Owen Morris actually made that record happen. If you listen to early mixes , the songs are there, the sound is not. That Oasis force of nature, bulldozer-like wall of sound that caught the ear of the world was all Morris trying to replicate what the band was about live. And he did a superb job. I wish he could share his mixing tips in detail used on this record somewhere. I read a few, but they are very vague.
I don't really like this song but the documentary is so well presented that it really gets across what it must have felt like to hear this for the first time.
This documentary actually got me into Oasos for that reason. I'd heard their music before, and I didn't like it. But this documentary presents it all so well that I essentially became addicted to their music shortly thereafter.
Roman Baranovichi that’s crazy, the difference is unreal and there seems to be just something about the vocal track, I can’t seem to put my finger on it
He said he was able to just go twice as much with volume and gain without going into digital distortion and that’s what gives it the massive loud sound
producers really dont get enough credit
That transition to Rock N Roll Star…
always sends shivers down my back when I hear the opening its at 0:17 thats gets me
Im thinking what has he done ???He did one mix
.. It was just outrageous
He lived up the road from me for years, sound as a pound.
James he once gave me a tenner because I told him to use a different golf club
Owen Morris actually made that record happen. If you listen to early mixes , the songs are there, the sound is not. That Oasis force of nature, bulldozer-like wall of sound that caught the ear of the world was all Morris trying to replicate what the band was about live. And he did a superb job. I wish he could share his mixing tips in detail used on this record somewhere. I read a few, but they are very vague.
@@felina7849 you're welcome, Mr. Troll 😆
What a movie this is
George supersonic documental
The engineer is the ones that make the albums sound great
What a legend
Goosebumps
they fucked up not sticking with owen morris , never sounded same after be here now
I don't really like this song but the documentary is so well presented that it really gets across what it must have felt like to hear this for the first time.
Ye, or maybe they just have a slightly different taste to you ...
This documentary actually got me into Oasos for that reason. I'd heard their music before, and I didn't like it. But this documentary presents it all so well that I essentially became addicted to their music shortly thereafter.
@@flamingcabbage8359 same
You don’t like Rock n Roll star?! Get out.
Ootrageous!
greatest rock n roll producer ever! Sir George Martin is second.
MP R I think shes sharing her opinion. So stop being a fucking keyboard warrior
I think you need a sit down and a biscuit mate.
Alison McSecret Steve Lillywhite, Flood, etc
Agreed!
@@TheNeverists biscuit was that ended me 🤤🤣
greatest rock n roll producer ever! Sir George Martin is second.
He lived up the road from me for years, sound as a pound.
Why did you steal that comment
😎🥂
Loudness War
Brickwall mastering. Red line the bloody lot.
What did he actually do? Like in specifics? It sounds so mega compared to the previous takes and mixes.
Henry Birt simply put, he squashed all the dynamics, so instead of loud and soft bits the whole thing was loud
Roman Baranovichi that’s crazy, the difference is unreal and there seems to be just something about the vocal track, I can’t seem to put my finger on it
Henry Birt i think he added reverb
turned it up, red line, solid
He said he was able to just go twice as much with volume and gain without going into digital distortion and that’s what gives it the massive loud sound