Subscribe to be part of the cool gang! Also... Continue learning Ableton Live & Push from my online courses: www.lnamusic.com/programs Get -10% with the code: STARTCREATING10
I cannot find the Mastering Audio Effects Rack you describe here, in Ableton 12, LNA. Did they remove it with the current version, or did they just move it? Okay, never mind. It does look like they just moved it. By the way, do you have any video tutorials on bouncing in place? I've seen different things on this on UA-cam. Different methods and the like. Ya know, its like something I used to do allot with a Portable Digital Studio. With a DAW like Ableton, I would think some of the advantages would be that it is much less CPU intensive during the mixing process, and then finally during the mastering. Especially, if you intend to use (or experiment with) somewhat CPU intensive 3rd party plugins like Ozone for example. Would you mind, at least sharing your thoughts on the subject? By the way, I think your videos are great. You must have about a million of 'em now!!! Damn. Good stuff. Been a HUGE help. (Looking forward to some more on the Ableton 12 version, if your not totally exhausted by now!) Thanks so much...
Thank you so much for this video. I think it really is the best one out there for those dipping their toes into the mastering pond. I tried a long time to move away from Ozone and instead use Ableton stock plugins. But I really had to understand what's going on under the hood if you don't rely on an assistant that in most cases will "overdo" things. This video addresses the subject perfectly. While you can work very effectively with Ozone as well, there were three reasons why I wanted to ditch it. 1) First of all, Ozone does lots of magic and you don't necessarily understand all that if you're new to production. You feel like you give some control out of your hands working with it, really hope that makes sense. 2) It's not the easiest plugin for the CPU, like not at all. I have a MacBook Pro M3 Max and the tracks mastered with Ozone, often had plops and other artifacts, which drove me crazy. 3) I use an Ableton Push, like.... a lot. The whole songwriting is a very haptic experience. Now with my mastering chain running on Ableton stock plugins (except for YouLean Loudness Meter Pro), I can do the whole mastering on the Push, actively listening while dialing knobs. The other thing I would change here, but remember it's 2024 now and what I am about to mention was not available when you did the video, instead of the Saturator I would definitely use Roar these days. For those not aware: Roar came as a stock plugin with Live 12. You can use it as a regular saturator but it has some advantages over the regular Ableton stock saturator seen in this video. In routing, I select "Multi Band" and that allows me to vary the saturation between Low, Mid and high. It also has the option to add some compression on the output (with a compressor sidechain HP filter option), so you can be very creative with it. Also the Ableton Limiter has seen some significant changes recently, but that just on a side note. Anyway, just keep up the good stuff.
This is so helpful! Thank you for making this. I learned how to produce music on my own mostly through trial and error, and I assumed that I could do the same with mastering, but I have quickly learned that with mastering it's so easy to get carried away, and suddenly I'm ending up in a place where my tracks are constricted and unpleasant after years of liking how they sounded. This is a great place to start (and a great place for me to learn subtlety for mastering lol) Thanks again!
Wow! Straight to the point and giving many options! As a beginner in this world I understand that there are many many ways of mastering a track, and also that the mixing part is really important, but until I've found this channel, I never saw anyone telling that default Ableton presets were also fine to get a decent result. Time to dive deeper into this channel :)
Wow… I love how you made peace between me and mastering 😅.. that was a ghost for me.. and I really loved the part of the mastering racks. They’re already made.. didn’t know about that.. Really A BIG FAT thank you for your informative and simplifying videos ❤
Hello LNA, thank you so much for sharing your always valuable advices! I’ve been using the native mastering racks in Ableton for many years, and I agree they are quite useful. However I have met some very annoying issues in the low end when playing my tracks on big systems. Think your own mastering chain example is more reliable. One question though: why do you add another limiter after the native mastering rack instead of using the included one?
I love your workflow and all your VODs. When mastering recorded mixes (where all the tracks are pre-mastered for the most part, would you recommend skipping ozone or some of the dynamic compressions that come with it? Since most of that is already taken care of, it is more about bringing the gain up rather than making any impressions on the audio to where the DJ has already made most of these dynamic choices. Thank you for sharing and caring!
absolutley awesome. So well explained, you just demystified something ive been scared of for twenty years since i dropped out of music production at uni.
Thanks so much for this video! I have a whole bunch of songs that I have been trying to mix and master. This video was super helpful getting me to the poing of being able to do them for myself! I got the HOFA plugin and that really helped a lot! I tried using it and it worked well! My only suggestion for making these kinds of videos is to talk slower or at least leave pauses. I had to watch the section on that plugin many times over because it was hard to understand the settings. Maybe also that could be a thing to put below. The settings in a new plugin. Thanks again though!
Me too! Hurray! I mastered my first track in my life today! Thanx LNA for the video! I created my own mastering chain based on your suggestions with some small changes as to my preference. Installed HOFA plug-in, too. Huge step ahead on my way to becoming a proper mix&mastering guy!
Thank you soooo much!! I''ve been recording and mixing for so long but never got to the mastering part until now! Your videos are very helpful and your music is excellent! :)
I love your videos...Thank you..I love you too.... But I have a question for you...I can't find glue compressor en ableton live 12 lite....Is there any other compressor similiar than glue compressor? Thank you....
Oooooof!! What did you just do to me!! Thank you for this, it completed my understanding of Mixing and Mastering.. How I did it: I followed with your steps, except, I did it with my knowledge of M&M (Mixing and Mastering) and trusting my ears.. I ended up doing the cleanest Mixing and Mastering I ever done. All love
Hi, thanks for the great video. I have a couple of questions. 1) You're doing compression and limiter in the mastering. Does that mean it should not be done in the mixing phase at BUS level or track level or it can be included to 'prepare the song' for mastering. Does this mean as well you do not include them in the master of your mixing session ? 2) Similar question but regarding side chain compression especially linked to the drum (most of time). I guess you tidy things up in the mixing phase, am I right ? Thanks agaain. I just subscribed to your website BTW...:=)
Hi Lina, i am wondering how you mix AND master in same session? Do you route into mixbus, leaving the master for ... mastering? And what if you would try different mixed versions? Greetings, love your work ❤
Thank you for your video, LNA! It was a great explanation of each step, and you laid it out really nicely! I look forward to trying your approach and watching your other mastering videos! Cheers!
Hi LNA, your videos and explanations are so good that I now have a problem. I would like to recommend you, but I don't want my friends to have access to such great tips :-D. Be blessed lady
Hi, I watched the first 5 minutes of your video and already got a lot of important tips. The way of presentation, your voice and the whole video is very clear and pleasant (great editing 👍) Absolutely and definitely - subscribed 😊
Excellent ! One question. You're applying the chain to the audio track of the song. Can you also do the mastering on the "mix" (?) directly ? I mean, in the arrangement view, where you have the different tracks making up your song, adding the mastering chain to the master channel and then export to audio ?
Hello friend. Love your channel and uts been extremely helpful. Something I have struggled with and can't find a lot of videos about online is how to mix when your entire drum track comes from one audio source. For instance how to mix the stereo input I get from my Circuit tracks when the kick snare and hi hat are all coming from one channel and not separated. This has been difficult for me to sort out.
Have a look at my Gree mixing course on my channel, and especially the EQ episode. I think that might help :) It all works the same waym even if coming from same source
Hi, thank you too much for this helpful video! I have struggles using the 4U Meter Plugin, I downloaded it but now I can't find it anywhere on my laptop :( I tried to repair, deinstall and reinstall the plugin with the 4u plugin Manager but it is still nowhere to be found. can you maybe tell me what's wrong? I would be so happy for your help
It is a good way to achieve loudness and if the mix is good it will be ok. But, if you send your file to a professional, dawn it makes a HUGE difference in clarity and balance. Mastering is a job.
Cool tutorial, thanks, but I disagree that the initial mix should be dynamic, especially in loud genres that operate at -7 to -2 LUFS making the track loud in the mix rather then the master is usually the better road to go. Baphometrix has a good video called "loudness is in the mix not the master" on that, it usually gives more dynamic results at the same Loudness.
Heyy , love your content!! Just wanted to ask you - if i use the mastering presets , is it enough just that? Or it’s better to make mastering chain on your own? Or both😁? Ty in advance!
It does depend completely what the track needs. If you are not sure what it needs, start with this chain and then start customising it the way you feel is necessary. That should be enough. :)
Hi LNA, great Video! One question i have with reference to the export. I setting the masterfader to 0db and export the ready song without normalising? (set in ableton preferences) Or i set the master fader on -6db and normalise it? Whats better?
This is simple in description but with all the volume automation I've done I find the task of getting each track to only peak within -6 to -12 dB to be daunting. I guess future tracks will have to vary less in their volumes.
I have to say, this is great. I am now going through and getting rid of the volume automation envelopes, bringing down the gain on each sample on a track I'm working on, to eliminate the visible clipping, using vox compression properly, then gain staging properly, then setting levels... And now what I thought was a good-sounding track is sounding 100% better. You taught me a lot today. Thank you Liina!
Hi LNA, Great instructions, I downloaded the .adg (and donated because the class is amazing) I have it my User Library when I click it says "the preset cannot be loaded it is probably broken" Anyway I downloaded the Hofa module so can build the chain from scratch.
Sorry for asking maybe and unrelated question here LNA but you have so much content that it's a bit overwhelming, but from zero to a song like this one: "cross my hearth by fancy cars" which course or roadmap would you recommend? Even which software?
Whoops! My comment probably made no sense. It was meant for a different video and then it must have finished and played this next in the queue while I was mid comment. Sorry! Appreciate your tutorials!! 😄
I noticed there was no gain reduction on the limiter(s). I thought there was usually about -3 to -6 of gain reduction on most commercial masters. Is there usually none like in this video???
The verses, both lyrically and instrumentally, are often the ‘story’ of the song.In some genres (especially in country music), there are real stories that take you on a journey over 2-3 or more verses. In others, it provides a framework for the statement or theme in the chorus. For some, it is a stepping stone before a highlight. The Outro is how the songwriter wants to finish the journey with the listener. It may be a big, final chord that leaves the listener a little breathless, wanting to stand and applaud.
I would say that if mixing tools intimidate a person, then they should get more comfortable with mixing first before trying to master. (Edit) I was intimidated by it until I realized that it is a more subtle and gentle form of mixing, with an end goal of loudness and enhancement.
why did you not start with the utility here? Because adding it later will boost all the effects that's standing before the utility, so........that means you can't add any more effects when it comes to loudness test, you got to go back to everything you added before the utility and adjust that when something goes wrong....where are you going to search for the issue?
How come my vocals don't look like this???? It's a solid line with dots ever 1/4 bar..... sounds are good, but my vocals doesn't look like this on my screen
Is it just I or anyone else who can feel mastering is heading the right path by feeling the resonance bulge between their shoulder and neck region. Almost like when you project to sing wholesomely.
How much would it cost to send you one of my tracks and then you do a video showing how you would mix and master it? Im doing someyhing wrong thats for sure.. My lyricism and delivery isn't the problem, so atleast i can rule that out... 😅
Verse 1 is verse is where it tell the story and give details and also sets the scene in verse one while verse 2 continue the story. Intro attracts the listener aka Intro - from the word “Introduction”, this part comes at the beginning of the song. It is usually an . It also gives the listener a hint of what genre the song is and what expression it may give. An intro, when compared to the plot of a story, is the opening or the “Once upon a time” part of the song. An intro . This type of sequence is often used on energetic songs and genres like rock songs. Usually, an intro takes an eight-count / note interval or a sixteen-count / note interval. Some songs take a thirty-two or more counts for the intro, taking up more than a minute of the whole length of the song.
Subscribe to be part of the cool gang! Also...
Continue learning Ableton Live & Push from my online courses: www.lnamusic.com/programs
Get -10% with the code: STARTCREATING10
This is nothing less than kick-ass, Liina. Thanks again for your kind generosity all-round.
I cannot find the Mastering Audio Effects Rack you describe here, in Ableton 12, LNA. Did they remove it with the current version, or did they just move it? Okay, never mind. It does look like they just moved it. By the way, do you have any video tutorials on bouncing in place? I've seen different things on this on UA-cam. Different methods and the like. Ya know, its like something I used to do allot with a Portable Digital Studio. With a DAW like Ableton, I would think some of the advantages would be that it is much less CPU intensive during the mixing process, and then finally during the mastering. Especially, if you intend to use (or experiment with) somewhat CPU intensive 3rd party plugins like Ozone for example. Would you mind, at least sharing your thoughts on the subject? By the way, I think your videos are great. You must have about a million of 'em now!!! Damn. Good stuff. Been a HUGE help. (Looking forward to some more on the Ableton 12 version, if your not totally exhausted by now!) Thanks so much...
I've been afraid of mastering up until now. This made it sound much more approachable, so I'll happily give it a try. Kiitos! 👍
Yay Terhi!
Thank you so much for this video. I think it really is the best one out there for those dipping their toes into the mastering pond. I tried a long time to move away from Ozone and instead use Ableton stock plugins. But I really had to understand what's going on under the hood if you don't rely on an assistant that in most cases will "overdo" things. This video addresses the subject perfectly. While you can work very effectively with Ozone as well, there were three reasons why I wanted to ditch it. 1) First of all, Ozone does lots of magic and you don't necessarily understand all that if you're new to production. You feel like you give some control out of your hands working with it, really hope that makes sense. 2) It's not the easiest plugin for the CPU, like not at all. I have a MacBook Pro M3 Max and the tracks mastered with Ozone, often had plops and other artifacts, which drove me crazy. 3) I use an Ableton Push, like.... a lot. The whole songwriting is a very haptic experience. Now with my mastering chain running on Ableton stock plugins (except for YouLean Loudness Meter Pro), I can do the whole mastering on the Push, actively listening while dialing knobs.
The other thing I would change here, but remember it's 2024 now and what I am about to mention was not available when you did the video, instead of the Saturator I would definitely use Roar these days. For those not aware: Roar came as a stock plugin with Live 12. You can use it as a regular saturator but it has some advantages over the regular Ableton stock saturator seen in this video. In routing, I select "Multi Band" and that allows me to vary the saturation between Low, Mid and high. It also has the option to add some compression on the output (with a compressor sidechain HP filter option), so you can be very creative with it. Also the Ableton Limiter has seen some significant changes recently, but that just on a side note. Anyway, just keep up the good stuff.
OMFG!!!! I have spent hours looking for this solution and never would have thought about inputs!! Thank You!!
Glad I could help!
This is so helpful! Thank you for making this. I learned how to produce music on my own mostly through trial and error, and I assumed that I could do the same with mastering, but I have quickly learned that with mastering it's so easy to get carried away, and suddenly I'm ending up in a place where my tracks are constricted and unpleasant after years of liking how they sounded. This is a great place to start (and a great place for me to learn subtlety for mastering lol) Thanks again!
Wow! Straight to the point and giving many options! As a beginner in this world I understand that there are many many ways of mastering a track, and also that the mixing part is really important, but until I've found this channel, I never saw anyone telling that default Ableton presets were also fine to get a decent result.
Time to dive deeper into this channel :)
Ma'am thank you so much you are the first one who explained it so well thats a game changer for me
My pleasure 😊
Wow… I love how you made peace between me and mastering 😅.. that was a ghost for me.. and I really loved the part of the mastering racks. They’re already made.. didn’t know about that..
Really A BIG FAT thank you for your informative and simplifying videos ❤
Glad to hear this!
@@LNADoesAudioStuff keep going please 🙏🏼
Great info!
Glad you liked it!
I must be watching this again for the 5th time while trying to master my new track.
Such good advice for a quick master.
This is a very helpful video, I love your teaching style!
Glad it was helpful!
Hello LNA, thank you so much for sharing your always valuable advices! I’ve been using the native mastering racks in Ableton for many years, and I agree they are quite useful. However I have met some very annoying issues in the low end when playing my tracks on big systems. Think your own mastering chain example is more reliable.
One question though: why do you add another limiter after the native mastering rack instead of using the included one?
I love your workflow and all your VODs. When mastering recorded mixes (where all the tracks are pre-mastered for the most part, would you recommend skipping ozone or some of the dynamic compressions that come with it? Since most of that is already taken care of, it is more about bringing the gain up rather than making any impressions on the audio to where the DJ has already made most of these dynamic choices.
Thank you for sharing and caring!
absolutley awesome. So well explained, you just demystified something ive been scared of for twenty years since i dropped out of music production at uni.
Thanks so much for this video! I have a whole bunch of songs that I have been trying to mix and master. This video was super helpful getting me to the poing of being able to do them for myself! I got the HOFA plugin and that really helped a lot! I tried using it and it worked well! My only suggestion for making these kinds of videos is to talk slower or at least leave pauses. I had to watch the section on that plugin many times over because it was hard to understand the settings. Maybe also that could be a thing to put below. The settings in a new plugin. Thanks again though!
I love your voice and energy! You're a star :)
You're the best!!! . Keep Shining Queen
Just used this video to master my first track. I'm really chuffed with how well it went! Thank you! 🥳💙
yay Nuala!
@@LNADoesAudioStuff Subbed what is the eq 8 with setting the Q ratio?
Never seen version...is it recent upgrade?
@@harrisfrankou2368 Hi I have video on EQ8 and explain Q in it :)
Me too! Hurray! I mastered my first track in my life today! Thanx LNA for the video! I created my own mastering chain based on your suggestions with some small changes as to my preference. Installed HOFA plug-in, too. Huge step ahead on my way to becoming a proper mix&mastering guy!
LUFS meaning start to end song maintain -14 ya.?? ...i achive -14 lufs but true peak show -5db, how to achive true peak -1db and -14 lufs..??
Thank you soooo much!! I''ve been recording and mixing for so long but never got to the mastering part until now! Your videos are very helpful and your music is excellent! :)
Thank you so much!! :)
Thanks so much LNA. Your great videos have helped me out a lot in my latest production. I stepped up my mixing and mastering game thanks to you! 🎸🎵
Great to hear!
I love your videos...Thank you..I love you too.... But I have a question for you...I can't find glue compressor en ableton live 12 lite....Is there any other compressor similiar than glue compressor? Thank you....
Oooooof!! What did you just do to me!! Thank you for this, it completed my understanding of Mixing and Mastering..
How I did it: I followed with your steps, except, I did it with my knowledge of M&M (Mixing and Mastering) and trusting my ears.. I ended up doing the cleanest Mixing and Mastering I ever done.
All love
Glad I could help!
You, Lady, are the absolute best! Thank you so very much.
Thanks! ☺️
Hi, thanks for the great video. I have a couple of questions.
1) You're doing compression and limiter in the mastering. Does that mean it should not be done in the mixing phase at BUS level or track level or it can be included to 'prepare the song' for mastering. Does this mean as well you do not include them in the master of your mixing session ?
2) Similar question but regarding side chain compression especially linked to the drum (most of time). I guess you tidy things up in the mixing phase, am I right ?
Thanks agaain.
I just subscribed to your website BTW...:=)
Hi Lina, i am wondering how you mix AND master in same session? Do you route into mixbus, leaving the master for ... mastering? And what if you would try different mixed versions? Greetings, love your work ❤
Thank you for your video, LNA! It was a great explanation of each step, and you laid it out really nicely! I look forward to trying your approach and watching your other mastering videos! Cheers!
THANK YOU I LOVE YOU THIS WAS SO USEFUL ❤❤❤❤❤
Glad it helped!
Your videos are the perfect recipe for a Moday morning! :-)
Glad you like them!
Congratz for the content, Lana!
Thanks ☺️☺️
Tack! Kiitos! Thanks! Great content, as usual, Liina! And those features you showed for Distrokid were things I had missed!
Kiva kun tykkäsit! ☺️
This is absoluuttisen briljantti!!! 🎉🎉
Hi LNA, your videos and explanations are so good that I now have a problem.
I would like to recommend you, but I don't want my friends to have access to such great tips :-D.
Be blessed lady
Hi, I watched the first 5 minutes of your video and already got a lot of important tips. The way of presentation, your voice and the whole video is very clear and pleasant (great editing 👍) Absolutely and definitely - subscribed 😊
Thank you so much 🙂
Right know try ROAR instead of Saturator, sound good 🤙🏼
yes love roar! It wasn't out yet when I made this vid. But now it's one of my faves.
You're the best. Thank you.
You're welcome!
Your videos are always so good and helpful! Thanks for another one, it gives so much reassurance to try these things yourself
So good to hear! ☺️
Thanx for this brilliant video!
Glad you enjoyed it!
Thank you !
Something useful for my upcoming autumn! 🥰🎶
👸🏼
thank you for this. really helpful and entertaining. big thumbs up 👍👍👍
I love your tutorials, you rock!
Thanks!
Excellent ! One question. You're applying the chain to the audio track of the song. Can you also do the mastering on the "mix" (?) directly ? I mean, in the arrangement view, where you have the different tracks making up your song, adding the mastering chain to the master channel and then export to audio ?
1:22
Hello friend. Love your channel and uts been extremely helpful. Something I have struggled with and can't find a lot of videos about online is how to mix when your entire drum track comes from one audio source. For instance how to mix the stereo input I get from my Circuit tracks when the kick snare and hi hat are all coming from one channel and not separated. This has been difficult for me to sort out.
Have a look at my Gree mixing course on my channel, and especially the EQ episode. I think that might help :) It all works the same waym even if coming from same source
@LNADoesAudioStuff awesome thanks. Will do!!!
Great job ! And many thanks for the free Mastering Chain :-)
My pleasuire 😁
Man i love your stuff, why don't you have more subs??
Thank you and Hah I don’t know 😅
LNA is the best ! 👌🏼
For bass music genres is EQing the same?
Love your music
Another excellent video. I learned some new things, as always.
Awesome to hear Geoff!
Hi, thank you too much for this helpful video!
I have struggles using the 4U Meter Plugin, I downloaded it but now I can't find it anywhere on my laptop :( I tried to repair, deinstall and reinstall the plugin with the 4u plugin Manager but it is still nowhere to be found. can you maybe tell me what's wrong? I would be so happy for your help
Thank you for your videos, they are very interesting!
My pleasure! :)
You're amazing. Thank you.
Thanks. Glad you like the vid! :D
It is a good way to achieve loudness and if the mix is good it will be ok. But, if you send your file to a professional, dawn it makes a HUGE difference in clarity and balance. Mastering is a job.
Cool tutorial, thanks, but I disagree that the initial mix should be dynamic, especially in loud genres that operate at -7 to -2 LUFS making the track loud in the mix rather then the master is usually the better road to go. Baphometrix has a good video called "loudness is in the mix not the master" on that, it usually gives more dynamic results at the same Loudness.
Nice Liina, 😇, Thank you
I absolutely love this!!!
Thanks Lea!
I love your videos. Thank you for sharing.
Glad you like them!
I really appreciate your job and your advices ! thanks
Thanks! ☺️
@@LNADoesAudioStuff just.. if you could speak more slooooooowly pls 😋
nice :)
Heyy , love your content!! Just wanted to ask you - if i use the mastering presets , is it enough just that? Or it’s better to make mastering chain on your own? Or both😁? Ty in advance!
It does depend completely what the track needs. If you are not sure what it needs, start with this chain and then start customising it the way you feel is necessary. That should be enough. :)
@@LNADoesAudioStuff thank you and for the amazing helpful videos ❤️
Hi LNA, great Video! One question i have with reference to the export. I setting the masterfader to 0db and export the ready song without normalising? (set in ableton preferences) Or i set the master fader on -6db and normalise it? Whats better?
This is simple in description but with all the volume automation I've done I find the task of getting each track to only peak within -6 to -12 dB to be daunting. I guess future tracks will have to vary less in their volumes.
I have to say, this is great. I am now going through and getting rid of the volume automation envelopes, bringing down the gain on each sample on a track I'm working on, to eliminate the visible clipping, using vox compression properly, then gain staging properly, then setting levels... And now what I thought was a good-sounding track is sounding 100% better. You taught me a lot today. Thank you Liina!
Hi LNA,
Great instructions, I downloaded the .adg (and donated because the class is amazing)
I have it my User Library when I click it says "the preset cannot be loaded it is probably broken"
Anyway I downloaded the Hofa module so can build the chain from scratch.
I am sorry to hear! That is to do with Live's updates and different versions.
You're awesome! Thank you!
You're welcome!
Sorry for asking maybe and unrelated question here LNA but you have so much content that it's a bit overwhelming, but from zero to a song like this one: "cross my hearth by fancy cars" which course or roadmap would you recommend? Even which software?
Definitely Ableton and check out my beginners Playlist :)
Whoops! My comment probably made no sense. It was meant for a different video and then it must have finished and played this next in the queue while I was mid comment. Sorry! Appreciate your tutorials!! 😄
Thank you sensei
Hai hai hai LNA Good morning🌞
you saved my money and time
Yay!
Thank you 🎉
No problem :)
Hi, I enjoy your video and style. I have a cleaner understand of ; what , I'm looking for in music.
thanks🙏
You’re welcome 😊
@@LNADoesAudioStuff i only use glue compress n utilitu at the end..in between i put multiband bla bla cant remember
anyway..thanks for the tips again
very nice video!!
Glad you liked it!
So you eq twice? once in the mix and once in the master?
yes or even more. Depends on the track and purpose :)
I noticed there was no gain reduction on the limiter(s). I thought there was usually about -3 to -6 of gain reduction on most commercial masters. Is there usually none like in this video???
Depends on the signal ☺️
U rock!
Nice! But I for -10db to 11-db LUFS
We want video on overlapping phase reversal Liina 😊👍
Why -6 dB? Why not closer to 0dB assuming the DAW is floating point?
What drives the -6 to -12 dB target for track volume?
Have a look at the rets of this mastering series, especially my interviews with Cicely Balston.
I'm on ableton 9 and my utility doesn't have the bass mono option! Is there another way of doing it?
Throw mono on the end of your chain on both your bass and kick tracks before mastering
The verses, both lyrically and instrumentally, are often the ‘story’ of the song.In some genres (especially in country music), there are real stories that take you on a journey over 2-3 or more verses. In others, it provides a framework for the statement or theme in the chorus. For some, it is a stepping stone before a highlight. The Outro is how the songwriter wants to finish the journey with the listener. It may be a big, final chord that leaves the listener a little breathless, wanting to stand and applaud.
Whats your take on Ozone?
Good tool to assist, faster workflow and people who struggle with getting aroud mastering. I use it sometimes :)
I think so far Ozone and Neutron are my favorite plug-ins.
You’re an awesome 😎 UA-cam channel.
I downloaded your packs, but they won't load into ableton. Not sure what I am doing wrong. Do you have any recommendations for getting these to work?
Hi! That is an update Ableton version issue. Email me to lnamusic.@official@gamil.com
Thank YOU
My pleasuire!
Medatata 😎
Eyy I'm streezy a. Beat maker an. A producer 🔥🔥
do you always master in headphones?
Nope!
I would say that if mixing tools intimidate a person, then they should get more comfortable with mixing first before trying to master.
(Edit) I was intimidated by it until I realized that it is a more subtle and gentle form of mixing, with an end goal of loudness and enhancement.
Yess and good place to start mixing (plus same time understand mastering) is my free mixing course on my channel :)
why did you not start with the utility here? Because adding it later will boost all the effects that's standing before the utility, so........that means you can't add any more effects when it comes to loudness test, you got to go back to everything you added before the utility and adjust that when something goes wrong....where are you going to search for the issue?
Utility is always the last one in the chain as you will see in the end of the tutorial :)
@@LNADoesAudioStuff Yea i saw it, thats exactly what im saying......why last....
How come my vocals don't look like this???? It's a solid line with dots ever 1/4 bar..... sounds are good, but my vocals doesn't look like this on my screen
Is it just I or anyone else who can feel mastering is heading the right path by feeling the resonance bulge between their shoulder and neck region. Almost like when you project to sing wholesomely.
That's a brilliant master chain, thanks, I love your video's
Happy you liked it!!!
How much would it cost to send you one of my tracks and then you do a video showing how you would mix and master it?
Im doing someyhing wrong thats for sure..
My lyricism and delivery isn't the problem, so atleast i can rule that out... 😅
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Wait i just realized you're Finnish omg xd
Kyllä! :D
Verse 1 is verse is where it tell the story and give details and also sets the scene in verse one while verse 2 continue the story. Intro attracts the listener aka Intro - from the word “Introduction”, this part comes at the beginning of the song. It is usually an . It also gives the listener a hint of what genre the song is and what expression it may give. An intro, when compared to the plot of a story, is the opening or the “Once upon a time” part of the song. An intro . This type of sequence is often used on energetic songs and genres like rock songs. Usually, an intro takes an eight-count / note interval or a sixteen-count / note interval. Some songs take a thirty-two or more counts for the intro, taking up more than a minute of the whole length of the song.
Hv not watch this but I love ur lessons #always_on_point 💯😍