Filmmaker Tries Sora | INTERVIEW
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- Опубліковано 25 тра 2024
- Multidisciplinary artist and filmmaker Paul Trillo joins to talk to us about his experience as part of a select group of testers granted early access to Sora, OpenAI’s video generation tool.
Watch the full podcast here: • Can A.I. Save The Midd...
paultrillo.com/
Paul Trillo’s Sora Video, “the Golden Record”
vimeo.com/927400626
[This is a clip from EP 77]
Hard Fork is a weekly look into the future that's already here. Hosts Kevin Roose and Casey Newton explore stories from the bleeding edge of tech.
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Credits
“Hard Fork” is hosted by Kevin Roose and Casey Newton. Produced by Whitney Jones and Rachel Cohn. Edited by Jen Poyant. Engineering by Alyssa Moxley and original music by Dan Powell, Elisheba Ittoop and Marion Lozano. Our audience is Nell Gallogly. Video production by Ryan Manning and Dylan Bergeson. Motion graphics by Phil Robibero Thumbnails by Julia Moburg, Elizabeth Bristow, and Harshal Duddalwar
Special thanks to Paula Szuchman, Pui-Wing Tam, Nell Gallogly, Kate LoPresti and Jeffrey Miranda. - Наука та технологія
Extremely balanced, non-sensationalist discussion of AI stuff. THANK YOU
A brilliant, honest and fair interview. Thank you
Dude imagine creating your own fanfiction 🔥
Imagine re-enacting the battle of little big horn from historic archives, from several angles .. my point is, imagine how it will affect people to learn about history this way?
Paul's Sora videos are my favorite I've seen so far.
5:22 what a brilliant analogy
My layman's opinion is that this could be a very good thing. As the guest said, it could open up opportunities for more people to bring their creativity to life. Maybe, we will have a proliferation of small studies using AI tools.
Gemini summary:
According to the video, the filmmaker feels excited and impressed by the potential of Sora.
The filmmaker, Paul Trillo, was given early access to Sora and is excited about the new creative possibilities that this AI tool offers. He describes his first experience with Sora as shocking and unsettling, but also inspiring. He was impressed by the way that Sora could generate videos that were not possible with traditional filmmaking techniques. Trillo believes that Sora has the potential to create new and experimental forms of cinema. He also acknowledges the concerns that some people have about AI replacing human filmmakers, but argues that Sora is a tool that can be used to supplement human creativity. Trillo is currently working on a number of projects using Sora, including a short film and a music video.
Feel free to correct any errors it made.
0:06 Sora introduction video
3:32 Zooming through time
6:07 The Golden Record
19:52 Disco ball person
Kevin, I think you may be part Italian. Love how you use your hands when you talk. Thanks for another excellent podcast!
Super interesting to hear that the hallucinations of AI, that other scenarios try to avoid, are helpful for some aspects of film making
All things aside, this is not how I pictured Casey and Kevin to look
Great choice of filmmaker, brilliant and enlightening interview!
Love you guys. 👏👏👏👏👏
This is so tricky. I'm having so much fun using all these tools myself (LLMs, Diffusion Models, Text-to-Voice, Voice Prints, Generative Fill, etc), but there is such a palpable push back, not only with the general public's attitude towards it, but also my own friends, family and colleagues. Ugh. I mean it's not going away, and I'm a creative that must not only enjoy my creative life, but also try and make a living on this stuff. Personally, I wouldn't dare stick my head in the sand, or scream "NoAI!" from the mountaintops--I think we have to learn and adapt, just like we always have as creatives, and as humans. I think once we figure out how to compensate the artists that were used in training, the NoAI folks need to just chill out and accept things. My two cents. If creatives start getting cancelled in the near-future for adopting AI in their workflow, well, you're going to have to cancel most artists I'm afraid, because trust me, all of us will adopt a few of these technologies, even if it's a bit 'hush hush'. I mean what digital artist right now isn't using Firefly? It's one of the best 'tools' in any digital artists kit right now. Thanks for the great conversation.
Yes, there has always been resistance from new technologies or tools. Imagine how graphic designers felt about DTP software and many companies transitioning to in-house work in the late 80s/90s, or portrait painters losing out to photographers as camera use spread (history is littered with such upheavals). There is a liberating moment for those who were locked out from a cost or skill perspective, but also the sense that something is being lost. I posit that this is felt most keenly by those who are resistant to change and altering their workflows. The best and brightest continue and will be helped by these tools, but others will surely cut corners, costs and quality mainly because they can. As the video suggests, as augmentation tools to humans, there is not much that will change at the good end, but the possibility of a lot of rubbish is extremely likely. This is perhaps the thing that will brings us back [away from so much that is synthetic today] to seek the authentic version of human experience, art, knowledge.
"I think once we figure out how to compensate the artists that were used in training"
LOOOOOOOOOOOOOOOOOOOOOOOOOOOL, sure thing that's going to happen.
"the NoAI folks need to just chill out and accept things."
even more lol
@@13nibb Look, there's no sense totally stressing yourself out about it. Pick your fights. And unless you have dozens of 'quality' artworks online being used in training, I really don't think you should even be fighting.
'Even more lol' ? Well spoken sir. You are a scholar and a gentleman.
I notice the rocket exhaust at one point looks like suds/cotton candy etc moreso than actual exhaust
Literally a toddler with super powers
Computer used to be a job in the '20s, before World War 1. They were armies of mostly women doing manual calculation by hand using pencil & paper.
Chimney sweep used to be a job. A massively employing job.
"Mechanical Turk"
I find the argument that this enables art that would never otherwise been made specious. Licensed art is not prohibitively expensive. Sadly this is another VC driven unprofitable business model that will lay waste to legitimate markets before turning into a business model that will charge as much or more for the same resources. Just concentrated in one company making a few insanely rich. Seen this movie( non Sora generated) before.
Bunch of white dudes given priority access to storytelling tools. Nice to see things have changed despite Tech’s commitment to diversity & inclusion
You just sound envious.