What is the "Three Dials" Strategy for Better Improv
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- Опубліковано 15 лис 2024
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Pianist, author, entrepreneur, and amateur Vegas showgirl Jeremy Siskind shares how to improve improvisation by consider three "dials" - one for scales, one for arpeggios, and one for non-chord tones, and experiment with turning the dials up and down.
Best youtube teacher big appreciation Jeremy❤️❤️
If I could play like you, I’d be on the piano all day long! This was a really wonderful lesson and something I wish I been shown when starting out! Thanks so much!
Hi Jeremy, that was very helpful, thankyou.
I will definitely work on this triptych approach! Thank you! So thrilled to have met you the other day and experience your creative and inspiring skills up close! It was SO enjoyable!
I appreciate all of your UA-cam videos too. I’m learning so much! Thanks again! 🎹😊
Thank you Jeremy ❤
Thank you for another wonderfully insightful video. And, well... triptych.
Triptych! Sorry I missed the chance to hear you in Seattle. It was the few days I was out of town :-(
Very interesting video to practice and study
Nice one, Jeremy. I enjoyed that 😊
Triptych. Great content, as always. Thank you! Quick question: what chords are you using for the turnaround (last 4 bars). I've seen different people use different options. Maybe it could even be an idea for a youtube video?
I love your lessons. I listen on headphones and notice clicks/ticks and other artifacts when you play. Since the piano is softer I tend to push the volume way up so they hurt quite a bit.
Maybe having separate mics for voice vs piano would work?. I'm happy to help.
Great!
Triptych 🌟🌟🌟
"If we're on the E minor 7, we can say that the ninth and the third are both chord tones." I suspect I'm being very dense, but I don't understand this. How is the ninth a chord tone of a minor 7 chord? Would the sixth also be a chord tone? And the fourth? If so, how is this different from playing a scale?
The ninth is often used as “the next” chord tone in major 7, dominant and minor 7 chords.
It’s the next note that would be played if you keep stacking thirds.
That’s also why the 6th wouldn’t be a chord tone in your example.
Hope this helps and wasn’t a wierd explanation 😅