Violinists and overall and orchestra tends to have a straight face whenever playing, they do it so that way they can focus on the notes and especially the long articulations, 8ths and 16th notes. I know that because I’ve been a violinist for over eight years.
I believe this was done deliberately. It may have been by the maestro's/conductor's choosing or the orchestra following his orchestration. Could be that he wanted the opening to ritardando, producing a more majestic form.
How can you not like it ? This is joyful.
Rest in peace, Lorin Maazel.
Lorin Maazel !! A genius. Masterful director. Thanks for sharing this beauty.😊🌹
They are concentrating. Close your eyes and you will hear the joy.
The audience members I saw had their eyes open.
Look at the long faces!!! This piece is so joyful!!!!!How joyless are these people!!!!
Get a life
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They're probably always like that, but I would have the same expression for this piece, just not for the same reason; hyper focused and in awe.
Violinists and overall and orchestra tends to have a straight face whenever playing, they do it so that way they can focus on the notes and especially the long articulations, 8ths and 16th notes. I know that because I’ve been a violinist for over eight years.
Oh, it was because some of those people are there to observe and rate their playing.
Bravo ermosisimo!!❤️❤️❤️
At 0:42 we see and hear the drummer using only his one hand to produce the rapid fire pattern .Amazing
It's so goid to hear organ pieces for the 1st time.Such beautiful music to finish Evensong.Thankyou Michael
Enjoyed very much. This is the best piece to use when explaining counterpoint to children. ❤2:25
Absolutely gorgeous!
Those dudes from 2:03 to 2:10 look like they'd rather be home watching the finance channel. Loosen up and enjoy!
That’s exactly what they’d rather be doing
Why does the tempo slow after about the 4th bar (about 16 seconds)? Did they really do this or is it a processing/production artifact?
I believe this was done deliberately. It may have been by the maestro's/conductor's choosing or the orchestra following his orchestration. Could be that he wanted the opening to ritardando, producing a more majestic form.
I feel the tempo in this finale a little too fast, so the ending stopped too rush without essence remained.
2:20