i know Im randomly asking but does someone know of a trick to get back into an Instagram account?? I somehow lost the password. I love any tips you can offer me.
At first I thought he was looking towards the camera like "You can Play this song to!!" but now, after attemping hundreds of times, I see him with a"Aha! You're still trying? How bout you just admit you can't play it" kind of look ...this song is too amazing...need more practice....
@Vwisehoon Yes, absolutely! I tried to make a comment before which reinforced that point before but it wouldnt let me. The main way that ive improved is by learning harder and harder songs. So yeah, youre completely right.
there is something about the way this ends that makes you say "ok one more shot" every time. its not like the progression lacks resolve.. rather just something that urrges you to hit replay again and again after an imperfect run. Anyone feel this?
GG's advice for Solo Tips You can actually jam over the solo sections in this track and achieve some pretty good results using nothing more complex than the humble Bm pentatonic scale. This is splendid news: it means that a player who may not feel entirely comfortable with the whole jazz/fusion thing can simply build on that trusty pentatonic framework. adding one new idea at a time. A few chromatic notes can work very well here if they’re applied in the right way, but the most important thing is to stay focused on what’s actually going on in the chord progression. Try these scale choices, if you feel so inclined... For the B section: Bm7 - B aeolian D9 - D mixolydian Gmaj7 - G lydian F#7b9 - F# phrygian dominant (if you like Yngwie) or F# superlocrian (if you like Larry!) Additional info for the E section: Em11 - E dorian (the same notes as the B aeolian and G lydian we encountered earlier.) This will work for the whole of bars 25-26, so don’t panic about the density of the chords as notated in the tab - everything’s going to be just fi ne. A11 - A mixolydian A#dim7 - you could interpret this as an F#7b9 with no root, and use F# phrygian dominant. You might also like to try the whole-half diminished scale, starting on A#. Or you could play it safe and stick to the notes of the A#dim7 arpeggio. (Frankly, it’s only there for one beat at the end of bar 23... so you could be forgiven for not worrying too much about this chord!)
You should take this down. I put the same thing up a while ago but the website that I purchased it from asked me to take it down. I agree that it's really great to share, but I think that it does reduce the profit Guthrie gets in turn.
I like how he smiles at me like: You can't fucking play this, stop it .
+Teun Music Productions I didn't even notice that until now hahahaha
hahahahahah ftw :D
Hahahahahah. Right??
i know Im randomly asking but does someone know of a trick to get back into an Instagram account??
I somehow lost the password. I love any tips you can offer me.
@Landry Zaid instablaster :)
His smiling seems to be laughing at my playing..
I do think so.hahaha
LOL i know!! i feel same!
He isn't laughing at you.... He's proud of how good you are to learn his song....,.,.have a good day :)
😄😂😭
Hahahahahahahaha
Just look at that face, staring into your soul with judgement as you feebly attempt his song.
I was thinking the same! haha
He's like "Don't ever bother trying" haha
I think the fact that the backing track has more views than the actual song is telling of Guthrie's audience.
1:25... I just leave that space empty. I feel creatively, my interpretation just has a blank space there......
I make the same artistic choice
It looks like the wise artists like us choose the same paths
same btw
It's not that hard bro!
Whenever I jam to this, I play like a boss, since I feel that the master is watching me and I cannot fail him.
This backing track by itself is amazing.
I could listen to this all day even without the melodies :)
Best one I've ever heard.
And still
Glad someone uploaded this! Amazing track, with or without Guthrie!
Practicepracticepracticepractice
...and u may some day be 1/4 this good...
Guthrie is smiling because he knows that none of us will ever be able to play that tapping section!!
Thanks dude, its lovely to play along to
thing is, learning his solos in turn give you a great finger work out and a whole lot of new licks that you could make your own.
Masterpiece.
At first I thought he was looking towards the camera like "You can Play this song to!!" but now, after attemping hundreds of times, I see him with a"Aha! You're still trying? How bout you just admit you can't play it" kind of look ...this song is too amazing...need more practice....
aaand at 1:26 it finish my perfect cover.
MixatoFreeKill yeap..... only 37 notes left :(
well after 1 year and more i did it!! never give up guys
I can't play this for my life, so I'm sitting here singing the lead part scat style.
even just backing track this sounds nice lol
@Vwisehoon Yes, absolutely! I tried to make a comment before which reinforced that point before but it wouldnt let me. The main way that ive improved is by learning harder and harder songs. So yeah, youre completely right.
@IAreTehNub Backing tracks for the whole Erotic Cakes album are available from jamtrackcentral (official versions).
that bass!
ahhhhhhhhhh so fun!
I like it!
by the look on Guthries face I think he likes my playing!!
Jess Lewis has the most awesome cover of this
Thank u
Hell yeah!
i can play this, but never in my life i could imagine me singing this shit ^^
i mean......... who would ever be abel to cover this song anyway....? but thx for the track! I'll give it an attempt and prolly give up in 2 minutes
Thanks for sharing this backing track. I've made my own cover of this game on this backing track.
smooth jazz !!!!!!!!
@GuitarSean5153 it's up to the reader
@sup3rdavid
I was just wondering that myself, I think its is but he's throwing in a lot of other notes, im hearing that raised 7th a few times...
It's actually quite doable (tapping section needs tons of work though!) if you practice it a bit
there is something about the way this ends that makes you say "ok one more shot" every time. its not like the progression lacks resolve.. rather just something that urrges you to hit replay again and again after an imperfect run. Anyone feel this?
@pear500 Bm sounds right, and pretty much all of GG's playing incorporates a ton of outside playing.
is it "Sunny"?
So true .... So sad !
More practice for me , maybe in 100 years ! xD
1:25 is when i put 0-3-5
@kishido777 so that means that someone will start chewing his liver? O.o
@oscarsstuff I just uploaded the official Waves backing track.
do you have the fives backing track?
Forgive me Father Guthrie to try to play this.
@MrJemyolas B minor, but with a lot of chomatic.
Does anyone know in which scale he plays?
truth
Solo over this in the A pentatonic scale. Thanks for doing a backing track!
Max Murden I think you mean B Minor pentatonic!
+AxisofJustice21 lol should have let him played it in A XD
GG's advice for Solo Tips
You can actually jam over the solo sections in this track and achieve some pretty good results using nothing more complex
than the humble Bm pentatonic scale. This is splendid news: it means that a player who may not feel entirely comfortable
with the whole jazz/fusion thing can simply build on that trusty pentatonic framework. adding one new idea at a time.
A few chromatic notes can work very well here if they’re applied in the right way, but the most important thing is to stay
focused on what’s actually going on in the chord progression. Try these scale choices, if you feel so inclined...
For the B section:
Bm7 - B aeolian
D9 - D mixolydian
Gmaj7 - G lydian
F#7b9 - F# phrygian dominant (if you like Yngwie) or F# superlocrian (if you like Larry!)
Additional info for the E section:
Em11 - E dorian (the same notes as the B aeolian and G lydian we encountered earlier.) This will work for the whole of bars
25-26, so don’t panic about the density of the chords as notated in the tab - everything’s going to be just fi ne.
A11 - A mixolydian
A#dim7 - you could interpret this as an F#7b9 with no root, and use F# phrygian dominant. You might also like to try the
whole-half diminished scale, starting on A#. Or you could play it safe and stick to the notes of the A#dim7 arpeggio. (Frankly,
it’s only there for one beat at the end of bar 23... so you could be forgiven for not worrying too much about this chord!)
This comment is fucking great. Laughed really hard ! :D
good luck everyone
1:35
You should take this down. I put the same thing up a while ago but the website that I purchased it from asked me to take it down. I agree that it's really great to share, but I think that it does reduce the profit Guthrie gets in turn.
@ZeppelinRules me too.. sigh
@AnUnexplainable I'm attempting thousand times and now I'm sure his look on the screen is exactly humiliating
es libre esta base
Can anybody share the original Bt ?
0:13
could anyone share the chord progression?
00:45
Is it in B minor?
David Djerzinski yes
1:04
1:04
Guys i wouldnt even bother trying to learn his solos note for note, theyre just way too advanced. Improvise your own!
2:33
2:33
2:33
@guitarisgrr8 If you can send me it in 85%, 35% and 50% tempo I'd be very glad! =)
Do not attempt while drunk........
@IAreTehNub i have it on my page... check it out
Are you seriously implying I'll ever be able to play that?
cant play a single note
so just impro xD
Hey I can play it !
...Well except the bar at 1:26
can you play the last bar then?
Does anyone have the tabs ?
If you're still learning by tabs, you aren't ready.
I like it better with no lead.