We are so fortunate that we got to live during Barry Harris's lifetime. He was one of the greatest jazz educators who ever lived. A diplomat and representative of music... RIP Barry Harris And yes, Bill Graham has made the quintessential documentation of Barry's bebop "rules." He's the ultimate devotee, who is helping to pass on this knowledge.
This shows huge commitment from you, kudos and very much appreciated. Both videos were great, of course the 6th diminished scale and the versatility of the 6th chord hold so much utility in them that it'd be a 300-hour video.
U Tube videos seem to have gotten so much better recently (or the algorithm that picks for me has got better?!). This teacher is a great example. Thank you for your hard work, Noel.
This is gold for performers of all levels. Barry left us oceans of understanding with bebop & other styles. The break downs are vital to coming generations for creativity. Thank you Noah for being so share oriented, it is monumental in the Universal music culture. Many other fields of study decline to do this, and that is a frustrating mistake.
Thank you for this video as I'm a self taught gospel musician helping others build a base for better playing technique. I never learned jazz but use elements of its style in my music. I just subscribed and will absorb from you what. I didn't learned from gospel albums in my youth.
Regarding the half step rules, later in his teachings Barry Harris R.I.P. had an evolution to the rules. Essentially wherever one of the half steps occurs in any of the rules, ANY NOTE from the chromatic scale can be used in its place. So for example the instead of using Ab between the sixth and fifth, use any other note. It’s great!
@@barryo5158 This makes so much sense! Does that apply to chords as well in the same way as 6th dim? Like making chords out of any 8 note scale? Do you have any other tips? Love to hear stuff like this, thank you
This is an awesome insight, thanks! One idea I forgot to mention was exactly centered around this concept- you can essentially create "enclosures," although I know Dr. Harris didn't refer to them this way. But instead of a half step, you can "enclose" a chord tone and that works great as well for creating bebop lines.
I like to streamline the "half step rules" that Barry Harris taught. For descending half-step rules: Starting on an odd-numbered degree (7, 9, 11, etc) you don't need to add a half step. Starting on an even-numbered degree (6, 8, 10, etc) you need to add a half step. That's it. These "rules" serve to balance the line. Balance = chord tones landing on the beat. It's basically a binary approach to balance a 7-note scale. 7 is an odd quantity of notes, balancing it with added half steps can keep chord tones on the beat. Observations: Add 1 half step or 3 half steps and the result is the same, either way balances the scale. Add none or add 2 half steps and the result is the same, either way balances the scale. Harry Likas was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book". Harry studied for 20 years with Barry Harris. Harry spends his time teaching online and playing solo piano gigs.
Don’t listen to the complainers, you are a great teacher and your last video tribute to Barry was spot on … I guarantee you the majority of those whiny individuals can’t even play at your level
Great video. In the added half step section, it seems like you are approaching this differently from the way BH taught it, in that it sounds like you are thinking of tonic lines over V resolving to I, while he would talk about playing the x7 scale over the V chord, not the major scale. Same set of notes but different framing.
It says a lot from you to took those comments from the last video on a good way and used them to improve your content and teaching instead. Even though your previous video was still great, at least from a perspective of some who still do not have a proper understanding of barry's concrete metodology. Continue doing this great work you do for us, apreciate it.
What a lot of excellent info but a pity it is almost impossible to get anything out of it. He speaks too quickly. the notes indicators go too fast and disappear after playing each note as do the manuscript music at top left. A chord is shown when he plays it and then disappears as soon as he stops so can't inspect it.I've tried playing the videos at half speed even and pressing pause but that doesn't work. The pdfs of the exercises are perfect but what can you do with them in a piece of music? Have I missed those videos?
It is a courageous effort to bundle all kinds of aspects of Barry Harris' teachings. However, you tend to go hastily through way too many things too superficial. Perhaps it is good for people of your own skill level. Could you now do a series of twelve episodes explaining one aspect, with exercises and implementation?
Hey Noah. Thanks for your video. It was informative. The only critique (if Ok to provide some constructive criticism) is that your piano chops are obviously based from classical piano training and not jazz piano. Only observing that you do not swing your eighth notes in true bebop style. Hope you don’t mind this observation. Still enjoyed your video. Thanks.
@@thomasmyles9392 Thanks. I’m a mid level “wannabe” jazz musician trying to learn as much as possible. Have a lifetime of learning to go! Happy Holidays!
I met Barry Harris in concert and asked if he could teach me his chops and he agreed, not knowing who I am. Unfortunately, I didn't connect w/ him on follow-up due to personal circumstances but he impressed me for being very open, candid, and not at all pretentious of his star label.
Picking radome numbers off of the floor -- aleatoric music -- They always refer to John Cage, but I think Mozart was known for doing this sort of thing.
Yet, in the first 1:30, you could have mentioned that Barry Harris had just passed on Dec 08, eh? For future viewers might not have the same "sensibility/awareness", eh? Anyway, I like your stuff, except that you do not break it down into elements. For example, your 20 bebop licks does nothing to explain the concept of enclosures which also Jamey A never discussed...and I have spent 35 PLUS YEARS noticing that the greats played notes NEAR the chord tones, but I had NO CLUE, until I stumbled upon perhaps Chad LB or Open Studio, upon the concept of ENCLOSURES !! Hey yeah yeah...a simple ideer, eh? I nevah had a CLUE !!! And I did my share of transcribing, but it yielded nothing but licks that could only be used in one context...because I had no foundational knowledge. BUT I come from the less well musically edumacated cuz I was born in 1960 and had no solfege before I play me the clarinet, etc... and thus there are the DIVIDES a tween Jamey A and older cats and less music in schools when I was in , say 1968 to 1978, and today, when kids caint sing do re mi if they tried, for cuz it wasnt nevah shown to themski. I speak my piece pure and true, for once I discovered music in 4th grade, I loved it, but how did I know if my teachers were edumacated themselves? And thus, we now exist the age of low-information music, per Rich Beato. Anyway, I'se trying to becum a bethah blues/jazz pianist...the struggle for self-improvement continues....WHAT KIDS TODAY DON'T GET IS THE IDEER OF SELF IMPROVEMENT, and I'm beginning to wonder if THIS is the principle behind google and meta, and thus a re-creation of enslavement, but this time it ain't Big Brutha, but rather private corporations who can then sell your info to Govt when it is convenient, by tracking EVERYTHING YOU DO ONLINE.........aaaaaggggghhhh!!!! And besides that, that you have been conditioned to not need to make an effort, and thus since you don't need to memorize the times table, you can just look it up, and thus you become a SLAVE by low standards....which is just what the super-rich want, since they need you to cut their lawns and "clean" (by moving dirt around--see Nickled and Dimed by Barb Ehrenreich).....and thus low standards will create a wacko new society. Anyway I support self-actualization and practice of music per Noah!! And ALL people who strive towards a greater and BETTER and FAIRER world society! Micah
As far as the tossing of the numbers on the ground and creating a melody thing goes... please go ahead and memorize your phone number, social security number, address, and maybe passport # as melodies. They are yours and yours alone; it's kind of poetic.
Teach me how to use my ear using nothing more than a whole step. You might reference some earlier vid here, if it exists, I come from dumb. You pass this off as LA DEE DAH, and yet I say....whoa motherfather! Peace.
That’s what’s wrong with today’s musicians…. You can’t play like Berry Harris. Nobody can’t explain nothing from other musicians. People are explaining John Bohnam drums fills… but in order to play like them, you gotta have their life story, their frustrations, their joys, their fear in order to play like them. Explain how they play, is such underestimating them. T he y would laugh at a kid who explains their playing. People should find their own personal way and not copying somebody else. Good playing tho
nobody should play like barry harris one of the most overrated players.. can you name SINGE seriously amazing solo from him? listen to bud powell, kelly, garland if you wish.. harris is absolutely boring artist
I click on everything Barry Harris. Anyone who played and recorded with Sonny Stitt is a legendary icon to me.
12:55 "I'm just going to where my fingers take me"... love it!
We are so fortunate that we got to live during Barry Harris's lifetime. He was one of the greatest jazz educators who ever lived. A diplomat and representative of music... RIP Barry Harris
And yes, Bill Graham has made the quintessential documentation of Barry's bebop "rules." He's the ultimate devotee, who is helping to pass on this knowledge.
Respect to you sir. For trying to make everybody feel okay.
This shows huge commitment from you, kudos and very much appreciated. Both videos were great, of course the 6th diminished scale and the versatility of the 6th chord hold so much utility in them that it'd be a 300-hour video.
For sure! Thanks appreciate it 🙏
REST in eternal peace Barry Harris. He will LONG be remembered.
I admire the respect you show for these great musicians. Excellent work!
I love your openness and candor Noah, also you do a great job of communicating really complex concepts. Peace.
Thanks, Eric! I appreciate that.
I've been teaching and playing for nearly 45 years, and I really appreciate your videos and talents. 🎵🎶🙏🎹
Noah, the lines you were spinning in the family of dominants were pure insanity. Great video which really opens the door to Dr. Harris's work. Bravo
Absolutely stunning explanation, love the giant step application ! Great teaching man, thank you 🙏
I liked the first video, yet I totally understand and appreciate the update.
You are a awesome teacher. Barry will always be the master musician. Thanks for breaking down what he was explaining in his numerous vids.
Barry Harris is a goldmine for composers
U Tube videos seem to have gotten so much better recently (or the algorithm that picks for me has got better?!). This teacher is a great example.
Thank you for your hard work, Noel.
Thank you Noah, was so confused when you took down the first video glad to see it back since Barry has helped so much with my playing
Noah, excellent resume of barry sound!
Thank you Noah.
This is gold for performers of all levels. Barry left us oceans of understanding with bebop & other styles. The break downs are vital to coming generations for creativity. Thank you Noah for being so share oriented, it is monumental in the Universal music culture. Many other fields of study decline to do this, and that is a frustrating mistake.
You’re welcome David really glad you found it helpful
Thank you brother.
Thank you.Very clear the ilustration.
Thanks saw the interview with Aaron Parks and didnt quite follow what he was saying. This clears it up. High five!
Una maravillosa explicación para acercarnos al gran maestro. Muchas gracias.
Very cool! Thank you very much Noah! God bless You Barry Harris!❤
Thank you for this video as I'm a self taught gospel musician helping others build a base for better playing technique. I never learned jazz but use elements of its style in my music. I just subscribed and will absorb from you what. I didn't learned from gospel albums in my youth.
For the diminished scales, you also have the minor dim 6, the dominant dim 6, and the b5 dim 6 scales.
Great content Noah
Barry è il classico pianista che ti togli la voglia di continuare a studiare il piano.....non si può arrivare cosi in alto 🙂
always amazing no words
Huge thanks, much needed content. 🤟🏾
Chalk up another outstanding tutorial Noah. I love them...
Thank you uploaded
Great work, thank you!
Thanks, Noah.
Honors my friend. Well done.
Regarding the half step rules, later in his teachings Barry Harris R.I.P. had an evolution to the rules. Essentially wherever one of the half steps occurs in any of the rules, ANY NOTE from the chromatic scale can be used in its place. So for example the instead of using Ab between the sixth and fifth, use any other note. It’s great!
Wait what!? I didn't know Barry Harris is R.I.P!
Funeral was this week.
@@barryo5158 We lost a truly amazing musician. We owe it to him to carry on his teachings and legacy. Thank you for filling me in.
@@barryo5158 This makes so much sense! Does that apply to chords as well in the same way as 6th dim? Like making chords out of any 8 note scale? Do you have any other tips? Love to hear stuff like this, thank you
This is an awesome insight, thanks! One idea I forgot to mention was exactly centered around this concept- you can essentially create "enclosures," although I know Dr. Harris didn't refer to them this way. But instead of a half step, you can "enclose" a chord tone and that works great as well for creating bebop lines.
Thanks
I like to streamline the "half step rules" that Barry Harris taught.
For descending half-step rules: Starting on an odd-numbered degree (7, 9, 11, etc) you don't need to add a half step. Starting on an even-numbered degree (6, 8, 10, etc) you need to add a half step.
That's it.
These "rules" serve to balance the line. Balance = chord tones landing on the beat. It's basically a binary approach to balance a 7-note scale. 7 is an odd quantity of notes, balancing it with added half steps can keep chord tones on the beat.
Observations:
Add 1 half step or 3 half steps and the result is the same, either way balances the scale.
Add none or add 2 half steps and the result is the same, either way balances the scale.
Harry Likas was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book". Harry studied for 20 years with Barry Harris. Harry spends his time teaching online and playing solo piano gigs.
I never could play over 251s in a fulfilling way until I leaned Harris' techniques.
Rest In Peace 💔💔💔💔
can you link to the piece that starts playing in the background at 0:13 ?
Thanks Noah!
Thanks Ed, appreciate your comment!
Very inspiring, thank you so much
You're welcome, Davide! Thanks for the comment.
blew my mind at 19min
Grade wise, what level of piano theory should i be comfortable with before attempting any of the barrys methods?
Can anyone tell me what software is used to make videos like this? I’d love to be able to make these sorts of videos, but don’t know how.
Hey there- quick answer is I record my screen with Synthesia (the keyboard app), then I edit it all in Adobe Premiere.
Don’t listen to the complainers, you are a great teacher and your last video tribute to Barry was spot on … I guarantee you the majority of those whiny individuals can’t even play at your level
Great video. In the added half step section, it seems like you are approaching this differently from the way BH taught it, in that it sounds like you are thinking of tonic lines over V resolving to I, while he would talk about playing the x7 scale over the V chord, not the major scale. Same set of notes but different framing.
It says a lot from you to took those comments from the last video on a good way and used them to improve your content and teaching instead. Even though your previous video was still great, at least from a perspective of some who still do not have a proper understanding of barry's concrete metodology.
Continue doing this great work you do for us, apreciate it.
What a lot of excellent info but a pity it is almost impossible to get anything out of it. He speaks too quickly. the notes indicators go too fast and disappear after playing each note as do the manuscript music at top left. A chord is shown when he plays it and then disappears as soon as he stops so can't inspect it.I've tried playing the videos at half speed even and pressing pause but that doesn't work.
The pdfs of the exercises are perfect but what can you do with them in a piece of music? Have I missed those videos?
Play on slower spead
9:18
Thanks to create this serie about “How to play like…” in the same way Nahre Sol does with classical music.
Hey Victor, I actually do have one! If you go to my channel there's a playlist there.
@@NoahKellman Thanks, I’ll check it out. Happy Holidays!.
What program is this?
It is a courageous effort to bundle all kinds of aspects of Barry Harris' teachings.
However, you tend to go hastily through way too many things too superficial.
Perhaps it is good for people of your own skill level.
Could you now do a series of twelve episodes explaining one aspect, with exercises and implementation?
Hey Noah. Thanks for your video. It was informative. The only critique (if Ok to provide some constructive criticism) is that your piano chops are obviously based from classical piano training and not jazz piano. Only observing that you do not swing your eighth notes in true bebop style. Hope you don’t mind this observation. Still enjoyed your video. Thanks.
@@thomasmyles9392 Thanks. I’m a mid level “wannabe” jazz musician trying to learn as much as possible. Have a lifetime of learning to go! Happy Holidays!
@@thomasmyles9392 Sounds cool! What instrument do you play? Perhaps a Zoom connection in 2022 (?). Enjoy the holidays.
I guess you answered my question…Lol. My bad. You obviously play piano too.
🙏🙏
I met Barry Harris in concert and asked if he could teach me his chops and he agreed, not knowing who I am. Unfortunately, I didn't connect w/ him on follow-up due to personal circumstances but he impressed me for being very open, candid, and not at all pretentious of his star label.
Picking radome numbers off of the floor -- aleatoric music -- They always refer to John Cage, but I think Mozart was known for doing this sort of thing.
First of all, one has to be born or raised in Detroit from a very early age, like.. from 3 years old. So, there is that.
Interesting but how you wave around across this scale is what I don't understand.
Yet, in the first 1:30, you could have mentioned that Barry Harris had just passed on Dec 08, eh? For future viewers might not have the same "sensibility/awareness", eh? Anyway, I like your stuff, except that you do not break it down into elements. For example, your 20 bebop licks does nothing to explain the concept of enclosures which also Jamey A never discussed...and I have spent 35 PLUS YEARS noticing that the greats played notes NEAR the chord tones, but I had NO CLUE, until I stumbled upon perhaps Chad LB or Open Studio, upon the concept of ENCLOSURES !! Hey yeah yeah...a simple ideer, eh? I nevah had a CLUE !!! And I did my share of transcribing, but it yielded nothing but licks that could only be used in one context...because I had no foundational knowledge.
BUT I come from the less well musically edumacated cuz I was born in 1960 and had no solfege before I play me the clarinet, etc... and thus there are the DIVIDES a tween Jamey A and older cats and less music in schools when I was in , say 1968 to 1978, and today, when kids caint sing do re mi if they tried, for cuz it wasnt nevah shown to themski. I speak my piece pure and true, for once I discovered music in 4th grade, I loved it, but how did I know if my teachers were edumacated themselves? And thus, we now exist the age of low-information music, per Rich Beato. Anyway, I'se trying to becum a bethah blues/jazz pianist...the struggle for self-improvement continues....WHAT KIDS TODAY DON'T GET IS THE IDEER OF SELF IMPROVEMENT, and I'm beginning to wonder if THIS is the principle behind google and meta, and thus a re-creation of enslavement, but this time it ain't Big Brutha, but rather private corporations who can then sell your info to Govt when it is convenient, by tracking EVERYTHING YOU DO ONLINE.........aaaaaggggghhhh!!!! And besides that, that you have been conditioned to not need to make an effort, and thus since you don't need to memorize the times table, you can just look it up, and thus you become a SLAVE by low standards....which is just what the super-rich want, since they need you to cut their lawns and "clean" (by moving dirt around--see Nickled and Dimed by Barb Ehrenreich).....and thus low standards will create a wacko new society.
Anyway I support self-actualization and practice of music per Noah!! And ALL people who strive towards a greater and BETTER and FAIRER world society! Micah
As far as the tossing of the numbers on the ground and creating a melody thing goes... please go ahead and memorize your phone number, social security number, address, and maybe passport # as melodies. They are yours and yours alone; it's kind of poetic.
You mean Gene Harris?
Nope. Barry Harris
What kind of doctor was Barry Harris?
A Bebop Doctor
“doctor” means “teacher”
Teach me how to use my ear using nothing more than a whole step. You might reference some earlier vid here, if it exists, I come from dumb. You pass this off as LA DEE DAH, and yet I say....whoa motherfather! Peace.
That’s what’s wrong with today’s musicians…. You can’t play like Berry Harris. Nobody can’t explain nothing from other musicians. People are explaining John Bohnam drums fills… but in order to play like them, you gotta have their life story, their frustrations, their joys, their fear in order to play like them. Explain how they play, is such underestimating them. T he y would laugh at a kid who explains their playing. People should find their own personal way and not copying somebody else.
Good playing tho
nothing to do wirh barry you far away from him god bless harris????????
I don't understand the question.
nobody should play like barry harris one of the most overrated players.. can you name SINGE seriously amazing solo from him? listen to bud powell, kelly, garland if you wish.. harris is absolutely boring artist