Hologram Chroma Console is Everything and More
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- Опубліковано 24 лип 2024
- The Hologram Electronics Chroma Console is a multi-effect pedal that blends the unique characteristics of vintage recording equipment with modern sound innovations. It's designed for musicians who crave versatility and creativity in their soundscapes. This pedal features an intuitive user interface that simplifies the exploration of its extensive sound capabilities. With the Chroma Console, users can effortlessly dial in a range of effects, from classic tape-like warbles to futuristic delays and modulations, making it a valuable tool for both live performances and studio recordings. Its robust construction and thoughtful design encourage users to push the boundaries of their musical expression, making it a standout choice for adventurous sound artists.
www.hologramelectronics.com/
All backing tracks written, performed, mixed & mastered by Ryan Plewacki unless otherwise noted.
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Guitars:
Walsh Guitars Yadah: bit.ly/WALSHGUITARS
Rivolta Regata VII: bit.ly/RIVOLTA-DITD
Seuf Guitars OH-16 (bass): bit.ly/SEUFGUITARS
Amp:
Silktone Amp: bit.ly/silktone
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0:00 Intro
1:46 In the Mix
4:51 Calibration
5:54 Character Module
10:21 Movement Module
14:54 Diffusion Module
19:52 Texture Module
23:08 Gestures
24:58 Closing Thoughts
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Recording Rig:
Universal Audio Apollo X16 www.zzounds.com/a--3979288/it...
Manley Force www.zzounds.com/a--3979288/it...
Universal Audio 4-710d www.zzounds.com/a--3979288/it...
Golden Age Pre-73 www.zzounds.com/a--3979288/it...
Warm Audio EQP-WA www.zzounds.com/a--3979288/it...
Tech 21 SansAmp RBI www.tech21nyc.com/products/sa...
Drawmer DL241 www.drawmer.com
Vintage DBX 160A (pair)
Yamaha HS7 Monitors www.zzounds.com/a--3979288/it...
Guitar Amp Mics:
AKG C 414 XLS www.zzounds.com/a--3979288/it...
Cascade Fathead www.cascademicrophones.com
Avantone CV-12 (room mic) www.zzounds.com/a--3979288/it...
Vocal Mic:
Sennheiser MKH 416 www.zzounds.com/a--3979288/it...
#demosinthedark #guitarpedals #recordingstudio
Love mine, super versatile pedal. The gesture and secondary functions make it really fun to play around with...plus it has MIDI!
Really cool demo.
thanks!
Was that a little dash of “Wiser Time” in there?
yeah i love that chord progression!
I bought one when they first came out. Loved the tones, but I felt like it had a digital latency that made it feel weird under the fingers
yeah? i didn't notice. lemme see if i can get it to do it.
Did you use it into an amp, or into a pc? Did you use any other pedals with a digital dry-through, like an H9 or H90? I can believe that when stacking a few digital-dry pedals in a row, or running them into a pc or a digital modeller, all the latencies stack up, and eventually it’ll get noticeable. But running just the Chroma into an analog amp, I’ve not felt it to have any noticeable latency at all.
@@Qwitsoender Nope, straight into the pedal and then straight out to the amp. It seemed most prominent to me with the mix being 100% (which is how they recommend using it)
@@reynoldswrap36I’ve not seen that recommendation and i have read the whole manual. And I haven’t experienced what you’re describing.
Maybe you were using some of the effects that have inherent latency, like the pitch shifter or the doubler.
Also, the dry signal that’s on the mix control is in phase with the non-time-based-fx, like the preamps and fuzzes, otherwise mixing in the clean with the drive would result in a hollow phase-problem sound, like a flanger or chorus that’s stuck in one place. This doesn’t happen, so the dry sound must have the same latency as the wet sound. This makes it extra weird that you say you could hear or feel more latency with the effect at full wet. I really think you were probably fixating on some of the fx that have inherent latency.
Did you wind up keeping it? I heard absolutely unusable latency when he was on the pitch setting.. that may be a dealbreaker right there.