Didn't quite understand t phrasing. Not sure if there is displacement happening. Or different time signature. However, very interesting and a pleasure to watch and listen to your content. Thnx mate. 🍻✌️
Thanks Woody. There are 3 primary methods that are taught in this course (and that I’m using in this solo): 1) Half-swinging, 2) quintuplet grooves, and 3) delayed hihats. Check out the course on JPBouvetMethod.com if you’re interested in trying it out.
With love and respect I don't think these types of grooves sound good at all. Maybe to a seasoned drummer, but to any other ear it just sounds stiff, incorrect, out of place and out of time. Secondly of all the things a drummer can invest time into during his practice session there's about ten thousands things you would want to practice before getting to stuff like this. You're better off tidying up your general groove and pocket then trying to purposefully sound janky, which serves no-one. JP makes these beats all sound good as he always does, but the style itself isn't worth the practice time.
Sounds like it’s just not for you. Not sure what the point is of commenting such a counterproductive thing on a video specifically for people who *want* to learn this style. And also, it definitely works in a musical context, even for people who aren’t seasoned drummers! Put some good bass and keys behind it, add a rapper or singer on top, and you’ve got a room of people grooving. No need to dismiss just bc it’s not your thing :)
There is a whole brand of underground hip hop that was built off this style. J Dilla started it he humanized the mpc drum machine and it’s grown since then. It’s a beautiful art form.
I understand what u mean DD. I'm stuck in this zone of 1/4, 2/4, 4/4groove, trips. Delayed bbeat. This vid is about soloing. And it's t solo I'm focusing on. When I hear grt drummers twisting the beat, it's extremely interesting. I want to understand how drummers can move from one point, to another, then return to t original with fluidity.
I’m loving the constant uploads JP!
*Richard Spaven has entered the chat*
Didn't quite understand t phrasing. Not sure if there is displacement happening. Or different time signature. However, very interesting and a pleasure to watch and listen to your content. Thnx mate. 🍻✌️
Thanks Woody. There are 3 primary methods that are taught in this course (and that I’m using in this solo): 1) Half-swinging, 2) quintuplet grooves, and 3) delayed hihats. Check out the course on JPBouvetMethod.com if you’re interested in trying it out.
groove goat
With love and respect I don't think these types of grooves sound good at all. Maybe to a seasoned drummer, but to any other ear it just sounds stiff, incorrect, out of place and out of time. Secondly of all the things a drummer can invest time into during his practice session there's about ten thousands things you would want to practice before getting to stuff like this. You're better off tidying up your general groove and pocket then trying to purposefully sound janky, which serves no-one. JP makes these beats all sound good as he always does, but the style itself isn't worth the practice time.
Sounds like it’s just not for you. Not sure what the point is of commenting such a counterproductive thing on a video specifically for people who *want* to learn this style.
And also, it definitely works in a musical context, even for people who aren’t seasoned drummers! Put some good bass and keys behind it, add a rapper or singer on top, and you’ve got a room of people grooving. No need to dismiss just bc it’s not your thing :)
There is a whole brand of underground hip hop that was built off this style. J Dilla started it he humanized the mpc drum machine and it’s grown since then. It’s a beautiful art form.
@@alexprice5479 exactly. super influential among the world of young jazz musicians and music nerds too!
I understand what u mean DD. I'm stuck in this zone of 1/4, 2/4, 4/4groove, trips. Delayed bbeat. This vid is about soloing. And it's t solo I'm focusing on. When I hear grt drummers twisting the beat, it's extremely interesting. I want to understand how drummers can move from one point, to another, then return to t original with fluidity.