I don't have any knowledge of classical music..and never had any interest in it. But now listening to some of such music I think I have been missing a lot. It is peaceful. Lovely!
अश्विनीजी , आपल्या गायकीचे अंग किती समृद्ध आहे याची प्रचिती येते. त्यात विद्वततेची छटा दिसून येते. अनेक वर्षांच्या रियाजाचे त्यातून दर्शन होते. संथ आणि गांभीर्याने या रागाचे योग्य सादरीकरण झाले आहे. तुम्हाला मानाचा मुजरा प्रेक्षकांनी केला आहे , सरकार दरबार भले झोपलेले असेल. परमेश्वर आपल्या हातून अशीच सेवा घडवून घेऊ दे. सादर प्रणाम!
Ms. Ashwini Bhide Deshpande's Raga Ahir Bhairav is indeed music for the Gods, as it is pure, soulful & unadulterated. She happens to be the daughter of Smt. Manik Bhide & niece of Smt. Sarla Bhide both being veterans of the Jaipur Ataruali Gharana. The speciality of their Gayaki happen to be I) Hardly or no sargam in their singing 2) All their bandishes ( vilambit / dhrut) are set to Teen Tal. Contrast her singing in Jasrangi pairing herself with the doyen of Mewati Gharana Pt. Sanjeev Abhyankar where Ashwiniji has moulded her traditional gayaki with that of Mewati Gharana to make Jasrangi Jugalbandi very popular, attractive melodious & easy on the ear especially for those who are new to hearing & appreciating Indian Classical Music. Congratulations & Kudos to you Ashwiniji, may God Almighty Bless you in all your endeavours. Dr. Dilip S. Naik, E.N.T. Surgeon, Mumbai.
Dilip Naik Sir, the bandishes in the Jaipur atrauli tradition are mostly set to teen taal but they give equal importance to all the other taals as well and Ashwini ji herself sings bandishes set to so many different taals such as Jhaptaal, Roopak etc.....
4 роки тому
'all the bandishes are set to teen tal' - I agree that most of the finest Jaipur-Atrauli bandishes are. But there's more going on here too - I interviewed Ashwini-ji recently, and she said the following: "My gurus said that “no bandish [melodic composition] will ever tell you the tala”, and for me it is not as important as the raga. He used to convert bandishes in rupak to tintal [7 to 16 beats], and vilambit to drut [slow to fast] - you can find their core character through testing them in these different settings." www.darbar.org/article/dr-ashwini-bhide-deshpande-interview/23
Such a melodious voice - and what a wonderful rendition of Ahir Bhairav. Ashwini-ji takes her time in slowly opening the notes of the raga - its like the sun is slowly coming up in the sky and the darkness of the night is gradually dissolving with the early morning rays. I can hear the "sadhana" in her voice.
One has to have infinite patience to listen to HINDUSTANI MUSIC....much as it drags along in a monotone, rarely taking digressions......i feel strongly that HINDUSTANI MUSIC is a medley of out-streached tunes that often go tangentially.....all RAGAS seem to be more or less the same sonorous drags.....PLEASE ENLIGHTEN ME Devlina.
Peace Capsule arey bhau if you don't know then keep quiet. The question was to devlina. Talk if you have an answer but don't have that smirky attitude.
you probably dont give a damn but does anyone know a method to log back into an Instagram account?? I stupidly lost my password. I would love any assistance you can give me
Outstanding performance. Beautifully restrained, paced, and subtle, perfectly evocative of the deeply spiritual mystery, and slowly awakening mood of Ahir Bhairav -- a rag which lingers longingly with us in the last poignant moments of deepest night, transiting through the slow awakening of early dawn, to the first brilliant rays of the sun as it pierces the dawn horizon. Thank you so much for uploading this wonderful performance. It is everything I hoped it would be and more. This is the real thing when it comes to fine classical Hindustani music. A total thrill to hear this. 🌄🙏
The deep, poignant and soulful nature of Raag Ahir Bhairavi is reinforced by the rich melodious voice and innate emotional and spiritual intelligence of Ashwini Tai. Unknowingly your heart wells up and tears flow. So representative of the eternal tapasvi Shiva. Sheer spiritual bliss.
This. It cuts your heart and let you bleed till the last drop and then and then licks the blood from the floor and pours into you through your ears, slowly caressing your soul, asking you that it is alright to live without blood, i can fill your heart with music and sacred swaras. come here, my sad little child. there is dust on your heart, let me repeat these swaras, and clean it. When things get out of hand, i have the " sam" for you. don't lose hope. Close your eyes. your heart is beating fast. i'll bring tempo to your heart's dance. close your eyes. dream. it is alright to dream. sit on this raaga's rath and fly. There are clouds. lucky people are dancing in the rain but here you are, sitting in the clouds, seeing people getting wet in the rain, they need rain to get wet because they don't have their lovers.. so they make songs in rain, telling themselves that love exists. Some hide themselves in blankets and masturbate but then once they are done, the void gets back at them and laugh like an ugly witch. it gets closer. it disappears for a while but it returns with a bigger dagger. you don't to worry. Listen to the alaap. it is not some typical technical pre-recorded music. No my dear, it is improvised, like an ideal life which needs to be improvised rather than lived in close few marla prisons and a desk with hammering laptop. I'll sing to you and tell you that it's alright to improvise. The basic is the same and it's as older than Panini's grammar. It's older than ashoka. Swara existed long before language. When you listen to it, it pushes you away from the language, it pushes you back to your essence. Swaras that existed in a baby's first cry once he was born in to this world, the poor child needed music to express himself, in a beloved's satiated moan and the bed that moved in tempo with the body. It existed in the sound of the mother who calms and prepares her child to piss in the shadow of a tree. It was in fire and we danced around it. Listen to me, the want of yourself to be listened by you will be satisfied. The end is far as long as you listen to it. End is a product of time, but i sing and time disappears and the villain of " end" hides. only sur remains and trance which will kill you so that you can live for a while.. I am here. i will always be here. adilyousaf892@gmail.com
No words 🥺🥺🥺🙏🙏🙏🙇🙇🙇
Can't show My tears hear.
Listening to this is like meditation, missing such talents now a days 😢 🙏
I don't have any knowledge of classical music..and never had any interest in it. But now listening to some of such music I think I have been missing a lot. It is peaceful.
Lovely!
Mrajam
It's the ocean every river..form of music has to meet at the end
अश्विनीजी , आपल्या गायकीचे अंग किती समृद्ध आहे याची प्रचिती येते. त्यात विद्वततेची छटा दिसून येते. अनेक वर्षांच्या रियाजाचे त्यातून दर्शन होते. संथ आणि गांभीर्याने या रागाचे योग्य सादरीकरण झाले आहे. तुम्हाला मानाचा मुजरा प्रेक्षकांनी केला आहे , सरकार दरबार भले झोपलेले असेल. परमेश्वर आपल्या हातून अशीच सेवा घडवून घेऊ दे. सादर प्रणाम!
Such beautiful singing by respected Ashwini-ji. Wonderful voice and brilliant presentation!
Ms. Ashwini Bhide Deshpande's Raga Ahir Bhairav is indeed music for the Gods, as it is pure, soulful & unadulterated. She happens to be the daughter of Smt. Manik Bhide & niece of Smt. Sarla Bhide both being veterans of the Jaipur Ataruali Gharana. The speciality of their Gayaki happen to be I) Hardly or no sargam in their singing 2) All their bandishes ( vilambit / dhrut) are set to Teen Tal. Contrast her singing in Jasrangi pairing herself with the doyen of Mewati Gharana Pt. Sanjeev Abhyankar where Ashwiniji has moulded her traditional gayaki with that of Mewati Gharana to make Jasrangi Jugalbandi very popular, attractive melodious & easy on the ear especially for those who are new to hearing & appreciating Indian Classical Music. Congratulations & Kudos to you Ashwiniji, may God Almighty Bless you in all your endeavours.
Dr. Dilip S. Naik, E.N.T. Surgeon, Mumbai.
Dilip Naik Sir, the bandishes in the Jaipur atrauli tradition are mostly set to teen taal but they give equal importance to all the other taals as well and Ashwini ji herself sings bandishes set to so many different taals such as Jhaptaal, Roopak etc.....
'all the bandishes are set to teen tal' - I agree that most of the finest Jaipur-Atrauli bandishes are. But there's more going on here too - I interviewed Ashwini-ji recently, and she said the following: "My gurus said that “no bandish [melodic composition] will ever tell you the tala”, and for me it is not as important as the raga. He used to convert bandishes in rupak to tintal [7 to 16 beats], and vilambit to drut [slow to fast] - you can find their core character through testing them in these different settings."
www.darbar.org/article/dr-ashwini-bhide-deshpande-interview/23
"All their bandishes ( vilambit / dhrut) are set to Teen Tal. " - Isn't the drut bandish in this video set to Drut ektal?
She has sung quite a few bandishes in vilambit Rupak and drut ektaal. Many of her own compositions are in Rupak.
Such a melodious voice - and what a wonderful rendition of Ahir Bhairav. Ashwini-ji takes her time in slowly opening the notes of the raga - its like the sun is slowly coming up in the sky and the darkness of the night is gradually dissolving with the early morning rays. I can hear the "sadhana" in her voice.
One has to have infinite patience to listen to HINDUSTANI MUSIC....much as it drags along in a monotone, rarely taking digressions......i feel strongly that HINDUSTANI MUSIC is a medley of out-streached tunes that often go tangentially.....all RAGAS seem to be more or less the same sonorous drags.....PLEASE ENLIGHTEN ME Devlina.
Peace Capsule arey bhau if you don't know then keep quiet. The question was to devlina. Talk if you have an answer but don't have that smirky attitude.
U said exactly what I want to say but couldn't grab words ..
2AM mornings r better
you probably dont give a damn but does anyone know a method to log back into an Instagram account??
I stupidly lost my password. I would love any assistance you can give me
Time is 02:45am, I'm listening... Soothing voice
SUBAH ME SUNE TO AISA LAGATA HAI KI HAM SUROKE SATH HEAVAN ME VIHAR KARTE HAI WAH ASHVINI JI BHAGVAN AAPKO LAMBI UMAR SWARKE SATH JUDI RAKKHE .
No words can describe the feeling.I am and shall be a lover of her music always.
But still, you described your feelings with words.
Outstanding performance. Beautifully restrained, paced, and subtle, perfectly evocative of the deeply spiritual mystery, and slowly awakening mood of Ahir Bhairav -- a rag which lingers longingly with us in the last poignant moments of deepest night, transiting through the slow awakening of early dawn, to the first brilliant rays of the sun as it pierces the dawn horizon. Thank you so much for uploading this wonderful performance. It is everything I hoped it would be and more. This is the real thing when it comes to fine classical Hindustani music. A total thrill to hear this. 🌄🙏
She's one of a kind, incredible rendition of raga, exceptional vocal mastery!
Can't thank you enough for uploading this extremely intense music therapy
Simply divine. It takes you to the Gandharva lok. Really soothing.
Kya sur kya kya Taal kya thambura kya harmonium aise ghandharvv raag aur ghandharvv swar Jaise thamboor narad gathe hai swarg mein anand hi anand
Param Anand
Beautifully sung by madam , wanted to listen again n again. Melodious voice ❤️❤️
Appealing,Begging ,pleading! requesting ! Lovely voice !
The deep, poignant and soulful nature of Raag Ahir Bhairavi is reinforced by the rich melodious voice and innate emotional and spiritual intelligence of Ashwini Tai. Unknowingly your heart wells up and tears flow. So representative of the eternal tapasvi Shiva. Sheer spiritual bliss.
Just a quick note. It is not Bhairavi. It is Bharav. Different base raga. But I agree it is soulful rendition and represents the energy of Shiva.
I know. It was an autospell. Just as you have mentioned Bharav instead of Bhairav!
Melodious classical music 👍🎶🎶🎶🎹
rasiya mhara amalara ratamata ajo jee .... ..... beautiful composition sung by the most soulful singer !
Simply amezing
Aswinji is exploring deep into the caverns of emotions with various hues and help us being reflective over subtleties of life....really awesome
অভিভূত।
In my late nintees it was a extremlly pious time to hear melodious and fine tanas of ashini Bhide thank you
वे पहले ही पद्म भूषण से सम्मानित हैं।
Osadharon.
Why she is not awarded with any of the Padma award?
Because our president has not listened to her music yet 😊
@@sunildl5751lmao. Like he can judge music.
She does not loby for awards.
@@keithhunt5328*she
What a melodious voice.
Ahir Bhairav in such details . wonderful !!!
Aha. Ahir Bhairav with Ashwiniji.🙏🙏🙏🙏
Peace,Peace and Peace only😭💕
Awesome.Heart melting voice.
Absolutely Incredible. .. Divine
Great rendition. Added to my favorites. Thanks a lot for posting this gem.
I love her deep warm voice. A beautiful raga. Thank you for sharing.
Mam u r amazing....jb b aap ko sunta hu bhgwan k darshan hote hain....bahut chain ha apki awaz me....god bless u :)
collage time ki yaad thaza ho gyi thank you mam💠
Thankx a lot for uploading this wonderful rendition of Ashwinitai.
Ati ati ati ati ati sundar bahut sundar
Wonderful madam, jitna bhi sune sunta hi rehaneka, bar bar sunneka man karta hey.Itna takat hey apke awaz mey. Thanku so much mam.🙏🙏
Jai Shri Radhe krishna
Such a melodious voice . Thnx for sharing the video.☺️☺️
spiritual ...singing.. pranam ashwini ji .
Heart touching voice. Ease Ashe ustado ko jyada students he sunte he
Pranam for purity of soulful and powerful rendition.
woww great .....thnks fr uploading this
Superb voice...realy very nice
Crazy fact... she has a Phd in Biochemistry.
Wooooow.
She is ranked in first 10 students in her 12th class board exams, was scientist at Bhabha Atomic Reaserch Centre. Blessed by maa Saraswati.
Pranaam guru maathaa🙏🙏🙏🙏
Simply magnificent performance
Divine voice and melody
Simply Devin..Immortal..
dil ko chhoo gaya aapka gaayan .thanks
Amazingly soothing
master gem of hindustan music.. jaipur garana....
Too Good . Thnx.
'Rakkilithan' a movie song in malayalam brought me here ..... Thank you jii such a great experience
It is a blessing to see such a Great artiste ...
Fully agree with you sir.Our sukrut that we were born in india in the times of these greats.
awesome .........
Very much heart touching
No words🙏🏻🙏🏻
Beautiful
This. It cuts your heart and let you bleed till the last drop and then and then licks the blood from the floor and pours into you through your ears, slowly caressing your soul, asking you that it is alright to live without blood, i can fill your heart with music and sacred swaras. come here, my sad little child. there is dust on your heart, let me repeat these swaras, and clean it. When things get out of hand, i have the " sam" for you. don't lose hope. Close your eyes. your heart is beating fast. i'll bring tempo to your heart's dance. close your eyes. dream. it is alright to dream. sit on this raaga's rath and fly. There are clouds. lucky people are dancing in the rain but here you are, sitting in the clouds, seeing people getting wet in the rain, they need rain to get wet because they don't have their lovers.. so they make songs in rain, telling themselves that love exists. Some hide themselves in blankets and masturbate but then once they are done, the void gets back at them and laugh like an ugly witch. it gets closer. it disappears for a while but it returns with a bigger dagger. you don't to worry. Listen to the alaap. it is not some typical technical pre-recorded music. No my dear, it is improvised, like an ideal life which needs to be improvised rather than lived in close few marla prisons and a desk with hammering laptop. I'll sing to you and tell you that it's alright to improvise. The basic is the same and it's as older than Panini's grammar. It's older than ashoka. Swara existed long before language. When you listen to it, it pushes you away from the language, it pushes you back to your essence. Swaras that existed in a baby's first cry once he was born in to this world, the poor child needed music to express himself, in a beloved's satiated moan and the bed that moved in tempo with the body. It existed in the sound of the mother who calms and prepares her child to piss in the shadow of a tree. It was in fire and we danced around it. Listen to me, the want of yourself to be listened by you will be satisfied. The end is far as long as you listen to it. End is a product of time, but i sing and time disappears and the villain of " end" hides. only sur remains and trance which will kill you so that you can live for a while.. I am here. i will always be here.
adilyousaf892@gmail.com
Wow!
Wowowowowowo❣️
Are you upsc aspirant 🤭
Kya baat hai!
Heavenly
peace full voice 😍😍
😀😀
Aha❤🙏🙏
Ashwiniji. Wah Wah.. dil ko chhu jata hai. thanks
Maa you singing the raag my heart touching, I'm ur big fan maaaaaaa
waw mam ham apko bahut mante hai
apki aavaaj me kuch alg h jb bhi ap koi bhi raag gate hai tb us raag se Apne ap ras utapaan ho jata hai
awesome
I am a member of the most popular and the surrounding countryside in my life is good news
Awesome👍
Pranaams Panditji
Inspiring :) such a beautiful voice and superb composition
Aapko ye raag sun ne. Se kya feel. Hotaa hai
🙏🎖🙏🎖🙏
Can someone kindly translate lyrics Thanks
Aha! Fabulous!
Radhe Krishna!
it's very nice
🙏🏻🙏🏻🙏🏻
excellent rendition
Guruma 🥹🧿🪷🙏
Divine
thanks!!!!
Such pure melodious voice inspires the soul to such an extent that........
Excellent
❤🙏
🙏🙏🙏 Divine
🙏🙏🙏
ETHEREAL
IMMORTAL RENDITION
Wahh
✨💖✨
Amazing..... such a beautiful,melodious voice and superb composition
Atisunder
👌👌
खुपच छान दिदी
बहुत ही सुंदर
Swami Bodhi atisundarahirbairvtoching drldshingare beed
Atisundrvoise
Really qite amazing rendition with actual 'BHAV NIRUPN' leading to the path of Natural Tranquility.
Nice
lovely! One of her best renditions! Does anybody know who is accompanying her on Tabla and Harmonium? Is it Vishawanath and Seema Shirodkar?
nice
so soulful voice !
Ruh....ruh gaya
दैवी ✨⚛️✨⚛️✨♥️
A ha ha ha👍👍👍👍
Nightingale.
Does anybody the lyrics of both the bandishes? I would really appreciate it!
Karan Johar is padmashri and Ashwini tai is still padmashri.... 😷