Great job. One question: how are you outputting the audio signal using the Medusa as sound source with Edelweiss III? It is not possible to see in the video, but I guess you have both in a RS6?
Thank you! Yes, both are in an XL boat, we used an extra Stereo Mixer just to output the signal (AUX IN => balanced) into the ADC for convenience, however, any banana to TLS solution would have worked, too.
@@serge-modular Thanks for the clarification. Could you suggest a good solution (banana to TRS) that would allow me to produce the correct voltage/level, so that I can connect it directly to my audio interface (without ground noises, etc)? Maybe LOW GAIN ELECTRONICS UTL-1/2? or LOW GAIN UTL 1A (maybe the attenuator would help? and I could use output using a 1/8” to 1/4" cable)? Danke.
Oh boy the strings 🥲that's struck a chord in my heart (pun very much intended) Can I ask why the 3.5mm jacks near the 1V/Oct inputs? Just for convenience or any other reason?
Fantastic! Are there any plans for a future panel that integrates this module? I already have the complete Paper Face 50 and I can't praise it enough. Thanks in advance!
@@shovinoseixas That's an interesting idea, especially the VCF2, however we found that due to the complex, overtone-rich waveforms of the Subharmonic Oscillator the VCM is not too compelling as a partner - it works best adding harmonics to pure (poor!) waveforms.
@@serge-modular Thanks for your reply. I haven't had the chance to explore the Resnoant EQ yet. But I'm still very impressed by both Medusa and Siegfried. I'm not in a hurry but would be curious to see how you guys would combine the Medusa in a panel. Thanks anyhow for your attention.
loving these classic paraphonic textures. would love to see another demo taking this thing through self-modulation hell.
this sounds like a damn good album
those strings....woah O.O
the strings!!!
waouw
Great job. One question: how are you outputting the audio signal using the Medusa as sound source with Edelweiss III? It is not possible to see in the video, but I guess you have both in a RS6?
Thank you! Yes, both are in an XL boat, we used an extra Stereo Mixer just to output the signal (AUX IN => balanced) into the ADC for convenience, however, any banana to TLS solution would have worked, too.
@@serge-modular Thanks for the clarification. Could you suggest a good solution (banana to TRS) that would allow me to produce the correct voltage/level, so that I can connect it directly to my audio interface (without ground noises, etc)? Maybe LOW GAIN ELECTRONICS UTL-1/2? or LOW GAIN UTL 1A (maybe the attenuator would help? and I could use output using a 1/8” to 1/4" cable)? Danke.
Beautiful demo, any idea then the 3u version will be available?
Thank you
Thank you!! Eurorack version should follow 💥, however, this may take some time as it requires a completely new layout for 3U ...
6:19 6:30 12:12 15:53 21:29
Sounds very nice. Will there be also a more tech video about how these modules work?
Thank you and good point - so far we can only offer the user manual - will try to do another demo soon!
@@serge-modular would be very nice!
Oh boy the strings 🥲that's struck a chord in my heart (pun very much intended)
Can I ask why the 3.5mm jacks near the 1V/Oct inputs? Just for convenience or any other reason?
Thank you! Yes, the eurorack jacks are just for convenience, making it easier to connect a (or 2!) keyboards with CV-Out.
@@serge-modular Or a multi channel euro sequencer without the mess of a jumbler... Just waiting on DHL now!
🌶
Fantastic! Are there any plans for a future panel that integrates this module? I already have the complete Paper Face 50 and I can't praise it enough. Thanks in advance!
Many thanks, very kind! We are indeed bouncing some ideas for a Medusa Panel (configuration) - what would you like to see in there?
@@serge-modular VCM + VCF2 ;)
@@shovinoseixas That's an interesting idea, especially the VCF2, however we found that due to the complex, overtone-rich waveforms of the Subharmonic Oscillator the VCM is not too compelling as a partner - it works best adding harmonics to pure (poor!) waveforms.
@@serge-modular Thanks for your reply. I haven't had the chance to explore the Resnoant EQ yet. But I'm still very impressed by both Medusa and Siegfried. I'm not in a hurry but would be curious to see how you guys would combine the Medusa in a panel. Thanks anyhow for your attention.