C. Franck, Grande Pièce Symphonique Op. 17 - Johann Vexo, organ
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- Опубліковано 20 сер 2024
- Johann Vexo plays César Franck's Grande Pièce Symphonique on the great organ of Notre-Dame Cathedral, Paris (France).
Recorded live during March 19, 2013 recital.
Johann Vexo is represented in North America by Phillip Truckenbrod Concert Artists.
www.concertarti...
Superbe ! Je me souviens encore de ce concert et des trois danses d’Alain
Grand moment !
Emmanuel Arakélian
Vous êtes chanceux, Johann Vexo est un excellent musicien, le concert devait être sublime.
Thank you for uploading this. To my mind, Vexo is one of the best organists to listen to if you want an "authentic" interpretation. He has the precision of Dupré, minus the harshness, the virtuosity of Latry, minus the showiness, and the authenticity of van Oosten, minus the stodge. This is technical excellence, refined expression and poetry combined.
A magnificent and moving rendition of a great masterpiece! Thank you and congratulations!
magnifique ! Bravo
Beautiful playing.
wonderful !!!
Everyone loves 10:13
I'm happy to say I found the version of this that I truly love on Joannes Couchet playlist
I played this piece as a prelude to the Christmas Midnight Mass at St.Joseph's in New Bedford, Massachusetts, in 1978. One of my fondest memories, Now, at 74, I still hallucinate about having a chance to do it again! (The organ was a 1960 Larry Phelps Casavant, III/44). Oh yes, this chap plays it a heck of a lot better than I did --- or ever even could!
C'est grandiose!
A Larry Phelps 1960 Casavant at Grace Church is Providence (III/103) is about to get a long overdue Casavant rebuild with a ETA of 2026. The new will be IV/106.
I know little about organ playing, but I know I love the organ, and I love Franck, and this piece has always filled me with happiness. I do not know how Vexo or other performers work their magic, but magic it is. (Granted, not just their magic, but Franck’s, and the organ-builder’s, and the nave architect’s.) I have truly enjoyed this performance, and will gratefully repeat it many times, I am sure.
It's all Franck.
@@organboi I’ll buy that!
Majestueux !💖💖💖
grazioso davvero
Precisão e poesia. Uma interpretação a altura da obra. Sublime!
BRAVO!!!!!!
You are one of the exponents of a long French tradition, love your interpretations, hope to welcome you in the Maria van Jesse Church in Delft, Surprise us with an exciting program.
great! i came here just because of his coming right to Delft in a few weeks. happy to be able to meet his playing .
There was a version by Virgil Fox I simply cannot find. I would say it is my favorite piece of music of all time
Sublime
Super - Super - Super
I never even heard of this organist. Fantastic player. I will listen to more of him. Except he totally rewrote the ending. There is NO RITARD in the score. And no fermata on the last chord. Not a good choice. Such a magnificent piece by the Maestro Franck.
Anything is rewrote. Do you know what does "interpretation" mean?
Completely disagree. M. Vexo's choices are WELL within the scope of Franck's intentions. He exploits the instrument and space of Notre Dame perfectly. In my book, this particular recording is near authoritative!
Christophe Mantoux, Vexo’s teacher taught that there is an implied ritard at the end of almost every piece of Franck, Widor, etc. and that the composer didn’t write it because the music demands it without it needing to be written.
This was in masterclass at the University of Utah a few years ago. Mantoux was teaching the finale from Widor Symphonie 2
At least he didn't post a video of himself "finger-syncing" to someone else's recording of the Durufle toccata...