock and roll is insane.
Not only have I learned a lot about appreciation of vocals and musicianship for watching your videos, but if I'm ever in a depressed funk or feeling a bit down, your enthusiasm in reacting to music will bring me out of it and have me smiling and laughing g along with you. You are a breath of fresh air and a joy to watch and listen to. Thank you for being you.
I just love this girls reactions she brightens up my day every time and who could not be amazed by Ian and the Tull every time
One of the best concerts I've ever seen. They had an intermission between 2 very lengthy sets and during that intermission, members of the band brought out traditional instruments and they played acoustic Scottish folk music for about 20 minutes.
It is wonderful that you revisited Jethro Tull, this time with Ian on flute. The look on your face to his flute part was priceless.
I love it when she geeks out like that.
This man is a master performer. He engages the audience and entertains all of us. So unique. No group sounded like them. Prepare yourself Elizabeth flute work coming up. And he still is making music. Rock on Ian! It is a joy to watch how excited this video is for you. And the band is super good too. They should be in the Rock and Roll Hall of Fame.
To be underrated can be a backhanded compliment. The complexity of the music precludes simple popularity. This type of music rewards revisiting.
self-taught on the flute. professional flutists are amazed at his playing
And despite what Elizabeth seems to suggest early on, he took up the flute relatively late- only after he decided he'd never be Clapton or Page on guitar.
He also admitted that, in the '90s he realized he was playing wrong, and went back and corrected some of his technical errors in how he played.
@@BC-ui9yt Yes, after his daughter called him out on his technique.
Or horrified, frequently both🤣🤣
Actually they are not " amazed ".
I love watching your journey into actual Progressive Rock, to me it's still the best form that Rock ever took.... Rush, Jethro Tull, and this is just the beginning :)
I saw Ian Anderson and Jethro Tull in the early 90s in NYC, Madison Square Garden. The concert lasted at least 4 hours. At the time, he owned several salmon farms. He said he didn’t need the money generated from the concerts and he just loved performing for his fans. I was and still am a fan since the release of "This Was."
This was at the end of a long concert, so his voice was naturally going to get a bit edgy by this point.
Check out their Isle of Wight performance of "My God" for more flute shenanigans.
Also, "Thick As A Brick" (from this concert, I think, I could be wrong) is amazing.
My God is a great one to see all of Ian's talents
YES! She really needs to do that version of "My God"
My God at Isle of Wight is my absolute favorite performance by him and the band. Top Ian and Tull imho. Great vocals, flute and acoustic guitar by Ian all in one performance.
My God is a masterpiece and the live performance is awesome. And the difference of lyrics are quite interesting 😉 So glad my dad introduced me to Tull like almost 30 years ago.
It is pretty close to the record though ... no great "wobbly off notes".
tl;dr Ian didnt have "locomotive breath" ...
I loved your genuine enthusiasm for this one. Ian Anderson is a genius and Jethro Tull an under appreciated pioneer is music. One day you have to do a special long episode of the full album version of 'Thick as a Brick' (Not the 5 minute version which is great too but not nearly as complex, etc. A feast for the ears and the mind.
I don't know what was more fun to watch, Tull playing live again or the facial expressions of Ms Zharoff. Wonderful to watch all around.
I've long been a fan of Jethro Tull and Ian Anderson, but watching your two reaction videos of their songs has made me rediscover how extraordinarily skilled and talented of a performer (and musician) Ian Anderson truly is. So many of us have taken it for granted, listening to the amazing studio recordings, that it is all too easy to lose track of what an astonishing front man Ian has been. I cannot think of anyone, of all of the incredible front men and women, that truly could compare to what this man was doing.
Thanks for the wonderful insights and your excitement. It is such a pleasure listening and watching along with you. I've gotten to the point where I say, "Oh! She is going to LOVE when they do THIS" right before it happens. :D
Best wishes!
Having seen them perform many times in the 80s (this concert was in 1982), I can honestly say Jethro Tull deserved even more recognition than they got, Ian a great story teller, not just a singer, he can play everything as well
Saw Tull in a small theater in Japan in the mid 70s , I was one of only a few English speaking people in the audience, at the end of the show Ian Anderson spoke directly to me sitting in like the second row . One of my best memories of my youth.
Have seen it performed live by him (2003) in an ancient Greek theater (Herodes Atticus Odeon), with extra flute solos, it was magestic. His stamina and improvisations were outwordly. Great job on reaction and analysis as always Elizabeth, thanks.
Between his flutter tongue, and vocalizing through the flute, he’s just incredible. This is by far my favourite JT song.
Really? There are so many great (arguably better) songs.
Best musical storyteller EVER. Aaaaaaaaand I will be seeing him live this autumn. I can't wait.
My favorite Jethro Tull song of them all. You can feel the train coming apart as it races to its own destruction. If you want more flute, you should try "Cross-Eyed Mary". My favorite flute in anything ever.
These guys were skilled musicians and musically tight together. We can only hope to approach that level.
Saw them in Thousand Oaks Auditorium c. 2000-01 and the band was without question the tightest I have ever witnessed. The thing that mesmerized me from the first song was how well Ian played the acoustic guitar. Don't remember him plucking a string with his fingers once (although I'm sure he must have) but just like the Chuck Berry song strummed that guitar like he was ringing a bell. The bass player played a Bach Fugue that reached to the stars and then introduced a classic, Martin Barre was his inimitable self and the drummer was like a machine designed by Da Vinci. Don't even get me started with the keyboard player.
They played as one.
Ian Anderson, was the consumate musian, he always choose musians that were as good as he is, and the kind of music that he wanted to create, he is a true genius. He did an interview for guitar magazine, and very intereasting read how he chose his musians he wanted in his band. Elizabeth your analysis was brilliant, thank you!
Most original and innovative group ever. Highly underrated.
I had _no idea_ of their existence 'til _Broadsword and the Beast_ in the early 80's ~ then I was HOOKED and went back to the start and never left!
Thanks for doing this! I love Jethro Tull. This concert is actually in 1982. Looks like the Broadsword and the Beast tour. This song is an encore at their concerts, so the piece shifted from Locomotive Breath to the dramatic theme of a song called Black Sunday which was on the previous album. This sounded great for being at the end of a long concert!
I know you prefer live, but I have a feeling you would love Tull's studio work, like Songs From the Wood. If you want though to see Ian and band at their prime live, check out the early to mid 1970s. Cheers!
Always remember: The flute is a heavy, metal instrument. They deserved that win!
Jokes aside, J Tull are the band that got me into prog, as well as heavier music, absolutely love them.
they absolutely did. Crest of a Knave is a brilliant album is ways Justice for All simply isnt. If it had been up against Master of Puppets? no question who wins then, but every metalhead musician knew exactly why they won over Metallica
@@zenistfpv Well, I really made that statement as a joke. I think the only problem with AJFA is the usual joke of the missing base. Other than that, flawless album, every bit as good as Crest. And while I like Tull, I think Metallica are more important when it comes to metal. Well, back then at least. So, in reality, I still think Metallica should've won. (Although also in reality, my favorite of the ones nominated was Iggy's album.)
bagpipes to
Seeing Tull in person (way back in the day) was one of the most memorable concerts that I have ever been a part of. I have seen many many great bands but for sheer show, no one beats Tull.
It was the golden age of rock music, with so many different styles and personalities, and Jethro Tull with Ian Anderson was definitely one of the most unique bands of the time.
The amazing part to me is how Ian was self-taught on the flute. Truly a remarkable musician!
I grew up listening to Jethro Tull. But your appreciation of them helped me to appreciate them and Ian more. I got goosebumps listening to this with you.
You and me both brother. Brought me to tears.
Agreed....✌️
I'm soooo thrilled to see you reacting to Jethro Tull. My dad introduced me to them as a teenager, and they've consistently been one of my favorites for the last 25 years. I even introduced my kids to them - they especially enjoyed Cross-Eyed Mary. The flute at the beginning is just really exciting.
My dad passed away a few months back, and it just felt really special to see someone hearing them for the first time. I know that feeling, and I'm so thankful that my dad shared his awesome music appreciation with me. This honestly brought tears to my eyes haha... I freaking love this band
Important to know that Ian Anderson is self taught on all of the instruments that he plays. He didn't start the flute till later in life but was playing it on stage in the act a few months after he first picked it up.
At that time they were a blues band trying to make it in London.
Years later after Ian was already quite famous his daughter was playing flute in the school band. Ian was watching her practice and said she was doing it wrong. Turned out he was doing it wrong. Being Ian Anderson he set out to correct what he was doing incorrectly and thus had to relearn all of his music.
Haha. I remember seeing a flutist analyze Ian's technique and saying it was all wrong.
I saw an interview with him where he said something along the lines of, "I was trying to be a rock star with a guitar, heard Jimmy Hendrix, and knew that I could never do that, so I gave that up, went into a music store, saw a flute, and said 'Give me that'." (probably horribly misquoted, but accurate in essence)
@@mckeithenmccormick9642 There was a harmonica between the flute and guitar I believe.
He said that the flute sat ignored for awhile till someone told him you blow across the hole, not into the hole.
@@micaKTM1290 If it sounds good it's good.
@@mckeithenmccormick9642 I believe Ian decided he would never be Eric Clapton which prompted him to put the guitar aside for a harmonica.
Came across a flute in a pawn shop and took it home. He couldn't get any sound out of it so it sat till someone told him you blow across the hole, not into it. It wasn't very long after he got that first note out of it that he was playing it on stage.
I like you noticed not only energy and movement in Ian's energy but huge passion, flaming look, the fire within - the charisma. When performing, he was like a people's natural-born leader leading masses to barricades in some ancient uprising. Like a fiery force stirring some revolution or like a satyr dancing and galloping in front some some bakchanalia parade in Greek mythology.
"What a crazy and creative mind" yes. the perfect description of Ian Anderson.
I bet you’d love “Thick As A Brick”, both the single, and the entire album…. Tull are an extraordinary unique band.
Studio, best version though.
Live from Madison Square Garden 1974 is possibly an equal to the studio version.
Definitely I couldn't say which is superior.
@@TheLastGarou Is it the full 43min50?
Passion Play and Thick of a Brick were No. 1 Albums in the USA 1972 and 1974
Skating away too. There are fantastic live versions of both.
I love watching your take but it's just as enjoyable to watch how excited you get. This period of time was amazing the number of talented bands that were out there and the lack of commercialization early on that that is the prime time of music for my life it was just really incredible time so many different sounds so many different ways of putting messages across it was just incredible
Ian Anderson, the lead vocalist and flute-player teached himself playing the flute, creating his own unique playstyle of that instrument. He also plays the role of a medieval harlequinn every time on stage, wearing medieval or hippie-types of costumes and staying on one leg with the other leg angled while playing the flute. A real great performer at any circumstances.
He plays the flute like other people play guitar.
This is the encore song for this concert, in their shows they often do medleys that start as one song inject another and end up with the original song they began with.
It is very amusing to see you discover the fascination of this kind of music. Jethro Tull was a significant part of my musical socialisation. Blues and Rock and Folk. Later on ... I am 57 years old now ... I have discovered Jazz and Classic Music as fascinating as well. The world of music has so many facetes to discover.
In 'Thick as a Brick' Ian drops actual classical measures/scales on his flute. He is phenomal in musical arrangement.
Still have my 45 year old original copy of this album on vinyl. It never gets old.
sweeet
Yah! Me too. I have not played them in years. I need to repair my Dual turntable and now I am motivated..
Yup, me too, along with bunches of others. I was gifted Stand Up for Christmas, shortly after it was released. Ten years later, browsing through a piano book from my grandmother’s collection, I discovered Bouree - I was quite amazed to learn it was a Bach tune! It’s a gift to be able watch all the live performances now that I’m in my 70s, and wonderful to watch young people discovering them.
Their guitar player never gets the recognition he deserves. And he wore the best jacket I have ever seen here.
Stunning for the 70's? This type of creativity might not be possible today.
Ian Anderson is amazing! He is more of a traveling minstrel lost in time. I've seen them live on their 30th and 50th anniversaries, never wavering, he is a complete showman, funny, talented, saucy and amazing songwriter as well.
In 1972, I was privileged to attend a Tull concert at Madison Square Gardens and was so impressed (understatement) with him and his flute, I returned to my dorm and sketched him in action from my memory of that night. I still have it and am amazed at the pure visual recall... I was very impressionable and it was the only time in my life I have ever done that.
I know 40 years is a long time but it's really strange to see Ian Anderson without his hair and beard still sounds the same Nice reaction rock on
This is why we recommended it so much . We knew you would love hearing those insane flute solos , and its amazing to see you watch this as you truly appreciate all types of music and instruments . And its so interesting to hear you break it down . Always a great watch , thank you for sharing !
It brings me joy to see the joy on your face from the music I have enjoyed for years. I love your channel.
This version is a live take from if I were to gues 1982 during the Broadsword and the Beast tour. The ending of the song has the band merging parts of Black Sunday into this version, which is off their A album from 1980. The original Locomotive Breath was from 1971, but this is a much later version of the song.
Yep. Threw me off at first because Peter John-Vetesse is dressed like John Evan did in the '70s.
Eliz...love your "hehe" along with his insane fluting.... his hmmm to the flute stuff is way cool.....i'm convinced that rock peaked in the 70's .....i'm 71 i was there for it all
I sincerely thank you for this. As a teenager, I was born, bred and raised by Jethro Tull. Like your previous Aqualung breakdown (which took me back many decades), I thank your take, on his flute skills. Vocalising INTO the flute has opened my eyes. Thank you.
Ian Anderson is the genious behind..."JETHRO TULL!!!!!!"...He's the man!!!!!!
the studio version has one of the most epic intros in all of Rock, and you miss it in this live version.
I agree. I love John Evan's piano introduction on the studio version.
I think Elizabeth chooses live versions so there will be something to watch, as well as listen to. In nearly every instance, I prefer the studio performances, for their clarity (and sometimes for their brevity).
I'd love to see her analyze the studio version of "Thick As A Brick".
The piano (outro) ? Radio stations rarely played it . I really enjoyed how it trailed off .
@@portcullis5622im late to the party but at some shows they did the intro and one time elongated it with Ian playing a bit of a piano duet. Sorry, can’t remember which concert.
I have been to many of their concerts since the early 70s and have ALWAYS been well entertained. Anderson bounces all over the stage and the group zip in and out of very complex rhythms. Always a good ride. There is nothing else like them. Find something to hold on to. Massive entertainment
The live version does miss out on the original studio recording's opening, one of my favorite opening swells ever.
Yes. The intro they never seem to play on the radio
Fans will recognize the song by the first two notes of the intro.
I saw this tour live back in the day, too!! Crazy performer - he IS his music! I've played the flute for over a half a decade and I can answer part of your question. I was extensively classically trained with my private teacher being the first chair floutist for my city's famous orchestra. I became first chair in my State orchestra for 7 years in individually judged classical competitions. I even got to meet Jean-Pierre Rampal and Pedro Eustache. Here, Ian is "tonguing" so fast, that he's actually NATURALLY using his throat to help him tongue that fast, and hey, your voice accidentally comes out when you do that. You sort of make the "T" sound while bouncing back and forth with your tongue to your upper palette. While doing that, you relax and and open your throat more than you normally would when you want a crisp, clean flute-only sound, then your voice just comes out with it. I can't tell you how many times I accidentally found my voice sneaking through when playing my flute because I was so into the song and was craving to sing with my flute! Ian seems like an old soul when he's performing - from another era as if he were medieval, Celtic, Irish or from the Highlands. He's the best in the world and I think the only one who does it like that.
As far as Ian Anderson's breathing and Flute playing, you definitely need to go back and watch them in 1969 at the Isle of White Festival to see and hear Ian's voice in every note of the flute and on one leg. Amazing sound and visual.
Beyond really good at the flute.... he's the master. No one else compares. So unique. Incorporates playing notes, breathing, and vocal notes all at the same time.
The singer was incredibly fit and was known for standing on one leg whilst playing the flute. What I have learnt from looking at some of your videos, becomes clear, just how physically fit one needs to be to produce a good sound regardless if it has to do with breathing
I saw Jethro Tull during the aqualung tour they were terrific stage wise outstanding music, unforgettable it was beautiful. Back in those days we cared about the music that was our passion, and the artist that performed the passionate music stayed on our radar all the time.
Artist today use computers they don’t show talent by playing the instruments and performing lyrics songs that sound just like the album that is lost today
I’m glad so many young people are looking back on my generation of music because it was real music not computerized
I just saw the current version of Jethro Tull, last Sunday here at Tampere, Finland. The show was amazing, even though Ian Anderson's singing ability is not to be praised any more. He still pulled off quite a show, not bad at all for a 74 year old suffering from COPD.
Indeed, I saw them a few months ago and it was a great show even when there were technical difficulties he still kept the audience entertained. His voice isn't what it was, for sure, but as a lifelong Tull fan I'm happy to fill in the missing parts.
@@merseyviking Yes, he's still that incredible showman. Flute playing, still brilliant. What I missed, I wished he would have played some acoustic guitar also. Knowing how good he is with that too. I wonder if he has given up on that for some reason? The rest of the band, no complaints there, absolutely well done all the way. Of course I miss Martin Barre on guitar, but must be said that new guy did really well. Also when giving singing backup for Ian. Was a great night of wonderful, rich music.
April 4, 1972 - I was Standing RIGHT NEXT to the stage at the Norfolk SCOPE. Incredible concert! GREAT MUSIC!!!!
This is actually a medley with a reprise of another song called Black Sunday. Big shout out to the incredible Martin Barre on guitar, a real team player.
In any other universe, Martin Barre would be the star of Jethro Tull.
the studio version of this song is one of my favorite pieces of music from any decade. Its amazing, worth checking out.
I love watching this with you. Seeing the smile and hearing that giggle is priceless! Even better are your insights and thoughts on these great bands. Back then anybody over 30 said they had no talent. Couldn't sing ect. I always knew they could play and sing but now I KNOW why. Thank you!
How do you acquire the skill and creativity necessary to create a classic song like Locomotive Breath? You train. 😁 Horrible puns aside, it's always a treat to join Elizabeth as she digs into some classic rock, and in this case, some proto-prog. The Aqualung reaction was a breath of fresh air, now all aboard for Locomotive Breath. Also, First?
Ahahaha! You train. You always make me laugh, G.L.
My favourite Tull song!!! How you doing, bro?
Ok Locomotive Breath 😎👍...Then the only thing to do next is Colm McGuinness... A cover version of "On the Railroad" by the Longest Johns... 😁😁😁
@@joergojschaefer3521 As long as she’s reacting to cover versions, she should do Helloween’s version of this song. (Found on the Metal Jukebox album.)
Ian Anderson strikes me as something of a character from a Shakespearean play, a bard who would fit right into the original Globe Theatre 🤘
My favorite Jethro Tull song! So glad you visited this classic! I do prefer the studio track with an amazing, slow build-up to dropping the hammer.
One thing about being 75 is I have this stuff to remember, I miss ROCK! Still listening to what’s around.
I love Jethro Tull. Definitely one of a kind. Ian's stage voice is very different than his studio voice. In recording, his voice is much softer. But how he sounds on stage fits the performance. He's a wild man.
If you want to heat Ian’s “beautiful” voice check out The Minstrel in the Gallery (the song) and also Velvet Green or Fire at Midnight from Songs from the Woods album. (That whole album is great.)
Second this,when I first got this one I listened to Kissed by a Witch on repeat.
Love Songs from the Wood. When I got it as a Christmas gift when I was 16, I was initially disappointed, because it wasn't exactly like Aqualung. But I soon realized Songs is a masterpiece.
Heavy Horses is one that gets me every time I hear it.
Budapest is one of my faves from him vocally
Songs From the Wood is my all time fave Jethro Tull. The song "Ring Out Solstice Bells" lives with me forever.
I absolutely love the look of amazement on this very beautiful lady's face. Such a pleasure to watch.
Saw them live at the Spectrum in early 70’s (Philly). Halloween. That was the night someone in the crowd thought it would be cool to throw firecrackers at the band. Ian was not pleased, but once that issue was “addressed” he, and the band went on with the show. Ian is one of the greatest musicians I have ever seen live.
11:17 Actually, the funny part is that Ian Anderson didn’t learn flute initially. He picked it up while starting out with Jethro Tull. He picked up a flute and a chord sheet on a tour, and played around with it. You can really tell how well he picked it up.
He’s the only reason that after learning to play percussion and drum set, I wanted to learn flute.
And it fits so incredibly well into the style of music.
Same with violin and accordion, both can go incredibly well with rock.
I saw them live: that energy goes for the whole show. Amazing stage presence; amazing band.
9:20 "Folky" You are right, Elizabeth, Jethro Tull is often described as being a folk rock band. I think you may also like the intro on the studio version of this song!
I understand people hearing a Folk Music quality in Jethro Tull, but I don't get that vibe from this song at all. I had learned to play the studio version of this flute solo on guitar and it came out straight hard rock with Jimmy Page phrasing and all.
My favorite story about Tull was that during the peak of their career, they won the Grammy for group of the year/album of the year several years in a row. Cheap Trick, or some other 'radio' band won the Grammy after the run by Tull. When accepting the award, the spokesman for the group said, "We'd like to thank Jethro Tull for not putting out an album this year."
Tull only ever won (or was even nominated for) one Grammy, the 1989 Grammy for Best Heavy Metal album. Nobody (including the band) could figure out why they were even nominated in that category, much less how they won. A few years later Lars Ulrich of Metallica made that comment when they won the category (after losing to Tull in 1989).
lol
@@briansomething5987 Exactly, it was Lars Ulrich who actually said that.
@@briansomething5987 Specifically, the 1989 category was Best Hard Rock/Heavy Metal Performance, the first year either of those genres had a Grammy. Metallica was widely expected to win with the ...And Justice For All album. In 1990, they were split, and Metallica won back-to-back-to-back in Best Metal Performance (which IMO, oddly pitted songs against albums sometimes). After their 3rd win, Lars Ulrich jokingly 'thanked' Jethro Tull for not putting out an album (which they actually had...)
Hilarious, admitted by his peers , always a good sign..But too bad he didn't put out an album that yeah! Ha!